From: owner-shindell-list-digest@smoe.org (shindell-list-digest) To: shindell-list-digest@smoe.org Subject: shindell-list-digest V3 #448 Reply-To: shindell-list@smoe.org Sender: owner-shindell-list-digest@smoe.org Errors-To: owner-shindell-list-digest@smoe.org Precedence: bulk shindell-list-digest Saturday, December 8 2001 Volume 03 : Number 448 Today's Subjects: ----------------- [RS] Proofreading for $200, Alex ["Gene Frey" ] Re: [RS] Misc. Courier thoughts . . . [Joe Lanzalotto ] Re: [RS] Memory of You ["Kristen Myshrall" ] Re: [RS] Memory of You [Vanessa Christina Wills ] Re: [RS] Misc. Courier thoughts . . . [Janet Cinelli Subject: [RS] Proofreading for $200, Alex Hey you guys, Charlie asked us to find:: a) the typo in the lyrics of "Courier" Would that be 'loll go back to where I came from?' Gene F. _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp ------------------------------ Date: Sat, 08 Dec 2001 20:53:35 -0800 From: Joe Lanzalotto Subject: Re: [RS] Misc. Courier thoughts . . . patrick t power wrote: > RonG stated: > > < instead of "Sonora's Death Row" was a lousy idea.>> I for one am really glad it was included. Something very different...you'd hardly think of Richard as a "Jersey Guy"! > < that song (or for that matter would do it the justice that Richard did), The only other ones I can think of are the Hollies. I remember that they did it live at a show at the Bottom Line in 1975 and it blew me away. Two years ago I saw Springsteen do it, and it blew me away. This version does too....all so different from one another. Richard's version is the way Bruce would have wanted to sound if he did "Sandy" on Nebraska...nah, maybe not stark enough. Anyway, I'm glad its there. he could have left "Transit" off. Joe > > so it may very well draw some attention from DJs who might not otherwise > give "this Richard Shindell fellow" a second thought. That the > performance was basically a sincere attempt at covering a really good > song on an ad lib basis, however, I don't have any problem with it being > on the CD. I would have *much* preferred "Sonora's Death Row" to "Willin' > ", however. I don't find the latter to be all that inspiring a > performance (not that it's *bad*!), or the song all that interesting, > depite my affection for Lowell George's music. > > Pat > ________________________________________________________________ > GET INTERNET ACCESS FROM JUNO! > Juno offers FREE or PREMIUM Internet access for less! > Join Juno today! For your FREE software, visit: > http://dl.www.juno.com/get/web/. ------------------------------ Date: Sat, 08 Dec 2001 20:54:31 -0800 From: Joe Lanzalotto Subject: Re: [RS] Misc. Courier thoughts . . . Rongrittz@aol.com wrote: > Regarding "Sandy," Pat writes . . . > > << there aren't too many people (if any) that have covered that song (or for > that matter would do it the justice that Richard did) >> > > Actually, the Hollies, of all people, covered the song. It's on "Another > Night," plus more than one of their greatest hits collections. But, to your > point, they don't do it the justice that RS does. I still prefer "Sonora" > though. > > RG When they did it live the harmonies were astounding. Joe ------------------------------ Date: Sat, 08 Dec 2001 21:02:07 -0500 From: Vanessa Christina Wills Subject: [RS] Memory of You Oh my goodness. Kristen, Gene, and others... I can't even believe my eyes. Oh, you crazy kids. Let me clarify. "Memory of You" is absolutely, hands-down, one of my top three most favoritest Richard Shindell songs. And let me tell you, it's a good thing Memory of You _is_ on the CD, because there would have been heck to pay if it hadn't been. Lots and lots of heck. For example, I love the line: "Why did you leave your will so vague?" Interpretation One: Why didn't you make it clearer what you wanted? Interpretation Two: Why weren't you more precise in writing that legal document which we call a 'will'? And it is the very vagueness of the line that yields these two interpretations. And it seems to me that they are quite distinct, and that neither one has priority over the other--one must hear them both simultaneously in order to hear the song in all its full meaning. So the question "Why did you leave your will so vague?" yields at least one obvious answer: She left it vague because to be more precise would be to exclude some of the meaning from what she wrote. Because to understand her intentions is to understand their vagueness, and to accept it. See, guys? See what a great song this is, and how rich the lyrics are? :-D and what did she write in her will? she wrote: "you keep the vase/ I'll keep the rose/ and the memory of you." As though the memory of "him" (the narrator) is some actual thing that can be signed away and handed off. (Reminds me of Peter Mulvey's "Every Word Except Goodbye." And the narrator keeps the permanent thing--the vase, and the ghost has the thing that will fade and die--the rose. I don't know what significance any of that has--I haven't worked it all out, yet. But it seems pretty darn significant, I must say! And the ghost trilogy of Memory of You, You Again, and Nora is probably my favorite 9 minutes on any CD. Charlie defended the maligned song: <> Yeah, my mom HATES Memory of You, and most of all, she hates the "two long arms..." line. Man, but Memory of You is just so Richard Shindell, I think. It's confrontational, it's passionate, it's mysterious, it's dark as all get-out. I love the shift of attitude that happens between "If I keep my eyes cast down, it just might go away" and "So what's your pleasure, my phantom friend?" Like "OK, enough of this fooling around--what's the deal?" And then the voice is even more challenging in the closing "Why did you leave your will so vague?" verse. Instead of just ignoring the remnants of a long-ago love, the narrator comes to face it and make demands of it. But I agree, Charlie. I, too, think this song is severely neglected! Gene groused: >I would have preferred three minutes of tuning to 'Memory of You,' but that's just me. Oh, come, come, now. Memory of You has an awesome, haunting melody. It's actually one of my fave RS melodies--slowly rocking, meditative and trance-like. And a line like "And it's got two long arms reaching out for me" is just a fabulous way to describe a love or lover that you'd thought was long gone and wish would stay that way. And I love the notion that the ghost may need to take some sweet revenge, fulfill some dread command, or maybe just have someone hold its hand. It's totally bizarre and wickedly disjointed. Anyways...just my two cents, for whatever it's worth. - --V Kristen Myshrall wrote: > I'm with ya on this one....Memory of You is my least favorite RS song...i >just can't stand it and it's the only thing keeping Courier off the "perfect" >album list. I have to run to skip it....it creeps me out and I can't quite >figure out why :) > ><<<<<<< > And boy, I wish there was a way for "Wisteria" to have made the main disc, >too. There are already SIX songs from "Sparrows Point" on the disc (more >than half the disc), so I certainly would have preferred "Wisteria" to, say, >"Memory of You." > > >Kristen >www.angelfire.com/folk/lucykaplansky > >.Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com ------------------------------ Date: Sat, 8 Dec 2001 20:18:03 -0600 From: "Kristen Myshrall" Subject: Re: [RS] Memory of You I dunno bout this....you think Bye Now is creepy...Memory of You gives me chill, and they aren't the good kind. It just completely freaks me out and I don't know why. The lyrics annoy me and the way his voice sounds completely frightening for some reason. I've tried to read through the lyrics over and over and interpret them and it just doesn't help. >>>>>>>>>> And the ghost trilogy of Memory of You, You Again, and Nora is probably my favorite 9 minutes on any CD. <<<<<<<<<< I LOVE You Again and Nora...but Memory of You is completely different. <<<<>>>>> Hmmm....I can't agree with this one...I think it's my vote for that "song that doesn't belong" You know what though....reading through all your interpretations of the lyrics, Vanessa, I never saw it how you do. Interesting...and I'd like to hear more about how people interpret this song, maybe I can discover soemthing i've been missing. Kristen www.angelfire.com/folk/lucykaplansky .Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com ------------------------------ Date: Sat, 08 Dec 2001 21:27:34 -0500 From: Vanessa Christina Wills Subject: Re: [RS] Memory of You I also love the line "What thing could bring you out to haunt this world again?" Emphasis on the "again." I mean, the song isn't just about old loves that were never resolved--it's got some of the same bitter twinge that's more apparent in AYHN. - --V "I am a citizen of the moment. I have built my white picket fence around the now." --The Tick ------------------------------ Date: Sat, 8 Dec 2001 18:31:13 -0800 (PST) From: Janet Cinelli Subject: Re: [RS] Misc. Courier thoughts . . . I have been enjoying the Sonora Sessions alot. I Love the Sonora's Death Row song! I don't know if this has been discussed, if so, I'm sorry, but is the list on the back of the cd accurate? I was expecting #4 to be "Kenworth" but it's "Willin"! That was a surprise! And does do a little of his famous tuning on the bonus cd when he is talking about good singer names. Great cd and I am enjoying everyone's reviews too! Janet Send your FREE holiday greetings online! http://greetings.yahoo.com ------------------------------ End of shindell-list-digest V3 #448 ***********************************