From: owner-shindell-list-digest@smoe.org (shindell-list-digest) To: shindell-list-digest@smoe.org Subject: shindell-list-digest V3 #123 Reply-To: shindell-list@smoe.org Sender: owner-shindell-list-digest@smoe.org Errors-To: owner-shindell-list-digest@smoe.org Precedence: bulk shindell-list-digest Tuesday, April 10 2001 Volume 03 : Number 123 Today's Subjects: ----------------- [none] [mclark@brandeis.edu] [RS] Production. [Rongrittz@aol.com] ---------------------------------------------------------------------- Date: Mon, 9 Apr 2001 14:30:17 -0400 From: mclark@brandeis.edu Subject: [none] Yes! I know just the moment you're talking about! That's the kind of subtle surprise that really launches Richards songs. (Sorry, I've been a lurker, but just had to speak up here.) Lorrie RG wrote: >I keep forgetting to mention my absolute favorite moment in the song. >It's in the second verse, at the 2:20 mark, when the drummer hits a >wonderful double beat, sending the song into a whole 'nother vibe. RG ------------------------------ Date: Mon, 09 Apr 2001 15:10:21 EDT From: Rongrittz@aol.com Subject: [RS] Production. >> That's the kind of subtle surprise that really launches Richards songs. << Zackly. Among other wonderful touches that "make" the songs. The cool instrumentation in "Sparrow's Point." The wonderful pedal steel on "Kenworth." The subtle guitar work on "Fleur-de-Lis." The haunting organ on "By Now." And there are people who say the production on this CD is crappy? (Tom, that's your signal to 'splain yourself!) RG ------------------------------ End of shindell-list-digest V3 #123 ***********************************