From: owner-precious-things-digest@smoe.org (precious-things-digest) To: precious-things-digest@smoe.org Subject: precious-things-digest V2 #343 Reply-To: precious-things@smoe.org Sender: owner-precious-things-digest@smoe.org Errors-To: owner-precious-things-digest@smoe.org Precedence: bulk X-To-Unsubscribe: Send mail to "precious-things-digest-request@smoe.org" X-To-Unsubscribe: with "unsubscribe" as the body. precious-things-digest Thursday, December 4 1997 Volume 02 : Number 343 Today's Subjects: ----------------- DentNews (Dec. 3, 1997) ["Michael L. Whitehead" ] most memorable/chilling Tori moment [hope414@houston.email.net] Re: Most memorable/chilling Tori moment? [Ken Tough ] Katey ["Doron Vidavski" ] Re: Most Memorable Tori Moment [Ruthless ] most memorable/chilling Tori moment [bos197@soton.ac.uk] Re: Most memorable/chilling Tori moment? ["Michael L. Whitehead" ] Horses Remix [Ruthless ] Little Earthquakes video [Jennifer Cypres ] Re: Most memorable/chilling Tori moment? [Lady Eorann ] Re: Kate Bush vs. Tori [Richard Holmes ] moving [Jethro5448@aol.com] Amendment [Mystyglass@webtv.net (Cynthia Glasson)] chilling moment, K-T [Karen Meyers ] chilling moment, K-T [Karen Meyers ] alternative press [squeaky watson ] Fwd: a lil' fiona question.... [LEQ ] What's your most memorable/chilling Tori moment? ["Capriccio 191" Subject: DentNews (Dec. 3, 1997) A Look At What Is New With A Dent In The Tori Amos Net Universe. Hello Ears With Feet/Toriphiles, Every now and then, as time permits, I will sent out emails like this to let you know of exciting new additions to my Tori web site. I can't promise I will always have to time to do this, but I will try to send out a message every time there is a MAJOR addition to the site. However, I usually try to update the Dent at least 5 days a week, often all 7 days, so feel free to check it daily if you want the very latest Tori info! http://www.aye.net/~mikewhy/toriamos.html First of all, for those who may have missed it the first time I sent email out, I have a very special offer from RAINN on my web site. With the help and authorization of the Executive Director of RAINN, Debbie Andrews, you can order from my web site a special RAINN Lithograph. This print, imprinted with Tori's signature, is 20'' x 24'' and printed on high quality, acid-free paper. The cost is $19.95 plus shipping and handling. All the proceeds from this sale will help RAINN. You can order this collectible online, or by an 800 number, or even by snail mail. I am getting one myself and I highly encourage all Toriphiles to consider it. It helps an outstanding cause, and you can even order extra copies and have them sent to different addresses as Christmas presents! You can see the print and find out more on my entry page. The other big addition is a lovely new photo and article from the January 1998 issue of Alternative Press Magazine! Besides a recent and cool new photo of Tori, you can read her latest comments on the new album, which this article says will be released April 1998. There are some cool quotes in this article. Speaking of the new album, it is almost finished. We don't have a title yet, but there are some interesting facts and rumors about the new album that I have gathered and placed on my New Album Watch page. We have a tentative song title from Willy Porter who plays some guitar on the new album. (That title is "Playboy Mama." It may or may not be on the album.) The complete details on the Great Expectations soundtrack are on my site as well. You can see exactly what Tori is contributing, see the album cover, connect to a cool preview of the soundtrack on Atlantic's web site complete bwith sound clips of ALL songs, and find out the lengths of the 2 Tori songs that are on the soundtrack, called "Siren" and "Finn (Intro)". As most of you know, Tori vocals will be featured on the score as well, and that is a separate CD that will be released the same day as the main soundtrack, which is January 6, 1998. I have added a special 1998 concert/tour page to the Dent. Here you can always find out the latest info I have on what Tori's tour plans are. (Plans are really sketchy right now, but there are some interesting stuff to report!) This page will become more important as we get closer to the tour, reportedly to begin in the Spring. I have also added information about 2 local CD compilations released that contain Tori on them. On is an album released in Boston called "WBCN NAKED DISC", which contains Tori singing "Losing My Religion" live. The other CD is available locally in Philadelphia and is called "Y100 Sonic Sessions Vol. 1" which contains a live version of "Landslide". There are other updates as well, so stop by if you get a chance. Looks like 1998 will be an exciting year for us with a new album, soundtrack, tour, and who knows what else! I am really excited about all this! Yours in Tori, Mikewhy - ------------------------------------------------------------------------- Michael L. Whitehead mikewhy@iglou.com My Dent In The Tori Amos Net Universe => http://www.aye.net/~mikewhy/toriamos.html "Moses I know, I know you've seen fire, but you've never seen fire until you've seen Pele blow..." Tori Amos - ------------------------------------------------------------------------- ------------------------------ Date: Wed, 3 Dec 1997 03:13:27 CST From: hope414@houston.email.net Subject: most memorable/chilling Tori moment When I saw Tori live at the University of Houston for her Under the Pink tour, she came out and began with Upside Down. Just seeing her play live for the first time and hearing that song played FIRST really grabbed me, because that B-side was one of my favorites at the time! It was just a really warm feeling... when I realized: Okay. This is it. I am a Tori fan till the end of time. Thanks for letting me share! Hope - -- "But you see I'm tangled up got a kitten kitten kitten kitten in my hair" - -Tori Amos ------------------------------ Date: Wed, 3 Dec 1997 10:23:46 +0000 From: Ken Tough Subject: Re: Most memorable/chilling Tori moment? Shirley wrote: >What's your most memorable/chilling Tori moment? It would have to be the concert at the Royal Albert Hall in spring 1996, when she was in tears during Me and a Gun, and held her hand up and had to stop singing for about 20 heart-wrenching seconds. I think most of the audience didn't even breathe during that dead silence. - -- Ken Tough ------------------------------ Date: Wed, 3 Dec 1997 10:49:49 BST From: "Doron Vidavski" Subject: Katey OK. This is definitely my territory. Mention Kate and off I go! Over the years there has been a plethora of comparisons that now seem, well - stupid. Now that we have all been into Tori for such a long time and have had the chance to hear so much of her music, similarities seem very scant nowadays. On the other hand, I must admit that I first bought LE in 1992 because "Winter" reminded me of beautiful Kate creations like "Under the Ivy" (from the "Running Up that Hill" single, 1985), "Blow Away" (from 1980's "Never For Ever"), "And Dream of Sheep" (from 1985's "Hounds of Love") and other piano gems. But the fact to be most stressed here is that Kate has herself confessed (in the very few interviews that her record company forced her to give over the years) that she does NOT see herself as a musician. She sees herself as an *accompanist* (is it spelt with an I or a Y, I wonder...) and the piano and other instruments that she plays are only a vehicle for her songs. She is first and foremost a writer (an incredible one, at that) and a singer. This, I think is a very important distinction between her and our T. Tori is primarily an achingly talented pianist, and I would say that for her the writing comes second. If you ask me (well, even if you don't, I'll tell you anyway...) the reason that many Kate fans listen to Tori and vice versa is not because they make similar music, but because they are both amazingly and emotionally stimulating arists, whose music and song can touch so many different people in so many different ways and can provide you with the most nutritional food for thought with the fruit of their talented musical and artistical loins (ok, so I do tend to exaggerate sometimes...). As for what Kate creations to listen to - well, each album is so different really (perhaps except for the first two, "The Kick Inside" and "LIonheart"). Artistically, I'd say that "The Dreaming" is the best, although it has been dubbed as her "She's-gone-mad" album. It is extraordinary and perfect, however. "Never For Ever" is also quite bordering-on-the-perfect and worth to listen to, as is "The Sensual World". Whatever you do, if you decide to give Kate a chance, don't start with "The Red Shoes" because it's just darn too commercial to actually see through and manage to uncover the beauty of the lyrics (the music is unique but at times conventional, which is not what we have come to expect of Kate). Sorry for talking for so long. Now let me sleep. Doron, Manchester. ------------------------------ Date: Wed, 3 Dec 1997 11:49:30 GMT0BST From: Ruthless Subject: Re: Most Memorable Tori Moment Hi everbody, My ost memoerable Tori moment. I can recall many. Each pulling on different strings of my heart but there are two that I recall most fondly: The first occured in 1992 outside the TLA in Philadelphia. I had been walking down South Street and decided to stop by the TLA before the show and found Reverend Amos passing out flyers for the show that night. I stopped to speak with him for awhile when Tori came out and said Dad stop it I am getting embarassed. She was so funny. We all had a few laughs. The second occured in New Hampshire after the show. I met Tori and we talked for five minutes when suddenly she looked into my eyes placed her hand on my heart and said- Ruth you need to hear Mary. Mary wants you to listen. Of course, I didn't hear Mary until Boston but when I did all I could do was cry and through my tears mouth the words thank-you to Tori. Cheers, Ruth does my sexiness upset you? does it come as a suprise that I dance around like I've got diamonds at the meeting of my thighs. - - Maya Angelou ------------------------------ Date: Wed, 3 Dec 1997 12:09:41 GMT From: bos197@soton.ac.uk Subject: most memorable/chilling Tori moment All esp. Jordan, Not to try and steal your flame but.... The most chilling moment "I am all i am....the black of the blackest ocean, and the tear in your hand, and sometimes i think you don't realise the power you have with that tear, in your hand". If that doesn't say "love" in one word, i'll doubt i'll ever know what does. Use it, don't abuse it, people. Brian the Lion ------------------------------ Date: Wed, 3 Dec 1997 07:34:02 -0500 From: "Michael L. Whitehead" Subject: Re: Most memorable/chilling Tori moment? Ken Tough wrote: >It would have to be the concert at the Royal Albert Hall >in spring 1996, when she was in tears during Me and a Gun, >and held her hand up and had to stop singing for about 20 >heart-wrenching seconds. I think most of the audience >didn't even breathe during that dead silence. Just reading about it the day after it happened on the Internet was memorable Ken. That was an incredible moment. It's a good thing that did not happen in the states, or I am sure you would have heard "WHOO-HOO!" or "WE LOVE YOU TORI!" instead of silence. :P (Yes, I think U.S. audiences can be rude...) My most chilling moment was during the Cincinnati show on June 3, 1996. That show turned out to be the most powerful and dynamic Tori show I ever saw. During the first 70% of the concert, I think she hit more high notes and did more intense improvisations than I have ever seen before. She was posessed that night, and it was most memorable! There were points during that show when I was trembling and thinking, "I don't think I can take anymore...", and then she would do something even MORE spectacular. Then the first encore turned out to be so tender and quiet. The contrast was amazing. The first song was On Saturday Afternoons In 1963, and then she did Winter. When I heard the first few notes of Winter, I simply lost it and wept so hard... Then again, I would also say that my first Tori show in 1992 was in the same league. I went in having no idea if I would life her, and I left a changed man! Yours in Tori, Mikewhy - ------------------------------------------------------------------------- Michael L. Whitehead mikewhy@iglou.com My Dent In The Tori Amos Net Universe => http://www.aye.net/~mikewhy/toriamos.html "Moses I know, I know you've seen fire, but you've never seen fire until you've seen Pele blow..." Tori Amos - ------------------------------------------------------------------------- ------------------------------ Date: Wed, 03 Dec 1997 07:16:42 -0600 From: Rachel Roth Subject: Most Memorable Tori Moment Hmm...my most memorable Tori moment wouldn't be at a show or anything, although both that I've seen were spectacular... I think it would be that first glimpse that I had of Crucify five years ago at a slumber party...never hearing ANY sort of music like that... and thinking it was your calling... I'd had so many problems in life up to that point it seemed....I was such an awkward adolescent, overweight, braces, I could just never say the right thing... and when I heard "my heart is sick of being, I said my heart was sick of being in chains......" I thought...oh this is so me...this is all I am... and I was instantly hooked... for me it was that first glimpse at the music and the artist that would lead me through my good times and bad times that was most memorable Rachel PS..the two that talked about tear in your hand are right on...its my favorite of the tori songs and sang it for months after I'd broken up with my "first love" "Maybe I aint used to Maybes smashing in a cold room" -tori amos I like email...write me more often ------------------------------ Date: Wed, 3 Dec 1997 14:27:57 GMT0BST From: Ruthless Subject: Horses Remix Hi everyone, Does anyone have a copy of the Horses Remix that they would be willing to copy or trade? I have over 100 Tori discs and have many rare items that I am willing to copy and trade. Cheers, Ruth Yo busco desde antano, yo examino sin arrogancia, conquistado, sin duda, por lo vespertino. I have been searching for a long time, I examine in all modesty, overcome, without doubt, by evening.- Pablo Neruda ------------------------------ Date: Wed, 03 Dec 1997 09:33:15 -0500 From: Jennifer Cypres Subject: Little Earthquakes video Ok, whoever has the Little Earthquakes video, look at the very end few seconds of "Here. in my Head". Watch the audience member with the camera. That looks EXACTLY like my husband. He even has that black sweater. AND he's a professional photographer. But he swears up and down that it's not him. But he can't believe it when he sees it. He feels like he's staring at himself and he's racking his brain to figure out if that's really him or not. But I took him to his first and to all of the Tori concerts, so it's not him.... but DAMN, that's him!!! It's really freaking me out! - -Jen ------------------------------ Date: Wed, 03 Dec 1997 11:12:05 -0500 (EST) From: Lady Eorann Subject: Re: Most memorable/chilling Tori moment? On Tue, 2 Dec 1997, Shirley wrote: > What's your most memorable/chilling Tori moment? I think the most chilling Tori moment I've ever had was when I saw her in concert here in Miami last year, and she sang Precious Things (one of my favorites), and when she gets to the "nine inch nails and little fascist panties tucked inside the heart of every nice girl" she just slowed it down until it was almost painful to listen to, and then she literally growled the word "girl" and it was the longest, most ungodly sound I'd ever heard in my life... I still get goosebumps listening to it (thanks Lisa!) or even just thinking about it... *shudder* Bright Blessings and Lollipops! Yvette. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ "Definitions are limiting. Limitations are deadening. To limit oneself is a kind of suicide. To limit another is a kind of murder. To limit poetry is a Hiroshima of the human spirit." --Tom Robbins ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ------------------------------ Date: Wed, 03 Dec 1997 12:01:55 -0700 From: Tim Madden Subject: Re: Kate Bush vs. Tori I decided to delurk to respond to this very old debate of Kate Bush vs. Tori. There have already been a few good posts. On the Kate group this debate always gets ugly, but do to the lack of people bashing Kate here I feel that a lot Tori fans do not know much about Kate. On the Kate side a lot of her fans are jealous since Tori is more popular then Kate ever was in America. Also Tori tours and is very assessable to her fans compared with Kate. I have been a Kate fan since the mid-eighties, and when I first heard Tori in the Spring of 1992 I thought she sounded similar. I soon realized they are very different. Until the mid 1990's any female singer that had a distinctive voice that came along would be compared to Kate. Now I think Kate's popularity is low enough people are not compared to her as much. It has been well documented that Kate was not a influence on Tori. The music Tori listened to was Led Zeppelin and the like. They both play piano, but I don't think any would argue that Tori is the better pianist. I think one of Kate's strengths is that she tells great stories. I have never felt that Tori writes songs to tell stories, her songs are more personal in nature. Both woman are very talented, and to compare them to each other sells them both short. For those of you that are not familiar with Kate's work I also recommend Hounds of Love, The Whole Story, and The Sensual World as they are her most assessable. Tim Madden timadden@tesser.com ------------------------------ Date: Wed, 3 Dec 1997 11:15:07 -0800 (PST) From: Richard Holmes Subject: Re: Kate Bush vs. Tori On Tue, 02 Dec 1997, Shirley writes: > > Whats your opinion on this? and > > What Kate Bush should I listen to to be objective about this > >whole thing? Whats Good? > > I'm a huge Kate fan, and I think a lot of her stuff is fantastic. Uhm, The > Whole Story is a best-of compilation up to 1995. She has a great song > called "This Woman's Work" on The Sensual World album (1989) and the album > that really made her big in the US is Hounds of Love (1985). I really like > that one. > > I like Kate. I like Tori. I also like a lot of other artists, you know what > I mean? I'd have to heartily recommend the "Hounds of Love" Cd by Kate Bush; in my opinion it is the most innovative and different of Kate's cds (I know it was the most popular in America, which is surprising to me 'cuz parts of it are so weird, and should appeal to Tori fans - I for one freely admit that many would call me *weird* if they got to know me... !?!? I really liked the "waking the witch" and "little earth" and "jig of life". - -Richard. @ \@/ Richard A. Holmes (rholmes@cs.stanford.edu) @ | @ \|/ "Your love is like a conch shell / Irregular and slick @ | You're tougher than a ten foot snail @ , , | , , Chopped up and stewing on the heat @ ' ' ' ' I want to know how far you'll go / In your warped idea of quest @ Are you really gonna go for broke / or kick it with the best? @ - Katell Keineg, "Conch Shell" @ @ Kiva / Kate Price \ Dar Williams / Renaissance \ Sheila Chandra / Laura Love @ Susan McKeown \ Sarah McLachlan / Libana \ Danielle Dax \ Dog Faced Hermans @ Loreena McKennitt / Kate Bush \ Tori Amos / Katell Keineg / Happy Rhodes @ Ingrid Karklins \ Sinead O'Connor / Jane Siberry / Pauline Oliveros ------------------------------ Date: Wed, 3 Dec 1997 18:35:08 -0500 (EST) From: Jethro5448@aol.com Subject: moving my new email adress is rabbit07@bellsouth.net ------------------------------ Date: Wed, 3 Dec 1997 18:11:20 -0600 From: Mystyglass@webtv.net (Cynthia Glasson) Subject: Amendment Sorry I meant to say that Kate played piano and sang on her first few albums that PRECEDED not "proceeded" as I typed, Hounds of Love. Just wanted to correct myself before I was struck down dead by the great god of grammar. That is all...you can go on now with whatever you were doing before...sorry for the interruption and the "non-Tori" post :p Carp-girl- Cynthia ------------------------------ Date: Wed, 3 Dec 1997 11:40:28 -0600 From: Karen Meyers Subject: chilling moment, K-T It happens every time, just like the first, without fail. Silent All These Years is a song-length shiver. It was the song that brought me in and the song that still has the greatest hold on me. Sitting on the floor, through the headphones, I feel lost first love, longing for the space next to me to be occupied by his body; I remember friends from high school and the stories we would pass around, each writing a page, meeting between chemistry and art class to exchange; I experience writing my thesis on Emily Bronte, and quavering through her 'high-waving heather;' it turns me inside out and I adore it. As far as Kate v. Tori, I am sure they don't want to get into the ring together ;) A Kate fan from a (little) way back, 1985 or so, I appreciate the similarities between the two women, and also the differences. Kate is a storyteller; she adopts persona, both male and female, for many of her songs. She adapts literary characters and mythological characters. She creates her own people to tell the stories. She is very visceral, emotional, and sexual. She is extraordinarily beautiful and talented, and she began her career at a very young age. Comparisons? Contrasts? And it is high time for a new album from her. Songs to listen to? "The Sensual World," "The Ninth Wave," (actually the second side of Hounds of Love, a many-song story - esp. "Jig of Life" and "And Dream of Sheep."), The Ones Others Have Already Mentioned on the list, "Moving," and the B-Sides "Under the Ivy" and "Burning Bridge." Karen Elise Meyers Mpls, MN "How I move. How you move me with your beauty's potency. You give me life, please don't let me go. You crush the lily in my soul." - Kate Bush 'moving' ------------------------------ Date: Wed, 3 Dec 1997 11:40:28 -0600 From: Karen Meyers Subject: chilling moment, K-T It happens every time, just like the first, without fail. Silent All These Years is a song-length shiver. It was the song that brought me in and the song that still has the greatest hold on me. Sitting on the floor, through the headphones, I feel lost first love, longing for the space next to me to be occupied by his body; I remember friends from high school and the stories we would pass around, each writing a page, meeting between chemistry and art class to exchange; I experience writing my thesis on Emily Bronte, and quavering through her 'high-waving heather;' it turns me inside out and I adore it. As far as Kate v. Tori, I am sure they don't want to get into the ring together ;) A Kate fan from a (little) way back, 1985 or so, I appreciate the similarities between the two women, and also the differences. Kate is a storyteller; she adopts persona, both male and female, for many of her songs. She adapts literary characters and mythological characters. She creates her own people to tell the stories. She is very visceral, emotional, and sexual. She is extraordinarily beautiful and talented, and she began her career at a very young age. Comparisons? Contrasts? And it is high time for a new album from her. Songs to listen to? "The Sensual World," "The Ninth Wave," (actually the second side of Hounds of Love, a many-song story - esp. "Jig of Life" and "And Dream of Sheep."), The Ones Others Have Already Mentioned on the list, "Moving," and the B-Sides "Under the Ivy" and "Burning Bridge." Karen Elise Meyers Mpls, MN "How I move. How you move me with your beauty's potency. You give me life, please don't let me go. You crush the lily in my soul." - Kate Bush 'moving' ------------------------------ Date: Wed, 03 Dec 1997 20:28:10 -0500 From: squeaky watson Subject: alternative press the appended is from the latest issue of alternative press. posted without permission, of course. >[from =Alternative Press='s] 25 MOST ANTICIPATED ALBUMS OF 1988 > >[fourth of an unnumbered list] > >TORI AMOS > >=Working Album Title:= TBA > >=Projected Release Date:= April 1988, on Atlantic > >=Why Is It Anticipated?= Sensitivefemale singer-songwriters proliferated >in the wake of Amos' 1996 album =Boys for Pele=. Have performers such as >Fiona Apple stolen Amos' thunder or merely whetted the public's appetite >for the singer's return? > >=What's It Gonna Sound Like?= "They're a ruthless lot, these songs," Amos] >says in her typically obscure manner. "One thinks she's made the final cut, >but then they spray-paint her dress before she walks down the catwalk, and >she isn't allowed to go out." > >The singer has esconced herself in a 300-year-old barn in Cornwall, England, >with her nine-foot piano, engineers Mark Hawley and Marcel Van Linbeek, and >several other musicians. Amos is fully in charge again, and this time she >wants to expand her musical abilities through the recording process. >"Musician: It's not like actress or poetess; it is an agenda," she says. "I >think there are [a] lot of great female writers, but I don't think there >are a lot of great female musicians. It's not just about songs and a chorus; >it's about the playing. So I'm trying to be more of a player." > >As both player and producer, Amos is trying to remove what she calls "white, >straight" elements from the studio. Using live takes with drums for these >sessions, she says she's pursuing an "old records" sound, citing Led >Zeppelin and Marvin Gaye as influences. > >And the goal? > >"I want to bite people's butts when they hear my record, and I want people >to want to bite other people's butts when they hear it." > >Now that's ruthless. > >--Randee Dawn ------------------------------ Date: Wed, 3 Dec 1997 22:50:30 EST From: LEQ Subject: Fwd: a lil' fiona question.... This is a multi-part message in MIME format. - --part0_881207451_boundary Content-ID: <0_881207451@inet_out.mail.aol.com.1> Content-type: text/plain; charset=US-ASCII - --part0_881207451_boundary Content-ID: <0_881207451@inet_out.mail.aol.com.2> Content-type: message/rfc822 Content-transfer-encoding: 7bit Content-disposition: inline Return-Path: Received: from relay27.mail.aol.com (relay27.mail.aol.com [172.31.109.27]) by air10.mail.aol.com (v36.0) with SMTP; Wed, 03 Dec 1997 02:46:57 -0500 Received: from hotmail.com (F91.hotmail.com [207.82.250.197]) by relay27.mail.aol.com (8.8.5/8.8.5/AOL-4.0.0) with SMTP id WAA22319 for ; Tue, 2 Dec 1997 22:56:49 -0500 (EST) Received: (qmail 6776 invoked by uid 0); 3 Dec 1997 03:56:42 -0000 Message-ID: <19971203035642.6775.qmail@hotmail.com> Received: from 204.186.16.59 by www.hotmail.com with HTTP; Tue, 02 Dec 1997 19:56:37 PST X-Originating-IP: [204.186.16.59] From: "Ray Bailey" To: LEQ@AOL.com Subject: Re: a lil' fiona question.... Date: Tue, 02 Dec 1997 19:56:37 PST Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7bit >Wimplewurm wrote: ><butterball meat--that's a real feat. I sure can see why Fiona would be >jealous of Tori, but if you can respect her for being a vegetarian--I mean veg >an, how much respect did you lose for her when she made that comment about >Tori?>> Umm, what say we CHILL a little bit please? We aren't here to battle, we're here to discuss, k? Honestly, correcting someone in a MATURE fashion is one thing, but give me a break! Damn! It seems like to me there are more problems here than semi-Tori rape discussions. Now that I'm feeling better, thanks to all who responded to my questions about calendars. And thanks for all the info on CDNow... it sounds like a really great place to try. Question... if we sent Tori a Christmas card, would they give it to HER, or just hang it up in some office? Just a thought... Ray aka Cochese *^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^* "You can say it one more time, what you don't like. Let me hear it one more time..." -Tori Amos *^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^* ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com - --part0_881207451_boundary-- ------------------------------ Date: Wed, 03 Dec 1997 21:25:23 PST From: "Capriccio 191" Subject: What's your most memorable/chilling Tori moment? Well, I'd have to say that my most chilling moment was at the concert in Athens, GA during Me and A Gun when she got to the "when you're pushed FLAT! on your stomach..." part and she almost screamed flat.....man I must have jumped 10 feet out of my chair. that song always gets me though. Mymost memorable Tori moment would have to be losing my virginity to China. Yesiree...but I always had a feeling Tori would be involved (somehow...;) sigh...) in that! Toodles! Jenn - -- gs14jrh@panther.gsu.edu Visiting Atlanta? Come stay with us at the Buckhead Bed and Breakfast Inn. 1-888-224-8797 "I swear by my life-and my love of it-that I will never live for the sake of another man, nor ask another man to live for mine."-John Galt from Ayn Rand's Atlas Shrugged ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com ------------------------------ Date: Wed, 03 Dec 1997 22:03:19 -0800 From: Shirley Subject: virginity (was What's your most memorable/chilling Tori moment?) At 09:25 PM 12/3/97 PST, Capriccio 191 wrote: >Mymost memorable Tori moment would have to be losing my virginity to >China. Yesiree...but I always had a feeling Tori would be involved >(somehow...;) sigh...) in that! mmmmh that sounds delicious to be able to have that :) aaaaah, come to think of it, I would want to lose my virginity to Tori's cover of Landslide or Lovesong... mmmmmh... i don't know, i just don't think of tori's songs on a whole as being romantic, but they are just so achingly beautiful :) - -- Shirley Ye University of California, Berkeley http://www.geocities.com/SunsetStrip/Studio/3305 i used to be a superhero no one could hurt me not even myself you are like a phone booth that i somehow stumbled into and now look at me i am just like everybody else -Ani Difranco ------------------------------ End of precious-things-digest V2 #343 *************************************