From: owner-onlyjoni-digest@smoe.org (onlyJMDL Digest) To: onlyjoni-digest@smoe.org Subject: onlyJMDL Digest V2010 #316 Reply-To: joni@smoe.org Sender: owner-onlyjoni-digest@smoe.org Errors-To: owner-onlyjoni-digest@smoe.org Precedence: bulk Archives: http://www.smoe.org/lists/onlyjoni Websites: http://www.jmdl.com http://www.jonimitchell.com Unsubscribe: mailto:onlyjoni-digest-request@smoe.org?body=unsubscribe onlyJMDL Digest Sunday, November 14 2010 Volume 2010 : Number 316 ========== TOPICS and authors in this Digest: -------- Re: New Joni book in the works? [Lieve Reckers ] Re: New Joni book in the works? [T Peckham ] Re: New Joni book in the works? [Lieve Reckers ] How i happened upon Joni... [Warrenkeith91354@aol.com] RE: how did you find her [Dave Blackburn ] RE:FW: l--. [Emiliano ] RE: how did you find her [Laura Stanley ] Re: New Joni book in the works? ["Mark" ] ---------------------------------------------------------------------- Date: Sat, 13 Nov 2010 10:21:18 +0000 (GMT) From: Lieve Reckers Subject: Re: New Joni book in the works? Hi Terra! I would love to read this review (waiting for lots of JMDLers to buy the DVD now that it has been out for a couple of days!) but sadly the links don't work - or don't work any more. Any other way you can retrieve this article for us? Lieve in London PS Just tagging this on: Richard, thanks for your vivid description of "discovering Joni"! ________________________________ From: T Peckham To: Moni Kellermann ; JMDL Sent: Sat, 13 November, 2010 5:07:13 Subject: Re: New Joni book in the works? Thanks to Les and Moni for this news. In browsing around trying to find more info on Katherine Monk, I ran across her review of the film The Kids Are Alright, which has been discussed by several on the list. (I haven't seen it yet.) Thought I'd pass it on. T http://www.vancouversun.com/entertainment/movie-guide/Movie+review+Kids+Right +smart+witty+flick+with+twist/32 On Thu, Nov 11, 2010 at 4:39 PM, Moni Kellermann wrote: > Am 11.11.2010 20:17, Wie Les Irvin so vortrefflich formulierte: > > Greystone Books publisher Rob Sanders has acquired world rights to >> journalist Katherine Monk's Joni Mitchell, a new portrait of the >> reclusive musical icon. The deal was arranged without an agent. The book >> is schedule for publication in fall 2011. >> > > from >http://www.dmpibooks.com/get/pdf/catalogue/D&M_Publishers_Inc._Fall_2010_Rig hts_List.pdf >f > > > Joni Mitchell > The Misunderstood Woman from the Prairie Wheat Fields > ------------------------------------------------------- > KATHERINE MONK > > A revealing new portrait of a musical legend. > > From the moment Joni Mitchellb s career began with coffee-house bookings, > serendipitous encounters with established stars, and a recording contract > that gave her full creative control over her music, the woman from the > Canadian wheat fields has eluded industry clichC)s. When her peers were > focused on feminism and finding a voice, Mitchell was plumbing the depths of > her own human condition. When arena rock was king, she turned to jazz. > Unafraid to b write in her own blood,b Mitchell has been vilified as a diva > and embraced as a tuneful genius, but sheb s rarely been valued as an artist > and a thinker. > > This new portrait of the reclusive icon taps into Mitchellb s evolving > philosophy to examine how significant life events like failed relationships, > the surrender of her infant daughter, and debilitating sickness have > influenced her creative expression. Author Katherine Monk moves beyond > standard biography to capture the rich legacy of her multifaceted subject, > weaving in personal reflections and cultural observations as she explores > everything from Mitchellb s lifelong obsession with Nietzsche to her current > struggle with Morgellons syndrome to reveal the Mitchell who remains > misunderstood. > > KATHERINE MONK is a national movie journalist for CanWest News Service. > Prior to becoming a national reporter, she worked at the Vancouver Sun as a > movie critic, pop music critic, and news reporter. Her book on Canadian > film, Weird Sex and Snowshoes, hit the national bestseller list and was > adapted to the screen by Omni Film in 2004. Monk is a regular radio and TV > commentator on the subject of movies. Joni Mitchell has been part of her > lifeb s soundtrack for as long as she can recall. > > > > moni k. > - -- "An artist can show things that other people are terrified of expressing." - ---Louise Bourgeois ------------------------------ Date: Sat, 13 Nov 2010 05:12:17 -0600 From: T Peckham Subject: Re: New Joni book in the works? Hmm, I thought I had successfully copied and pasted in the article from the Sun, along with the link. (The link doesn't work for me now either.) Strange. Another google search turned up the same article syndicated. Here ya go! (Apologies if the font size comes out all funky). * * *REVIEW by KATHERINE MONK* *Lisa Cholodenko directs Julianne Moore, Annette Bening and Mark Ruffalo in this frequently hilarious, and always human, comedy about two lesbian moms dealing with their kids' desire to know their biological father. Because every scene is a brilliant study in subtlety and smart writing, the movie never slides into melodrama, despite some frequently heavy content. The cast is uniformly excellent, but Bening is nothing short of pure genius.*** ** *Starring*: Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska and Josh Hutcherson *Rating*: Four Stars out of five Forget The Who reference for now: These kids are very different from the foursome chronicled in the 1979 film and soundtrack featuring the Brit rockers and their rise to drug-addled greatness. These kids are the product of an entirely new generation. Call them the "freezies," the "frosties" or the "living results of reproductive technology," but the two "kids" at the heart of Lisa Cholodenko's latest release are the progeny of lesbian parents who were inseminated by an anonymous donor. When the movie opens, we're watching Joni (Mia Wasikowska of *Alice in Wonderland*) hang out with her friends from high school in a typical teen bedroom. The soft, natural light streams through the windows, suggesting an element of purity and innocence, but the conversation is stiff with sexual overtones - immediately cranking up the screen tension in this somewhat revolutionary family comedy. It's a good beat to start on because *The Kids Are All Right* is all about rites of passage, and the many threats lurking just below the surface waiting to pull the naive and the oblivious into the abyss of unwelcome experience. It's also about the continuing arc of growth, and how those who've entered into middle age may enter a second "childhood" that seeks to mend and mediate the betrayals of youth. We usually call this a "mid-life crisis," but sewing labels onto characters in a Cholodenko movie is usually a bad idea. The director who re-introduced an adult Ally Sheedy in *High Art* and recreated Frances McDormand's onscreen persona in*Laurel Canyon* has a knack for creating some of the most intriguingly intelligent, and roundly human characters ever seen onscreen. The denizens of *The Kids Are All Right* are no different. Leading up the cast in this smart, witty and entirely memorable movie are Annette Bening, Julianne Moore and Mark Ruffalo. We're not sure of the entire family diagram in the first scenes, but it comes into focus relatively quickly as we learn Joni is on the cusp of adulthood - a fact that makes her little brother Laser (Josh Hutcherson) jealous. At first, we think it has everything to do with a yearning for sexual experience, but we soon learn Laser is looking for answers and he needs Joni's help: Now that she's a bona fide adult, she can access her birth records and obtain the identity of the sperm donor who gave her two moms a family. Without turning the whole movie into a psychodrama about the ups and downs of tracing a biological connection, Cholodenko dives into the next dilemma. The kids meet their mysterious father in the first 20 minutes, and when it turns out to be the kind, handsome, Joni-Mitchell-loving Paul (Ruffalo) - an organic chef, gardener and restaurateur - the whole family dynamic begins to cycle backward. For starters, the two women who've been able to control their kids' reality and self-understanding for the past two decades are suddenly yanked out of the cockpit and replaced by a strange man. For these two ultra-feminists and proudly out parents, the entrance of a man into the family unit is greeted with clenched teeth and a smile, which makes for some wonderfully subtle moments that allow Bening to lick at the scenery without actually chewing it. But there's more than just power dynamics and gender politics at play here. Romance and relationships form the core element, and for Nic (Bening) and Jules (Moore) their communion has become strained over the years. Like most couples in long-term partnerships, they've stopped affirming each other in important ways: They don't lust after each other, they don't romance each other, they're not even all that kind to each other now that they've learned to take the other for granted. Paul changes all that in the most surprising of ways, but explaining exactly how would spoil half the fun because *The Kids Are All Right* is one of the few movies you'll see this season that isn't entirely transparent. Unafraid of challenging the viewer's comfort zone with a perfectly realistic depiction of a lesbian marriage - complete with sex scenes and domestic tribulations - Cholodenko gets a chance to rewrite the whole adult romance formula with one small twist. The real accomplishment is how effortless she makes it look. Unwinding under the warm sun of Los Angeles, *The Kids Are All Right* glows all over. From the sun-baked scenes of the city itself, to the chemistry between the players, this movie pulses with life-affirming energy. It's a sexy piece of celluloid, regardless of your orientation. Moreover, thanks to the highly accomplished cast, it's a penetrating exploration of identity and how we learn to carve our initials into fresh concrete. Every performance is close to perfection, but Bening is the one who really blew my mind. As the bread-winning "alpha" doctor in the relationship, Bening plays a subtle brand of emotional bully who condescends and alienates as a result of ego. One could see her as the "male" element in the relationship, but Cholodenko doesn't indulge in passe stereotypes, and eventually turns the power dynamic upside down through a plot twist that could have been disastrous. Without spoiling the surprise, we're given a front-row seat to another side of Nic as she realizes her world has vaporized before her eyes. Tragedy lurks, but *The Kids Are All Right* is very much a comedy because it refuses to take itself too seriously. The emotions are real and tangible, but the movie never skids into melodrama because it recognizes life is malleable, and so is the human essence. Change isn't always a bad thing and even matters of personal and sexual identity can shift without causing a seismic event. It's called personal evolution. Every one of Cholodenko's characters is given a chance to bloom and grow so that every single scene has something new to show us - whether it's the frustration of pubescence, the rage of being misunderstood or the tender strain of forgiveness -*The Kids Are All Right* hits a succession of notes so unfamiliar, and yet so human, it may as well be the cinematic equivalent of a Joni Mitchell song. ) Copyright (c) Postmedia News On Sat, Nov 13, 2010 at 4:21 AM, Lieve Reckers wrote: > Hi Terra! > I would love to read this review (waiting for lots of JMDLers to buy the > DVD now that it has been out for a couple of days!) > but sadly the links don't work - or don't work any more. Any other way you > can retrieve this article for us? > Lieve in London > PS Just tagging this on: Richard, thanks for your vivid description of > "discovering Joni"! > ------------------------------ > *From:* T Peckham > *To:* Moni Kellermann ; JMDL > *Sent:* Sat, 13 November, 2010 5:07:13 > > *Subject:* Re: New Joni book in the works? > > Thanks to Les and Moni for this news. In browsing around trying to find > more > info on Katherine Monk, I ran across her review of the film The Kids Are > Alright, which has been discussed by several on the list. (I haven't seen > it > yet.) Thought I'd pass it on. > T > > > > http://www.vancouversun.com/entertainment/movie-guide/Movie+review+Kids+Right +smart+witty+flick+with+twist/32 > > > > On Thu, Nov 11, 2010 at 4:39 PM, Moni Kellermann > wrote: > > > Am 11.11.2010 20:17, Wie Les Irvin so vortrefflich formulierte: > > > > Greystone Books publisher Rob Sanders has acquired world rights to > >> journalist Katherine Monk's Joni Mitchell, a new portrait of the > >> reclusive musical icon. The deal was arranged without an agent. The book > >> is schedule for publication in fall 2011. > > > > - -- "An artist can show things that other people are terrified of expressing." - ---Louise Bourgeois ------------------------------ Date: Sat, 13 Nov 2010 11:40:15 +0000 (GMT) From: Lieve Reckers Subject: Re: New Joni book in the works? Thanks, Terra! A truly wonderful review that feels "right" to me, in the same spirit that I enjoyed the film. She does not describe the "Joni Mitchell scene", but maybe that's better so, for the benefit of those who still want to see the film. This piece of writing has certainly made me want to read Katherine Monk's book, when it comes out! By the way, about the link: I think it happens quite often that links "expire", and I guess that's what happened here... All the best, Lieve in London ________________________________ From: T Peckham To: Lieve Reckers ; JMDL Sent: Sat, 13 November, 2010 11:12:17 Subject: Re: New Joni book in the works? Hmm, I thought I had successfully copied and pasted in the article from the Sun, along with the link. (The link doesn't work for me now either.) Strange. Another google search turned up the same article syndicated. Here ya go! (Apologies if the font size comes out all funky). REVIEW by KATHERINE MONK Lisa Cholodenko directs Julianne Moore, Annette Bening and Mark Ruffalo in this frequently hilarious, and always human, comedy about two lesbian moms dealing with their kids' desire to know their biological father. Because every scene is a brilliant study in subtlety and smart writing, the movie never slides into melodrama, despite some frequently heavy content. The cast is uniformly excellent, but Bening is nothing short of pure genius. Starring: Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska and Josh Hutcherson Rating: Four Stars out of five Forget The Who reference for now: These kids are very different from the foursome chronicled in the 1979 film and soundtrack featuring the Brit rockers and their rise to drug-addled greatness. These kids are the product of an entirely new generation. Call them the "freezies," the "frosties" or the "living results of reproductive technology," but the two "kids" at the heart of Lisa Cholodenko's latest release are the progeny of lesbian parents who were inseminated by an anonymous donor. When the movie opens, we're watching Joni (Mia Wasikowska of Alice in Wonderland) hang out with her friends from high school in a typical teen bedroom. The soft, natural light streams through the windows, suggesting an element of purity and innocence, but the conversation is stiff with sexual overtones - immediately cranking up the screen tension in this somewhat revolutionary family comedy. It's a good beat to start on because The Kids Are All Right is all about rites of passage, and the many threats lurking just below the surface waiting to pull the naive and the oblivious into the abyss of unwelcome experience. It's also about the continuing arc of growth, and how those who've entered into middle age may enter a second "childhood" that seeks to mend and mediate the betrayals of youth. We usually call this a "mid-life crisis," but sewing labels onto characters in a Cholodenko movie is usually a bad idea. The director who re-introduced an adult Ally Sheedy in High Art and recreated Frances McDormand's onscreen persona inLaurel Canyon has a knack for creating some of the most intriguingly intelligent, and roundly human characters ever seen onscreen. The denizens of The Kids Are All Right are no different. Leading up the cast in this smart, witty and entirely memorable movie are Annette Bening, Julianne Moore and Mark Ruffalo. We're not sure of the entire family diagram in the first scenes, but it comes into focus relatively quickly as we learn Joni is on the cusp of adulthood - a fact that makes her little brother Laser (Josh Hutcherson) jealous. At first, we think it has everything to do with a yearning for sexual experience, but we soon learn Laser is looking for answers and he needs Joni's help: Now that she's a bona fide adult, she can access her birth records and obtain the identity of the sperm donor who gave her two moms a family. Without turning the whole movie into a psychodrama about the ups and downs of tracing a biological connection, Cholodenko dives into the next dilemma. The kids meet their mysterious father in the first 20 minutes, and when it turns out to be the kind, handsome, Joni-Mitchell-loving Paul (Ruffalo) - an organic chef, gardener and restaurateur - the whole family dynamic begins to cycle backward. For starters, the two women who've been able to control their kids' reality and self-understanding for the past two decades are suddenly yanked out of the cockpit and replaced by a strange man. For these two ultra-feminists and proudly out parents, the entrance of a man into the family unit is greeted with clenched teeth and a smile, which makes for some wonderfully subtle moments that allow Bening to lick at the scenery without actually chewing it. But there's more than just power dynamics and gender politics at play here. Romance and relationships form the core element, and for Nic (Bening) and Jules (Moore) their communion has become strained over the years. Like most couples in long-term partnerships, they've stopped affirming each other in important ways: They don't lust after each other, they don't romance each other, they're not even all that kind to each other now that they've learned to take the other for granted. Paul changes all that in the most surprising of ways, but explaining exactly how would spoil half the fun because The Kids Are All Right is one of the few movies you'll see this season that isn't entirely transparent. Unafraid of challenging the viewer's comfort zone with a perfectly realistic depiction of a lesbian marriage - complete with sex scenes and domestic tribulations - Cholodenko gets a chance to rewrite the whole adult romance formula with one small twist. The real accomplishment is how effortless she makes it look. Unwinding under the warm sun of Los Angeles, The Kids Are All Right glows all over. From the sun-baked scenes of the city itself, to the chemistry between the players, this movie pulses with life-affirming energy. It's a sexy piece of celluloid, regardless of your orientation. Moreover, thanks to the highly accomplished cast, it's a penetrating exploration of identity and how we learn to carve our initials into fresh concrete. Every performance is close to perfection, but Bening is the one who really blew my mind. As the bread-winning "alpha" doctor in the relationship, Bening plays a subtle brand of emotional bully who condescends and alienates as a result of ego. One could see her as the "male" element in the relationship, but Cholodenko doesn't indulge in passe stereotypes, and eventually turns the power dynamic upside down through a plot twist that could have been disastrous. Without spoiling the surprise, we're given a front-row seat to another side of Nic as she realizes her world has vaporized before her eyes. Tragedy lurks, but The Kids Are All Right is very much a comedy because it refuses to take itself too seriously. The emotions are real and tangible, but the movie never skids into melodrama because it recognizes life is malleable, and so is the human essence. Change isn't always a bad thing and even matters of personal and sexual identity can shift without causing a seismic event. It's called personal evolution. Every one of Cholodenko's characters is given a chance to bloom and grow so that every single scene has something new to show us - whether it's the frustration of pubescence, the rage of being misunderstood or the tender strain of forgiveness -The Kids Are All Right hits a succession of notes so unfamiliar, and yet so human, it may as well be the cinematic equivalent of a Joni Mitchell song. ) Copyright (c) Postmedia News On Sat, Nov 13, 2010 at 4:21 AM, Lieve Reckers wrote: Hi Terra! >I would love to read this review (waiting for lots of JMDLers to buy the DVD now >that it has been out for a couple of days!) >but sadly the links don't work - or don't work any more. Any other way you can >retrieve this article for us? >Lieve in London > >PS Just tagging this on: Richard, thanks for your vivid description of >"discovering Joni"! > > ________________________________ From: T Peckham >To: Moni Kellermann ; JMDL >Sent: Sat, 13 November, 2010 5:07:13 > >Subject: Re: New Joni book in the works? > > >Thanks to Les and Moni for this news. In browsing around trying to find more >info on Katherine Monk, I ran across her review of the film The Kids Are >Alright, which has been discussed by several on the list. (I haven't seen it >yet.) Thought I'd pass it on. >T > > >http://www.vancouversun.com/entertainment/movie-guide/Movie+review+Kids+Righ t+smart+witty+flick+with+twist/32 > > > > >On Thu, Nov 11, 2010 at 4:39 PM, Moni Kellermann wrote: > > >> Am 11.11.2010 20:17, Wie Les Irvin so vortrefflich formulierte: >> >> Greystone Books publisher Rob Sanders has acquired world rights to >>> journalist Katherine Monk's Joni Mitchell, a new portrait of the >>> reclusive musical icon. The deal was arranged without an agent. The book >>> is schedule for publication in fall 2011. > > > > - -- "An artist can show things that other people are terrified of expressing." - ---Louise Bourgeois ------------------------------ Date: Sat, 13 Nov 2010 08:47:40 EST From: Warrenkeith91354@aol.com Subject: How i happened upon Joni... I too had heard songs by Joni before I knew who Joni was, mostly through listening to Judy Collins. I hadn't a clue who Joni was and really hadn't tried to find out. It was an older cousin who would finally turn me on to the wonders of Joni via the album " Ladies of the Canyon. " I was 15 and really exploring things musically. I was visiting my cousin and she had this wonderful music playing on her stereo. I inquired as to who it was and she told me it was Joni Mitchell and she had just bought it a few days hence. We both sat and listened, mesmerized, to the record over and over again until it was time for me to leave. Little did I know then what a large part Joni would play in my life. Needless to say I immediately went in search of " Ladies of the Canyon," and found it plus " STAS " and " Clouds ," naturally I bought all three and they were all I listened to for months on end! I think it is safe to say that everyone in my family had their fill of Joni within a few days, but not me I wanted more, and it was a year or more before " Blue " hit the racks. I bought it, declared it her masterpiece, and played it for anyone who would listen. I turned on many a friend to Joni with that album. The rest is history, I've been a rabid fan from the start and still am today. I finally met Joni in 1974, gave her a dozen white hot roses, was kissed by her and kissed her back, I have been on cloud nine ever since...Just waiting for my next chance to run into the lady and exchange kisses once again! ( She made me" weak in the knees " you know! ) That's my Joni story and I'm sticking to it! ------------------------------ Date: Sat, 13 Nov 2010 07:07:22 -0800 From: Dave Blackburn Subject: RE: how did you find her Growing up in the UK I was totally unaware of the Laurel Canyon scene in the late 60's and early 70's. All I knew about music was what was played on Top of the Pops on Thursday evening. But I did buy Stevie Wonder's "Music of my Mind" in 1971, when I was 12, and got greatly turned on by soulful music (not just SOUL music) and cool chord progressions, which remains one of my fascinations to this day. Like most of my school friends I listened to Yes, ELP, Focus, Frank Zappa and anything I could find that was musically complex and reaching for something . So I was ripe for discovering Joni. As I have related before, my first girlfriend Mandy owned Court and Spark and we listened to it endlessly. It had all the stuff I liked, lovely chord progressions, great melodies, amazing lyrics, and Larry Carlton, who was new to me. When Mandy and I split up at the tender age of 15 I asked melodramatically for her to play me Trouble Child one last time before I left, my heart feeling like lead. I then met someone with For the Roses who loaned it to me and that became another obsession. Finally my mom read a review of The Hissing of Summer Lawns in the paper when it was released and got it for me for my 16th birthday. That was it. I was a lifer. Fast forward 35 years, and I lead a great band that plays only Joni music, and we are getting close to having the whole Hissing album learned and performable. We now have approximately 25% of Joni's recorded catalog in our performance repertoire and hope to learn the rest in the coming years. PS When I was 11 I heard a song I liked on Top of the Pops by Mathews Southern Comfort and bought the 45. It was called Woodstock (I had never heard of the festival being a little English schoolboy blissfully unaware of the world outside). On the label it said the writer was "Mitchell", which I paid little mind to as I didn't understand the concept of people writing songs yet. My Monkees 45 "I'm a Believer" was written by "Diamond" so there was another mystery writer. I still have the 45s. Dave ------------------------------ Date: Sun, 14 Nov 2010 03:36:02 +0800 From: Emiliano Subject: RE:FW: l--. I have a good information to share with you. A while ago,a trading company attractive to me, the price is very competitive advantage, so I bought some products. It is very exciting,very pleased when I got and saw my goods. I think you can go to see: focost.com you'll save more money in there. s--. ------------------------------ Date: Sat, 13 Nov 2010 13:31:32 -0800 (PST) From: Laura Stanley Subject: RE: how did you find her Mags asked how did you find her...Joni..when was the first time and what did you think, what did you feel? Hi Mags, The first time I heard of Joni Mitchell by name was when my best high school friend's little brother complained about Joni sounding monotonous and wanted to hear Dylan instead. We were at a camp ground at the Buffalo River in the Ozarks hung over and listening to music. When I went to college, my friend gave me her LP's of Ladies of the Canyon and Court and Spark, trying to get me to like Joni. I really wasn't interested but took them anyway. Then I realized I had bought her little brother's opinion of Joni and hadn't given Joni a fair listen. I was in a record store in the town where I was in collge and saw the LP of Clouds. I liked the artwork so I bought it thinking I'll give Joni another try. I liked it so much better than Ladies of the Canyon and Court and Spark. I was mesmerized by the clarity of Joni's voice, the colorful imagery of the stories, and the interesting sounds she got out of the guitar. I loved EVERY song on that album!! I remember waiting and waiting for the guitar to start on Fiddle and Drum and laughing at the end of the song because there wasn't any. I was thinking, good one Joni!!! I was playing guitar myself by this time and had no knowledge of alternate tunings so trying to get Joni's sound was a fun but frustrating puzzle for me. I came up wasn't satisfied with the sound in standard tuning and gave up on most songs. Free Man in Paris and Chelsea Morning were the only songs I was sort of okay with the makeshift chords I came up with in standard tuning. I tried to play Both Sides Now as written in a church hymnal in standard tuning and was very frustrated by it not sounding right. It seemed sacrilegious to play it wrong so I refused to play it. Then in fall of 2003, I found the JMDL tabs. The first song I played was Conversation. I remember running outside with my guitar to find my husband and making him listen. I was so excited that it sounded RIGHT!!!! I felt like that was the first time I really FOUND Joni. And, I'm still finding her through this list. Love, Laura ------------------------------ Date: Sat, 13 Nov 2010 16:35:20 -0800 From: "Mark" Subject: Re: New Joni book in the works? - -----Original Message----- From: T Peckham I liked the closing sentence of this review: - -*The Kids Are All Right* hits a succession of notes so unfamiliar, and yet so human, it may as well be the cinematic equivalent of a Joni Mitchell song. Now I really do have to see this movie. Mark in Seattle ------------------------------ End of onlyJMDL Digest V2010 #316 ********************************* ------- Post messages to the list by clicking here: mailto:joni@smoe.org Unsubscribe by clicking here: mailto:onlyjoni-digest-request@smoe.org?body=unsubscribe