From: les@jmdl.com (onlyJMDL Digest) To: onlyjoni-digest@smoe.org Subject: onlyJMDL Digest V2004 #218 Reply-To: joni@smoe.org Sender: les@jmdl.com Errors-To: les@jmdl.com Precedence: bulk Archives: http://www.smoe.org/lists/onlyjoni Websites: http://www.jmdl.com http://www.jonimitchell.com Unsubscribe: mailto:onlyjoni-digest-request@smoe.org?body=unsubscribe onlyJMDL Digest Saturday, July 31 2004 Volume 2004 : Number 218 ========== TOPICS and authors in this Digest: -------- Re: (TBOS) Why re-release the Geffen material? ["Lama, Jim L'Hommedieu" <] Painting With Words And Music / Life Story ["Raffaele Malanga" ] Re: Yvette in English and Edith and the Kingpin ["Sherelle Smith" ] Re: BS, 100% JC (aka tBoS) [Catherine McKay ] Re: Y'all thought I was joking about that GHOUL hand??? [Smurfycopy@aol.c] Subway Freedom ["robin mortlock" ] Re: k.d. lang Joni covers [Catherine McKay ] Re: all I want revisited ["Ron" ] Re: JMDL,the past two weeks: A response. ["Ron" ] Re: (TBOS) Why re-release the Geffen material? ["J. Gonzales" ] Subject: Amelia ["Lama, Jim L'Hommedieu" ] ---------------------------------------------------------------------- Date: Fri, 30 Jul 2004 03:03:21 -0400 From: "Lama, Jim L'Hommedieu" Subject: Re: (TBOS) Why re-release the Geffen material? I had a very old copy of "Dog Eat Dog". When I heard the GEFFEN version I was very surprised how much grunge had been removed. I hear grace notes all over the place which I never heard on my LP or CD. Maybe my copy of DED was inferior to your copy of DED. I respect your experience but mine was completly the opposite. I think it's a big improvement and much bigger than the slight improvement that's typical (like Floyd's "The Final Cut" for example.) Lama I apologize if I've missed some crucial information, but are the Geffen box CD's really remastered? A while ago, I compared the box set CD's to the original ones. Apart from a slight improvement in clarity on WFRI and possibly DED, and overall increase in volume, I really couldn't hear the typical improvements remastering usually produces. At best remastering reveals detail and depth you didn't even know was there, but as hard as I tried, I came to the conclusion that the box set CD's had simply been mastered _again_, not actually remastered. ------------------------------ Date: Fri, 30 Jul 2004 08:18:51 +0000 From: "Raffaele Malanga" Subject: Painting With Words And Music / Life Story Amazon.co.uk lists a DVD "Painting With Words And Music / Life Story" due for release September 6. They also say it a two features. <<'Painting With Words And Music' in which Joni Mitchell performs for a select audience on the Warner's Lot in L.A. Also 'Life Story'. >> Anybody knows what Life Story is? Raf. _________________________________________________________________ Want to block unwanted pop-ups? Download the free MSN Toolbar now! http://toolbar.msn.co.uk/ ------------------------------ Date: Fri, 30 Jul 2004 08:12:41 -0400 (EDT) From: Catherine McKay Subject: Re: Joni's response --- Mark or Travis wrote: > You think I should write you new songs? Why? > Because Stevie did? Oh, come on! > Bravo, Mark! ===== Catherine Toronto - ------------------------------------------------------------------------------- We all live so close to that line, and so far from satisfaction ______________________________________________________________________ Post your free ad now! http://personals.yahoo.ca ------------------------------ Date: Fri, 30 Jul 2004 13:44:13 +0000 From: "Sherelle Smith" Subject: Re: Yvette in English and Edith and the Kingpin And she said...ohhhh...and...thank you my friend! Sherelle >From: SCJoniGuy@aol.com >To: sherellesmith@hotmail.com, joni@smoe.org >Subject: Re: Yvette in English and Edith and the Kingpin >Date: Thu, 29 Jul 2004 18:26:08 EDT > >"Yvette in English was actually composed by David Crosby >and Edith and the Kingpin was composed by Pat Metheny. I am not sure if >this >is music only or words and music. Did anyone else know about this?" > >Well, you're partially correct about YIE, Sherelle. Joni and Croz co-wrote >it, with Joni writing the music and Crosby writing the words which were >then >altered by Joni. You may not know that Crosby also recorded the song on his >album >"Thousand Roads". > >Edith & The Kingpin (the song that you ROCK THE HOUSE with) is all Joni, >Pat >Metheny had nothing to do with it, except that he played it on Joni's '79 >tour >as part of that awesome band. > >Bob > >NP: Modest Mouse, "Dance Hall" _________________________________________________________________ Dont just search. Find. Check out the new MSN Search! http://search.msn.click-url.com/go/onm00200636ave/direct/01/ ------------------------------ Date: Fri, 30 Jul 2004 10:06:23 -0400 From: "Maggie McNally" Subject: RE: Joni's response Bravissimo! - -----Original Message----- From: Mark or Travis [mailto:mark.travis@gte.net] Sent: Thursday, July 29, 2004 10:01 PM To: JMDL Subject: Joni's response You think I should write you new songs? Why? Because Stevie did? Oh, come on! Because Stevie wrote new songs You think I cheat And you're hard done by 'Look, don't foist off 80s crap More old stuff That we won't buy Pimped like Geffen's whore Recycled in the stores' You want too much! You want too badly! You want Another 'For the Roses' Log on to my list You type Of my downslide Typing how I smoke I bitch You'd smack my backside The albums you don't like My cigarettes you'd spike You want too much! You want too badly! You want 'Court and Spark, The Sequel' In the cesspool I've been stuck in The music's a crap shoot 'Give us a megahit now!' The public cries I'm not gonna be the jukebox At your next big tribal meeting Not if transportation means I might have to fly Oh it's not like I can't read I saw But I made no comment As you began to type Ghoul-clawed Your verbal vomit It wasn't hard to guess That my artwork would be next You want too much! You want too badly! You want More 'Ladies of the Canyon' In the land they call 'Clear Channel' The DJs are sleeping Counting slutty little Britneys And minding the veeps Outside on every chart list My records are never peaking While my fans bitch about me There's no relief Oh I'm tangled in your jibes Your slams Your worldwide web Spit, spun between PCs With spam You want my head You'd eat me up alive For Hejira one more time You slag too much! You diss too badly! You want Joni black and 'Blue' ------------------------------ Date: Fri, 30 Jul 2004 10:42:51 -0400 (EDT) From: Catherine McKay Subject: Re: BS, 100% JC (aka tBoS) --- "Lama, Jim L'Hommedieu" wrote: > > McKay would take the seats out of the car to come up > with loose change > to get it. Don't forget the pockets of all coats, jackets and pants, especially those I haven't worn for a while and so might have missed something; under the cushions of all sofas and chairs; on the floor of my son's sty, um room; under the bed or the dining room table (where pennies can usually be found because my son has the habit of throwing them at people just for fun and the cats then smack them around and no one ever bothers to pick them up); the top drawer of my desk at work; and various other places people who are often desperate for cash just before payday when we're all out of milk are known to go... I would buy official releases of any of the stuff I've already got copies of from people on the list, in the hope that the sound quality might be better (not that I would know good quality if it bit me on the arse which, being quality, it would not), and, yeah, for the artwork too, and to support Joni (shucks). But I still haven't bought the Geffen box set because it's way too expensive up here, but probably will if I can get a used one in good condition for a reasonable price (no hurry), but won't buy BS in any of its forms because I already have that stuff. Seeing it advertised on amazon.ca, they do say "Best of" in brackets after it (whereas the US amazon.com does not). If you were a person who had just become interested in Joni's music and wanted a sampler of her work, then maybe you would buy BS. Maybe from there you would go on to buy her full albums. I don't know how people buy music, but I usually prefer the *real* albums (as they were released) over greatest hits and compilations, unless it's an artist that only had a few songs that I liked and those songs just happened to be on the greatest hits album (although often, I find, they don't and they stretch the meaning of "greatest hits" a lot, when some of these artists probably never had *any* hits, let alone an album's worth of "greatest" ones... but I digress. Maybe Joni has decided to re-release her stuff based on themes (only time and the release of whatever the September one ends up being will tell if that's the direction she's headed in.) That may work, or it may not, in selling to a new audience. Anyone else could probably just create their own mix of things they like with today's technology. Maybe I'm too set in my ways, but I find most of Joni's albums work together as a whole in any case, telling a story of sorts, and I can't imagine leaving any of the songs off (although arguments could be made for "Empty, try another" and "Dancin' clown", I suppose.) Anyway, more power to her. She's still the greatest, imo. ===== Catherine Toronto - ------------------------------------------------------------------------------- We all live so close to that line, and so far from satisfaction ______________________________________________________________________ Post your free ad now! http://personals.yahoo.ca ------------------------------ Date: Fri, 30 Jul 2004 11:59:20 EDT From: Smurfycopy@aol.com Subject: Re: Y'all thought I was joking about that GHOUL hand??? Bob "Ghoul Hand Luke" Muller writes: << Well, look who's the STAR of THIS DVD!!! Called "Evil...Comes Alive": >> Could this be one of the many other Joni Mitchells who roam the earth? What's the story with this? Did you ask the seller? Is Myrtle behind this? Why does this seem so important when the world is going straight to hell? --Smurf in Boston, which is just beginning to recover from the futuristic Wim Wenders post-democracy police state of DNC week "I was getting my makeup done, and it just hit me: I love Nick, but I need time alone. I called my psychic, and I asked her opinion. . . I went straight to the Kabbalah Center and got a new bracelet." --Paris Hilton ------------------------------ Date: Fri, 30 Jul 2004 18:16:11 +0000 From: "robin mortlock" Subject: Subway Freedom I was round a friends house the other night and he put on a dancey album by a band called 'Caia'. I wasnt crazy about the tunes but suddenly this haunting vocal drifted out singing 'freedom scribbled in a subway'... it was lovely. The track repeated this line a few times and was a joy - this might have had more to do with the poteen i was drinking at the time but hey.... Robin - ------------------------------------------------------------------------ MSN 8 with e-mail virus protection service: 2 months FREE* ------------------------------ Date: Fri, 30 Jul 2004 18:37:53 -0400 (EDT) From: Catherine McKay Subject: Re: k.d. lang Joni covers --- Richard Goldman wrote: > k.d. was on KCRW-FM from Santa Monica this past > Tuesday July 27th, > she did a 45 minute music/interview in-studio, > that's absolutely > terrific. > Neil Young's 'Helpless', Jane Siberry's "The > Valley", Hic Harcourt - major Joni mention>, Bruce Cockburn's > 'One Day I > Walk', Leonard Cohen's 'Hallelujah' & 'Bird On A > Wire', Jane Siberry > 'Love Is Everything' and Neil Young 'After The Gold > Rush'. > Sadly... no Joni, but then she hasn't been > performing any of the > Joni tracks in concert, except...here in San > Francisco... an audience > member in the front row, yelled out 'hey! let us > hear your voice > without amplification, here in Davies Symphony > Hall", and so... k.d. > just did it. She did the first verse and chorus of > "A Case Of > You".... just her voice, and piano, no > amplification. You could still > hear her up into the upper reaches of the balcony. > It was > heavenly.....absolutely fabulously gorgeous. > The KCRW instudio is archived for RealPlayer. > Audio: > http://kcrw.com/cgi-bin/ram_wrap.cgi?/mb/mb040727kd_lang > and > Video with audio (!): > http://kcrw.com/smil/mb040727/kd_lang.ram > Richard, thanks for passing that on. I'm listening to it now and it's wonderful - even though I don't much care for the song "Helpless", it sounds better on my computer than it does on the radio, strangely enough. (and it's nice to hear the k.d. can sing acoustically - - that's the sign of a real singer.) ===== Catherine Toronto - ------------------------------------------------------------------------------- We all live so close to that line, and so far from satisfaction ______________________________________________________________________ Post your free ad now! http://personals.yahoo.ca ------------------------------ Date: Sat, 31 Jul 2004 00:43:03 +0200 From: "Ron" Subject: Re: all I want revisited hi >>>lucy wrote about catherine >>>>Why she is not grabbed by a journal to write ascerbic observations of the world in which we live, I have no idea.... she should be world known.... On and off list she has a cracking sense of humour and of the ridiculous.<<<<< she is grabbed - by the jmdl - shes ours, all ours !!!!!!! funny enough - on the way to work this morning i was wondering the same thing - thinking she would make a great columnist for some publication astute enough to sign her up ............. i nearly wet myself reading her latest parody ron ------------------------------ Date: Sat, 31 Jul 2004 00:51:12 +0200 From: "Ron" Subject: Re: JMDL,the past two weeks: A response. hi >>>>>randy wrote >>>>>You are saying that one should have knowledge of art to evaluate it. I disagree. You only have to know whether you like it or not.<<<<<< mmm - thats a tricky point - in effect you are saying that all those 11 year olds who think britney is the greatest musician ever may in fact be right??? its difficult to actually set some kind of standard. a critic needs to have some kind of standard - but being so subjective its basically impossible to define what that might be. some critics are so pretentious - they really are are just a waste of time. others just have such obvious bad taste - ditto. personally - i tend to follow the critics who echo my personal opinions :-) ron (who read the whole of zen & the art of motorcycle maintenance & still doesnt have a clue what quality is...) ------------------------------ Date: Fri, 30 Jul 2004 16:20:18 -0700 From: "J. Gonzales" Subject: Re: (TBOS) Why re-release the Geffen material? De-lurking for a brief observation: When it's all said and done, I think two things about the release of this compilation: A) it's not all that unusual for a single-disc compilation to follow (or precede) an expansive boxed set. Folks not willing to shell out big bucks often buy these cheaper sets. B) The Geffen material isn't even available as individual abums anymore. While it's slightly annoying that this compilation is coming out before those, so be it. It strikes me that Joni could have been contractually obligated to release a compilation and took the reigns so as not to have "unapproved" product out there. I'm certainly, as a fan, not insulted personally by TBOS. That said, while I'm intrigued, it's not a major priority on my list to get it. I am intrigued as to the "what's to come" that's been hinted at, in relation to the next compilation. Rhino always turns out great stuff. I wonder if they've raided the vaults for comprehensive re-releases, like with what they've done to Elvis Costello's catalogue. That'd be worth the bucks. - -J _________________________________________________________________ Overwhelmed by debt? Find out how to Dig Yourself Out of Debt from MSN Money. http://special.msn.com/money/0407debt.armx ------------------------------ Date: Fri, 30 Jul 2004 20:00:10 -0400 (EDT) From: Catherine McKay Subject: Re: (TBOS) Why re-release the Geffen material? --- "J. Gonzales" wrote: > The > Geffen material isn't even > available as individual abums anymore. But it is available. Check out amazon.com and so on - they're all there. In fact, in a strange and ironic twist of fate, they're cheaper at amazon.ca because the prices for some are $1 lower, for others $1 higher than the US versions. Some of them are going for $9.99 CDN, which is between $6 and $7 USD. What a bargoon! > I am intrigued as to the "what's to come" that's > been hinted at, in relation > to the next compilation. Rhino always turns out > great stuff. I wonder if > they've raided the vaults for comprehensive > re-releases, like with what > they've done to Elvis Costello's catalogue. That'd > be worth the bucks. > I think you're right and am holding myself back from getting too excited (because I fear being disappointed.) But, as you say, Rhino does put out great product. ===== Catherine Toronto - ------------------------------------------------------------------------------- We all live so close to that line, and so far from satisfaction ______________________________________________________________________ Post your free ad now! http://personals.yahoo.ca ------------------------------ Date: Fri, 30 Jul 2004 20:40:38 -0400 (EDT) From: notaro@stpt.usf.edu Subject: From the Buffalo News My aunt sent me this from my hometown newspaper: An emotional look back Joni Mitchell's retrospective speaks volumes By JEFF MIERS NEWS POP MUSIC CRITIC 7/30/2004 Mitchell has cherry-picked her most astute and incisive social/political/cultural commentaries into a whole new album with an arc and flow of its own. Can't say I'm too shocked. It's not like Joni Mitchell has ever been one to keep her mouth shut. Times being what they are, I'm only surprised it took her this long. Joni Mitchell has often been lumped in with the hippie proletariat, equated with the tree- hugging, laid-back coalition of the chillin', a typical Californian singer-songwriter. She's anything but, of course. While conservative radio pundits and their brethren would doubtless skewer her as another "Hollywood-type liberal," Mitchell is far too smart, too complex, too talented to be caught in such a dubious net. As a musician, she knows no peers in her age group. She's a brilliant singer, a groundbreaking guitarist, a unique songwriting voice who also happens to be one of the finest living jazz singers this side of Cassandra Wilson. Politically, Mitchell fits the liberal profile, but not so fast there, Mr. Limbaugh - Mitchell's political/social/cultural/environmental stance is more complex than that of your average Birkenstock-wearing Dave Matthews' fan. No, it's no accident that Mitchell has prepared "The Beginning of Survival" for a pre-Election Day release. There are no brand new songs on it. In fact, serious fans more than likely own all of these tunes on their original releases - all from the mid-'80s forward, as heard on the albums "Dog Eat Dog," "Chalk Mark in a Rainstorm," "Night Ride Home," "Turbulent Indigo" and "Taming the Tiger." Why is it worth having? Because, like a collage artist assembling found objects into some new whole, Mitchell has cherry-picked her most astute and incisive social/political/cultural commentaries into a whole new album with an arc and flow of its own. Together, these songs offer insight into where we are and how we got here. As is evidenced by the album's title, there is tempered hope at the heart of this musical voyage. Or maybe not. "The Beginning of Survival" could be seen as a birthing of sorts; it could also be seen as the end of living as we've known it. A long-ago letter Mitchell has chosen Chief Seattle's letter to the president, from 1852, as the centerpiece, a sort of framing discourse for the album. The entire letter is transcribed across the disc's gatefold sleeve. Some 150 years on, the letter hits hard, perhaps even harder than it might have at the time. "We love the earth as a newborn loves its mother's heartbeat," Chief Seattle writes. "So, if we sell you our land, love it as we have loved it. Care for it as we have cared for it. "Hold in your mind the memory of the land as it is when you receive it. Preserve the land and the air and the rivers for your children's children and love it as God loves us all. As we are part of the land, you too are part of the land. This earth is precious to us. It is also precious to you. One thing we know: There is only one God. No man, be he Red Man or White Man, can be apart. We are brothers after all." Reading this, looking at Mitchell's oil paintings as reproduced in the liner notes, then listening to her 16 hand-picked gems, you'd have to have hardened your heart to avoid the rising swells of emotion - most of it based on a sense of loss - this package initiates. It works even if you ignore the lyrics, of course; "Slouching Towards Bethlehem," Mitchell's appropriation of a W.B. Yeats poem, finds her working her melodic magic over interestingly voiced guitar chords and a startling vocal arrangement. It's hip stuff, no question. Ah, but the text - it elevates the piece toward the sublime. "For what is this rough beast/Its hour come at last/ Slouching towards Bethlehem to be born," sings Mitchell, conjuring a figure with the head of a man and the shape of a lion, "with a gaze as blank and pitiless as the sun." The sense of foreboding is palpable. The bleak world "Dog Eat Dog," written during and reflective of the Reagan era, is no less forceful, as Mitchell calls forth a bleak world. "Where the wealth's displayed/Thieves and sycophants parade/And where it's made - the slaves will be taken/Some are treated well/In these games of buy and sell/And some like poor beasts/Are burdened down to breaking." It's not as if Mitchell's been holding back until this point, but "The Beat of Black Wings" hits like the ominous thud of a hammer driving nails into a coffin lid. Here, she meets a young soldier returned from war. "They want you, they need you," Mitchell's soldier says. "They train you to kill, to be a pin on some map . . . some vicarious thrill! The old hate the young, that's the whole heartless thing! The old pick wars, we die in 'em, to the beat of . . . the beat of black wings." It's easy to rail against the dying of the light, particularly today. It's tough to do so, however, when even the slightest utterance is used against one to question one's patriotism, love of country, mom and apple pie, and so forth. Just ask Linda Rondstadt. But Mitchell is no shrinking violet. She has the courage of her convictions. And her cultural metaphysics is well-thought-out and stunningly displayed. "And the gas leaks/and the oil spills/and sex sells everything/and sex kills," she intones during "Sex Kills," written well before this current administration took power but disturbingly prescient nonetheless. This is a time where serious reflection and considered thought is in order. And "The Beginning of Survival" is an apt soundtrack for such an activity. ------------------------------ Date: Fri, 30 Jul 2004 17:40:55 -0700 From: Randy Remote Subject: Re: JMDL,the past two weeks: A response. Ron wrote: > hi > > >>>>>randy wrote > >>>>>You are saying that one should have knowledge of art to evaluate it. I > disagree. You only have to know whether you like it or not.<<<<<< > > mmm - thats a tricky point - in effect you are saying that all those 11 year > olds who think britney is the greatest musician ever may in fact be right??? Ummmm,,, I said *art* , babe ; ) Seriously, the Britney phenom is more about an image being sold to the little blighters. But hey, if someone loves Brit's musiclike product, who are we to tell them they are wrong? I suspect that even very knowledgeable critics start with like or dislike, and then use their background knowledge to back up their opinions. Duke Ellington said "if you like it, it's good". RR ------------------------------ Date: Fri, 30 Jul 2004 22:09:24 EDT From: SCJoniGuy@aol.com Subject: Re: Y'all thought I was joking about that GHOUL hand??? **What's the story with this? Did you ask the seller? No, I assumed it was some kind of typo or something - ebay uses a service called Muse to allow a seller to enter a UPC code and then it downloads all the information about the item. It's pretty cool, but I've noticed it's full of mistakes. Ghoul Hand Luke Muller! Good one, Smurf. GHLM NP: David Byrne, "Tiny Apocalypse" ------------------------------ Date: Fri, 30 Jul 2004 22:16:20 EDT From: SCJoniGuy@aol.com Subject: Re: k.d. lang Joni covers **I'm listening to it now and it's wonderful I picked it up Tuesday when it came out and I liked it a lot as well. KD's vocals have always been full of a clarity and richness to my ears, although I admit I have not purchased any of her stuff until now. While her take on ACOY is good (hard to mess that one up, really), her Jericho is a real standout. She ups the ante with the jazziness (probably not a word, sue me) of the song, and though I could have done without the strings she (and Ben Mink her collaborator) uses them sparingly. Of course, given that Jericho is one of my favorite Joni songs and is under-represented in the covers arena, I found it particularly delightful. Perhaps someday we'll get her studio version of "Help Me" that she did for the "A Case Of Joni" tribute all those many years ago. Bob NP: Elton John, "Tiny Dancer" ------------------------------ Date: Fri, 30 Jul 2004 23:07:57 EDT From: SCJoniGuy@aol.com Subject: Wall to Wall Joni Hi Em, and happy weekend to you gal...I'm way late in answering your question about Wall to Wall Joni, due to having to catch up in the non-work hours and having started rehearsals for "Joseph & The Amazing Technicolor Dreamcoat" this week and also watching as much as I could of the Convention...anyway, enough with my lame-ass excuses. Wall to Wall is a series put on by NYC's Symphony Space. It's a free show, open to the public, featuring interpretations of a specific composer from performers from ALL genres and it lasts 12 hours! What was so impressive with the Wall to Wall Joni show (March 22, 2003) was that prior to this concert, there had been no one from the rock and roll era who was honored in this way. You can see more info about the show at: _http://www.symphonyspace.org/genres/eventPage.php?genreId=1&eventId=287_ (http://www.symphonyspace.org/genres/eventPage.php?genreId=1&eventId=287) And you can read my review of the 12-hour concert at: _http://www.jmdl.com/articles/view.cfm?id=1077_ (http://www.jmdl.com/articles/view.cfm?id=1077) (masochists only need apply) Bob, who still thinks about Helga Davis' performance and gets chills NP: Dead Kennedys, "Bleed For" ------------------------------ Date: Sat, 31 Jul 2004 00:36:07 -0400 From: "Lama, Jim L'Hommedieu" Subject: Subject: Amelia Emily, Yes. Here'a another. Wayne Shorter's wife, Anna, passed away in mid-air over Lockerbee, Scotland when some terrorists blew up the plane. Hence the lines (later on) "A plane went blinking by and I thought of Anna." Get the "Shadows And Light DVD" immediately. You'll thank me later but don't think now. Grow your world. Run. Do it now. Stop reading in the middle of th Em said, >From: Em <> Subject: Amelia she's singing to Amelia Earhart????????? yes????? or? how come I never figured that out til now?? sheesh!!!!! too cool! em> ------------------------------ Date: Sat, 31 Jul 2004 00:36:28 -0400 From: "Lama, Jim L'Hommedieu" Subject: Subject: Amelia Emily, Yes. Here's another. Wayne Shorter's wife, Anna, passed away in mid-air over Lockerbee, Scotland when some terrorists blew up the plane. Hence the lines (later on) "A plane went blinking by and I thought of Anna." Get the "Shadows And Light DVD" immediately. You'll thank me later but don't think now. Grow your world. Run. Do it now. Stop reading in the middle of th Em said, >From: Em <> Subject: Amelia she's singing to Amelia Earhart????????? yes????? or? how come I never figured that out til now?? sheesh!!!!! too cool! em> ------------------------------ End of onlyJMDL Digest V2004 #218 ********************************* ------- Post messages to the list by clicking here: mailto:joni@smoe.org Unsubscribe by clicking here: mailto:onlyjoni-digest-request@smoe.org?body=unsubscribe ------- Siquomb, isn't she? (http://www.siquomb.com/siquomb.cfm)