From: les@jmdl.com (onlyJMDL Digest) To: onlyjoni-digest@smoe.org Subject: onlyJMDL Digest V2002 #319 Reply-To: joni@smoe.org Sender: les@jmdl.com Errors-To: les@jmdl.com Precedence: bulk Archives: http://www.smoe.org/lists/onlyjoni Websites: http://www.jmdl.com http://www.jonimitchell.com Unsubscribe: mailto:onlyjoni-digest-request@smoe.org?body=unsubscribe onlyJMDL Digest Tuesday, October 29 2002 Volume 2002 : Number 319 The Official Joni Mitchell Homepage, created by Wally Breese, can be found at http://www.jonimitchell.com. It contains the latest news, a detailed bio, Original Interviews, essays, lyrics and much much more. The JMDL website can be found at http://www.jmdl.com and contains interviews, articles, the member gallery, archives, and much more. ========== TOPICS and authors in this Digest: -------- Pazfest ["William Chavez" ] Today in History: October 28 [ljirvin@jmdl.com] Linda R. ["William Chavez" ] Re: JMDL Digest V2002 #444 ["William Chavez" ] Stereophile magazine [Jerry Notaro ] More Jonifest Love [Bob.Muller@Fluor.com] A very nice game [mosalm ] Game?? ["Christopher Treacy" ] Re: Joni's vocal range [Engwall57@aol.com] Re: Joni's vocal range ["mack watson-bush" ] 1987 Benefit ["Laurent Olszer" ] Joni & baby, 100% jc ["Jim L'Hommedieu \(Lama\)" ] RE: Joniphobic? ["Jerry Notaro" ] Joni's voice on STAS vs. next few; "Moon ... Harsh Mistress"; Playboy poll ["Timothy Spong" ] laura ["walterphil" ] FW: Joniphobic? ["Jim L'Hommedieu \(Lama\)" ] Krishnamurti(Thanks Joni!) [Relayer211@aol.com] Re: onlyJMDL Digest V2002 #316 [SCJoniGuy@aol.com] Re: Joni's voice on STAS vs. next few; "Moon ... Harsh Mistress"; Playboy poll ["Mark or Travis" Subject: Pazfest >Pazfest demonstrates that even if Joni had never sang or played any musical >instruments in public, her song writing alone would >have given her genius >status. DITTO!!!!!!!! Will-Eventhough I don't own Pazfest I know what your trying to say. I guess I need to get this CD twofer. _________________________________________________________________ Unlimited Internet access -- and 2 months free! Try MSN. http://resourcecenter.msn.com/access/plans/2monthsfree.asp ------------------------------ Date: Mon, 28 Oct 2002 03:28:02 -0500 From: ljirvin@jmdl.com Subject: Today in History: October 28 1998: Joni performed in Detroit. More info: http://www.jmdl.com/performances/docs/981028.cfm http://jonimitchell.com/RoadAgainDetroit1098.html - ---- For a comprehensive reference to Joni's appearances, consult Joni Mitchell ~ A Chronology of Appearances: http://www.jonimitchell.com/appearances.html ------------------------------ Date: Mon, 28 Oct 2002 03:34:57 -0500 From: "William Chavez" Subject: Linda R. >Kakki alluded to the Stone Poneys. I have the album Different Drum and >'Long, Long Time' is on it. Was it remade for 'Silk Purse?' Diferent Drum the album is a compilation album of early material including the title track DD. It originally was released on Silk Purse(funny album cover). Will _________________________________________________________________ Protect your PC - get McAfee.com VirusScan Online http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963 ------------------------------ Date: Mon, 28 Oct 2002 03:46:55 -0500 From: "William Chavez" Subject: Re: JMDL Digest V2002 #444 >I am a witness that this government under Bush and Giuliani did not do >enough to protect us. I usually try and stay away from political comments but hear goes. I'm definitely not a big Bush fan but I hope you're not insinuating that Clinton would have done any better in preventing 9-11. I don't think any president could have prevented 9-11. While both presidents may have some positive points, for the most part they both suck in my opinion. I don't intend to hurt anybodies feelings with that comment but its just my honest opinion. Will _________________________________________________________________ Unlimited Internet access for only $21.95/month. Try MSN! http://resourcecenter.msn.com/access/plans/2monthsfree.asp ------------------------------ Date: Mon, 28 Oct 2002 11:38:42 -0400 From: Jerry Notaro Subject: Stereophile magazine The November Stereophile magazine lists 40 essential albums since 1962. Joni did not make the list, but Court and Spark did make the Honorable Mention list. Of interest of those included in the Essential 40: The White Album ( my personal and always #1 pick) Blood on the Tracks Are You Experienced Thriller Goodbye Yellow Brick Road Tapestry Willie Nelson's Stardust Dark Side of the Moon Exile on Main Street Wayne Shorter: Speak No Evil Jerry ------------------------------ Date: Mon, 28 Oct 2002 10:43:43 -0500 From: Bob.Muller@Fluor.com Subject: More Jonifest Love <> Obviously I couldn't let this one slide by without saying a profound "thanks" to you for the compliment, Brian! And also to say that the whole thing would not have come off without Marian who was willing to rehearse it (not an easy one to get - lots of tricky rhythms, which reminds you what an AMAZING vocalist Joni is naturally!), and play it flawlessly for me. As for the goofy improvisation at the end...can't blame tequila as I can't handle it, but Mr. Budweiser & Mr. Rolling Rock did enter the picture a bit. Thanks again for the comment, Brian...I think you can tell from the recording that I was having a good time and half the fun was doing a really obscure selection. Not that people didn't know the song, just that nobody's been brave/dumb enough to give it a shot! ;~) Bob NP: Marvin Gaye/Tammi Terrell, "Your Precious Love" - ----------------------------------------------------------------------------------------------------- The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. If you are not the intended recipient of this message you are hereby notified that any use, review, retransmission, dissemination, distribution, reproduction or any action taken in reliance upon this message is prohibited. If you received this in error, please contact the sender and delete the material from any computer. Any views expressed in this message are those of the individual sender and may not necessarily reflect the views of the company. - ------------------------------------------------------------------------------------------------------- ------------------------------ Date: Mon, 28 Oct 2002 11:10:19 -0500 From: mosalm Subject: A very nice game Hello,This is a nice game This game is my first work. You're the first player. I wish you would like it. ------------------------------ Date: Mon, 28 Oct 2002 11:29:43 -0500 From: "Christopher Treacy" Subject: Game?? That recent post from 'Mosalm' is the same as a virus I was sent recently...is nothing sacred??? By the way, any news on the Flash MediaPlayer for Travelogue?? I'm DYING of curiosity and desperately trying to get my hands on a promo.... -Chris --- Christopher Treacy--- ctreacy1889@earthlink.net--- EarthLink: The #1 provider of the Real Internet. ------------------------------ Date: Mon, 28 Oct 2002 12:08:09 -0500 From: Engwall57@aol.com Subject: Re: Joni's vocal range Joni's high notes are at least identifiably human, unlike the dolphin-like stratospheric heights of Mariah Carey's range. Yes, Mariah can sing that high, but why? ------------------------------ Date: Mon, 28 Oct 2002 11:36:04 -0600 From: "mack watson-bush" Subject: Re: Joni's vocal range Engwall wrote: > Joni's high notes are at least identifiably human, unlike the dolphin-like stratospheric heights of Mariah Carey's range. Yes, Mariah can sing that high, but why? exactly my point. oooh, aaah, ooooooh, aaaaaaaaahhhhh. Nauseating. Joni's on the other hand are gorgeous, nothing less than poetry to the ears. mack ------------------------------ Date: Mon, 28 Oct 2002 19:43:38 -0000 From: "Laurent Olszer" Subject: 1987 Benefit > Subject: Today in History: October 27 > > 1987: Joni performed at the "Cowboys for Indians and Justice for Leonard Peltier" benefit in front of an estimated 9,000 people at the Pacific Amphitheatre in Costa Mesa, California. Joni concentrated on recent material, previewing a new song ("Lakota") and offering a dramatic rendition of "Tax Free." > More info: http://www.jmdl.com/articles/view.cfm?id=161 > I was there. What the reviewer doesn't say is that Joni did stop more than once because the talk from the audience was literally covering her singing at the piano. Joni opened the benefit (gasp!) and everybody had come for Willy Nelson and Kris so you can imagine how much attention they paid Joni in between 2 frankfurters and beer! Grand fiasco at the piano. After Joni's show there were some fans outside (any JMDLers?) by the back exit screaming "Joni we love you" hoping to make up for the extremely rude audience. The only good thing is we left early, right after Joni, but in total frustration. Laurent ------------------------------ Date: Mon, 28 Oct 2002 14:04:51 -0500 From: "Jim L'Hommedieu \(Lama\)" Subject: Joni & baby, 100% jc Yeah, I think that the part of her that's telling the story meant "lover". Yeah. But to stop at the surface is to miss tons and tons of stuff! "Blue" has lots of songs about loss. Then there is a song about traveling with a bout of insomnia, and having a lover who stole her camera. "Carey" is not an entirely happy song. Remember that when she put "Little Green" out, Kelly (Kilauren) was a secret. Not that I'm going to get into the personal aspects of this but rather, I'm sticking to the literary critique angle. The song "Little Green" has *vague text* about a private pain. Let me cite a better example. Think of when Joni's making a phone call from the "Blue Motel Room", and she asking her beau to "Tell those girls you've got German measles." She's not literally asking for that *specific* lie, right? She's using a wee bit of humor. She using an indirect way of conveying something more serious and private. That's an obvious example so let's take one with one shade more subtlety. Drummers have a language to describe the various rolls, and punctuations. We all know what a "drum roll" is. And we can imagine what a "splash" is. We can hear "rattle, splash, tin, tin, boom," in our heads. Supposedly, "boom-boom-pachyderm" is one of those phrases. Now imagine a woman has a long-distance relationship with a drummer. There are always girls in the audience, hanging on his every move, his every gesture. Isn't it arty for that woman to worry about losing him by using these words? "Will you still love me When I call you up when I get back to town I know that you've got all those pretty girls coming on Hanging on your boom-boom-pachyderm Will you tell those girls that you've got German Measles Honey, tell them you've got germs." Joni's using "boom-boom-pachyderm" BECAUSE it's an arty way of expressing herself. She's using that phrase BECAUSE it has a double meaning. Just as she doesn't want him to tell lies about his health *exactly*, she's also asking him to shake of the hangers-on. To dismiss the double meanings is to lose an incredible amount of richness in her lyrics. So, in my opinion, when she turns in "Blue", a collection of songs about how she's loved and lost, about how she's been rejected, about how her ex can never be happy in a house with a percolator, about how she's rejected others, about how she made her baby cry, she's not talking about one thing. In "Blue", maybe more than in any other collection, she's always talking about everything at once. What I'm trying to say is that when Joni says "percolator" she usually, in her poet's heart, means "home". Lama StDoherty@aol.com said, >>>>I think Joni just uses baby as slang. It was a popular word of her era (of many eras) ... and Joni uses slang (bigwig, darling). Hate to be a mean old daddy -- but sometimes things are just that simple.>>>>> ------------------------------ Date: Mon, 28 Oct 2002 14:19:44 -0500 From: "Jerry Notaro" Subject: RE: Joniphobic? Good post, Jim. It's a complicated issue, like racism. I'm gay and very sensitive to homophobia, and felt Joni's comment attested to homophobia or, at the very least, misinformation) in the world, not her own. Others, both straight and gay, either agreed or disagreed. I've met you and would never consider you homophobic, nor anyone else I've ever met through the list. That doesn't mean someone might make a casual remark that someone might take as insensitive or homophobic. But I'm a big believer in intent. And if there is no purposeful intent to hurt then I don't believe there is homophobia. Jerry - -----Original Message----- From: owner-joni@jmdl.com [mailto:owner-joni@jmdl.com]On Behalf Of Jim L'Hommedieu (Lama) Sent: Monday, October 28, 2002 1:33 PM To: joni@smoe.org Subject: Re: Joniphobic?, njc now Not that my opinion is going to sway the future of the Western World or anything, but.... Joni's soliloqy on the pitch of female voices has a what "passes" as the vague character of homophobia. I get that "homophobia" charge all the time. Over the weekend, my girlfriend asked her nephew if I looked a little like a little boy, like an older Harry Potter. Michael hesitated, then said, "See, there's this unspoken code if you're......." "Straight," I said. "Right," he said. Then he & I laughed nervous laughs. He continued: "If you're straight, you don't comment in any way about another guy's looks." Anna upbraided both of us for being homophobic. It's also an unspoken code, which I had broken, that if you're straight, you never discuss other lifestyles in anyway. If I say, "It's a perfectly valid choice," it's my understanding that I'm offensive on 2 counts: 1. Sexuality is not a choice. and 2. No one, of any orientation, needs *permission* from a straight white man to be what they are. It's not up to me to confer permission. I get it. I see the points. It's not really fair to me, as an outspoken, mildly political person, but it's a resonably small thing to ask of straights: "Stay out of the politics." Or have I missed the point? (Again?) :) Lama np: Monk, the jazz pianist on CD ------------------------------ Date: Mon, 28 Oct 2002 20:23:31 +0000 From: "Timothy Spong" Subject: Joni's voice on STAS vs. next few; "Moon ... Harsh Mistress"; Playboy poll Bear with me, here. This time, the "Reply" function of Hotmail did not bring up the text of the message replied to; I could only figure out how to copy and paste one of the two posts I want to respond to. 1. One correspondent notes that Joni's voice on "Song to a Seagull," whose official title is actually "Joni Mitchell," is lower than on "Clouds" and the next several albums, and speculates that the range for the latter was spurred by conscious imitation of Judy Collins and Joan Baez. Don't forget the high notes in "Night in the City": up about an octave on the capitalized syllables: "Night in the CI-ty looks PRET-ty to me ...." 2. From: "Mark or Travis" I think Judy Collin's rendition of "Moon is a Harsh Mistress" is tops for >me. Here you have a woman of incredible talents. She is probably one of the >best interpretive singers in the business. Her voice is stronger than ever. >When she decided to start composing songs we saw that she was great at that >too. Which album is this on? I've only recently started to collect Judy's stuff. I agree that she is a wonderful interpreter. For a long time I just thought she had a pretty voice and wrote rather precious little songs. I have since learned that I was wrong on both counts. 'Albatross', 'My Father', 'Granddaddy' - these are great songs. And her choice of material to interpret has usually shown impeccable taste. "The Moon is a Harsh Mistress" is on "Judith," 1975 on Elektra. It now can be ordered from the Merchandise page at www.judycollins.com. The song title is the same as the title of a novel by the late Libertarian science-fiction genius Robert Heinlein, in which he introduces the TANSTAAFL Principle: "There Ain't No Such Thing As A Free Lunch," which, ultimately, is borne out by the laws of thermodynamics. I think the novel predates the song, and thus, that the title was borrowed for the song, but I don't think the song lyrics relate to the novel. 3. December 2002 PLAYBOY is now out, and includes the ballot for the 2003 Music Poll. Among the names listed as candidates for induction into that poll's Hall of Fame is that of Joni Mitchell. Tim Spong Dover, Del., U.S.A. _________________________________________________________________ Choose an Internet access plan right for you -- try MSN! http://resourcecenter.msn.com/access/plans/default.asp ------------------------------ Date: Mon, 28 Oct 2002 15:54:46 -0500 From: Bob.Muller@Fluor.com Subject: Re: Joni's voice on STAS vs. next few; "Moon ... Harsh Mistress"; Playboy poll <> And also "Pirates of Penance"...some pretty high notes on that bad boy as well. But I would say that while Joni's high register is certainly in full evidence on STAS, she does go for some lower notes on this record that she doesn't seem to approach on Clouds. Matter of fact, I didn't get this record until the late 90's, and the IMMEDIATE thing that I noticed were the low notes like right off the bat when she sings "painted the pastel walls BROWN" on IHAK. Bob NP: The Contours, "Do You Love Me" PS: I'll need to get that new Playboy so I can, ummmm, vote for Joni in that Poll! Schwing! (Or should I say "Spong!") ;~) - ----------------------------------------------------------------------------------------------------- The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. If you are not the intended recipient of this message you are hereby notified that any use, review, retransmission, dissemination, distribution, reproduction or any action taken in reliance upon this message is prohibited. If you received this in error, please contact the sender and delete the material from any computer. Any views expressed in this message are those of the individual sender and may not necessarily reflect the views of the company. - ------------------------------------------------------------------------------------------------------- ------------------------------ Date: Mon, 28 Oct 2002 13:10:56 -0800 (PST) From: Jenny Goodspeed Subject: Re: Joni's voice on STAS vs. next few; All this talk of Joni's high notes - I finally had to go check some of them out. The highest note Joni hits that I have found on a cursory look at her recordings is a high F#, which she hits on The Arrangement, California, and in her guitar duet on MOA's Your Turn Me On... She hits a high F on All I Want and Carey. The highest note I found on her first album was an E (in Song to a Seagull). If anyone can think of others, I'd be interested. I also heard her first album after LOC and Clouds - and thought, well why didn't she use this lovely full bodied voice on her 2nd and 3rd album. The range of notes is somewhat lower, but it is the quality of her tone and timbre that I like so much better. Jenny Bob.Muller@Fluor.com wrote:> And also "Pirates of Penance"...some pretty high notes on that bad boy as well. But I would say that while Joni's high register is certainly in full evidence on STAS, she does go for some lower notes on this record that she doesn't seem to approach on Clouds. Matter of fact, I didn't get this record until the late 90's, and the IMMEDIATE thing that I noticed were the low notes like right off the bat when she sings "painted the pastel walls BROWN" on IHAK. Bob NP: The Contours, "Do You Love Me" PS: I'll need to get that new Playboy so I can, ummmm, vote for Joni in that Poll! Schwing! (Or should I say "Spong!") ;~) - ----------------------------------------------------------------------------------------------------- The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. If you are not the intended recipient of this message you are hereby notified that any use, review, retransmission, dissemination, distribution, reproduction or any action taken in reliance upon this message is prohibited. If you received this in error, please contact the sender and delete the material from any computer. Any views expressed in this message are those of the individual sender and may not necessarily reflect the views of the company. - ------------------------------------------------------------------------------------------------------- Y! Web Hosting - Let the expert host your web site ------------------------------ Date: Mon, 28 Oct 2002 19:34:36 EST From: Kardinel@aol.com Subject: Re: JMDL Digest V2002 #446 I like Judy Collins. I loved the "Judith " album but I have to say "In My Life", "Wildflowers" and "Who Knows Where the Time Goes" are wonderful albums. They are ahead of their time-very artsy and poetic songs. Some by her, L. Cohen, and Dylan. I bought these albums in the late 60's and still find them among the best. I saw her in concert when she was in her prime and she was very good and her voice was beautiful. I saw her a couple of years ago in her early 60's. I have to hand it to her-her voice was decent and she was personable and warm. Hey, I think I'll listen to one of her albums tonight. ------------------------------ Date: Mon, 28 Oct 2002 16:49:01 -0800 From: Steve Dulson Subject: 1987 Benefit >>Joni performed at the "Cowboys for Indians and Justice for Leonard >>Peltier" benefit in front of an estimated 9,000 people at the Pacific >>Amphitheatre in Costa Mesa, California. >I was there.... >After Joni's show there were some fans outside (any JMDLers?) Yep. :) - -- ######################################################## Steve Dulson Costa Mesa CA steve@psitech.com "The Tinker's Own" http://www.tinkersown.com "The Living Tradition Concert Series" http://www.thelivingtradition.org/ ------------------------------ Date: Mon, 28 Oct 2002 20:13:05 -0500 (EST) From: "walterphil" Subject: laura i have been enjoying everyone's comments on other female singers my 2 faves are joni, of course, and laura nyro. i'm sure you all realize joni readily admits laura as an influence. particularly her piano playing. virtually all of laura albums are excellent, but her best is "new york tendaberry," ( 11 perfect new york songs with enough melodies to fill 3 albums), "eli and the 13th cofession," (sounds like anyone elses greatest hits!) "nested"( a more mature laura, less screaming and more rich rich melodies and warm piano playing) & her last, "angel in the dark." (a maginificent triumph over death. a fantastic culmination of a rich and varied career--and a killer version of "walk on by" to boot). The saddest part of her dying so young was that her voice was as rich and beautiful as ever. michelle kort's new book "soul picnic" is a must. joni is quoted a few times. i believe laura's later day views on the music business paralleled joni's. but she kept plugging on, giving concerts and making records. i'm surprised i have never read any quotes from joni after laura died. i wonder if they new each other? xxx walt The most personalized portal on the Web! ------------------------------ Date: Mon, 28 Oct 2002 20:14:05 -0500 From: "Jim L'Hommedieu \(Lama\)" Subject: FW: Joniphobic? Thanks very much, Jerry. You're right. It's a hot issue, like race. It's incendiary. I was unsure if I could post about it without throwing gasoline on the topic. This uncertainty was especially acute 'cause one of the rules seems to be I *shouldn't* talk about it. As you can see, your response is doubly assuring. Thanks for that. Jim > > -----Original Message----- > > From: Jerry Notaro [mailto:notaro@bayflash.stpt.usf.edu] > > Sent: Monday, October 28, 2002 2:20 PM > > To: 'Jim L'Hommedieu (Lama)'; joni@smoe.org > > Subject: RE: Joniphobic? > > > > > > Good post, Jim. It's a complicated issue, like racism. I'm gay and very > > sensitive to homophobia, and felt Joni's comment attested to > > homophobia or, > > at the very least, misinformation) in the world, not her own. > Others, both > > straight and gay, either agreed or disagreed. I've met you and > would never > > consider you homophobic, nor anyone else I've ever met through the list. > > That doesn't mean someone might make a casual remark that someone > > might take > > as insensitive or homophobic. But I'm a big believer in intent. > > And if there > > is no purposeful intent to hurt then I don't believe there is > homophobia. > > > > Jerry ------------------------------ Date: Mon, 28 Oct 2002 20:19:40 -0500 From: Relayer211@aol.com Subject: Krishnamurti(Thanks Joni!) I was browsing in the "Eastern philosophy" section of my local bookstore.I came across books by Krishnamurti.I knew nothing about him,but I remembered the quote from Joni about him(in the JM companion.the 1994 Mojo interview)I looked through about 4 or 5 books by and about him and was very intrigued.I found his ideas quite fascinating.I bought the book "Krishnamurti:On Fear",which is one of those books that I just strongly,intuitivly relate to... ------------------------------ Date: Mon, 28 Oct 2002 21:57:02 EST From: SCJoniGuy@aol.com Subject: Re: onlyJMDL Digest V2002 #316 In a message dated 10/26/2002 7:14:58 AM Eastern Standard Time, Jennymac48@aol.com writes: > Hey Bob Muller! Do you have Joni's 1994 KSCW's gig on CD? I want to hear > this! > Sorry for the delay in getting back to you, JennyMac...but the answer is YES, I do have this radio appearance, a funny and enjoyable interview and Joni unplugged in the radio studio playing: Sunny Sunday Crazy Cries of Love Sex Kills Moon At The Window Facelift Just Like This Train Bob NP: Patti Witten, "Blue Blanket" (awesome song!) ------------------------------ Date: Mon, 28 Oct 2002 20:10:38 -0800 From: "Mark or Travis" Subject: Re: Joni's voice on STAS vs. next few; "Moon ... Harsh Mistress"; Playboy poll But I would say that while Joni's high register is certainly in full > evidence on STAS, she does go for some lower notes on this record that she > doesn't seem to approach on Clouds. Matter of fact, I didn't get this > record until the late 90's, and the IMMEDIATE thing that I noticed were the > low notes like right off the bat when she sings "painted the pastel walls > BROWN" on IHAK. What about 'Tin Angel', the very first cut? Those "varnished weeds in window jars" sounds close to the depth of those pastel walls to my ears. Or the first lines of 'I Think I Understand'? "Daylight falls upon the path/the forest falls behind." Joni does go into her upper register on STAS but for some reason it doesn't sound as thin or screechy as some of LOTC and Blue. I don't know if it's how she sang or how it was recorded but the voice is much more soothing, softer sounding somehow on STAS. To me, anyway. Mark E in Seattle ------------------------------ Date: Mon, 28 Oct 2002 20:13:02 -0800 From: "Mark or Travis" Subject: Re: Joni's voice on STAS vs. next few; The range of notes is somewhat lower, but it is the quality of her tone and timbre that I like so much better. > Jenny Thank you, Jenny. This is exactly what I was trying to say. Mark E in Seattle ------------------------------ Date: Mon, 28 Oct 2002 23:28:53 EST From: SCJoniGuy@aol.com Subject: Re: Joni's voice on STAS vs. next few; "Moon ... Harsh Mistress"; Playboy p... In a message dated 10/28/2002 11:09:35 PM Eastern Standard Time, mark.travis@gte.net writes: > What about 'Tin Angel', the very first cut? Those "varnished weeds in > window jars" sounds close to the depth of those pastel walls to my ears. > Or > the first lines of 'I Think I Understand'? "Daylight falls upon the > path/the forest falls behind." > Yep, I'll buy that, Mark...good point. And I DO love both of those songs too...Think I Understand is one my favorites of hers. Bob NP: Laura, "You Don't Love Me When I Cry" ------------------------------ End of onlyJMDL Digest V2002 #319 ********************************* ------- Post messages to the list by clicking here: mailto:joni@smoe.org Unsubscribe by clicking here: mailto:onlyjoni-digest-request@smoe.org?body=unsubscribe ------- Siquomb, isn't she? (http://www.siquomb.com/siquomb.cfm)