From: les@jmdl.com (onlyJMDL Digest) To: onlyjoni-digest@smoe.org Subject: onlyJMDL Digest V1 #245 Reply-To: joni@smoe.org Sender: les@jmdl.com Errors-To: les@jmdl.com Precedence: bulk onlyJMDL Digest Saturday, October 30 1999 Volume 01 : Number 245 The Official Joni Mitchell Homepage is maintained by Wally Breese at http://www.jonimitchell.com and contains the latest news, a detailed bio, original interviews and essays, lyrics, and much more. ------- The JMDL website can be found at http://www.jmdl.com and contains interviews, articles, the member gallery, archives, and much more. ========== TOPICS and authors in this Digest: -------- Re: Tar Babie Babble (as in Tower of...) ["Patricia O'Connor" ] RE: Heart /Sandra/Stormy Weather/Joni [Anne Sandstrom ] Re : How much, how often? [Jason Maloney ] Eric Anderson [Steve Dulson ] Re: Tar Baby [MHart16164@aol.com] Re: SJC: Stevie Wonder [AzeemAK@aol.com] $10 off $10 at Barnes & Nobel (Joni Books & Music) [mann@chicagonet.net] Re: Re : How much, how often? [Ginamu@aol.com] Re: SJC: Stevie Wonder [SCJoniGuy@aol.com] Re: Re : How much, how often? [Jason Maloney ] Jonatha's Influences: Joni and RLJ (VLJC) [TerryM2442@aol.com] Re: Urge for going (guitar chords) [CaTGirl627@aol.com] Re: Urge for going (guitar chords) [CaTGirl627@aol.com] Re: This Just in... [CaTGirl627@aol.com] Cree Louise (HOSL Demo) ["Eric Taylor" ] ---------------------------------------------------------------------- Date: Fri, 29 Oct 1999 03:38:11 -0400 From: "Patricia O'Connor" Subject: Re: Tar Babie Babble (as in Tower of...) Julian wrote: > Has anyone mentioned that >DJRD came out at a time when people weren't so worried about political >correctness, not to mention the evolution of a word or slang terminology? >These gems like "tar baby" litterally and figuratively get stuck in gooey >dark syntax and cultural taboos. I really appreciate Debra (Kedabra)'s "all >sides now" response....because I feel that's the time we are living in. The term "politically correct" hadn't yet been coined when DJRD was released, however that's not to say that one didn't recognize a racial slur when one met one in a dark alley, or in a crowded bar, or on a record album, or when one ran head-first into the slur-maker. We didn't call it politically incorrect, we called it racist. Semitics as you all know, are Arabs too. POC ------------------------------ Date: Fri, 29 Oct 1999 08:10:47 -0400 From: Bob.Muller@fluor.com Subject: Re: lindsay's miracle ear... Ric reminisces: <> Yes, I recall it everytime I hear "Facelift" Ric...sometimes I even sing it that way to give myself a smile. But I'm not about to sing anything about bending over, especially in THIS crowd! :~D Bob NP: "Come In From The Cold" ------------------------------ Date: Fri, 29 Oct 1999 14:05:57 +0100 From: Jamie Zubairi Subject: Rock Masterclass Dear Listers Has anyone got a superb copy of the DED rock Masterclass that has been discussed in the past couple of days? Email me privately if you have. I believe it's the one with DED done acoustically. Jamie Zubairi ------------------------------ Date: Fri, 29 Oct 1999 09:17:26 -0400 From: Anne Sandstrom Subject: RE: Heart /Sandra/Stormy Weather/Joni Maurice said: < performance on S.W. CD > has been played less by me than the other cuts on the CD>> Actually, I play everything EXCEPT Sandra Bernhardt's cut from SW. Why oh why is it in the MIDDLE??? :-) Anne ------------------------------ Date: Fri, 29 Oct 1999 09:35:30 -0400 From: "Jennifer L. Nodine" Subject: [Fwd: Re: how much, how often?] Message-ID: <3819A25D.168E@snet.net> Date: Fri, 29 Oct 1999 09:34:21 -0400 From: "Jennifer L. Nodine" Reply-To: jlhall01@snet.net Organization: The Mortgage Finance Corp. X-Mailer: Mozilla 3.01C-SNET (Win95; U) MIME-Version: 1.0 To: catman Subject: Re: how much, how often? References: <38188A03.5BD8292F@ethericcats.demon.co.uk> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit I try to at least twice a week. I can't listen to her when my husband is home because he loathes her music. So on Saturdays when I'm cleaning house and sometimes when he's working late. I WISH I HAD A CD PLAYER IN MY CAR or I'd always listen there...maybe I should take up a collection! Any sympathy out there? ;-) - -Jenny from CT ------------------------------ Date: Fri, 29 Oct 1999 15:35:57 +0100 From: Jason Maloney Subject: Re : How much, how often? I've really enjoyed the responses to my orginal ruminations/queries. Rather than reply individually to some of the comments/confessions revealed in each one, I think I'll tackle them as a whole. Otherwise, they'd be 10 separate postings from me at once, and nobody deserves that ;-) Eric and Gina remark on how it's the emotinal and intellectual substance of Joni's work that is the primary "hook", moreso than any "trivia" knowledge gained. I totally agree. While there is an amazing amount of knowledge displayed on this list, I didn't mean to imply that it was all trivia, far from it. I was thinking more of how deep-rooted the knowledge must be (both emotionally and intellectually), that when any particular thread crops up, the wealth of thoughts, opinions and related experiences shared by everyone on here are expressed so eloquently and with such a keen eye for detail and nuance. I wondered by what means each person here manages to arrive at such a point. I figured that the lengthy timespan covered by Joni's recorded work, and therefore the number of potential years for exposure, has probably played a significant part. Many of you have also gained a very personal insight and relationship to her songs through performing them yourselves. Even so, it occurred to me that most of you must still listen to (and be inspired/stimulated by) Joni's music on a very regular basis. From those who have so far posted on this topic, it seems that is largely true. Eric is a semi-daily case.....while Catherine slips some in whenever time permits each day, it appears ;-D Gina, meanwhile, is another "almost-daily" Joniphile. Anne and Jimmy too. Colin also has at least a couple of Joni CDs always on hand. Angela freaked me out when she revealed only three of her entire collection are non-Joni :-) Bob, though, King Music Slut that he is, throws in as much of everything (including Joni) as anyone within earshot can humanly tolerate Heaven forbid you ever have those headphones taken away, Bob! Susan is probably the only person among the 10 who doesn't listen to Joni "all that much", but it's clear that she is very much "under the influence" almost daily :-) Apologies for the "third-person" referencing....I hope nobody is offended, but I don't know how to cut-and-paste quotes from ten different people! :-) Obviously, the nature and depth of anyone's love and appreciation of Joni is not directly linked to the amount or regularity of plays given to her music. If it were, I'd probably be at the bottom of any "Frequency of Joni listening" polls. I admit I have rather odd listening habits, in that I don't play CDs over and over again. Ten years ago, I listened to a lot more music, more often....my favourite albums would be played maybe 20 or 30 times in their first 12 months. Nowadays, it's nearer 6 or 7. I have no doubt that it's largely a side-effect of my ill-health and resulting brain-inflammation, as well as a symptom of relying on music as my main source of entertainment for the last 13 years. Because of my illness, I find it impossible to have music playing while I do something else, and am even unable to have any playing while I rest or drift off to sleep. I listen to any music that I play, either reclining in a chair or lying down. In both cases I invariably have my eyes closed or covered with a sleep-mask. Music, for me, is more like a "fuel" for my brain, cancelling out the over-stimulation and mental exhaustion/foggyness that lowers my ability to function as a human being. What I listen to, and how often, is very carefully considered. Because I love so many different artists and genres, and I listen to so little music in a day (maybe 90 minutes, but usually nearer to 60), the opportunity to repeatedly play a certain CD is limited. Lately, I have taken to making compilation tapes of my current favourite tracks on a regular basis, or sometimes just listening to a selection of songs without actually comitting them to tape. I find it less "tiresome" than struggling through a 75-minute CD. I seldom listen to an album in one go....though if it's under 45 minutes, I may be able to. At the moment, I don't seem to last longer than about 4 or 5 songs before the restlesness creeps in. So, in other words, I have slowly but surely become "weary" of exposing myself to endless bouts of music, and chaning my listening habits has been the only way to keep my love and enjoyment of the music I play at a satisfactory level. New alternatives to listening to music have become available to me in the last year, as my condition has improved just enough to take in computers, TV and films. That's another reason why I listen to less music now. After 10 years of all-music and nothing else, my brain is telling me "you've got all these other things you can do now...why keep laying down to listen to a 50 minute album, when you can write e-mails, play games or watch a movie?". Music is still a vital component in my daily life - it balances my brain-inflammation so that I can tackle something else - but I now only "stop for gas" when absolutely necessary. I occasionally "fantasise" about getting all my Joni CDs out from the CD drawers, spreading them out on the floor, and immersing myself in Joniland for hours while the CDs play one after the other as I study the view in front of me of all the artwork side by side. It's a nice dream :-) For me, Joni is one of the very few artists who I feel a need to have their entire catalogue of work. All I'm missing now are the live albums, and I'm sure that in time they will join the 18 CDs I already own. I may not play them too often, but I'm pretty sure that on average I listen to more Joni than any other artist in my collection. It must be wonderful to have such a deep-rooted relationship with her work, and one borne of so many experiences and emotions. Of course, her music and lyrics do inspire a whole range of things in me too, as they surely do in everyone, but I often find myself marvelling at the far-reaching bond so many of you have with Joni's work. My appreciation has certainly been enriched to a very significant degree just by being part of the JMDL. Until I joined, I was someone who adored her DED-onwards releases, and found great comfort, inspiration and stimulation in them, but I hadn't felt a great desire to go back in time and investigate the earlier albums. They were from another time and dimension, as I saw it, and as I had not really lived through those times (although I was born the month Blue was released) I felt little connection with them. That all changed after spending a few months on this list, and reading all the posts. Now Hejira is among my Top 10 albums of all-time, and has more resonance and potency than most current music IMO. Well, I have rambled far too much! :-) Thanks for listening (if you haven't already deleted!) Jason. ------------------------------ Date: Fri, 29 Oct 1999 08:15:44 -0700 From: Steve Dulson Subject: Eric Anderson Bob wrote: >Eric, on the other hand, is like my dear old Dad, the poor guy just has no >>sense of key, pitch or rhythm, at least not evidenced in his performances >here. >I don't think months of rehearsals would've helped him I havn't heard the Joni's Jazz tapes, so I can't comment on Eric's performance there. However, I would urge those like Bob who are unfamiliar with his work not to dismiss him based on this show. Two of his songs, Thirsty Boots and Violets of Dawn, are true classics of the folk scare. His album Blue River (with Joni singing backup... hmmm, that's the first time I made the connection between Blue River and Blue, which was originally going to be called River) is well worth checking out, and based on his performance at the '93 Troubadours of Folk show (which Joni headlined) he still had his chops and was writing very good material. NP - Paul Castle - "Louise (Kick off your dancing shoes)" ######################################################### Steve Dulson Costa Mesa CA steve@psitech.com "The Tinker's Own" http://www.tinkersown.com "Southern California Dulcimer Heritage" http://members.aol.com/scdulcimer/ "The Living Tradition Concert Series" http://www.thelivingtradition.org/ (Website under construction!) ------------------------------ Date: Fri, 29 Oct 1999 11:07:31 EDT From: MHart16164@aol.com Subject: Re: Tar Baby In a message dated 99-10-26 15:56:56 EDT, you write: << Patricia said: >Tar Baby is slang for a black person, IMO an impolite and racist >term. >> There is a story (and I'm not sure who wrote it--Uncle tom's cabin) about a tar baby. The tar baby gets beat but the agressor gets stuck in all the tar. - -michele Normally lurking in Louisiana NP: Earth wind and Fire-Greatest Hits ------------------------------ Date: Fri, 29 Oct 1999 17:44:29 EDT From: AzeemAK@aol.com Subject: Re: SJC: Stevie Wonder In a message dated 27/10/99 15:42:39 GMT Daylight Time, Bob.Muller@fluor.com writes: << It's great to sing, but the rhymes are kind of suspect, he rhymes Mississippi with Pretty, Dirty with Early, >> Well, I have a different take on half-rhymes. I think they can be very effective, and that their use can be a conscious lyrical device, and not simply the closest the writer could get. A superb example of this is the Squeeze song Up The Junction, which is stuffed full of half rhymes, for example I never thought it would happen With me and a girl from Clapham Out on the windy common That night I ain't forgotten The whole song is like that. Obviously, we can't know the process behind the writing of Stevie's lyrics, but I'm prepared to believe he knew what he was doing! After all, there are half-rhymes all over the blessed (rightly) Hejira are there not?? The very first couplet of the album (circumstance/ranch), loads in Song for Sharon. Some of the most arresting couplets on the whole album are half-rhymes, for example I can keep my head at poker but I'm a fool when love's at stake Because I can't conceal emotion - whatever I'm feeling's written on my face It doesn't scan either! :-) I think Stevie is a true genius and a great songwriter, and I agree with whomever it was who said that his purple patch in the 70s was virtually unrivalled - and I also love Journey Through the Secret Life of Plants. And here's a question: did that film actually get a cinematic release - and has anyone here seen it?? Azeem ------------------------------ Date: Fri, 29 Oct 1999 16:49:02 -0500 From: mann@chicagonet.net Subject: $10 off $10 at Barnes & Nobel (Joni Books & Music) Hi All, Better use this one fast! Type in Joni Mitchell under subject for books and you'll find some old and maybe books you hadn't heard of before. (I did!) They also sell music too! Go to: www.bn.com/boo coupon code is .......CTREATS Hope this proves useful to some of you! WARNING: NJC below.........but FUN STUFF if you dare! U.S. residents (excluding Florida) at least 18 years of age who have Internet access (as of 10/22/99) can register to win Ziploc brand Slide-Loc Holiday Bags for Gifts & Storage "Time to Shop" Sweepstakes by visiting www.ziplocholiday.com. One grand prize winner will be randomly drawn to win a $1,000 post-holiday shopping spree (in the store of your choice!). Those who complete an optional on-line survey will also receive a FREE Slide-Loc Holiday Bag sample, magnet and coupons for Ziploc brand Slide-Loc Bags and Handi-Wrap/Saran Cling Plus brand plastic film. Contest entry and free offer deadline is 11:59 p.m. EST on January 22, 2000. http://www.ziplocholiday.com/docs/ziploc/ziplocholiday/home.html ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Free Sample of Coricidin Cold/Flu Medicine. http://www.tbwt.com/misc/emaven/register.htm ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ New Downy sample Please visit http://downy.yourinfohere.com/hello?s=53&site=invitation to order a sample today. Have fun! Laura ------------------------------ Date: Fri, 29 Oct 1999 18:16:23 EDT From: Ginamu@aol.com Subject: Re: Re : How much, how often? In a message dated 10/29/1999 12:37:12 PM Eastern Daylight Time, jason.maloney@virgin.net writes: << Well, I have rambled far too much! :-) Thanks for listening (if you haven't already deleted!) Jason. >> First a personal note to Jason:I enjoyed every word. Thanks for such a sensitive and nicely written post. It's always great when a list members sends out an invitation for responses, receives them, considers them and then formulates a thoughtful post with their reactions. I really enjoyed this thread. And as an aside, Jason, where were you when I needed help defending SuzyV on the JMDL? I wimped out without you! I'm assuming that we both feel she doesn't need defending, yes? ; } While it's true I play Joni almost daily to some extent, I also play a wide variety of other people's music a great deal at work and at home too, particularly while doing work around the house, preparing dinner or just puttering. But with Joni, I prefer to be alone while listening to her ( uh oh... in terms of addiction, is this anything like an alcoholic preferring to drink alone? ) ; } I can't concentrate well on anything else when I play Joni, so I tend to have an all or nothing sort of inclination toward her work. Either I give her music my full concentration or I just have it on as background music. With other artists, I can usually listen with half and ear and still keep up my pace at work. Ringing phone, reports to write, people in and out of my office, kids clamoring for my attention and I can still tune in. My listening time with Joni is almost sacred to me and if I listen to her at work and the phone rings, I feel like saying something such as "Can't talk now, I'm listening with new ears to Boho Dance (thanks to a JMDL thread) Gotta go!" Or saying to someone walking into my office "Can't you see I'm absorbed in Amelia like it was the first time I heard it??? Please leave." : } Such is my life with Joni and thus the reason for my bedtime and commute listening rituals reserved mostly for her music. That's why my NPs are often *not* Joni. This is such a brilliant and dynamic list that it requires my full attention and because any kind of coherent post from me requires a great deal of effort, that usually means no Joni with my JMDL time. Kind of odd that the JMDL and Joni should sort of be mutually exclusive, but that's genuinely how it works for me. Have a great weekend everyone! Gina ------------------------------ Date: Fri, 29 Oct 1999 18:40:05 EDT From: SCJoniGuy@aol.com Subject: Re: SJC: Stevie Wonder In a message dated 10/29/99 4:27:01 PM US Central Standard Time, AzeemAK@aol.com writes: << I think Stevie is a true genius and a great songwriter, and I agree with whomever it was who said that his purple patch in the 70s was virtually unrivalled - and I also love Journey Through the Secret Life of Plants. And here's a question: did that film actually get a cinematic release - and has anyone here seen it?? >> Azeem, I was the one who commented about his amazing streak in the 70's...broken imo with "Plants", which I bought, of course, and just barely found enough decent stuff on it to put on half of a 90 minute tape (it was a double LP). I think the soundtrack was to a TV film and not a cinematic one, but I could be wrong. Bob ------------------------------ Date: Sat, 30 Oct 1999 00:32:55 +0100 From: Jason Maloney Subject: Re: Re : How much, how often? Ginamu@aol.com wrote: > First a personal note to Jason: I enjoyed every word. Thanks for such a > sensitive and nicely written post. It's always great when a list members > sends out an invitation for responses, receives them, considers them and then > formulates a thoughtful post with their reactions. I really enjoyed this > thread. I am glad I decided to write that post. I've had such a wonderfully positive response from so many people, and I am genuinely thankful to you all. There are many times I wish I could be a more active participant in the discussions, but it's not often I can summon the energy to do so. My post this afternoon took me a couple of hours to write, but I felt I needed to share my thoughts with you all for a change. Mostly, I never get past the stage of thinking them, and leaving it at that. > And as an aside, Jason, where were you when I needed help defending > SuzyV on the JMDL? I wimped out without you! I'm assuming that we both feel > she doesn't need defending, yes? ; } Oops...hahahaha. Sorry Gina! Well, I was sorely tempted to weigh in. SV is the only artist besides Joni who I feel has made consistenly outstanding music. There is not one SV track from her 5 albums which is below-par. Actually, I seem to recall sending a post in to the list at the time, no? Perhaps I forgot to send it....I can be absent-minded like that during chaotic times. > While it's true I play Joni almost daily to some extent, I also play a wide > variety of other people's music a great deal at work and at home too, > particularly while doing work around the house, preparing dinner or just > puttering. But with Joni, I prefer to be alone while listening to her ( uh > oh... in terms of addiction, is this anything like an alcoholic preferring to > drink alone? ) ; } I can't concentrate well on anything else when I > play Joni, so I tend to have an all or nothing sort of inclination toward her > work. Either I give her music my full concentration or I just have it on as > background music. Oh, I hear you on this! I am like that with ALL the music I listen to, though. I sometimes wonder if it would be easier on me if I was more "easy-going" in this respect, but then again it means I really do savour what little music I listen to. I don't listen to the radio either, so everything I hear is due to a conscious desire to on my part. > This is such a brilliant and dynamic list that it requires my full attention > and because any kind of coherent post from me requires a great > deal of effort, that usually means no Joni with my JMDL time. Kind of odd > that the JMDL and Joni should sort of be mutually exclusive, but that's > genuinely how it works for me. Again, I can fully identify with what you are saying. That's why you'll probably find me posting in fits and starts. I'll get on a roll, and find the necessarly mental energy and coherence to put my thoughts into words, and it will last for a few days. Then it disappears again for a while, and so do I ;-) > Have a great weekend everyone! And you too, Gina..!! Best wishes, Jason. ------------------------------ Date: Fri, 29 Oct 1999 23:03:55 EDT From: TerryM2442@aol.com Subject: Jonatha's Influences: Joni and RLJ (VLJC) Indulge me and my Jonatha-obsessed 14 yr. old. She sent me this bio she found on Yahoo and I thought I'd pass it on. Some Joni content. Ok, just a tiny bit. Terry *Brooke, Jonatha ------------------------------------------------------------------------------- - - Discography - Biography -------------------------------------------------------------------------------- Biography b. Boston, Massachusetts, USA. Initially recording with the Story, singer-songwriter Jonatha Brooke has earned several comparisons with Rickie Lee Jones for her work in the 90s. Trained as a ballet dancer, she first played rock music as a 13-year-old bassist with a local rock band called Science Function, which included her biology teacher. However, her first experience of Joni Mitchell, whose unusual tunings and textures have become an abiding influence, changed her musical reference points. She became entranced by Rickie Lee Jones after interviewing her for the US magazine Performing Songwriter. The Story were effectively a duo of Brooke with associate Jennifer Kimball, a creative partnership that spanned 12 years. After two albums with the Story, Kimball departed, in the same week that the group were dropped by Elektra Records despite sales of over 100,000 for The Angel In The House and a favourable critical reception. Brooke eventually found a sympathetic ear in Tommy LiPuma who had originally signed the Story to Elektra and recently established Blue Thumb Records. Brooke relegated the Story's name to that of support billing for 1996's Plumb, produced by her husband, the jazz pianist Alain Mallet. Among the songs were 'Where Were You?', a bitter and autobiographical indictment of the treatment of artists by record companies. Certainly there were fewer of the metaphysical references to mermaids and angels observed on The Angel In The House, Brooke opting instead for narratives dealing frankly with loneliness and despair. The backing band featured long-standing the Story collaborators Michael Rivard (bass) and Duke Levine (guitar) as well as drummer Abe Laboriel. A wide-ranging collection, Plumb included such diverse selections as the Irish jig 'Charming' (with uillean piper Jerry O'Sullivan) and the despondent 'The War' (a duet with Bruce Cockburn ). ------------------------------ Date: Fri, 29 Oct 1999 23:14:35 EDT From: CaTGirl627@aol.com Subject: Re: Urge for going (guitar chords) In a message dated 10/27/1999 8:23:09 AM Eastern Daylight Time, haw@ph.ed.ac.uk writes: << Just to summarise: pat's chords are no doubt fine for playing the version of Urge that Joni showed him, but to play the *recorded* version, you need different chords. The ones from the Hits songbook or the ones on the jmdl site are fine for this. Howard >> THIS is very interesting since I have been working on this song to perform live. I am just going touse the chords that are in the HITS songbook. They work very well and sound wonderful. I thought this was the only sonh she performed in *regular* tuning. It is real nice playing it and since I hate the cold this is the song for me!~ Catgirl...busy trying to put the leaves together for this tree!!! ------------------------------ Date: Fri, 29 Oct 1999 23:20:20 EDT From: CaTGirl627@aol.com Subject: Re: Urge for going (guitar chords) In a message dated 10/27/1999 9:29:10 AM Eastern Daylight Time, MDESTE1@aol.com writes: << Of course "fans" love the version that they heard first. However that two versions (or more) exist is more than a possibility it is a probability. Like the weather this isnt good or bad it just IS. >> Very good point!! I think it is perfectly fine to give some songs YOUR own feel to it within reason. It drives me nuts when people *rape* a song. But enjoy covers to a degree. . When we do a Joni song it is just that a cover. We add our own style and feel and our own impression of what the song should sound like. Catgirl...still trying to get Amelia down right......... ------------------------------ Date: Fri, 29 Oct 1999 23:23:20 EDT From: CaTGirl627@aol.com Subject: Re: This Just in... In a message dated 10/27/1999 10:01:05 AM Eastern Daylight Time, Bob.Muller@fluor.com writes: << Her music from this period (mid 70's) is not terribly accessable-it takes a few listens to appreciate what she's up to-but it is so rewarding when you do get it!" I love that last bit..."it takes a few listens to appreciate what she's up to..." Bob >> Hmmm.....I don't. It only took just once listen and I was hooked!!!! Now Bob, are you being sarcastic? Cat..... ------------------------------ Date: Sat, 30 Oct 1999 02:23:57 -0400 From: "Eric Taylor" Subject: Cree Louise (HOSL Demo) Oh, oh, my my!!! Joni's delivery of Cherokee Louise on the HOSL Demo is overwhelming! It's my favorite guitar work I've yet hear her do! She's playing both the guitar & the base line. Sure hope she puts it on her boxed set.... E.T. ------------------------------ End of onlyJMDL Digest V1 #245 ****************************** The Song and Album Voting Booths are open! Cast your votes by clicking the links at http://www.jmdl.com/gallery username: jimdle password: siquomb ------- Don't forget about these ongoing projects: Glossary project: Send a blank message to for all the details. FAQ Project: Help compile the JMDL FAQ. Do you have mailing list-related questions? -send them to Trivia Project: Send your Joni trivia questions and/or answers to Today in History Project: Know of a date-specific Joni fact? - -send it to ------- Post messages to the list at Unsubscribe by sending "unsubscribe onlyjoni-digest" to ------- Siquomb, isn't she?