From: les@jmdl.com (onlyJMDL Digest) To: onlyjoni-digest@smoe.org Subject: onlyJMDL Digest V1 #191 Reply-To: joni@smoe.org Sender: les@jmdl.com Errors-To: les@jmdl.com Precedence: bulk onlyJMDL Digest Wednesday, September 15 1999 Volume 01 : Number 191 The Official Joni Mitchell Homepage is maintained by Wally Breese at http://www.jonimitchell.com and contains the latest news, a detailed bio, original interviews and essays, lyrics, and much more. ------- The JMDL website can be found at http://www.jmdl.com and contains interviews, articles, the member gallery, archives, and much more. ========== TOPICS and authors in this Digest: -------- Re: Instrument Bash(ing) [Don Rowe ] RE: Instrument Bash(ing) [Louis Lynch ] Re: Old Age [Thunderthumbs ] SJC Re: Instrument Bashing and art [David Wright ] Re: Old Age [Thunderthumbs ] Re: Old Age [Thunderthumbs ] Joni on VH-1 [Michael Paz ] Re: JMDL Digest V4 #400 [Wally Breese ] Re: Age Differences in "Strange Boy" ... ["Mark or Travis" ] Do you remember? [Michael Paz ] Old Age Part Two... [Thunderthumbs ] Re: Do you remember? ["Kakki" ] Instrument Bashing... [Thunderthumbs ] Re: Atty May Setlist Info ["Kakki" ] ---------------------------------------------------------------------- Date: Tue, 14 Sep 1999 14:00:30 -0700 (PDT) From: Don Rowe Subject: Re: Instrument Bash(ing) > In 1968 the Who did a tour of the United States. > Prior to the tour, in Mannys > Guitar Store in New York, Peter Townshend purchased > 147 brand new Gibson > SG's. Oh Marcel ... all I can say is, next time you have an urge to smash a Gibson SG, or any other of your instruments -- don't. Instead, send them to me COD -- you'll be just as rid of them! You have my address ... Don Rowe __________________________________________________ Do You Yahoo!? Bid and sell for free at http://auctions.yahoo.com ------------------------------ Date: Tue, 14 Sep 1999 13:55:33 -0700 From: Louis Lynch Subject: RE: Instrument Bash(ing) Sorry, Marcel... But I don't agree. Musical instruments have souls, at least the handmade ones do. I would never think of trashing one of my harps, pianos or violins. (Nor could I afford it.) I'm biased, of course -- harps are rare and there are waiting lists for the better crafted ones. Assembly-line electric guitars may not be as valuable, but they are still crafted with some care. Think of the beautiful music never played on those guitars because a Who-boy decided to break them as toys. When I saw the Who do the smashing guitar thing, I immediately lost respect for them. They automatically moved from the "cool musician" category to the "gimmicky sideshow" category. I never thought much of them after that, and even though I still like a few of their catchier tunes, they seem really shallow. Not that there's anything wrong with the freak-show attitude on stage -- outrageous stage behavior can be a lot of fun. Performers can strip and break things and do weird things with chickens on stage all they want. But then it moves from musical performance to theatrical offering and the music becomes secondary. A true musician respects an instrument. I'm sure your spoof did the Who justice -- yours was cool because it was satire, theirs was uncool because they were trying to palm it off as music. Also, NASCAR vehicles don't fit the same category -- they're not built as vessels for art and beauty. (You don't see people going out trashing rare Deusenburgs or vintage Studebakers, do you?) You're comparing apples and glockenspiels, you know. Regards, Harper Lou ------------------------------ Date: Tue, 14 Sep 1999 19:35:41 -0400 From: Thunderthumbs Subject: Re: Old Age Paul, I strongly dissagree with you on your last point, and I'd be hard pressed to believe your first point, but that wouldn't mean that I wouldn't try to believe you on both accounts. Nevertheless, I appreciate your opinions on these matters. Thanks. -Brad IVPAUL42@aol.com wrote: > > In a message dated 9/14/99 7:22:35 AM Eastern Daylight Time, ddietz@erols.com > writes: > > << I'm kind of stuck between worlds. It's rather interesting and maybe > even slightly uncomfortable to see a soccer mom in the Caravan or the 35 > year old business professional, and think of her in anything approaching > romantic terms. I have nothing to offer them. I've seen it all too often > to deny that women tend to date older guys, not much younger ones. >> > > I've no doubt there are plenty of women in their 30s who would be attracted > to a guy your age, but if you "think" you've nothing to offer them, then you > don't. > > Paul I ------------------------------ Date: Tue, 14 Sep 1999 19:39:20 -0400 (EDT) From: David Wright Subject: SJC Re: Instrument Bashing and art On Tue, 14 Sep 1999 MDESTE1@aol.com wrote: > What is this nonsense about breaking guitars....back to the Whos > early career breaking of all their instruments including amps and > drumkits, they did it to symbolize the ultimate finality of their act > for that night. That no other band could follow their act. It > worked....Musical instruments arent sacred on the whole. Amen to that!! I enjoyed your post, Marcel. Paul C. wrote: > Any one caught smashing a real piano - for the 'art' of it - is dead > meat!! Well, you'll be happy to know that on the "high-art" end of the instrument-smashing spectrum, there's an avant-garde New Zealand composer named Annea Lockwood who has pieces in which pianos (uprights, I think) are destroyed -- one in which a piano is dropped from a helicopter into a lake, another in which the piano is set on fire and miked to catch the sounds of the strings snapping. (I'd like to hear that.) She also writes relatively conventional, less theatrical works -- the ones I've heard are beautiful. Harper Lou objected: > A true musician respects an instrument. Well, Pete Townshend said something to the effect of, "I smash guitars because I love them." I don't defend every act of instrument-smashing, but I think that true musicians, besides respecting an instrument, also know the limitations of the instrument (any instrument); and they also recognize it for what it is -- an *instrument,* not an end in itself. I think there's a very humanistic message behind the instrument-smashing of Lockwood and of The Who -- like the annihilation of the instrument as a symbolic annihilation of the barriers to communication and emotional expression. Just like some emotions are too strong to be described in words -- words can be a barrier to expressing the emotion. I think Joni gets at this when she speaks of being "*condemned* to wires and hammers" and of "broken trees and elephant ivories" *concealing* emotion ("every chord that you feel"). Therefore the destruction of the instrument symbolically *reveals* that emotion -- liberates that emotion from the instrument. And because that emotion fundamentally comes from the *person*, I can see the destruction of musical instruments as an affirmation of humanity -- and isn't that what good music/art is about? - --David P.S. I think there's a long tradition in music of the music maker trying to transcend his/her instrument that instrument-smashing gets at the heart of. The slide guitar style of the delta blues, for instance, is an attempt to emulate speech, to make the instrument talk -- i.e., to transcend its instrument-ness. (An instrument, by definition, doesn't talk for itself.) Among the old Delta bluesmen/women, one of the highest praises for a slide guitarist was, "He can make that guitar talk just like a natch'ul man." And even in the classical piano repertoire (which I've studied), many of the greatest of all piano pieces are/were considered "unplayable" or "unpianistic" (Mussorgsky's _Pictures at an Exhibition_, for example). ------------------------------ Date: Tue, 14 Sep 1999 19:39:47 EDT From: IVPAUL42@aol.com Subject: Re: Old Age In a message dated 9/14/99 7:38:42 PM Eastern Daylight Time, ddietz@erols.com writes: << Paul, I strongly disagree with you on your last point, and I'd be hard pressed to believe your first point, but that wouldn't mean that I wouldn't try to believe you on both accounts. Nevertheless, I appreciate your opinions on these matters. Thanks. -Brad >> Of course you disagree with me, because it is your own attitude that must be adjusted, not your situation. Paul I ------------------------------ Date: Wed, 15 Sep 1999 00:52:51 +0100 From: Jason Maloney Subject: Re: Old Age catman wrote: > > Men who have it, imo: > Kieth Carradine (no not the kung foo guy-his brother) > Keanu Reeves(younger I know) > Richard Geere(who i didn't think was till he went grey) > Ed Harris > George Clooney(although not at first cos I disliked his character in ER till > they changed him) > Jimmy Smits Anyone notice Colin includes the two men who I mentioned when first talking about my attitude to ageing? Clooney and Gere....seems they really do posess a certain appeal :-) Jason. ------------------------------ Date: Tue, 14 Sep 1999 20:03:38 -0400 From: Thunderthumbs Subject: Re: Old Age Bob, Actually, the sexual benefits, or problems of older women- whatever the may or may not be (as referenced in your last paragraph) provided 0% motivation to write about the issue. Just setting the record straight. Sex was a non-issue here, but it is an interesting topic, one of which I could not speak about in this regard... Anyone else, please feel free. Wrinkles on the other hand are interesting. The one girl I did happen to meet over these post-college years has a little bit of crow's feet forming at her eyes, and I do like it a lot on her. It adds character. Weird, I know. Thanks for your comments, and your defense too. No, I'm not taking sides here... -Brad Bob.Muller@fluordaniel.com wrote: > > Colin said to Brad: > > <> > > Colin, this wasn't directed to me but I find it very offensive. Was it > intended as a joke? It didn't come off like one. > > Why does he need help? Why can't women pushing 50 be attractive? I know > it's common, especially in America, to believe that youth=beauty and vice > versa, but it's certainly not a theory I subscribe to. I know many women in > their 50's and up that are attractive AND also sexy as hell! There is a > real beauty in a face that revels in the wrinkles of experience and the > eyes of wisdom. > > Now women who are 50 and try to look and/or act 20 are embarrassing (same > with men), but women who celebrate their years instead of trying to escape > them? Very attractive indeed. > > One of the coolest things Joni said last year in Atlanta was in regards to > turning 55...she commented that our President was the same age, and HE was > still pretty frisky! (Or something to that effect). And believe me, plastic > surgery or not or whatever, Joni is one attractive/beautiful/gorgeous > lady!! She realizes and says that she's no longer an ingenue, sure doesn't > mean she's not attractive... > > You should either apologize to Brad or explain what you meant by telling > him that he needs help. Sounds to me like the only help he needs is hooking > up with one of these "Sugar Mamas", after all, in the words of Benjamin > Franklin, they don't tell, they don't swell, and they're grateful as hell! > :~) > > Bob > > NP: Raised on Robbery ------------------------------ Date: Tue, 14 Sep 1999 20:16:56 -0400 From: Thunderthumbs Subject: Re: Old Age Paul, I can admit that maybe there some attitude adjustment needed, however, I'm not a "woe is me" kind of person that I am coming to the perception that you think I am. If I complain or express some thought or emotion, I'd like to think there is some real discernible, plausable merit and reason to what I'm saying, as opposed to just brushing it off as "I need an attitude adjustment", or similar sentiments thereoff. I just may be a little deeper and thought out than you might give me credit for. Once again, I appreciate your opinions. -Brad IVPAUL42@aol.com wrote: > > In a message dated 9/14/99 7:38:42 PM Eastern Daylight Time, ddietz@erols.com > writes: > > << Paul, > I strongly disagree with you on your last point, and I'd be hard > pressed to believe your first point, but that wouldn't mean that I > wouldn't try to believe you on both accounts. Nevertheless, I appreciate > your opinions on these matters. Thanks. > -Brad >> > > Of course you disagree with me, because it is your own attitude that must be > adjusted, not your situation. > > Paul I ------------------------------ Date: Tue, 14 Sep 1999 21:59:24 -0500 From: Michael Paz Subject: Joni on VH-1 Hello Gang- According to RockOnTV, Joni will be on VH-1 on Wednesday after 10 pm. It is the 100 Greatest of Rock and Roll. Hope this isn't redundant. Peace Michael NP-The Sire of Sorrow- Marian and Catgirl (The Friday Night Session) ------------------------------ Date: Tue, 14 Sep 99 20:02:18 -0700 From: Wally Breese Subject: Re: JMDL Digest V4 #400 Hello everyone, There seems to be a great deal of interest in the soon to be released JM tribute album, so here's what I know so far- This is a portion of a conversation that I had with Julie Larson, executive producer of the tribute album, earlier this year. We plan to talk one more time now that the project is finished, and then my entire IV with Julie will be put up on JM.COM. Enjoy this snippet! Later, Wally The Joni Mitchell Homepage http://www.jonimitchell.com - ----------- A Conversation with Julie Larson by Wally Breese- March 1999 - -----------

Wally: Let's talk about the upcoming Joni Mitchell tribute album which you're in charge of.

Julie: I'm the sole executive producer. It's one of the projects I'm doing this year and I've had some difficulty finishing it up because of the holiday season (1998). We also have to go back to what Joan feels is honour. The record company and I fought about which bands were asked to be on the record. They wanted the top selling new bands and Joni didn't feel they were strong enough. I had to turn down many performers besides Morrissey, to mention one artist. Many platinum-selling artists were eliminated because Joni didn't feel it was an honour. Her favourite rendition is by Janet Jackson on "The Beat Of Black Wings." Also Etta James did a tremendous version of "Amelia." I think the problem that I've really run into is that the women have responded in droves, but I'm having a bit more of a difficult time getting men interested. So it's very unbalanced.

Wally: Who have you recruited as far as males go?

Julie: Elvis Costello, that's it.

Wally: No Sting or Seal?

Julie: No. Sting and I made a deal about three months ago and his manager Miles Copeland is really brutal and first thing he just flat out denied me. I had a conversation with him at the Don Henley Walden Woods benefit and then I talked to Miles. Sting was doing the soundtrack for a new movie, or some movie that was out that didn't do too well and so basically I went to Joan and said "If you do his album, he'll do your album on the same terms because we're talking about no money." But it wasn't for a tribute album. It was just her rendition of one of his songs. It was an even trade and she felt it was very fair. The problem was that we had a two week window to do this and she was preparing for the tour and editing the TV special, so it would have been impossible for her to go into the studio and do the song, so they cut me down and said, "Well, since you didn't come up with the track within the couple of weeks, we're not doing it."

Wally: Oh, too bad!

Julie: So Sting is not available. We're really working on the Rolling Stones, but it's very difficult with their busy schedules.

Wally: Joni wants them to cut "Cold Blue Steel And Sweet Fire."

Julie: Yes.

Wally: Have you talked to them at all about it?

Julie: I've talked to Jane Rose. We want to start with Keith Richards and work with the Dust Brothers on this. And have Keith do the track with them and then send the tape to Mick and if that doesn't work, I may have Steven Tyler sing the lead. So I'm mixing and matching and doing things with people that Joni appreciates and admires, but again with all of the dissention in those camps, it's been close to impossible. I'm very close to signing Vince Gill and Stevie Wonder at this point.

Wally: Good!

Julie: And it's been difficult because as I told Joni "This is a tribute to you and you can't have control over everything. If people want to pay tribute to you, you should just sit back and take it."

Wally: Oh, absolutely! I think the saluted artists in these cases should stay out of it. Van Morrison got too deeply involved with his tribute album and I think that it suffered because of it.

Julie: Well, Joni's very involved in it. But as I said, the female contributions are very heavy and there's still more female tracks to come. I'm waiting for 2 tracks from Bjork to arrive. And Madonna may do something. Really the only female artist that Joan likes right now is Sheryl Crow.

Wally: Really?! Because I've heard Joni slag Sheryl. (Laughs)

Julie: She did slag her, and they got into a big fight. And then Sheryl sent Joni a letter and Joni appreciated that. Now she has a renewed admiration for her music. It settled their differences, and as far as new music goes, Joni feels Sheryl is probably the best of the bunch.

Wally: Well, Sheryl's kind of from the old guard anyway. I mean, she could be a songwriter from the 70s.

Julie: Yes, exactly.

Wally: Unfortunately, Joni probably hasn't heard a lot of the younger groups who might very well do a good version and also, like the company wants, help sell the album.

Julie: I tried desperately to get Eric Clapton but he wasn't available. It's difficult when you're dealing with other companies. So, if we get Warner Bros/Reprise artists, it's easier. I've been dealing with Seal for the past year.

Wally: What's happening with him?

Julie: Well, everybody's trying to do what's best for their artist and the company felt like since Joni has already sung on his record and he sang on hers that that should be the end of their association. And so it's really not his decision but management. They feel that it might be too much exposure or it might conflict with his album. But at this point his album is already out, so the timing might be better now to approach him. It's very challenging to negotiate these deals.

Wally: So you have not only the problem of getting the artists but you have problems with Joni not wanting certain people on the album?

Julie: Yeah, that really more than getting the artists. Let me tell you, I've turned down so many artists.

Wally: What artists have you already recorded? Do you remember?

Julie: Yes. There's Janet Jackson. Do you want the song titles?

Wally: Yes, please!

Julie: Janet Jackson: "The Beat Of Black Wings." k.d. lang: "Help Me." Sarah McLachlan: "Blue."

Wally: The version that's on one of her B-sides?

Julie: Yes. The exact same version. Then there's Elvis Costello doing "Edith And the Kingpin."

Wally: Oh my!

Julie: We also have Etta James doing "Amelia." Chaka Kahn doing "Hejira." Let me think, I'm missing a woman somewhere! Anyway, I do anticipate Vince Gill, I do anticipate Seal, and also the All Star Jazz Band with Stevie Wonder. There's a possibility of Neil Young doing a track. Bob Dylan. We've gone through list after list after list after list. I tried desperately to get James Brown and Chuck Berry because Joni really admires black artists. Ray Charles is also someone we may use. I wanted him to do "A Case Of You." We had difficulties, but the door hasn't been completely closed on that deal.

Wally: So it sounds like you have six or seven cuts finished?

Julie: I have seven. Six cuts finished and Bjork is doing two. She's doing "Jericho" and "The Boho Dance," and we'll probably only use one of the songs. (to be continued soon on www.jonimitchell.com)... - ---------- For those who want it simply as a list- Janet Jackson: "The Beat Of Black Wings." k.d. lang: "Help Me." Sarah McLachlan: "Blue." Elvis Costello: "Edith And The Kingpin." Etta James: "Amelia." Chaka Kahn: "Hejira." Bjork: "Jericho" or "The Boho Dance." (3-5 additional songs have been recorded since last March by other artists. More info soon...) - ---------- Later, Wally Breese The Joni Mitchell Homepage http://www.JoniMitchell.com ------------------------------ Date: Tue, 14 Sep 1999 20:07:15 -0700 From: "Mark or Travis" Subject: Re: Age Differences in "Strange Boy" ... > Don, that's interesting. I never saw it as the older woman/younger man > issue at all. I just thought the guy was really immature, but it was fun > while it lasted, or that she was talking about something from her younger > days (there is the boarding house to suggest that - I think Joni probably > could have afforded to stay somewhere a little more high class than that by > the time she wrote this song). I never thought much about the boarding house line but maybe it belonged to the guys family and that was where he lived. I always thought the 'strange boy' was younger than Joni but still an adult. Joni was around 31 or 32 when she wrote this, I believe. The song says 'even the war and the navy couldn't bring him to maturity.' The only war that was remotely close to the time that Hejira came out was Viet Nam. Not being up on my history I don't remember when the last American troups pulled out. I do remember that I was in the very last draft lottery. Fortunately they never got to my number. I just can't see myself in the military let alone in the middle of a war. Anyway, getting back to the song. The guy had to be in his 20's at least if he'd done a stint in the navy and gone to Viet Nam. So the age difference couldn't have been much more that 8 or so years. Not exactly robbing the cradle at 32. (Although I do remember being pursued by a 30 year old divorcee at that age and being warned about her wiles and seductive ways by a couple of female friends who were closer to my age. This woman did seem much more mature and sophisticated to me at the time & aside from my not-as-yet-fully-outed sexuality, I did feel just a bit intimidated by her attentions.) > How long have skateboards been around anyway? I could have sworn that the > ones that were around when this song came out were the old- fashioned kind - > basically just a piece of wood with roller skate wheels on the bottom, not > something you could "weave" on. I remember a renewed skateboard craze just about the time Hejira came out and that was when they started to have more sophisticated designs. The ones we had in my neighborhood as kids were mostly homemade. You took apart a rollerskate (the kind that required a skate key to tighten them on your feet) and nailed it to the bottom of a board. I remember the skates we had didn't have any holes to drive a nail through. So my mother, being the inventive, resourseful woman that she is, cut up one of my dad's old belts and made straps to drive nails through and strap the skates to the board. And omigod, have I digressed here or what! I remember the Jefferson Starship album 'Earth' (now that's an embarassing record) on which my beloved Grace Slick did a fairly insipid song about a guy on a skateboard. Needless to say, it doesn't come anywhere close to touching 'Strange Boy'. I believe 'Earth' came out in 1977 or 78. Grateful Dave, can you confirm that? Mark in Seattle ------------------------------ Date: Tue, 14 Sep 1999 23:08:26 EDT From: WirlyPearl@aol.com Subject: Re: Hurricane Floyd In a message dated 9/14/99 11:07:29 PM Eastern Daylight Time, WirlyPearl writes: > > In a message dated 9/14/99 3:51:16 PM Eastern Daylight Time, kakkib@att.net > writes: > > > > > Nerd that I am, I've had the Weather Channel going since last night and > > have > > been very concerned about you all in Florida. It is very scary to see > that > > big monster right off the coast. Pearl, Bev, Jerry and all - please let > us > > know how you are. They say S.C. is going to get it, too - Bob, have you > > battened down the hatches? My friend in N.C. lost her entire backyard > > during Fran in '96. Take care you guys. Kakki > > > Thank you all for your concern. > We have been very fortunate here in South Florida. > This huge hurricane is more or less missing us > It hasn't even rained here yet and the wind > is just a breeze. Everyone was preparing for the worst. > For two solid days the regular TV channels had nothing > but hurricane news. All schools, banks, the post office, malls and most > all businesses have been closed and most homes and stores are shuttered. > There was a huge evacuation of coastal areas. I live about a mile from > Hollywood beach. But better to be prepared and safe than sorry. > We were spared. I am praying for everyone else in the storm's path. > I hope that everyone is safe from this monster storm. > > Pearl ------------------------------ Date: Tue, 14 Sep 1999 22:11:49 -0500 From: Michael Paz Subject: Re: Atty May Setlist Info Heather Galli wrote: > > Inquiring minds want to know...... when can we get this on tape? Will it > be included in a Tape Tree? > > Heather - who is bummed that Marian's performance of All Along The > Watchtower is incomplete :-( Heather- I still don't know how, but some or all of the material will be made available for all who want it. Some of this stuff is truly amazing. Marian had some moments that I am sure she had to be floating in mid air and translucent with a bright halo with stars circling round her head. WallyK had an amazing set that has turned out to be close to the top for me. What I have not found yet and I am freaking was Ashara's accapella piece. I am still logging Les's stuff and have not heard from Chuck yet on what all he has. Peace Michael NP-The Wolf That Lives in Lindsey-Marian (the friday night sessions) ------------------------------ Date: Tue, 14 Sep 1999 22:45:39 -0500 From: Michael Paz Subject: Do you remember? Jerry wrote: " Do you remember . . . . . > > > 2. Wax Coke-shaped bottles with colored sugar water > > > 3. Candy cigarettes Kakki and I stopped inside a candy store outside on Ogunquit, Maine (which has a fabulous night spot called "the Club" if anyone is ever in town with nowhere to go, but I digress) and I bought some was bottled sugar water (they use to be called Nips I think) and Kakki got us some candy cigarettes that we smoked in the airport (talk about FUNNY cigarettes huh Ashara). ....memories like the corners.... reds are sweet and greens are sour Michael NP-Chelsea Morning-Catgirl (the Friday night sessions) ------------------------------ Date: Tue, 14 Sep 1999 23:59:33 -0400 From: Thunderthumbs Subject: Old Age Part Two... A few other things relating to the older women scenario: It seems that most of the people who I have good current friendships with are mostly between 40-55. In that vein, finding older women attractive isn't quite so far out of place. I seem to relate well to older people. On the other hand (and one thing I forgot to mention last time) was that some of the people who I've found attractive could possibly be my MOM's friends, and/or in her peer group- or just as weird- my Dad (divorced) and I could find the same person attractive. These are most uncomforting thoughts. Oh, by the way, I meant no put-down when I used the term "pushing 50". I don't particularly think of 50 as "old". You're old as you feel. Tonight, lacking sleep at 25, I feel pretty old. -Brad ------------------------------ Date: Tue, 14 Sep 1999 20:35:56 -0700 From: "Kakki" Subject: Re: Do you remember? > Jerry wrote: > " > Do you remember . . . . . > > > > > 2. Wax Coke-shaped bottles with colored sugar water > > > > 3. Candy cigarettes The synchro of this really cracked me up today! Michael wrote: >I bought some was bottled > sugar water (they use to be called Nips I think) I got some too and just chewed my way through half the box tonight and now have large wads of wax in my ashtray. All this talk about age regression ;-) Kakki ------------------------------ Date: Wed, 15 Sep 1999 00:04:45 -0400 From: Thunderthumbs Subject: Instrument Bashing... The only instruments that should be bashed are the out of tune ones, and also the players that play them out of tune, much to the dismay of the rest of us... ;) -Brad ------------------------------ Date: Tue, 14 Sep 1999 20:53:31 -0700 From: "Kakki" Subject: Re: Atty May Setlist Info Michael escribe: > Chuck Rainy Night House > Chuck Wichita Lineman > Chuck These Four Walls And just where is our music Chairman of the Board and keyboardist extraordinaire? It's O.K. to turn in a late report, ChuckE. Hope you had a great time in Maine and thank you for all the great Jimmy songs. > Chuck, Kakki, Pearl, Paz Big Yellow Taxi (the first time today) Pearl, I'm so glad to hear the storm passed by you. Do you think we should let Paz circulate our portions of the tape to the list? Your great contralto was fine, but I'm afraid my contribution is going to end up sounding like Marianne Faithfull! Maybe Paz can work some track deletion magic in my case. If not, he'd be well advised that I do work for lawyers ;-D > Paz, Chuck Guajira (Santana) > Paz and Chuck Hejira I didn't know Carlos did a cover of Hejira. But seriously, Paz did a Gorgeous Guajira. > Chuck + Guest Singer > from Blue Heaven Band Under The Boardwalk Ah yes, that incredible band that swept the floor with us after we warmed up the audience for hours. It was truly an honor, though. Atty May, are you here yet? Waaaaaa, I wanna be there, waaaaaah! Kakki NP: Nicolette Larson - Rio De Janiero Blues ------------------------------ End of onlyJMDL Digest V1 #191 ****************************** The Song and Album Voting Booths are open! 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