From: owner-loud-fans-digest@smoe.org (loud-fans-digest) To: loud-fans-digest@smoe.org Subject: loud-fans-digest V10 #66 Reply-To: loud-fans@smoe.org Sender: owner-loud-fans-digest@smoe.org Errors-To: owner-loud-fans-digest@smoe.org Precedence: bulk loud-fans-digest Saturday, October 8 2011 Volume 10 : Number 066 Today's Subjects: ----------------- [loud-fans] Re: Fwd: this has been your time to shine!! [jbr21122@aol.com] [loud-fans] FWD: Just look [jbr21122@aol.com] [loud-fans] Re: Andy Hamlin's three-quarter pole ["Brian Block" Subject: [loud-fans] Re: Andy Hamlin's three-quarter pole My 2011 so far 1. Mountain Goats - All Eternals Deck (writerly, thoughtfully arranged folk/rock, with an occasional bracing edge of hysteria) 2. Charlotte Martin - Dancing on Needles (if 'Little Earthquakes' had had solid but unremarkable lyrics, I would still have liked it a whole lot) 3. Felice Brothers - Celebration, Florida (character-sketch Americana, well-played, often tense and a teeny bit heavy and/or weird) 4. They Might Be Giants - Join Us (their usual cheerfully nerdy and professional selves, but with more interesting, effortful lyrics than they've done in a decade or more) 5. Jack o'the Clock - How are We Doing and Who Will Tell Us? (they don't sound like Joanna Newsom, especially not the guy singing, but the designed-for-sustained-thought stories and sorta-folk-rock, sorta-venturing-on-its-own-path music remind me of her a bit. Or of a backwoods, not-using-drugs-because-the-librarian-would-stop-us Incredible String Band. Or Fairport Convention if none of them were good singers but all of them were as promisingly odd as young Richard Thompson.) 6. Cheer-Accident - No Ifs, Ands, or Dogs (as if 'Magical Mystery Tour', 'Countdown to Ecstasy', and 'Appetite for Destruction' had all waited around to be conceived as parts of the same Slint album - made math-rocky and melodramatic and adenoidal and dubiously produced, but nonetheless inspired) 7. Robert Pollard - Space City Kicks (compared to Guided by Voices, the lo-fi production and arrangements are simply inexpensive and plain, but almost all of these 2-minute songs sound like real songs to me, which isn't how I've thought of Pollard for a long time) 8. tUnE-yArDs - w h o k i l l (the arrangements are yelping and straightforward and vocal-centric but utterly distinct, from each other and most other things) 9. Hooray for Earth - True Loves (all the most distancing elements of '80s arena/synthetic rock production, somehow made warm and comforting) 10. Royal Bangs - Flux Outside (guitar-rock, driven at once towards complexity, pop enthusiasm, and glam-rock sheen)

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