From: owner-loud-fans-digest@smoe.org (loud-fans-digest) To: loud-fans-digest@smoe.org Subject: loud-fans-digest V3 #365 Reply-To: loud-fans@smoe.org Sender: owner-loud-fans-digest@smoe.org Errors-To: owner-loud-fans-digest@smoe.org Precedence: bulk loud-fans-digest Wednesday, December 17 2003 Volume 03 : Number 365 Today's Subjects: ----------------- Re: [loud-fans] brendon benson incites violence? [Betsy Lescosky Way Subject: Re: [loud-fans] brendon benson incites violence? this story has made all the local news outlets, too. doug went to the show, and was disappointed brendan benson only got through four or five songs (he did not see the brawl that apparently stopped the set). he did say they were all new songs, though. - --betsy On Dec 15, 2003, at 8:17 PM, Jenny Grover wrote: > Just kidding, but not exactly the kind of behavior one would expect > during a show like this: > > http://www.motorcityrocks.com/2003_12_14_archive.htm#107138830044369389 > > betsy lescosky way pantone_367@mac.com http://homepage.mac.com/pantone_367 ------------------------------ Date: Tue, 16 Dec 2003 10:44:41 EST From: DOUDIE@aol.com Subject: [loud-fans] What Kurt Ralske (UVS) has been up to... Return-Path: Received: from rly-yb03.mx.aol.com (rly-yb03.mail.aol.com [172.18.146.3]) by air-yb04.mail.aol.com (v97.14) with ESMTP id MAILINYB44-1873fde4c8a29c; Mon, 15 Dec 2003 19:07:06 -0500 Received: from smtp.covadmail.net (mx05.covadmail.net [63.65.120.65]) by rly-yb03.mx.aol.com (v97.10) with ESMTP id MAILRELAYINYB31-1873fde4c8a29c; Mon, 15 Dec 2003 19:06:35 -0500 Received: (covad.net 5009 invoked from network); 16 Dec 2003 00:06:30 -0000 Received: from unknown (HELO ?192.168.123.103?) (sos138@68.164.203.209) by sun-qmail14 with SMTP; 16 Dec 2003 00:06:29 -0000 Mime-Version: 1.0 (Apple Message framework v606) To: doudie@aol.com Message-Id: Content-Type: text/plain; charset="us-ascii" From: Brad Krumholz Subject: Fwd: RADICAL LOW: "RL.1" @ Location One Date: Mon, 15 Dec 2003 19:06:29 -0500 X-Mailer: Apple Mail (2.606) X-AOL-IP: 63.65.120.65 X-Converted-To-Plain-Text: from multipart/alternative by demime 0.97c-p1 X-Converted-To-Plain-Text: Alternative section used was text/plain Kurt Ralske! - -------------------------------- Brad Krumholz Director, NaCl 138 S. Oxford St., 2A Brooklyn, NY 11217 718-398-4589 www.nacl.org Begin forwarded message: > From: locone-admin@mail.location1.org > Date: December 15, 2003 6:00:09 PM EST > To: locone@location1.org > Subject: RADICAL LOW: "RL.1" @ Location One > Reply-To: location1@location1.org > > Location One is proud to present > > RADICAL LOW: "RL.1" > > Kurt Ralske and Chantal Yzermans > > December 16th, 2003 > 8pm > Admission: $10, members free > (No advanced ticket sales) > > Location One > 26 Greene Street NYC 10013 > Subway: Canal Street - N, R, Q, W, 6, A, C, E > www.location1.org > > > > > " . . . the power of this solo lay in its unarticulated yet > strong emotions, conveyed through impressive physical and > emotional control." > > Jennifer Dunning, in review of "R-1" for New York Times > (April 3, 2001) > > "RL.1" is a work for solo dancer, video, and > music. Dancer/choreographer Chantal Yzermans creates > expressive, abstracted forms and motions with the restrained > power and expanded time-sense of butoh. In "RL.1", she > performs blindfolded. Video artist Kurt Ralske uses a camera > to capture images of the dancer in real-time. The images are > processed and layered in real-time, creating a dialogue of > shapes and forms with the dance. Dance and image drift in > and out of abstraction, simultaneously or in contrast. The > video functions variously as a set design, as a commentary > on the dance, and as counterpoint to the dance. At times, > multiples of images of the dance act as a "real-time Greek > chorus" to the solo dancer, providing a record of what has > occurred, expanding on what is occurring, and hinting at > what is to come. At other times, the dancer's motions have > the quality of a ritual, with the video's abstractions > serving to make the invisible aspects of the ritual > visible. "RL.1" utilizes two very different techniques of > communication via the presentation of image (dance and > video), while achieving a harmony and simultaneity of > expression. "RL.1" premiered at Joyce Theater Soho in May > 2001. > > RADICAL LOW is a dance and multimedia ensemble formed in > Spring 2001 by Kurt Ralske and Chantal Yzermans. Radical > Low has performed at Joyce Theater Soho, Merce Cunningham > Studio, at Recyclart Centre (Bruxelles, Belgium), the 92nd > St. Y, Judson Hall, and Galapagos Art Space. > > RADICAL LOW is exploring the intersection of dance and > technology by using custom software created by the > artists. New avenues are opened for the relationship between > dance and sound and image. Some techniques the artists have > used are: video capture, real-time video processing, image > analysis, sensors, and networked audio-video control systems > > Kurt Ralske is a Manhattan-based video artist and > composer. His work is exclusively created with his own > custom software, written in C, Java, and Max/MSP, and > involves the expressive improvisation of both sound and > image, simultaneously and in real-time. Kurt has performed > at museums, galleries, and theaters throughout Europe, > Canada, and the US, including the Los Angeles Museum of > Contemporary Art and the Montreal Museum of Contemporary > Art. The New York Times has praised his "compelling, > ingenious alliance of sound and motion" and his > "technological wizardry." > > In February 2003, Kurt received received the Image Award at > Transmediale International Media Art Festival in Berlin, for > his work on the DVD "Live in Bruxelles" by real-time video > improvisation ensemble 242.pilots. > > Kurt works mainly as a performer: as a soloist, with other > video artists, with live dancers, or with live musicians. He > has created interactive video installations, software art, > and video-derived still images. He is the author of Auvi, a > commercially released software environment for creating > custom real-time video programs. (http://auv-i.de) > > Chantal Yzermans [dancer/choreographer] was born in Ostend, > Belgium, currently residing in NY. Chantal worked in Europe > as a freelance choreographer in collaboration with Belgian > composer Starfish Pool. Together they toured throughout > Europe and Canada with "Ritual for the Dying." Yzermans was > invited to work for the Belgian National Television, German > National Television and Festival van Vlaanderen for which > she choreographed a contemporary opera "Turm aus Zimst" by > German composer Hans Rotman and Belgian film director Jaak > Servaes. As a choreographer in residence, she worked at the > Keizer Karel Hogeschool in Antwerp, Belgium, where she > created "11 Windmills and One Dandelion," presented at > venues throughout France, the Netherlands, Germany and > Spain. She received an award "The Vondelpreis > (reisestipendium)" from the arts granting organization > Alfred Toepfer Stifftung (Hamburg, Germany) for Choreography > in 1998. In NYC, her work has been performed at venues such > as Judson Church, presented by Movement Research; 92nd > Street Y; the Merce Cunningham Studio; and Joyce Theatre > Soho. > > > ABOUT LOCATION ONE > > Location One is a not-for profit art center whose mission is > to foster the convergence of classic and new media for the > development and presentation of new work. Emerging and > established artists in all mediums from all over the world > are invited to collaborate and experiment with advanced > technological tools and delivery systems. Location One > presents visual arts, performing arts and online > programming. It maintains on its premises an International > Residency Program that is open to artists from different > fields of expression at all levels of experience in > technology. > > www.location1.org streams live video and audio 24 hours a > day. Location One is completely committed to Open Source > methods and solutions and has created the Open Source > Streaming Alliance, an international alliance of media > centers to share resources and expand available bandwidth > for all partners, thereby enabling all to participate in a > powerful capacity to stream audio and video to a worldwide > audience. > > > FOR IMMEDIATE RELEASE > > For More information, contact: > info@location1.org > 212.334.3347 > > > _______________________________________________ > locone mailing list > locone@mail.location1.org > http://mail.location1.org/mailman/listinfo/locone ------------------------------ Date: Tue, 16 Dec 2003 20:45:21 -0500 From: "Anthony Miloscia Jr." Subject: [loud-fans] eMusic Question Hello All, I recently subscribed to eMusic...Is it common for songs to just stay at the requesting file stage in the download manager...Songs just seem to hang there...Does anyone else have this problem...I have been trying to download complete Pernice Brother CD's with no success... Any suggestions. Hope all is well, Ant ------------------------------ End of loud-fans-digest V3 #365 *******************************