From: owner-joni-digest@smoe.org (JMDL Digest) To: joni-digest@smoe.org Subject: JMDL Digest V2014 #1115 Reply-To: joni@smoe.org Sender: owner-joni-digest@smoe.org Errors-To: owner-joni-digest@smoe.org Precedence: bulk Unsubscribe:mailto:joni-digest-request@smoe.org?body=unsubscribe Website:http://jonimitchell.com JMDL Digest Wednesday, August 20 2014 Volume 2014 : Number 1115 ========== TOPICS and authors in this Digest: -------- RE: how she brought Duke into her arrangements [c Karma Subject: RE: how she brought Duke into her arrangements Actually, she uses almost the same lines Tom Scott wrote for "Car on a Hill" within the background vocals on "Song for Sharon." CC From: ckarma@hotmail.com To: simon@icu.com; joni@smoe.org Subject: RE: how she brought Duke into her arrangements Date: Wed, 20 Aug 2014 20:32:59 +0000 Closest illustration that comes to mind right away is the actual use of horns in the intro for "Car on a Hill." Tom Scott channeled how Duke would have arranged it but I could just as easily hear Joni doing those lines vocally. Compare "Jeep's Blues" (Duke) to "Cotton Avenue." CC From: simon@icu.com Subject: how she brought Duke into her arrangements Date: Wed, 20 Aug 2014 13:44:17 -0400 To: ckarma@hotmail.com On Aug 20, 2014, at 11:05 AM, c Karma wrote: Sue, I always thought it was how she best brought the Duke into herarrangements. Her background vocals were the stacked horns.Their slides made them snaky.CC Now this I find most interesting. Would you care to elaborate? Duke Ellington just happens to be my Most Favorite musician. Period! Id love to hear more. andmoreagain,- - - - - - - - -simonM ------------------------------ End of JMDL Digest V2014 #1115 ****************************** ------- To post messages to the list,sendtojoni@smoe.org. Unsubscribe by clicking here: mailto:joni-digest-request@smoe.org?body=unsubscribe -------