From: owner-joni-digest@smoe.org (JMDL Digest) To: joni-digest@smoe.org Subject: JMDL Digest V2013 #198 Reply-To: joni@smoe.org Sender: owner-joni-digest@smoe.org Errors-To: owner-joni-digest@smoe.org Precedence: bulk Unsubscribe:mailto:joni-digest-request@smoe.org?body=unsubscribe Website:http://jonimitchell.com JMDL Digest Tuesday, February 5 2013 Volume 2013 : Number 198 ========== TOPICS and authors in this Digest: -------- They paved what?! njc [LC Stanley ] Re: Bob's covers collection [Bob.Muller@Fluor.com] RE: Song To A Seagull now covered in its entirety [Susan Tierney McNamara] Re: Song To A Seagull now covered in its entirety [Dave Blackburn Subject: They paved what?! njc LEICESTER, EnglandB (AP) b He wore the English crown, but he ended up defeated, humiliated and reviled. Now things are looking up forB King Richard III. Scientists announced Monday that they had found the monarch's 528-year-old remains under a parking lot in the city of Leicester.. http://news.yahoo.com/experts-remains-englands-king-richard-iii-105948025.html ------------------------------ Date: Mon, 4 Feb 2013 08:10:34 -0500 From: Bob.Muller@Fluor.com Subject: Re: Bob's covers collection Paul, I'm glad you're home from a long hospital stay and hope for a continued recovery. What I would suggest from those who only want to hear the best of the best of the best (which of course is always subjective anyway) is to check out the new volumes and pull their favorites for their own 'best of' compilations. Frankly I have enough on my plate managing the covers as I'm doing. Truth be told, there's not a lot of cheese coming out these days, you can get 15/20 solid tracks from 2 cd's! Bob From: IVPAUL42@aol.com To: joni@smoe.org Date: 02/04/2013 03:23 AM Subject: Bob's cocers collectionn Sent by: owner-joni@smoe.org Kakki wrote: Wow, up to 4,000 covers!! That is astounding, Bob. ... Thank you for all your hard work and sharing over all these years! I agree it is an astoundiing project and a wonderful accomplishment. Bob,, I'd like to see a 'Best of" covers collection with 15 to 20 of the best covers, in your opinion, but with no BSN among them. I'm still trying to catch up with the JMDL. I've been home only a few days after seven weeks in a hospital, the first month of it in ICU, with five surgeries because of a near-fatal infection exacerbated by my diabetes. I am happy to be home, but the ordeal sapped all my strength, but I am making progress slowly but surely. Paul Ivice - ------------------------------------------------------------ The information transmitted is intended only for the person or entity to which it is addressed and may contain proprietary, business-confidential and/or privileged material. If you are not the intended recipient of this message you are hereby notified that any use, review, retransmission, dissemination, distribution, reproduction or any action taken in reliance upon this message is prohibited. If you received this in error, please contact the sender and delete the material from any computer. Any views expressed in this message are those of the individual sender and may not necessarily reflect the views of the company. - ------------------------------------------------------------ ------------------------------ Date: Mon, 4 Feb 2013 20:20:30 +0000 From: Susan Tierney McNamara Subject: RE: Song To A Seagull now covered in its entirety That's so interesting that the For The Roses songbook was terrible for piano, because it was one of the only early songbooks that included the alternate tunings! So happy to hear you and Michael are almost done with your gargantuan project!!! YAY! YAY! YAY! :-) Susan Tierney McNamara email: sem8@cornell.edu - -----Original Message----- From: owner-joni@smoe.org [mailto:owner-joni@smoe.org] On Behalf Of Dave Blackburn Sent: Monday, February 04, 2013 3:10 PM To: Bob.Muller@Fluor.com Cc: joni@smoe.org Subject: Re: Song To A Seagull now covered in its entirety To the pianists amongst us And, in another landmark moment that may elicit more "whatever" than "yay", I and my piano transcribing cohort Michael Dunn in Australia have been knuckling down to finish all the remaining piano pieces from For The Roses, which along with C&S contains the bulk of Joni's piano songs. We are now done and doing final proof reading. Some, like Let the Wind Carry Me, are monsters, and we have written out all vocal and woodwind parts as well as piano. The published songbooks for this album are laughably incorrect and we took on the job of presenting the correct unabridged scores for this lovely album. Part of the motivation came from the fact that the Mutts are to perform the whole of FTR on April 6th in San Diego (wanna come? - you really should!) and intend to do it right. A couple of piano pieces from Blue and LOTC remain to be charted but as far as the 70s albums are concerned we're close to having the project wrapped up. The published version of Paprika Plains is very good so we'll probably leave that one. As we complete them I upload them to the piano transcription database so put your 2.5x reading glasses on, remember which clef is which, be prepared to count odd meter bars and dive in to the wonderful piano pieces Joni wrote. Dave On Feb 4, 2013, at 11:44 AM, Bob.Muller@Fluor.com wrote: > In earlier posts I had commented that every song on STAS had been > covered with the exception of Pirate of Penance. I'm sure that I also > added something smarmy about a prediction that it would never be (I'm > not a fan of this one). Anyway, nom nom nom, I am now eating my words > as this one HAS recently been recorded and released, performed by a > group of French musicians led by Joce Mienniel on an album titled > "Paris Short Stories Saison 1". They must like going after challenging > compositions, because the other composers they cover include Jaco > Pastorius, Bjork, and Frank Zappa. > > Anyway, cause for celebration as far as I'm concerned. > > Joni may be done but her songs go on. > > Bob > ------------------------------------------------------------ > The information transmitted is intended only for the person or entity > to which it is addressed and may contain proprietary, > business-confidential and/or privileged material. > If you are not the intended recipient of this message you are hereby > notified that any use, review, retransmission, dissemination, > distribution, reproduction or any action taken in reliance upon this > message is prohibited. If you received this in error, please contact > the sender and delete the material from any computer. > > Any views expressed in this message are those of the individual sender > and may not necessarily reflect the views of the company. > ------------------------------------------------------------ ------------------------------ Date: Mon, 4 Feb 2013 13:17:36 -0800 From: Dave Blackburn Subject: Re: Song To A Seagull now covered in its entirety Well it's possible that the published transcriptions were from demo versions and not the versions that ended up on the album if Joel Bernstein did them. So it may not be lousy transcribing. On Feb 4, 2013, at 12:20 PM, Susan Tierney McNamara wrote: > That's so interesting that the For The Roses songbook was terrible for piano, because it was one of the only early songbooks that included the alternate tunings! So happy to hear you and Michael are almost done with your gargantuan project!!! YAY! YAY! YAY! :-) > > Susan Tierney McNamara > email: sem8@cornell.edu > > > -----Original Message----- > From: owner-joni@smoe.org [mailto:owner-joni@smoe.org] On Behalf Of Dave Blackburn > Sent: Monday, February 04, 2013 3:10 PM > To: Bob.Muller@Fluor.com > Cc: joni@smoe.org > Subject: Re: Song To A Seagull now covered in its entirety > > To the pianists amongst us > > And, in another landmark moment that may elicit more "whatever" than "yay", I and my piano transcribing cohort Michael Dunn in Australia have been knuckling down to finish all the remaining piano pieces from For The Roses, which along with C&S contains the bulk of Joni's piano songs. We are now done and doing final proof reading. Some, like Let the Wind Carry Me, are monsters, and we have written out all vocal and woodwind parts as well as piano. The published songbooks for this album are laughably incorrect and we took on the job of presenting the correct unabridged scores for this lovely album. Part of the motivation came from the fact that the Mutts are to perform the whole of FTR on April 6th in San Diego (wanna come? - you really should!) and intend to do it right. > > A couple of piano pieces from Blue and LOTC remain to be charted but as far as the 70s albums are concerned we're close to having the project wrapped up. The published version of Paprika Plains is very good so we'll probably leave that one. As we complete them I upload them to the piano transcription database so put your 2.5x reading glasses on, remember which clef is which, be prepared to count odd meter bars and dive in to the wonderful piano pieces Joni wrote. > > Dave > > > > > On Feb 4, 2013, at 11:44 AM, Bob.Muller@Fluor.com wrote: > >> In earlier posts I had commented that every song on STAS had been >> covered with the exception of Pirate of Penance. I'm sure that I also >> added something smarmy about a prediction that it would never be (I'm >> not a fan of this one). Anyway, nom nom nom, I am now eating my words >> as this one HAS recently been recorded and released, performed by a >> group of French musicians led by Joce Mienniel on an album titled >> "Paris Short Stories Saison 1". They must like going after challenging >> compositions, because the other composers they cover include Jaco >> Pastorius, Bjork, and Frank Zappa. >> >> Anyway, cause for celebration as far as I'm concerned. >> >> Joni may be done but her songs go on. >> >> Bob >> ------------------------------------------------------------ >> The information transmitted is intended only for the person or entity >> to which it is addressed and may contain proprietary, >> business-confidential and/or privileged material. >> If you are not the intended recipient of this message you are hereby >> notified that any use, review, retransmission, dissemination, >> distribution, reproduction or any action taken in reliance upon this >> message is prohibited. If you received this in error, please contact >> the sender and delete the material from any computer. >> >> Any views expressed in this message are those of the individual sender >> and may not necessarily reflect the views of the company. >> ------------------------------------------------------------ ------------------------------ Date: Mon, 4 Feb 2013 12:09:37 -0800 From: Dave Blackburn Subject: Re: Song To A Seagull now covered in its entirety To the pianists amongst us And, in another landmark moment that may elicit more "whatever" than "yay", I and my piano transcribing cohort Michael Dunn in Australia have been knuckling down to finish all the remaining piano pieces from For The Roses, which along with C&S contains the bulk of Joni's piano songs. We are now done and doing final proof reading. Some, like Let the Wind Carry Me, are monsters, and we have written out all vocal and woodwind parts as well as piano. The published songbooks for this album are laughably incorrect and we took on the job of presenting the correct unabridged scores for this lovely album. Part of the motivation came from the fact that the Mutts are to perform the whole of FTR on April 6th in San Diego (wanna come? - you really should!) and intend to do it right. A couple of piano pieces from Blue and LOTC remain to be charted but as far as the 70s albums are concerned we're close to having the project wrapped up. The published version of Paprika Plains is very good so we'll probably leave that one. As we complete them I upload them to the piano transcription database so put your 2.5x reading glasses on, remember which clef is which, be prepared to count odd meter bars and dive in to the wonderful piano pieces Joni wrote. Dave On Feb 4, 2013, at 11:44 AM, Bob.Muller@Fluor.com wrote: > In earlier posts I had commented that every song on STAS had been covered > with the exception of Pirate of Penance. I'm sure that I also added > something smarmy about a prediction that it would never be (I'm not a fan > of this one). Anyway, nom nom nom, I am now eating my words as this one > HAS recently been recorded and released, performed by a group of French > musicians led by Joce Mienniel on an album titled "Paris Short Stories > Saison 1". They must like going after challenging compositions, because > the other composers they cover include Jaco Pastorius, Bjork, and Frank > Zappa. > > Anyway, cause for celebration as far as I'm concerned. > > Joni may be done but her songs go on. > > Bob > ------------------------------------------------------------ > The information transmitted is intended only for the person > or entity to which it is addressed and may contain > proprietary, business-confidential and/or privileged material. > If you are not the intended recipient of this message you are > hereby notified that any use, review, retransmission, dissemination, > distribution, reproduction or any action taken in reliance upon > this message is prohibited. If you received this in error, please > contact the sender and delete the material from any computer. > > Any views expressed in this message are those of the individual > sender and may not necessarily reflect the views of the company. > ------------------------------------------------------------ ------------------------------ Date: Mon, 4 Feb 2013 20:23:03 -0800 (PST) From: Catherine McKay Subject: Re: Song To A Seagull now covered in its entirety I'm very impressed at the work you've done on this. Even though my piano-playing sucks (but I do know which clef is which), I admire your dedication and precision on those I've seen to date. >________________________________ > From: Dave Blackburn >To: Bob.Muller@Fluor.com >Cc: joni@smoe.org >Sent: Monday, February 4, 2013 3:09:37 PM >Subject: Re: Song To A Seagull now covered in its entirety > >To the pianists amongst us > >And, in another landmark moment that may elicit more "whatever" than "yay", I and my piano transcribing cohort Michael Dunn in Australia have been knuckling down to finish all the remaining piano pieces from For The Roses, which along with C&S contains the bulk of Joni's piano songs. We are now done and doing final proof reading. Some, like Let the Wind Carry Me, are monsters, and we have written out all vocal and woodwind parts as well as piano. The published songbooks for this album are laughably incorrect and we took on the job of presenting the correct unabridged scores for this lovely album. Part of the motivation came from the fact that the Mutts are to perform the whole of FTR on April 6th in San Diego (wanna come? - you really should!) and intend to do it right. > >A couple of piano pieces from Blue and LOTC remain to be charted but as far as the 70s albums are concerned we're close to having the project wrapped up. The published version of Paprika Plains is very good so we'll probably leave that one. As we complete them I upload them to the piano transcription database so put your 2.5x reading glasses on, remember which clef is which, be prepared to count odd meter bars and dive in to the wonderful piano pieces Joni wrote. > >Dave > > > > >On Feb 4, 2013, at 11:44 AM, Bob.Muller@Fluor.com wrote: > >> In earlier posts I had commented that every song on STAS had been covered >> with the exception of Pirate of Penance. I'm sure that I also added >> something smarmy about a prediction that it would never be (I'm not a fan >> of this one). Anyway, nom nom nom, I am now eating my words as this one >> HAS recently been recorded and released, performed by a group of French >> musicians led by Joce Mienniel on an album titled "Paris Short Stories >> Saison 1". They must like going after challenging compositions, because >> the other composers they cover include Jaco Pastorius, Bjork, and Frank >> Zappa. >> >> Anyway, cause for celebration as far as I'm concerned. >> >> Joni may be done but her songs go on. >> >> Bob >> - ------------------------------------------------------------ >> The information transmitted is intended only for the person >> or entity to which it is addressed and may contain >> proprietary, business-confidential and/or privileged material. >> If you are not the intended recipient of this message you are >> hereby notified that any use, review, retransmission, dissemination, >> distribution, reproduction or any action taken in reliance upon >> this message is prohibited. If you received this in error, please >> contact the sender and delete the material from any computer. >> >> Any views expressed in this message are those of the individual >> sender and may not necessarily reflect the views of the company. >> - ------------------------------------------------------------ ------------------------------ End of JMDL Digest V2013 #198 ***************************** ------- To post messages to the list, sendtojoni@smoe.org. Unsubscribe by clicking here: mailto:joni-digest-request@smoe.org?body=unsubscribe -------