From: owner-joni-digest@smoe.org (JMDL Digest) To: joni-digest@smoe.org Subject: JMDL Digest V2011 #47 Reply-To: joni@smoe.org Sender: owner-joni-digest@smoe.org Errors-To: owner-joni-digest@smoe.org Precedence: bulk Unsubscribe: mailto:joni-digest-request@smoe.org?body=unsubscribe Website: http://jmdl.com JMDL Digest Monday, February 14 2011 Volume 2011 : Number 047 ========== TOPICS and authors in this Digest: -------- Joni In Pictures [Jim ] Re: Carole King's "Tapestry", njc ["Mark" ] Re: James Blake [Lieve Reckers ] The Kids Are Alright njc Mia Wasikowska ["Mark" ] Re: Carole King's "Tapestry", sjc [T Peckham ] Re: Carole King's "Tapestry", njc [T Peckham ] Re: Jimmy and Ed, Joni and Cheyenne, and the big drug bust at sea [FMYFL@] Grammys (NJC) [Michael Paz ] Joni mention on the Grammy Awards Show [Gerald Notaro ] Re: Joni mention on the Grammy Awards Show [Gerald Notaro Subject: Joni In Pictures You're right. The dark photo of Joni was shot be Annie. I had it confused with the cover of "Joni Mitchell: The Complete Poems and Lyrics" where she is leaning against a tree. *http://tinyurl.com/6fxnmvn* Jim L'Hommedieu Lindsay said, >I saw briefly about a photo of Joni by Annie and it was mentioned she was > up against a tree in her back yard. I thought that photo was by Herb Ritts > (black& white). ------------------------------ Date: Sun, 13 Feb 2011 09:37:21 -0800 From: "Mark" Subject: Re: Carole King's "Tapestry", njc Great insights, Jerry. Thanks for sharing them. I never thought too much about the connections between Jewish and African American music and musicians but what you write makes perfect sense. When I thought about the hits that Carole King and Gerry Goffin wrote for performers like the Shirelles, Little Eva and Aretha Franklin I guess I just figured those artists put their own style to those great pop songs and made them hits. In turn, when Carole King started to record her own music, the influence of those artists showed it's mark in Carole's singing and composition. But what you write sounds more likely to me. The African influence was in the writing to begin with. There was a PBS show about Brill Building writers and one of them commented that they always loved Carole's demos of the songs she and Goffin wrote. I got the impression that the soul was there in both the writing and Carole's singing back in those days before the phenomenon that was 'Tapestry'. I think Harold Arlen is a great example. He is my favorite composer of his era. There is a unique quality to his melodies and you can hear the influence of jazz and blues all over them. 'Stormy Weather', 'Come Rain or Come Shine', 'Over the Rainbow', 'The Man That Got Away', 'When the Sun Comes Out' - beautiful melodies that, to my ears, don't sound quite like any other composer's. Mark in Seattle 'Harold...Harold Arlen, stand up. We do practically all of your music during the show. There is no better music.' - Judy Garland, Carnegie Hall concert 1961 - -----Original Message----- From: Gerald Notaro Sent: Saturday, February 12, 2011 7:50 PM To: Jim Cc: JMDL Subject: Re: Carole King's "Tapestry", njc Hi Jim. The link between Jewish music and African American music has a long tradition going way back to even before Irving Berlin, Al Jolson, George Gershwin, and many others. There is a link in the suffering and oppression as well as the dissonance in traditional Jewish music and Yiddish music and Blues and Jazz. Because both groups were oppressed the ended up with uneasy cultural alliances, living near each other, usually in the poorer neighborhoods. In my own hometown of Buffalo, NY Harold Arlen was born Hyman Arluck, the son of a cantor, in a poor neighborhood just blocks from where most of the Black population lived. He spent his youth sneaking into the nearby Black bars and juke joints where music was loud, fun, and well enjoyed, unlike conservative and orthodox Jewish homes. He went on, like many Tin Pan Alley composers to write heavily influenced by the free style and spirit of the music they heard. That tradition carried well into the Brill building years, from which Carole rose. They included the composers of much of the Black Singing groups of the 50's and 60's, composers like Ellie Green and Stoller and Leiber, whose friendship actually began because of their love of jazz and rhythm and blues. Jerry Leiber's mother ran a grocery store in a neighborhood of Baltimore, and was always more comfortable with Black culture. So Carole's influences are not as strange or remote as they may seem. Jerry On Sat, Feb 12, 2011 at 9:28 PM, Jim wrote: > I found a clean LP copy of Carole King's "Tapestry" today. Does anyone > know about her? I always wonder why a nice Jewish girl from New York City > had so many gospel touches on her record. She's got songs about a promise > land (Way Over Yonder), girl-group-like background singers, little > keyboard > figures from Church etc, etc. > > Jim L'Hommedieu ------------------------------ Date: Sun, 13 Feb 2011 17:59:24 +0000 (GMT) From: Lieve Reckers Subject: Re: James Blake Thanks for the info, Terra! I may just see if it means anything to my youngest son, but in all honesty, like you, I am ready to move on! I am much more excited reading about the link between Jewish and African music as raised by Jim and so beautifully discussed by Jerry and Mark. That's what makes this list so wonderful for me: it discusses things I kind-of half knew, and makes them more clear, more consciously known. Lots of love to you all from (apparently dubstepping) London, Lieve - ----- Original Message ---- From: T Peckham To: Lieve Reckers Cc: Gerald Notaro ; Paul Castle ; joni@smoe.org; Bob.Muller@fluor.com Sent: Sat, 12 February, 2011 8:04:17 Subject: Re: James Blake This from allmusic.com's Styles: Dubstep "A London-centric offshoot of U.K. garage that absorbed and transfigured elements of drum'n'bass, techno, and dub, dubstep germinated in the Forward>> club night. Initially held in a Soho venue, Forward>> later extended its reach through a show hosted by Kode9 on the pirate radio station Rinse FM. Like all forms of underground dance music, dubstep was a single-oriented form -- dispersed on labels like Tempa, Tectonic, Hessle Audio, Immerse, and Kode9's Hyperdub -- and its tense, almost oppressively dark sound was built on tightly coiled productions with overwhelming bass lines and reverberant drum patterns, clipped samples, and occasional vocals (which ranged from toasting, to MC'ing, to "proper" R&B-oriented singing). Artists like Burial, Pinch, Benga, and Martyn (a Dutch producer who transitioned from drum'n'bass) thrived with the full-length format, often by emphasizing the haunting ambience that was almost always present within dubstep's harder hitting tracks, in turn making albums geared toward late night home listening. Releases like Burial's Untrue (2007) and the mix albums series Dubstep All-Stars did not quite bring dubstep to the mainstream, but they gained significant critical notoriety and made the style far more accessible to those not located in and around its epicenter." Oh, well, of course--I knew that! Lieve, given the fact that you're in London, I'm hoping YOU can explain it to ME--ha ha! I do like his live-on-the-BBC with-just-a-piano version of "A Case of You." The rest of this crappola, not so much. He's known first and foremost, from what I can tell, as a producer. Pardon me, my Old Fogey is showing . . . :-P http://youtu.be/7ny8AmxqTV8 He's only 21. Maybe if he starts writing more of his own songs and playing actual instruments instead of electronically manipulating the work of others, I'll have another listen. For now tho, I'm moving on. Terra On Thu, Feb 10, 2011 at 5:07 PM, Lieve Reckers wrote: > > > And a question: would anybody care to explain what dubstep is, please? > Thanks, > Lieve > > > > ----- Original Message ---- > From: Gerald Notaro > To: Paul Castle > Cc: joni@smoe.org; Bob.Muller@fluor.com > Sent: Thu, 10 February, 2011 19:00:48 > Subject: Re: James Blake > > He sounds very much like Antony Haggerty of Antony and the Johnsons. > Very individualistic style. > > Jerry > > > On Thu, Feb 10, 2011 at 1:51 PM, Paul Castle >wrote: > > > In the last week seems like everywhere I > > surf on the net someone is raving about > > James Blake - "the 21-year-old British > > dubstep-minimalist artist who has just > > released his self-titled debut album". > > > > Must admit that I dipped in and dipped out > > again, just not in the mood - until, that is, > > today, when I discovered this site - > > > > http://bit.ly/hY95S6 > > > > > Having received almost universally positive > > > reviews on release of his self-titled debut > > > album last Friday, James Blake hit the BBC > > > Radio 1 studio yesterday and took on an > > > unlikely cover for Zane Lowe. > > > > > The minimalist dub-soul experimentalist let > > > his folk influences out with a stark rendition > > > of Joni Mitchell's 'A Case Of You', which Lowe > > > described as "amazing" after the performance. > > > > > Blake recently explained his love for Joni to > > > The Scotsman. "Joni Mitchell's album 'Blue' totally > > > destroyed me and then built me back up again. > > > Second year at uni, I listened to it every day for > > > six months. Every diary entry would have read, > > > 'Got up, made toast, put on Blue.' But it was > > > music that always stayed in my room - I never > > > listened to it outside. Actually, come to think of > > > it, I never went outside much that year." > > > > You can download his version of 'Case of You' at > > http://soundcloud.com/blurasis/james-blake-a-case-of-you-bbc > > and hear his own songs from his debut album at > > http://jamesblakemusic.com/ > > > > best to all > > PaulC > > > > NP Sandy Denny - By The Time It Gets Dark > > http://blip.fm/~11nzxp > - -- "An artist can show things that other people are terrified of expressing." - ---Louise Bourgeois ------------------------------ Date: Sun, 13 Feb 2011 10:10:13 -0800 From: "Mark" Subject: The Kids Are Alright njc Mia Wasikowska We finally watched 'The Kids Are Alright' last night. I've had the blu-ray from Netflix for a few weeks now but hadn't watched it. It's a very good film. I loved it's frankness and honesty. Annette Bening does give a great performance. But I think Julianne Moore was every bit as good. She should have gotten an Oscar nomination as well. When she turns the TV off and gets up to talk to the whole family, the character's emotions ring so true. It was one of the most affecting moments in the movie. It also is a great example of how good the writing is. All of the acting was first rate. As I said, it is very frank and does not shy away from any of the controversial subjects it touches on and some of the dialogue contains words you would only hear on TV on Showtime or HBO. But I thought it was a very believable portrayal of a situation that has rarely been explored in main-stream movies. I applaud the courage of Lisa Cholodenko, Stuart Blumberg, Julianne Moore, Annette Bening, Mark Ruffalo, Mia Wasikowska (who was born in Australia and speaks with an accent in the brief 'Making of' piece in the 'extras' on the blu-ray ), Josh Hutcherson and everyone who was involved with making this film. The movie is entertaining as well. And the Joni moment is great! So I say, see it if you haven't yet. Mark in Seattle ------------------------------ Date: Sun, 13 Feb 2011 14:20:17 -0500 From: Gerald Notaro Subject: Jimmy and Ed, Joni and Cheyenne, and the big drug bust at sea OK now that I have your attention! Other than the drug bust on that big gay cruise on The Allure of the Seas (I'm sure Jimmy will fill us in) is the news that Broadway hunk Cheyenne Jackson (to whom I have been secretly married for many years) sang a gorgeous A Case of You in concert. He explained that his mother played Joni for him all the time and that the song was a tribute to her. Hey Jimmy, were you there? Jerry ------------------------------ Date: Sun, 13 Feb 2011 17:31:38 -0300 From: "Miguel Arrondo" Subject: Re: Carole King's "Tapestry", sjc Hi, Jim. I bought my first vinil of Tapestry in 1979, it was an old recording then, but at that time still the best selling record in the industry. I've always considered it a great album, but the details of its background, time and circumstances I've found recently in the "Girls like Us" book, wich I strongly recommend you to read. Great material and data about Carol King, specially, and the common points between her work and Joni's (and Carly Simon's also, though I think that even as Joni Mitchell is at a far higher position than the other two subjects of the book, well, we can talk on her relation with King... but Carly Simon... just nothing to do here...) Anyway, a good reference this book to get Carole King's work. It took me to wipe the dust off my Tapestry CD. Saludos, Miguel On Sat, Feb 12, 2011 at 9:28 PM, Jim wrote: I found a clean LP copy of Carole King's "Tapestry" today. Does anyone know about her? I always wonder why a nice Jewish girl from New York City had so many gospel touches on her record. She's got songs about a promise land (Way Over Yonder), girl-group-like background singers, little keyboard figures from Church etc, etc. Jim L'Hommedieu ------------------------------ Date: Sun, 13 Feb 2011 14:52:48 -0600 From: T Peckham Subject: Re: James Blake Thanks to you, Lieve, and to Mr. Muller, for reassuring me that I'm not the only Official Curmudgeon here! (Actually, I think that title belongs to Catherine, no? winking). I'm always secondguessing myself, fearing that I'm turning into my (otherwise) wonderful dad, who was so in love with his big band era music that he often dismissed my music before really giving it a good listen. (He eventually came around to appreciate some of it.) ---I really do think this kid has an interesting voice, and I like that he put his own timestamp, if you will, on a Joni tune, instead of just singing and playing it straight. But on repeated listening, I have to wonder if that's a function of his own unique style or more that he just isn't a very accomplished player yet. I guess time will tell. And to each his own! ;-) Terra On Sun, Feb 13, 2011 at 11:59 AM, Lieve Reckers wrote: > Thanks for the info, Terra! I may just see if it means anything to my > youngest > son, but in all honesty, like you, I am ready to move on! > > I am much more excited reading about the link between Jewish and African > music > as raised by Jim and so beautifully discussed by Jerry and Mark. That's > what > makes this list so wonderful for me: it discusses things I kind-of half > knew, > and makes them more clear, more consciously known. > Lots of love to you all from (apparently dubstepping) London, > Lieve > > > > ----- Original Message ---- > From: T Peckham > To: Lieve Reckers > Cc: Gerald Notaro ; Paul Castle < > paulcastle@pdcmusic.com>; > joni@smoe.org; Bob.Muller@fluor.com > Sent: Sat, 12 February, 2011 8:04:17 > Subject: Re: James Blake > > This from allmusic.com's Styles: Dubstep > > "A London-centric offshoot of U.K. garage that absorbed and transfigured > elements of drum'n'bass, techno, and dub, dubstep germinated in the > Forward>> club night. Initially held in a Soho venue, Forward>> later > extended its reach through a show hosted by Kode9 on the pirate radio > station Rinse FM. Like all forms of underground dance music, dubstep was a > single-oriented form -- dispersed on labels like Tempa, Tectonic, Hessle > Audio, Immerse, and Kode9's Hyperdub -- and its tense, almost oppressively > dark sound was built on tightly coiled productions with overwhelming bass > lines and reverberant drum patterns, clipped samples, and occasional vocals > (which ranged from toasting, to MC'ing, to "proper" R&B-oriented singing). > Artists like Burial, Pinch, Benga, and Martyn (a Dutch producer who > transitioned from drum'n'bass) thrived with the full-length format, often > by > emphasizing the haunting ambience that was almost always present within > dubstep's harder hitting tracks, in turn making albums geared toward late > night home listening. Releases like Burial's Untrue (2007) and the mix > albums series Dubstep All-Stars did not quite bring dubstep to the > mainstream, but they gained significant critical notoriety and made the > style far more accessible to those not located in and around its > epicenter." > > Oh, well, of course--I knew that! Lieve, given the fact that you're in > London, I'm hoping YOU can explain it to ME--ha ha! > > I do like his live-on-the-BBC with-just-a-piano version of "A Case of You." > The rest of this crappola, not so much. He's known first and foremost, from > what I can tell, as a producer. Pardon me, my Old Fogey is showing . . . > :-P > > http://youtu.be/7ny8AmxqTV8 > > He's only 21. Maybe if he starts writing more of his own songs and playing > actual instruments instead of electronically manipulating the work of > others, I'll have another listen. For now tho, I'm moving on. > Terra > > On Thu, Feb 10, 2011 at 5:07 PM, Lieve Reckers >wrote: > > > > > > > And a question: would anybody care to explain what dubstep is, please? > > Thanks, > > Lieve > > > > > > > > ----- Original Message ---- > > From: Gerald Notaro > > To: Paul Castle > > Cc: joni@smoe.org; Bob.Muller@fluor.com > > Sent: Thu, 10 February, 2011 19:00:48 > > Subject: Re: James Blake > > > > He sounds very much like Antony Haggerty of Antony and the Johnsons. > > Very individualistic style. > > > > Jerry > > > > > > On Thu, Feb 10, 2011 at 1:51 PM, Paul Castle > >wrote: > > > > > In the last week seems like everywhere I > > > surf on the net someone is raving about > > > James Blake - "the 21-year-old British > > > dubstep-minimalist artist who has just > > > released his self-titled debut album". > > > > > > Must admit that I dipped in and dipped out > > > again, just not in the mood - until, that is, > > > today, when I discovered this site - > > > > > > http://bit.ly/hY95S6 > > > > > > > Having received almost universally positive > > > > reviews on release of his self-titled debut > > > > album last Friday, James Blake hit the BBC > > > > Radio 1 studio yesterday and took on an > > > > unlikely cover for Zane Lowe. > > > > > > > The minimalist dub-soul experimentalist let > > > > his folk influences out with a stark rendition > > > > of Joni Mitchell's 'A Case Of You', which Lowe > > > > described as "amazing" after the performance. > > > > > > > Blake recently explained his love for Joni to > > > > The Scotsman. "Joni Mitchell's album 'Blue' totally > > > > destroyed me and then built me back up again. > > > > Second year at uni, I listened to it every day for > > > > six months. Every diary entry would have read, > > > > 'Got up, made toast, put on Blue.' But it was > > > > music that always stayed in my room - I never > > > > listened to it outside. Actually, come to think of > > > > it, I never went outside much that year." > > > > > > You can download his version of 'Case of You' at > > > http://soundcloud.com/blurasis/james-blake-a-case-of-you-bbc > > > and hear his own songs from his debut album at > > > http://jamesblakemusic.com/ > > > > > > best to all > > > PaulC > > > > > > NP Sandy Denny - By The Time It Gets Dark > > > http://blip.fm/~11nzxp > > > > > > -- > "An artist can show things that other people are terrified of expressing." > ---Louise Bourgeois > > > > > - -- "An artist can show things that other people are terrified of expressing." - ---Louise Bourgeois ------------------------------ Date: Sun, 13 Feb 2011 14:56:16 -0600 From: T Peckham Subject: Re: Carole King's "Tapestry", sjc I've been waiting for someone to recommend "Girls Like Us", which examines not only Joni, but also Carole King and Carly Simon. Thank you, Miguel! :-) Terra On Sun, Feb 13, 2011 at 2:31 PM, Miguel Arrondo wrote: > Hi, Jim. I bought my first vinil of Tapestry in 1979, it was an old > recording then, but at that time still the best selling record in the > industry. I've always considered it a great album, but the details of its > background, time and circumstances I've found recently in the "Girls like > Us" book, wich I strongly recommend you to read. Great material and data > about Carol King, specially, and the common points between her work and > Joni's (and Carly Simon's also, though I think that even as Joni Mitchell > is > at a far higher position than the other two subjects of the book, well, we > can talk on her relation with King... but Carly Simon... just nothing to do > here...) > Anyway, a good reference this book to get Carole King's work. It took me to > wipe the dust off my Tapestry CD. > Saludos, > Miguel > > On Sat, Feb 12, 2011 at 9:28 PM, Jim wrote: > > I found a clean LP copy of Carole King's "Tapestry" today. Does anyone > know about her? I always wonder why a nice Jewish girl from New York > City had so many gospel touches on her record. She's got songs about a > promise land (Way Over Yonder), girl-group-like background singers, > little keyboard figures from Church etc, etc. > > Jim L'Hommedieu > - -- "An artist can show things that other people are terrified of expressing." - ---Louise Bourgeois ------------------------------ Date: Sun, 13 Feb 2011 15:34:36 -0600 From: T Peckham Subject: Re: Carole King's "Tapestry", njc I've been waiting for someone to mention Sheila Weller's book "Girls Like Us," (which Miguel just did on another post.) As some of us have been tellin' y'all for a while now, you're missing out on A LOT if you read only the Joni sections of the book. (Scolding over, ha ha!) Jerry does a great job of connecting the dots--if you'll permit me one small correction: it's Ellie Greenwich, not Green--and I really appreciate the background on Harold Arlen, also one of my favorites. I'd also like to mention another book I worked on, "Hound Dog," the Leiber & Stoller (w/David Ritz) autobiography. Lots of info on their influences, along w/some great stories, too. Terra On Sun, Feb 13, 2011 at 11:37 AM, Mark wrote: > Great insights, Jerry. Thanks for sharing them. > > I never thought too much about the connections between Jewish and African > American music and musicians but what you write makes perfect sense. When I > thought about the hits that Carole King and Gerry Goffin wrote for > performers like the Shirelles, Little Eva and Aretha Franklin I guess I just > figured those artists put their own style to those great pop songs and made > them hits. In turn, when Carole King started to record her own music, the > influence of those artists showed it's mark in Carole's singing and > composition. > > But what you write sounds more likely to me. The African influence was in > the writing to begin with. There was a PBS show about Brill Building > writers and one of them commented that they always loved Carole's demos of > the songs she and Goffin wrote. I got the impression that the soul was > there in both the writing and Carole's singing back in those days before the > phenomenon that was 'Tapestry'. > > I think Harold Arlen is a great example. He is my favorite composer of his > era. There is a unique quality to his melodies and you can hear the > influence of jazz and blues all over them. 'Stormy Weather', 'Come Rain or > Come Shine', 'Over the Rainbow', 'The Man That Got Away', 'When the Sun > Comes Out' - beautiful melodies that, to my ears, don't sound quite like any > other composer's. > > Mark in Seattle > 'Harold...Harold Arlen, stand up. We do practically all of your music > during the show. There is no better music.' - Judy Garland, Carnegie Hall > concert 1961 > > -----Original Message----- From: Gerald Notaro > Sent: Saturday, February 12, 2011 7:50 PM > To: Jim > Cc: JMDL > Subject: Re: Carole King's "Tapestry", njc > > > Hi Jim. The link between Jewish music and African American music has a long > tradition going way back to even before Irving Berlin, Al Jolson, George > Gershwin, and many others. There is a link in the suffering and oppression > as well as the dissonance in traditional Jewish music and Yiddish music and > Blues and Jazz. Because both groups were oppressed the ended up with uneasy > cultural alliances, living near each other, usually in the poorer > neighborhoods. In my own hometown of Buffalo, NY Harold Arlen was born > Hyman > Arluck, the son of a cantor, in a poor neighborhood just blocks from where > most of the Black population lived. He spent his youth sneaking into the > nearby Black bars and juke joints where music was loud, fun, and well > enjoyed, unlike conservative and orthodox Jewish homes. He went on, like > many Tin Pan Alley composers to write heavily influenced by the free style > and spirit of the music they heard. That tradition carried well into the > Brill building years, from which Carole rose. They included the composers > of > much of the Black Singing groups of the 50's and 60's, composers like Ellie > Green and Stoller and Leiber, whose friendship actually began because of > their love of jazz and rhythm and blues. Jerry Leiber's mother ran a > grocery > store in a neighborhood of Baltimore, and was always more comfortable with > Black culture. > > So Carole's influences are not as strange or remote as they may seem. > > Jerry > > > On Sat, Feb 12, 2011 at 9:28 PM, Jim wrote: > > I found a clean LP copy of Carole King's "Tapestry" today. Does anyone >> know about her? I always wonder why a nice Jewish girl from New York City >> had so many gospel touches on her record. She's got songs about a promise >> land (Way Over Yonder), girl-group-like background singers, little >> keyboard >> figures from Church etc, etc. >> >> Jim L'Hommedieu >> > - -- "An artist can show things that other people are terrified of expressing." - ---Louise Bourgeois ------------------------------ Date: Sun, 13 Feb 2011 16:56:59 EST From: FMYFL@aol.com Subject: Re: Jimmy and Ed, Joni and Cheyenne, and the big drug bust at sea Jerry, I did get to see Cheyene Jackson, and hear his beautiful voice. His show started at 7:00, and we were not finished with dinner yet. If he sang ACOY that night, I missed it. I only knew of him from when he was on "Glee". Yes Jerry he's a hunk! As for any drug bust, our next door neighbors told me that they saw them handcuff some guys off the ship in St. Thomas, but I didn't see it or know about it until your post. Jimmy In a message dated 2/13/2011 2:23:46 PM Eastern Standard Time, notaro@mail.usf.edu writes: > OK now that I have your attention! Other than the drug bust on that big > gay > cruise on The Allure of the Seas (I'm sure Jimmy will fill us in) is the > news that Broadway hunk Cheyenne Jackson (to whom I have been secretly > married for many years) sang a gorgeous A Case of You in concert. He > explained that his mother played Joni for him all the time and that the > song > was a tribute to her. Hey Jimmy, were you there? > > Jerry ------------------------------ Date: Sun, 13 Feb 2011 16:29:35 -0600 From: Michael Paz Subject: Grammys (NJC) They are streaming the show live on grammy.com for those of you who want to catch all the non hiphoppers Congrats to Patty Griffin for the Grammy for Gospel Album produced by Buddy Miller. Also congrats to my friends Randy Ellis and Chubby Carriere for the win. Paz Michael Paz michael@thepazgroup.com Tour Manager Preservation Hall Jazz Band http://www.preservationhall.com ------------------------------ Date: Sun, 13 Feb 2011 21:26:29 -0500 From: Gerald Notaro Subject: Joni mention on the Grammy Awards Show They mentioned that she had once been a winner of the Best New Artist award. Jerry ------------------------------ Date: Sun, 13 Feb 2011 21:37:22 -0500 From: Vince Subject: Re: Joni mention on the Grammy Awards Show Or was that best pop album? On Feb 13, 2011 9:28 PM, "Gerald Notaro" wrote: > They mentioned that she had once been a winner of the Best New Artist award. > > Jerry ------------------------------ Date: Sun, 13 Feb 2011 22:01:01 -0500 From: Gerald Notaro Subject: Re: Joni mention on the Grammy Awards Show Must have been Pop Album Vocal. I'm also trying to watch Desperate Housewives at the same time. Really only waiting for Eminem and Rihanna and Babs.. Jerry On Sun, Feb 13, 2011 at 9:37 PM, Vince wrote: > Or was that best pop album? > On Feb 13, 2011 9:28 PM, "Gerald Notaro" wrote: > > They mentioned that she had once been a winner of the Best New Artist > award. > > > > Jerry ------------------------------ End of JMDL Digest V2011 #47 **************************** ------- To post messages to the list, send to joni@smoe.org. Unsubscribe by clicking here: mailto:joni-digest-request@smoe.org?body=unsubscribe -------