From: owner-joni-digest@smoe.org (JMDL Digest) To: joni-digest@smoe.org Subject: JMDL Digest V2008 #165 Reply-To: joni@smoe.org Sender: owner-joni-digest@smoe.org Errors-To: owner-joni-digest@smoe.org Precedence: bulk Unsubscribe: mailto:joni-digest-request@smoe.org?body=unsubscribe Website: http://jonimitchell.com JMDL Digest Thursday, August 14 2008 Volume 2008 : Number 165 ========== TOPICS and authors in this Digest: -------- Re: Joni's most dishonest song [Wtking59@cs.com] Re: Joni's most dishonest song [Catherine McKay ] Re: Joni's most dishonest song [Bob.Muller@Fluor.com] Re: New CSN album being recorded with Joni content NJC [Bob.Muller@Fluor.] Re: a question for our librarians NJC [Monika Bogdanowicz ] ABBA, NJC [do9eatdo9@yahoo.com] Re: ABBA, NJC [Bob.Muller@Fluor.com] Re: Who says you can't dance to Joni? [M C ] All I Intended To Be - New Emmylou njc ["Mark Scott" ] Re: All I Intended To Be - New Emmylou njc ["Jerry Notaro" ] ---------------------------------------------------------------------- Date: Wed, 13 Aug 2008 04:18:48 EDT From: Wtking59@cs.com Subject: Re: Joni's most dishonest song margaret_elmtree@yahoo.ca wrote: >>> As for "Raised On Robbery," I can listen to it on 'Court and Spark,' but the version on 'Miles of Aisles' gives me the willys, like chalk on a black board *shiver* .... <<< _____________________________________ Uhhmmm... just to be clear, "Raised On Robbery" doesn't appear on the magnificent 'Miles of Aisles.' Could you be thinking of "Love Or Money" (or "Woodstock" ...or "Carey" perhaps)? Or maybe you meant "Free Man In Paris" from 'Shadows and Light.' (?) ... XXXOOO, Billy NP: 'District Line' (2008) by Bob Mould ------------------------------ Date: Wed, 13 Aug 2008 03:58:36 -0700 (PDT) From: Catherine McKay Subject: Re: Joni's most dishonest song It's on Shadows and Light: http://www.youtube.com/watch?v=hFxxNj2OZDw Not my favourite version of not my favourite song, although Laura gave it a perspective I never would have thought of. - --- On Wed, 8/13/08, Wtking59@cs.com wrote: From: Wtking59@cs.com Subject: Re: Joni's most dishonest song To: joni@smoe.org Received: Wednesday, August 13, 2008, 4:18 AM margaret_elmtree@yahoo.ca wrote: >>> As for "Raised On Robbery," I can listen to it on 'Court and Spark,' but the version on 'Miles of Aisles' gives me the willys, like chalk on a black board *shiver* .... <<< _____________________________________ Uhhmmm... just to be clear, "Raised On Robbery" doesn't appear on the magnificent 'Miles of Aisles.' Could you be thinking of "Love Or Money" (or "Woodstock" ...or "Carey" perhaps)? Or maybe you meant "Free Man In Paris" from 'Shadows and Light.' (?) ... XXXOOO, Billy NP: 'District Line' (2008) by Bob Mould ------------------------------ Date: Wed, 13 Aug 2008 08:27:14 -0400 From: Bob.Muller@Fluor.com Subject: Re: Joni's most dishonest song So I guess you haven't discovered the 'hidden track' on MOA, Billy? - ROR plays after the runout on side 3 of the LP. I'm kidding...although she did play it on the '74 tour that MOA came from, as well as her '76 tour, and her '79. And just as a point of clarification, ROR is on the S&L VIDEO and not the album. I'm sure that given its basic 12-bar blues/rock & roll structure, it's always been a crowd-pleaser and a welcome break for the musicians involved to just cut loose and have fun. I'm hoping to have a little fun with it myself at Jonifest in a week or so. Bob NP: The Black Keys, "Things Ain't Like They Used To Be" - ------------------------------------------------------------ The information transmitted is intended only for the person or entity to which it is addressed and may contain proprietary, business-confidential and/or privileged material. If you are not the intended recipient of this message you are hereby notified that any use, review, retransmission, dissemination, distribution, reproduction or any action taken in reliance upon this message is prohibited. If you received this in error, please contact the sender and delete the material from any computer. Any views expressed in this message are those of the individual sender and may not necessarily reflect the views of the company. - ------------------------------------------------------------ ------------------------------ Date: Wed, 13 Aug 2008 08:39:20 -0400 From: Bob.Muller@Fluor.com Subject: Re: New CSN album being recorded with Joni content NJC A good call on their part since their writing mojo dried up about 25 years ago. Bob NP: Stephen Malkmus & The Jicks, "Cold Son" - ------------------------------------------------------------ The information transmitted is intended only for the person or entity to which it is addressed and may contain proprietary, business-confidential and/or privileged material. If you are not the intended recipient of this message you are hereby notified that any use, review, retransmission, dissemination, distribution, reproduction or any action taken in reliance upon this message is prohibited. If you received this in error, please contact the sender and delete the material from any computer. Any views expressed in this message are those of the individual sender and may not necessarily reflect the views of the company. - ------------------------------------------------------------ ------------------------------ Date: Wed, 13 Aug 2008 06:00:11 -0700 (PDT) From: Monika Bogdanowicz Subject: Re: a question for our librarians NJC My sister, who is finishing up her in Master's in library sciences (today's her last day of school) tells me that in the U.S. there are a number of authors and publishers who are looking to instigate such a thing. However, it is unlikely to become a reality at this time... - -M - --- On Mon, 8/11/08, Kate Bennett wrote: From: Kate Bennett Subject: a question for our librarians NJC To: joni@smoe.org Date: Monday, August 11, 2008, 6:21 PM I'm having a discussion with someone who states that libraries pay a fee to the author of a books/dvd for each time someone borrows the material from the library- is this true? Kate [demime 0.97c-p1 removed an attachment of type application/ms-tnef which had a name of winmail.dat] ------------------------------ Date: Wed, 13 Aug 2008 09:36:05 -0700 (PDT) From: rsc1@humboldt.edu Subject: DJRD dance > Date: Tue, 12 Aug 2008 08:44:22 -0400 > From: Bob.Muller@Fluor.com > Subject: Re: Don Juan's skateless daughter > > Tube.> > > I was afraid that the video was going to stray into the 'inappropriate' > arena, but it didn't - dammit. Yes, not great interpretive dance, but an attractive young woman.... For another side of the same dancer, watch her OTHER dance video - to a track by Lil' Wayne. What people will do, and then POST, on the internet. Gus ------------------------------ Date: Wed, 13 Aug 2008 10:33:08 -0700 From: "Cassy" Subject: Herbie on Sundance An upcoming episode of "Live from Abbey Road" - Season 2 Episode 2 features Herbie Hancock and some segments of his Grammy winning CD. Check Sundance channel in your area for play dates and times but it looks like it could be Thursday, 10 P.M. http://www.sundancechannel.com/livefromabbeyroad#/episodes Cassy NP: Mary J. Blige & Lil Kim - I Can Love You If Iraq's biggest export was broccoli, would we still be there ? ------------------------------ Date: Wed, 13 Aug 2008 22:38:09 +0700 From: do9eatdo9@yahoo.com Subject: ABBA, NJC Is ABBA a guilty pleasure? Rian Who just returned after 2 weeks of computerless travel ------------------------------ Date: Wed, 13 Aug 2008 15:10:53 -0400 From: Bob.Muller@Fluor.com Subject: Re: ABBA, NJC Welcome back, Rian - I don't think that Abba is a guilty pleasure - internationally they are longtime superstars and the staying power of their music can easily be witnessed in the continued success of projects like "Mamma Mia!". I've read a couple of articles about them in legit publications...while their music is sugary pop, it's high-quality pop and the band members had some pretty extensive credentials coming into this particular group. Not my cup of tea - annoying to me in fact - but obviously one of the most popular groups of all time so who am I to argue with that? Bob NP: The Wood Brothers, "Fall Too Fast" - ------------------------------------------------------------ The information transmitted is intended only for the person or entity to which it is addressed and may contain proprietary, business-confidential and/or privileged material. If you are not the intended recipient of this message you are hereby notified that any use, review, retransmission, dissemination, distribution, reproduction or any action taken in reliance upon this message is prohibited. If you received this in error, please contact the sender and delete the material from any computer. Any views expressed in this message are those of the individual sender and may not necessarily reflect the views of the company. - ------------------------------------------------------------ ------------------------------ Date: Wed, 13 Aug 2008 15:45:00 -0700 (PDT) From: M C Subject: Re: Who says you can't dance to Joni? For a minute I thought it was Sarah Silverman. ------------------------------ Date: Wed, 13 Aug 2008 17:56:14 -0700 From: "Mark Scott" Subject: All I Intended To Be - New Emmylou njc Has anyone else posted about Emmylou Harris's new cd? I had some reservations when I heard that her former producer and ex-husband Brian Ahern had produced this latest effort. Not that I dislike Emmylou's early 70s albums. But I have been so much enchanted with the sound that Daniel Lanois created for her on 'Wrecking Ball' that I was afraid this might be a step backward. I've only listened all the way through once but I do think this new one is a worthy effort. There are still occasional echoes of that haunting, contemporary quality that her post-Wrecking Ball albums have had. There are also one or two that might have fit quite comfortably on 'Elite Hotel' or 'Luxury Liner'. But, overall, I think it's a worthy effort. Some of the songs are penned by Emmylou with the McGarrigles. You can't go completely wrong there. There are also Tracy Chapman and Patty Griffin covers thrown in for good measure. And I could still listen to this woman sing the phone book and love every note. When you talk about honesty, Emmylou has a long history of displaying a remarkable ability to sing in a pure, beautiful, technically perfect (for her music, I ain't talking grand opera here) voice and yet communicate every word of a song as if she really, really meant it. As far as performance is concerned, being able to communicate on that level is what I call honest. More about that in a subsequent jc post that has been churning around in my head. Mark in Seattle ------------------------------ Date: Wed, 13 Aug 2008 18:42:59 -0700 From: "Mark Scott" Subject: Re: Joni's most honest song (long) I don't know what I would call Joni's most honest song but I love the way Jamie expressed his definition of Joni's honesty. There are singers with spectacular voices that can bend, trill and embellish all over the place. And I wouldn't give you 2 cents for any of their records because it sounds like it's all for show, to my ears. Not an honest note in the song. Just showing off. Of course there are also singers blessed with beautiful instruments (for some reason Patsy Cline comes to mind, Annie Lennox is another, Ella Fitzgerald most certainly, oh and let's not forget Judy Garland!) who sing every word and phrase perfectly and make you believe it all. Joni is a phenomenon, in my opinion. She not only has the ability to write incredibly well-crafted songs that seem to be completely true to heart, she also has the ability to communicate those songs in performance in a way that makes you feel that she means and absolutely believes ever word she sings. To me, that is the essence of Joni's 'honesty'. Joni was blessed with a remarkable vocal range when she was younger. Certainly some of her earlier material stretched her to the outer limits of that range. But you never get the idea that she was doing it to show off. Somehow her melodies fit so perfectly with her lyrics and both so suited her voice that it all sounded perfectly right and natural. From the first album, Joni was telling stories in the 3rd person about other people or characters (Marcie, for instance). But I don't think she had ever picked a character like the one in 'Raised on Robbery' before she wrote that song. Most of her portraits were about people living a bohemian lifestyle as artists or musicians. Or maybe they were written about a lover. But in my mind 'Raised on Robbery' is about a raucous, blowsy, hustlin' woman trying to make a trick. She's rough-edged and she's lived a rough life. It's a new type of character for Joni and I think it opens the door for a few others. Like the more complex character study in 'Shades of Scarlet Conquering' and the short but provocative 'Sunny Sunday' about the woman who lives near the freeway and tries to shoot out a street light every night while she 'dodges the light like Blanche Dubois' during the day. Joni was about 30 when Court and Spark was released and her life was vastly different from what it had been even 5 years before. Her life experience had expanded significantly and her writing reflected that. I think the music and delivery of 'Raised on Robbery' suit the subject matter perfectly. Personally I love the song. Joni rocks out and she does a fine job of it. And in the context of the character she is creating and the story she is telling, it is all perfectly honest. That being said, I have to say that I was very touched by Laura's post about this song and would like to thank her for her unflinching honesty in telling it. I understand perfectly how certain of Joni's songs have a special significance to the individual listener. There are certain Joni songs that bring particular associations to me that they would not bring to anybody else and most certainly have nothing to do with what Joni had in mind when she wrote them. But that is another wonder about Joni's music. We relate to it so strongly. But it touches each of us in a different way. Mark in Seattle - ----- Original Message ----- From: "Jamie's Box of Paints" > Hi Monica > > She has mentioned what she means by honesty, it think 'Blue' is the > pinnacle > of what she means - she mentions that 'Blue' "doesn't have a > dishonest note > in it." > > She also mentioned that Charles Mingus was like her in that he could > sniff > out when a performer is embellishing for embellishments sake and > isn't being > honest. I think most of us Jonilistas can do that for the most part > but we > don't think that were actually doing it. > > For Joni, I think when she writes, the words come through her, she > lets them > flow so when she has to sing them, they come from the heart, from > the head. > > It is probably why Joni doesn't flutter about with her notes like > some > performers, no vocal pyrotechnics, they are more or less straight > notes > right until the end when she will vibrato. She will bend the note to > change > the emotion perhaps or to modulate to another feeling, but it comes > from > honesty and not showing off. > > That's my take on it! > > Much Joni > > Jamie Zoob > > 2008/8/9 Monika Bogdanowicz > >> I was browsing Joni earlier this week on the net as I sometimes do >> and >> remember reading a particular comment about her music. I can't >> remember >> where >> but it said that Joni "makes honest music." Well, what constitutes >> as >> honesty >> in music? What makes her music "honest?" As a result, what would >> you say >> is >> Joni's most "honest" song by your definition? >> -Monika, excited to be going to Vancouver on the 19th! ------------------------------ Date: Wed, 13 Aug 2008 23:08:05 -0400 (EDT) From: "Jerry Notaro" Subject: Re: All I Intended To Be - New Emmylou njc Mark, I have the new Emmylou cd and love it. Jerry Mark Scott wrote: > Has anyone else posted about Emmylou Harris's new cd? > > I had some reservations when I heard that her former producer and > ex-husband Brian Ahern had produced this latest effort. Not that I > dislike Emmylou's early 70s albums. But I have been so much enchanted > with the sound that Daniel Lanois created for her on 'Wrecking Ball' > that I was afraid this might be a step backward. > > I've only listened all the way through once but I do think this new > one is a worthy effort. There are still occasional echoes of that > haunting, contemporary quality that her post-Wrecking Ball albums have > had. There are also one or two that might have fit quite comfortably > on 'Elite Hotel' or 'Luxury Liner'. But, overall, I think it's a > worthy effort. Some of the songs are penned by Emmylou with the > McGarrigles. You can't go completely wrong there. There are also > Tracy Chapman and Patty Griffin covers thrown in for good measure. > > And I could still listen to this woman sing the phone book and love > every note. When you talk about honesty, Emmylou has a long history > of displaying a remarkable ability to sing in a pure, beautiful, > technically perfect (for her music, I ain't talking grand opera here) > voice and yet communicate every word of a song as if she really, > really meant it. > > As far as performance is concerned, being able to communicate on that > level is what I call honest. More about that in a subsequent jc post > that has been churning around in my head. > > Mark in Seattle ------------------------------ Date: Wed, 13 Aug 2008 22:34:37 -0500 From: mia _ Subject: Meg Mundy - Joni's Twin? Has anyone ever heard of this actress? I was just watching an episode of Alfred Hitchcock Presents - The Orderly World of Mr. Appleby - which starred Meg Mundy, and I couldn't help but notice how much she looks like Joni! Cheekbones, mouth, nose, eyes, smile, stature. Meg is from an older generation than Joni, and in the episode I watched, she was purposely made up to appear as a mousy woman, but underneath, I think she was still beautiful and looked so much like Joni. I could only find one picture of her on the Internet from Wikipedia. Apparently she has successfully kept her personal life out of the spotlight. Mia _________________________________________________________________ Get Windows Live and get whatever you need, wherever you are. Start here. http://www.windowslive.com/default.html?ocid=TXT_TAGLM_WL_Home_082008 ------------------------------ End of JMDL Digest V2008 #165 ***************************** ------- Post messages to the list by clicking here: mailto:joni@smoe.org Unsubscribe by clicking here: mailto:joni-digest-request@smoe.org?body=unsubscribe -------