From: les@jmdl.com (JMDL Digest) To: joni-digest@smoe.org Subject: JMDL Digest V2001 #275 Reply-To: joni@smoe.org Sender: les@jmdl.com Errors-To: les@jmdl.com Precedence: bulk Unsubscribe: mailto:joni-digest-request@smoe.org?body=unsubscribe Archives: http://www.smoe.org/lists/joni Websites: http://www.jmdl.com http://www.jonimitchell.com JMDL Digest Sunday, July 1 2001 Volume 2001 : Number 275 The Official Joni Mitchell Homepage, created by Wally Breese, can be found at http://www.jonimitchell.com. It contains the latest news, a detailed bio, Original Interviews, essays, lyrics and much much more. The JMDL website can be found at http://www.jmdl.com and contains interviews, articles, the member gallery, archives, and much more. Information on the 4th "Annual" New England JoniFest: http://www.jmdl.com/jfne2001.cfm ========== TOPICS and authors in this Digest: -------- Re: Pinky and Perky ["Kakki" ] Today in Joni History: June 30 [les@jmdl.com] Today's Articles: June 30 [les@jmdl.com] Re: Woodstock [Dflahm@aol.com] Re: onlyJMDL Digest V2001 #201 [StDoherty@aol.com] Re: Woodstock [SCJoniGuy@aol.com] Lilith [Jerry Notaro ] Half Moon in the Grand Old Town - Emmylou Harris in Seattle NJC ["Mark or] Re: Half Moon in the Grand Old Town - Emmylou Harris in Seattle NJC [Mich] Jackson Browne/Joni question ["kerry" ] Chet Atkins RIP (njc) ["Kakki" ] LemmonNJC [colin ] Re: Half Moon - Emmylou Harris in Seattle NJC (md) [MDESTE1@aol.com] Re: Woodstock [dsk ] Re: Woodstock [dsk ] jun3 30!!!!!!!!!!!!!!!!!! njc ["Wally Kairuz" ] Re: Half Moon in the Grand Old Town - Emmylou Harris in Seattle NJC [dsk ] Re: Half Moon in the Grand Old Town - Emmylou Harris in Seattle NJC [Scot] Both Sides Now [Leslie Mixon ] Re: jun3 30!!!!!!!!!!!!!!!!!! njc ["hell" ] Re: Half Moon in the Grand Old Town - Emmylou Harris in Seattle NJC [susa] Re: jun3 30!!!!!!!!!!!!!!!!!! njc [Michael Paz ] ---------------------------------------------------------------------- Date: Fri, 29 Jun 2001 23:13:38 -0700 From: "Kakki" Subject: Re: Pinky and Perky > >I wonder if they are a musical order. Do you think they play the > >pink oboe? lol I'd pay to see that one > > > >Sister Indulga of de Nile Oh Gordon! lol (uh, oh here comes the lightning bolt!) Gary told me of another web link where there is a photo of them at http://www.svd.org/AdorSister.html Their habits are rather pretty and perky ;-) Kakki ------------------------------ Date: Sat, 30 Jun 2001 03:46:35 -0400 From: les@jmdl.com Subject: Today in Joni History: June 30 On June 30 in Joni Mitchell History: 2000: Joni makes an appearance at the opening of her art show at The Mendel Gallery in Saskatoon. More info: http://www.jmdl.com/performances/docs/000630.cfm - ------------------------ Search the "Today" database: http://www.jmdl.com/today ------------------------------ Date: Sat, 30 Jun 2001 03:46:35 -0400 From: les@jmdl.com Subject: Today's Articles: June 30 On June 30 these articles were published: 1979: "Scared to Dance" - Sounds (Review - Album, with photographs) http://www.jmdl.com/articles/docs/790630s.cfm 1999: "Tribute Concert Honours Mitchell" - Toronto Globe and Mail (Concert Preview) http://www.jmdl.com/articles/docs/990630tgam.cfm 2000: "Joni Mitchell returns home to open art show" - Reuters/Variety (News Item) http://www.jmdl.com/articles/docs/000630rv.cfm 2000: "Mitchell-mania takes hold" - Saskatoon StarPhoenix (News Item) http://www.jmdl.com/articles/docs/000630ssp.cfm - ------------------------ The JMDL Article Database has 606 titles. http://www.jmdl.com/articles ------------------------------ Date: Sat, 30 Jun 2001 08:24:21 EDT From: Dflahm@aol.com Subject: Re: Woodstock Well, it is the closing piece on the S & L CD I have and that might argue for its signature status. Once I heard this version, I felt THIS is the real "Woodstock" and the earlier take (from LOTC) began to sound like: here's the song on paper, but not fully realized as a performance. The jazz character was long a-birthing, but once perceivable, it is, to me, overwhelmingly convincing. DAVID LAHM ------------------------------ Date: Sat, 30 Jun 2001 09:05:46 EDT From: StDoherty@aol.com Subject: Re: onlyJMDL Digest V2001 #201 I always thought the refererence to the lord on death row was the "God is Dead" feel of the time. While the millions of his lost and lonely ones ... that's the rest of us. ------------------------------ Date: Sat, 30 Jun 2001 09:21:36 EDT From: SCJoniGuy@aol.com Subject: Re: Woodstock << How about on the WTRF tour? I'm wondering if she sees Woodstock as her signature song, maybe one she prefers to BYT. >> She used Woodstock to close her 83' WTRF shows as well. A very similar version to the S&L version, but she plays it with a little heavier rhythm. There's a spell-binding recording of it on the Canadaigua NY show, she plays the ending riff, the audience starts getting into it and clapping, she starts to feed off of them, it's one of those interactive moments where performer & audience connects that makes the hairs stand up. I think Joni plays BYT as a crowd-pleaser, but I don't think that it has the significance of Woodstock for her. I think Woodstock represents her hope for humanity, she's saying that we come from dust and have such potential for beauty, but stray from that potential most of the time. Bob NP: Ani, 'beautiful night' ------------------------------ Date: Sat, 30 Jun 2001 12:04:45 -0400 From: Jerry Notaro Subject: Lilith Just got through watching the Lilith Fair DVD. Lots of Joni content, including influences, Klein, and the rousing BYT finale. Highly recommended. Jerry ------------------------------ Date: Sat, 30 Jun 2001 13:08:35 -0700 From: "Mark or Travis" Subject: Half Moon in the Grand Old Town - Emmylou Harris in Seattle NJC The weather gods once again blessed the Seattle waterfront last night as Emmylou Harris & Spyboy performed at Pier 62. Earlier this week the weather had put me in mind of an old Heart song - 'today summer day, warm & green & gray - often typical of June in this part of the world. But yesterday the sun shone and the temperature hovered somewhere around 70 as Travis, Melanie & I walked down the Seattle waterfront to Pier 62. As we took our seats there was a half moon (not a quarter moon)in a sapphire sky (not a ten cent town) just to the left of the stage. As the evening progressed and the sapphire deepened to black, that moon made it's way over the stage and seemed to hover over Emmylou as she performed her set. She did complain about the chill that usually permeates the air at night here in the Pacific Northwest, even after the hottest days. But other than that, she seemed to be having a marvelous time as she & the band performed for nearly 2 hours. This is the third time I've seen Emmylou in concert. She always puts on a helluva show. Joe Henry opened for Emmylou last night. I really had never heard of this performer but I did enjoy his set. His voice is reminiscent of Elvis Costello but his music is very laid back. He played guitar with a drummer, a bass player and a keyboardist who played a mean piano. I don't quite know how to describe his music. He performed one song with the piano that had a distinct jazz flavor to it. There was also a song or two that sounded like (if you'll pardon the expression) acid music, man! Trippy! The keyboard player really knew how to tickle the ivories. He put me in mind of Herbie Hancock at times. It was pleasant to let this music wash over me as I watched the crowd and the moon & enjoyed being with two of the people I cherish most in this world. Emmylou opened with 'The Pearl' followed by 'Where Will I Be?', the opening cuts from 'Red Dirt Girl' & 'Wrecking Ball' respectively, two albums that have taken their place on my list of all-time favorites. Spyboy were more than capable of creating the sonic setting for these two songs & they all gave stellar performances throughout the evening. I'm convinced Buddy Miller can play any stringed instrument known to man. Brady Blade beautifully provided the rhythmic base that drives these songs and helps make them so exciting & vital. And Tony Hall was all over the bass, particularly on an extended riff during 'The Maker' when Harris and Miller left the stage giving Hall & Blade the spotlight to let loose with a throbbing, driving jam between bass & drums. I've finally come around to acknowledging that Emmylou's voice is not the pristine instrument it once was. But the beauty of that voice is by no means lost or diminished. As we walked back to the car after the concert, Melanie & I discussed how the voice becomes breathy to the point of nearly disappearing on some of the high notes, particularly on the songs from 'Red Dirt Girl' and 'Wrecking Ball'. But then on other songs, particularly from her earlier repertoire, the high notes come through strong and clear as a bell. Is this a deliberate choice on the singer's part or is her upper range hit & miss? Mel thinks it's the latter but I'm still not convinced. We both agreed that her continuing to reach for these notes instead of moving to lower, more attainable ones is gutsy and admirable. She accompanied herself, picking her guitar without the band, on a few songs, including a moving version of 'Bang the Drum Slowly'. The images of the song 'Michelangelo have come to have very specific, very personal meanings in my head. I was hoping she would sing this one and the tears streamed down my face by the time she finished it. 'Red Dirt Girl' was another emotionally charged high point. Other songs performed from the last two albums included 'Wrecking Ball', 'Goin' Back To Harlan', 'Deeper Well' - this one really smoked - 'Orphan Girl', 'I Don't Wanna Talk About It Now' and the funky 'One Big Love'. After doing 'One Big Love', (one of my favorites) Emmylou said 'that's my single. I thought was too old to have a single.' She also thanked the audience for their support of 'Red Dirt Girl' and said 'it actually recouped. That's the first of my records to recoup since the 70s'. They also performed many of the songs that have become staples of Emmylou's concerts - 'I Ain't Living Long Like This', the lovely 'Hickory Wind', 'Wheels', 'Born To Run', and the a capella 'Calling My Children Home', featuring 'the Spyboy choir'. Emmylou's voice was stellar on this song & the harmonies were great. Emmylou had a surprise or two up her sleeve for her concert last night. The first of her records I bought was 'Profile', her first 'Greatest Hits' collection. Before I had ever even heard Patsy Cline's version, I had become familiar with 'Sweet Dreams' from listening to 'Profile.' I don't remember ever hearing Emmylou sing this live until last night and was surprised that she would pull this one out of her repertoire. But the real stunner of the evening came when she introduced the song 'My Antonia'. Someone was walking onstage and there was a faint rumbling of excitement from the crowd down front. I turned to Mel and said 'that can't be Dave Matthews!' I was wrong. It could and would be Dave Matthews. The crowd went wild. He sang his part of this beautiful duet, looking at the words on a piece of paper, bowed to the crowd and then left. The audience was on its feet & went crazy. Emmylou expressed her gratitude for his recording the song and agreeing to sing it with her live. Apparently Dave came out on stage and shook some hands after the show was over but I, alas, was battling my way against the flow of the crowd (kind of like a salmon swimming upstream) to use the loo before the drive home so I missed him. Emmylou was very warm and humble in her stage patter throughout the concert. I always get the feeling that she would rather be making music than almost anything else in the world. So her performances are always infused with sincerity and the joy she gets from doing what she loves. With Spyboy she seems to have put together the perfect band to create the sounds that make her current work so exciting and still be able to put across the earlier material that has come to make up her standard concert repertoire. Whatever she may or may not have lost in vocal agility is more than made up for in the depth of emotion that she puts into everything she sings. She has been instrumental in breaking down barriers between various styles of music over the years and she is still a vital and exciting performer. If you get the chance, go see her. I guarantee you won't regret it. Mark in Seattle PS: To Scott Price: Emmylou says she never had any intention of marrying you and assured me that she would never dream of tying the knot with anybody but me! She sighed and said she felt sorry for that 'poor lovesick guy' in Port Angeles but that her heart would always belong to me. *this is a joke*this is a joke*this is a joke* ------------------------------ Date: Sat, 30 Jun 2001 16:08:03 -0700 From: Michael Paz Subject: Re: Half Moon in the Grand Old Town - Emmylou Harris in Seattle NJC Hi Mark- Thanks for the report on EmmyLou. I wish i coulda been there especially to see Dave sing with her. I love that song and have a couple of different versions of it on mp3. Does Dave live there now? I had heard in lived in the Pacific NW. Hope you and Travis are well. I have had a lazy saturday playing guitar and changing my Topsfield set YET again. I am so excited. Later Michael NP-All Is Quiet-Lowen and Navarro on 6/30/01 1:08 PM, Mark or Travis at mark.travis@gte.net wrote: > > But the real stunner of the evening came when she introduced the song > 'My Antonia'. Someone was walking onstage and there was a faint > rumbling of excitement from the crowd down front. I turned to Mel and > said 'that can't be Dave Matthews!' I was wrong. It could and would > be Dave Matthews. The crowd went wild. He sang his part of this > beautiful duet, looking at the words on a piece of paper, bowed to the > crowd and then left. The audience was on its feet & went crazy. > Emmylou expressed her gratitude for his recording the song and > agreeing to sing it with her live. Apparently Dave came out on stage > and shook some hands after the show was over but I, alas, was battling > my way against the flow of the crowd (kind of like a salmon swimming > upstream) to use the loo before the drive home so I missed him. ------------------------------ Date: Sat, 30 Jun 2001 12:53:49 -0500 From: "kerry" Subject: Jackson Browne/Joni question I'm going to a Tom Petty concert Wednesday and found out that Jackson Browne is opening for him. Does anyone recall the time period of the dreaded Joni/Jackson controversy thread, so I can look it up in the archives? I didn't pay attention to it at the time, but would like to read some of it now. Thanks, Kerry NP - Willy Porter - Angry Words ------------------------------ Date: Sat, 30 Jun 2001 13:21:37 -0700 From: "Kakki" Subject: Chet Atkins RIP (njc) Another legendary great passes. I loved how his distinctive style could mesh beautifully with so many other artists and had recently been enjoying the album he did with Mark Knopfler. Kakki NASHVILLE, Tenn. (AP) - Chet Atkins, whose guitar style influenced a generation of rock musicians even as he helped develop an easygoing country style to compete with it, died Saturday. He was 77. Atkins died at home, a funeral director said. Atkins had battled cancer several years. He underwent surgery to remove a brain tumor in June 1997, and had a bout with colon cancer in the 1970s. Atkins recorded more than 75 albums of guitar instrumentals and sold more than 75 million albums. He played on hundreds of hit records, including those of Elvis Presley (``Heartbreak Hotel''), Hank Williams Sr. ("Your Cheatin' Heart,'' ``Jambalaya'') and The Everly Brothers ("Wake Up Little Susie''). As an executive with RCA Records for nearly two decades beginning in 1957, Atkins played a part in the careers of Roy Orbison, Jim Reeves, Charley Pride, Dolly Parton, Jerry Reed, Waylon Jennings, Eddy Arnold and many others. Atkins helped craft the lush Nashville Sound, using string sections and lots of echo to make records that appealed to older listeners not interested in rock music. Among his notable productions are ``The End of the World'' by Skeeter Davis and ``He'll Have to Go'' by Reeves. ``I realized that what I liked, the public would like, too,'' Atkins said in a 1996 interview with The Associated Press. '``Cause I'm kind of square.'' ------------------------------ Date: Sat, 30 Jun 2001 23:38:23 +0100 From: colin Subject: LemmonNJC I thought i would see a number of posts about the passing of Jack Lemmon. A fine actor who also seemd like a fine person. The same day one of our well known actors, Joan Sims died. Sadly she died lonley and with very little materially. She was a good actor who unfortunately got typecast after appearing in several Carry On films and therfore did not get much work in her later years. - -- bw colin BRO GC, 950i 940,864, 260, 890,Silver 830 and 270, Passap 6000 Duo80 colin@tantra-apso.com http://www.tantra-apso.com ------------------------------ Date: Sat, 30 Jun 2001 19:10:39 EDT From: MDESTE1@aol.com Subject: Re: Half Moon - Emmylou Harris in Seattle NJC (md) Awesome write up Mark. Seriously I am keeping it becauseI went to see Emmylou myself about 10 months ago and your description is exactly in every way what my impressions were of Emmylous show with this band. I had the same observations about her voice. However what was really interesting to me as a singer myself has been the very fact that shes no longer a young singer and all that but I came to the following conclusions. first of all shes been on the road for a long time now about 24 months straight. So maybe she has a cold or maybe shes been forced to do shows when she should have rested. I was thinking about thsi and then I thought of something else, when you are young you dont have to warm up very much. You can crawl out of your limo and get up there and do some perfect pitch but when you get way past 30 it gets alot harder. You need to warm up. So then it occurred to me that maybe the early show when she had difficulty hitting a high notes (as in The Pearl) and I thought that later in her show after she had gotten to warm up she was in fact hitting the same notes she had difficulty with earlier. So it could be fatigue or it could be a cold or it could be rust. Anyway thats a thought I thought. Marcel ------------------------------ Date: Sat, 30 Jun 2001 19:19:46 -0400 From: dsk Subject: Re: Woodstock SCJoniGuy@aol.com wrote: > She used Woodstock to close her 83' WTRF shows as well. A very similar > version to the S&L version, but she plays it with a little heavier rhythm. > There's a spell-binding recording of it on the Canadaigua NY show, she plays > the ending riff, the audience starts getting into it and clapping, she starts > to feed off of them, it's one of those interactive moments where performer & > audience connects that makes the hairs stand up. Sounds great! That was one of the tours I didn't know about until reading the reviews, so I missed it completely. I'd love to hear this recording. > I think Joni plays BYT as a crowd-pleaser, but I don't think that it has the > significance of Woodstock for her. It didn't hit me until last night while listening to the Shadows & Light concert that she performs Woodstock so often. That surprised me a lot considering how much she wants to shake off her folkie image. It's a great song, but since it's about the actual event, it's very 60s and tie-dyed no matter how Edenic the lyrics become. Even the "get back to the garden" is a 60's attitude. > I think Woodstock represents her hope for > humanity, she's saying that we come from dust and have such potential for > beauty, but stray from that potential most of the time. There are certainly mythic dimensions to that song. It's one of her few songs, maybe the only one, that talks about everyone, as in "we" have to... come together, right noowow, whoops, wrong song... do something together. The search for the garden is not an "I" undertaking. Still, I wouldn't have thought Joni would pick Woodstock as her signature song. I would expect maybe Hejira, or Refuge of the Roads, or DJRD, or... to get away from a song about herself, Judgment of the Moon and Stars, which I hear as a call to all of us to do our best. Debra Shea NP: Lucinda Williams's new one, Essence. I like it on first listen. She's singing in her usual drawly sexy way, but the songs are more introspective, quieter, than on Car Wheels. She's not very happy on this one. Would love to hear these songs live... lots of places where the music could really take off. ------------------------------ Date: Sat, 30 Jun 2001 19:32:24 -0400 From: dsk Subject: Re: Woodstock Dflahm@aol.com wrote: > Once I heard this version, I felt THIS is the real "Woodstock" and the > earlier take (from LOTC) began to sound like: here's the song on paper, but > not fully realized as a performance. I liked the S&L version much better too, especially the timing of it and the guitar twang. It hit me so much I've done all sorts of meandering musing about it since hearing it again for the "first" time. > The jazz character was long a-birthing, but once perceivable, it is, to me, > overwhelmingly convincing. What do you mean here, as in what is the jazz character of it? To me it still sounded very folkie, although maybe it's just that I can't get completely away from hearing the LOTC version too, or away from the story of the song. Debra Shea ------------------------------ Date: Sat, 30 Jun 2001 20:36:24 -0300 From: "Wally Kairuz" Subject: jun3 30!!!!!!!!!!!!!!!!!! njc HAVE YOU EVER SEEN a more expressive MUSTACHE? have you ever heard a sweeter LAUGHTER? HAVE YOU EVER SEE A MORE IMPRESSIVE BUTT, FOR GOD'S SAKE? the whole south is partying wildly tonight and the BIRTHDAY FAIRY [a southern belle too] announces IT IS JIMMY STEWART'S BIRTHDAY H A P P Y B I R T H D A Y JIMMY!!!!!!!!!!!!!!!!! jimmy Stewart, one of the FOUR handsomest men in the world. the SPLENDID BF DECLARES: MR. JAMES must have been a figure skater, otherwise, how do you account for that yummy behind, baby? and now , in its sweeping ballroom gown, the BF says: get me drunk, you naughty lover! ------------------------------ Date: Sat, 30 Jun 2001 20:14:53 -0400 From: dsk Subject: Re: Half Moon in the Grand Old Town - Emmylou Harris in Seattle NJC Wonderful post, Mark! It was only when Emmylou found her current "imperfect" voice that I became a fan. I couldn't tolerate her earlier voice because it sounded so precise and emotionally cold. A while ago I heard Michelangelo on a compilation cd and was instantly captured, not only by the song's lyrics, but by the sound of her voice too. It now has an emotional warmth that I love, and the scratchiness and breathiness make her seem very real. There's a genuineness to her singing that I didn't hear before. Red Dirt Girl is the first Emmylou cd I've bought, and it's great! Wrecking Ball next I think. Debra Shea P.S. Do Emmylou fans know about the PBS show she did recently about Edinburgh? It's called "Great Streets: Edinburgh's Royal Mile" and she's the narrator and does some singing too I think (haven't seen it yet myself). It was shown last Wednesday night here in NYC and is sure to be shown again sometime if you missed it. Richard Thompson does some of the background music, which is an added bonus from my POV. Mark or Travis wrote: > I've finally come around to acknowledging that Emmylou's voice is not > the pristine instrument it once was. But the beauty of that voice is > by no means lost or diminished. > Whatever she may or may not have > lost in vocal agility is more than made up for in the depth of emotion > that she puts into everything she sings. ------------------------------ Date: Sat, 30 Jun 2001 17:43:00 -0700 From: Scott Price Subject: Re: Half Moon in the Grand Old Town - Emmylou Harris in Seattle NJC At 01:08 PM 6/30/01 -0700, Mark in Seattle wrote: >PS: To Scott Price: Emmylou says she never had any intention of >marrying you and assured me that she would never dream of tying the >knot with anybody but me! Hi Mark, Thanks for the great review! I couldn't make it across the water in time for the show so your post helped ease the longing. But really, my friend, until you have proof that *you* had a private audience with her after the gig, and *you* sat so close to her that your knees were touching, and *you* felt her run her fingers lightly across your bare thigh...ahh...then I might believe you... :-) Scott ------------------------------ Date: Sat, 30 Jun 2001 19:37:36 -0700 From: Leslie Mixon Subject: Both Sides Now Listening to the latest collection of covers - great work Mr. Mueller! Wondering what it is about "Both Sides Now" that attracts so many artists from differing genres to record it. Is it that the song touches a vulnerable place in us all? Leslie ------------------------------ Date: Sun, 1 Jul 2001 15:58:18 +1200 From: "hell" Subject: Re: jun3 30!!!!!!!!!!!!!!!!!! njc The birthday fairy wrote: > H A P P Y B I R > T H D A Y > > > > JIMMY!!!!!!!!!!!!!!!!! Happy birthday from me too! love Hell ____________________________ "To have great poets, there must be great audiences too." - Walt Whitman hell@ihug.co.nz Hell's Personal Photo Page: http://homepages.ihug.co.nz/~hell/main/personal.htm Visit the NBLs (Natural Born Losers) at: http://www.nbls.co.nz ------------------------------ Date: Sat, 30 Jun 2001 21:51:41 -0700 From: susan+rick Subject: Re: Half Moon in the Grand Old Town - Emmylou Harris in Seattle NJC Boy Mark, I'm really glad you wrote that review because I've been trying to get around to writing one since I saw Emmylou in Vancouver on Thursday night. (But we didn't get Dave Matthews.) At our show she started with Songbird and I was a little afraid as her voice disappeared into a whisper on the high notes. I was thinking that there was no way she could carry on for an entire show without losing her voice entirely. But as Marcel pointed out, an aging voice takes longer to warm up than a young one. By the third song her voice was ringing and strong, not the voice of her youth obviously but what a great instrument it is. And I noticed the same thing: All her old songs were done in the same key as of old, no concession to aging there. And man does she rock out with Spyboy! The last time I saw her was '82 when she was playing with a James Burton clone. That concert was one of my all time favourites but it was easily displaced by the one on Thursday night. The easy familiarity that Emmylou projects along with the virtuosity of the band made the night absolutely stellar. Her stage presence is born of 3 decades of performing but there's not the least trace of staleness or rote. Plus the fact that she has "over 600 songs" in her repertoire allows her to change the set list from night to night and even take a request from someone in the front row. My wife, who bought the tickets for my birthday and who was familiar with maybe two Emmylou songs, was practically the first to jump up from her seat for the first of three standing ovations. Standing O's have become the norm at most concerts now but I had no problem with Emmylou and Spyboy deserving all three. Ranger Rick ------------------------------ Date: Sun, 01 Jul 2001 00:42:46 -0700 From: Michael Paz Subject: Re: jun3 30!!!!!!!!!!!!!!!!!! njc Happy Birthday you wild man! Hope you have a great party. Don't hurt yourself tho. Save yourself for the BIG party at the end of summer. Remember you are MUCH oldeer now and need to save your strength. Peace Michael on 6/30/01 4:36 PM, Wally Kairuz at wallykai@fibertel.com.ar wrote: > HAVE YOU EVER SEEN > > a more expressive MUSTACHE? > > have you ever heard a sweeter LAUGHTER? > > HAVE YOU EVER SEE A MORE IMPRESSIVE BUTT, FOR GOD'S SAKE? > > > the whole south is partying wildly tonight > > and the BIRTHDAY FAIRY > > [a southern belle too] > > > announces > > > IT > > IS > > JIMMY STEWART'S BIRTHDAY > > > H A P P Y B I R > T H D A Y > > > > JIMMY!!!!!!!!!!!!!!!!! > > jimmy Stewart, one of the FOUR handsomest men in the world. > > > the SPLENDID BF DECLARES: > > MR. JAMES must have been a figure skater, otherwise, how do you account for > that yummy behind, baby? > > and now , in its sweeping ballroom gown, the BF says: > > get me drunk, you naughty lover! ------------------------------ End of JMDL Digest V2001 #275 ***************************** ------- Post messages to the list by clicking here: mailto:joni@smoe.org Unsubscribe by clicking here: mailto:joni-digest-request@smoe.org?body=unsubscribe ------- Siquomb, isn't she?