From: owner-idealcopy-digest@smoe.org (idealcopy-digest)
To: idealcopy-digest@smoe.org
Subject: idealcopy-digest V1 #180
Reply-To: idealcopy@smoe.org
Sender: owner-idealcopy-digest@smoe.org
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Precedence: bulk
idealcopy-digest Saturday, December 12 1998 Volume 01 : Number 180
Today's Subjects:
-----------------
Re: idealcopy-digest V1 #179 ["Wilson, Paul"
]
Re: idealcopy-digest V1 #179 ["charles / wmo" ]
Absolute ["IBRAHIM BOZAI" ]
So what Wire albums DO you play? [Chester Ward ]
Re: So what Wire albums DO you play? [Craig Grannell ]
Re: The Haring [Andrew N Westmeyer ]
Re: So what Wire albums DO you play? ["avalyn" ]
Re: Absolute [Jeffrey with 2 Fs Jeffrey ]
----------------------------------------------------------------------
Date: Fri, 11 Dec 1998 10:28:23 -0000
From: "Wilson, Paul"
Subject: Re: idealcopy-digest V1 #179
Craig Grannell > wrote:
I know from my experience with Wire and all the solo projects that certain
LPs I find less than endearing (such as Pink Flag, Commercial Suicide, etc)
do help put newer works into perspective and are therefore still worth
hanging on to. One can see a path of development and go back to any of the
various points rather than going to disparate places.
I agree. I would NEVER get rid of any of my albums or singles. They are a
part of me. I've still got the first 4 Queen albums and every Genesis album
up to "...And Then There Were Three..." in my collection. There was a
reason for buying them at the time (even though I can't for the life of me
think what it was - I can't really have actually liked them - could I?). I
have just got a copy of "The Haring", and on first listening have decided
that I'll never play it again! But I'll never sell it either - just in
case. I felt like this when I first bought Document and Eyewitness, but now
it is quite high on my play-list of Wire LPs. The same thing happened when
I bought "Pinheads On The Move", the double LP by Tuxedomoon. I was
convinced I would never play that again, after the first listening. But
after ten years I gave it another try and now the track "The Stranger" is my
all time favourite song! If I'd sold it, I would never get the wonderful
experience I now have each time I listen to that particular song.
On the subject of new acquisitions, I have just received a copy of the Wire
video that Uri did. Some of it is great, some not so (the WIR Kilburn
concert footage). I love the interview with Peter Principle (Tuxedomoon), a
real bonus for me. Is it worth the thirty quid - I think so (even though
there is a period of Wire's history not covered in much detail, Drill era).
My only complaint is that it only comes in a plain white cardboard sleeve.
I'll be rectifying that myself by knocking one up using some of the pictures
on the Wire website.
I am also in the process of doing a 90 minute Wire compilation tape for the
car. I've done one for each of my favourite groups (Residents, Tuxedomoon,
Eyeless In Gaza, TV Personalities etc.). The Wire one is proving the most
difficult as I want to include all of "Chairs Missing", "154" and most of
"Coatings", plus a lot more - BUT IT JUST WON'T ALL FIT!
There's a challenge for you all. What would you put on? I'll let you know
if I ever manage to decide.
Paul KW
------------------------------
Date: Fri, 11 Dec 1998 08:08:53 -0800
From: "charles / wmo"
Subject: Re: idealcopy-digest V1 #179
>In fact, I have never thrown a CD away - I find my taste
>sometimes moves in circles or merges. I know if any of the records
>went missing or were sold I'd probably regret it later.
If I had EVERY LP or CD that I ever purchased or recieved, other than
needing another house to store it all, I'd certainly not have very many
things to purchase - the majority of my music purchases are replacing old
albums that I USED to own!
Not that I pine for those Wang Chung or Sonic Youth CD's, but if I still had
all those Hawkwind, Magma and Hugh Hopper records...
I guess the point is be REAL sure you won't want it later - and who knows
what you may want later. The best judge of this is if it has a Barcode on
the back - if it DOES, it won't be hard to replace.
charles
------------------------------
Date: Fri, 11 Dec 1998 11:47:32 -0500 (EST)
From: "IBRAHIM BOZAI"
Subject: Absolute
On Dec 10, 6:47am, charles / wmo wrote:
> Subject: Re: idealcopy-digest V1 #178
> >I remember reading
> >some quote from John Lennon where he talks about music as furniture and
the
> >difference between a chair that you can just appreciate and music you can
> >actually sit on. I want to be able to sit on all of the CDs in my
> >collection.
> >
> >Am I making any sense here?
> >ibrahim
>
> Don't be short sighted either. Even though I don't think I'd ever want to
> listen to PF, I find it discard the CD as a reference tool, or lexicon if
> you will. Spliting up the first three Wire CD's (or ANY in my humble
> opinion) is like dismantling a Dinning Room Set piece by piece.
>
> charles
>-- End of excerpt from charles / wmo
Sure, I can see what you mean but I'm interested in narrowing everything down
to what it is that I actually like. Being able to consider "the whole story"
can be nice but that's a thrill that lasts only a short while. My real
reason for tuning in is S O U N D - that history stuff can be nice but
it's not enough to renew my membership in the cult. Sound. Anything else is
just not "it".
And I suppose my new found aversion to concepts that aren't backed up
by good sounds is related to this too.
------------------------------
Date: Sat, 12 Dec 1998 01:55:43 +1100 (EST)
From: Chester Ward
Subject: So what Wire albums DO you play?
Wow. This forum lately seems to be nothing a discussion of which Wire
albums people DON'T play. So far, seemingly everything but A Bell Is A
Cup and Ideal Copy have been thoroughly dismissed as non-essential and
fluffy. And the only Newman solo that hasn't been given the big stamp
of disapproval is Bastard.
I have never before seen a group of fans dismiss so much of the work
of the artists being considered in an email list. I've come to the
conclusion that a Wire fan is someone who owns all the albums, but
only likes one or two. Call me mad, but I kinda miss the guy posting
the stuff about the satanic back masking Newman allegedly stuffed into
the background of If I Die I Die. But it could be worse...I guess if
Wire fans were like, say, Deadheads, who cling to every note the band
puts out no matter how trite or superfluous it may be, I would've
gotten bored and UN subscribed to the list months ago.
Anyhow...I must come to the defense of the much maligned Pink Flag,
Manscape, and Take Care since Penguin Island has already been
adequately defended.
Pink Flag: Are you people insane? This was THE definitive punk rock
album of the late '70s. It's impact on music is immeasurable. A
brilliant sonic burst that was never duplicated, despite every other
band's attempts to...witness the endless string of cover versions from
this album. And it earned Wire a place in the heart of every punk
rocker from that era, even though it was their only dip into the genre.
Manscape & Take Care: OK...they're both kind of dancey. I have a
friend who mistook Manscape for Depeche Mode. That is, however, merely
a result of surface listening. Both of these releases have such
incredible brilliance UNDERNEATH the beats that they can't be
dismissed as dance floor fodder only. They are both masterpieces,
IMHO, of subversive dance music. You can shake booty to them, then
actually LISTEN to them. Irresistible little pop riffs with dark,
brooding undercurrents are always welcome in my CD deck.
And as far as being a completist goes, I am not one. I only own things
that I like. I happen to have bought the entire Wire/Wir catalogue
over the years. I guess that means I like all their albums. I'm a huge
Elvis Costello fan too, but you'll never find a copy of Goodbye Cruel
World in any stack of mine. It was a shitty record, period. So if any
of you people who are thinking of dismantling your collections really
do dismantle them, drop me a line. I may want what you're getting rid
of...I wear many copies out, loan them to friends who spirit them
away, etc...
CHEERS!
CC Ward
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com
------------------------------
Date: Sat, 12 Dec 1998 05:35:08 +1100 (EST)
From: Craig Grannell
Subject: Re: So what Wire albums DO you play?
- ---Chester Ward wrote:
>
> Wow. This forum lately seems to be nothing a discussion of which Wire
> albums people DON'T play.
> I have never before seen a group of fans dismiss so much of the work
> of the artists being considered in an email list.
I think it's merely a case of people giving their personal priorities
when it comes to the back catalogues. I don't think there was any one
person saying they hated all but a couple of LPs (maybe I'm wrong here
but I don't think so). Everyone dismisses what they consider
irrelevent or whatever, but that rarely amounts to more than a couple
of albums.
>But it could be worse...I guess if
> Wire fans were like, say, Deadheads, who cling to every note the band
> puts out no matter how trite or superfluous it may be, I would've
> gotten bored and UN subscribed to the list months ago.
>
Precisely, one must be constructive. Most pop fans don't tend to be
(heh, -huge- generalisation!). Many people I know buy everything by
and rant on about Oasis and such-like, even the -really- dire stuff
just because it's by Oasis who have become some kind of surrogate god
to them. I think, both past and present, those involved with the Wire
story prefer constructive criticism (which, of course, is not always
good) rather than a bunch of "yes-men" followers!
> Pink Flag: Are you people insane? This was THE definitive punk rock
> album of the late '70s.
Exactly ... of the 70s! However, I think this album has had more than
its fair share of praise over the past on this list. It can take a
bit of a battering.
> Manscape & Take Care: OK...they're both kind of dancey. Both of
these releases have such
> incredible brilliance UNDERNEATH the beats that they can't be
> dismissed as dance floor fodder only.
I've not heard all of TC but Manscape was something of an annoying
experience for me. It could have been a masterpiece - Children of
Groceries / You Hung your Lights ... / Small Black Reptile are
mesmerising, atmospheric tracks and among the best of Wire's work.
However, I feel there are too many lazy / indifferent tracks on that
release to make it truly worthwhile. It did, however, set the scene
for my personal favorite 'The First Letter', and I'd imagine it's also
partly responsible for some of Colin and Graham's 90s work, most of
which is excellent. At least it is in my opinion ... ;)
Craig.
==
- ---------------------------- Craig Grannell--------------
www:
SNUB.COMMUNICATIONS - http://www.snub.dircon.co.uk
Wireviews - http://www.snub.dircon.co.uk/wirehome.html
- ---------------------------- cngrannell@yahoo.com -------
"Creativity is the highest civilising faculty - Ben Okri"
- ---------------------------------------------------------
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com
------------------------------
Date: Fri, 11 Dec 1998 15:56:22 -0600 (CST)
From: flaherty michael w
Subject: The Haring
On Fri, 11 Dec 1998, Wilson, Paul wrote:
> have just got a copy of "The Haring", and on first listening have decided
> that I'll never play it again! But I'll never sell it either - just in
> case. I felt like this when I first bought Document and Eyewitness, but now
> it is quite high on my play-list of Wire LPs. The same thing happened when
My experience w/ D & E was similar to yours. Advice on Haring:
Wait until some time when you're in a reflective mood. Turn out all the
lights, and play it loud. Think of it as a piece of audio art. If that
doesn't work, wait a few years and try it again.
Just a suggestion,
Michael Flaherty
------------------------------
Date: Fri, 11 Dec 1998 17:29:02 -0500 (EST)
From: Andrew N Westmeyer
Subject: Re: The Haring
Excerpts from mail: 11-Dec-98 The Haring by flaherty michael w@rice.
> On Fri, 11 Dec 1998, Wilson, Paul wrote:
> > have just got a copy of "The Haring", and on first listening have decided
> > that I'll never play it again!
...
> My experience w/ D & E was similar to yours. Advice on Haring:
>
> Wait until some time when you're in a reflective mood.
...
I too felt the same way about both D&E and The Haring. They're both
acquired tastes. I give The Haring a thumbs-up now. It's like watching
a TV show without the video part.
If you really have a hard time listening to it, print out the lyrics
from the web page and follow along. That seems to go against the spirit
of spoken word, but we have to ease into these things!
Regarding the video...
Excerpts from ideal: 11-Dec-98 Re: idealcopy-digest V1 #179 by "Wilson,
Paul"@bury.gov.
> My only complaint is that it only comes in a plain white cardboard sleeve.
> I'll be rectifying that myself by knocking one up using some of the
> pictures on the Wire website.
Let me make a recommendation. Use one of the pictures of Colin or Bruce
that Uri took. That way it's Wire-related, Uri-related, and not
copyrighted! I used the picture of Bruce for my pre-Whore tape since it
seemed to be a suitable punishment for him not wanting to have his
picture taken!
(A)ndrew Westmeyer
qwerty@cmu.edu
www.contrib.andrew.cmu.edu/~qwerty
"What a blessing that so much of humanity is able to
be alive at the same time as myself." -Cecil Adams
------------------------------
Date: Fri, 11 Dec 1998 22:42:43 -0500
From: "avalyn"
Subject: Re: So what Wire albums DO you play?
I love IBTABA, A bell is a cup.., The ideal copy, and The First Letter from
the new incarnation. Manscape was ok but really uninspired. I love both He
Said albums in particular Take Care (lots of great memories from college -
listened to this album a lot and Fade Out by Loop). 154 rocks. I like
Commercial Suicide alot also.
Can anyone give me an idea about the sound of Dome. I've always been curious
about what those releases sound like.
Can anybody make a cdr of Wire Bsides for me. I have lots of stuff to trade
if interested. Check out my trade list at http://members.home.net/imel1.
Thanks
- -----Original Message-----
From: Chester Ward
To: idealcopy@smoe.org
Date: Friday, December 11, 1998 12:36 PM
Subject: So what Wire albums DO you play?
>Wow. This forum lately seems to be nothing a discussion of which Wire
>albums people DON'T play. So far, seemingly everything but A Bell Is A
>Cup and Ideal Copy have been thoroughly dismissed as non-essential and
>fluffy. And the only Newman solo that hasn't been given the big stamp
>of disapproval is Bastard.
>
>I have never before seen a group of fans dismiss so much of the work
>of the artists being considered in an email list. I've come to the
>conclusion that a Wire fan is someone who owns all the albums, but
>only likes one or two. Call me mad, but I kinda miss the guy posting
>the stuff about the satanic back masking Newman allegedly stuffed into
>the background of If I Die I Die. But it could be worse...I guess if
>Wire fans were like, say, Deadheads, who cling to every note the band
>puts out no matter how trite or superfluous it may be, I would've
>gotten bored and UN subscribed to the list months ago.
>
>Anyhow...I must come to the defense of the much maligned Pink Flag,
>Manscape, and Take Care since Penguin Island has already been
>adequately defended.
>
>Pink Flag: Are you people insane? This was THE definitive punk rock
>album of the late '70s. It's impact on music is immeasurable. A
>brilliant sonic burst that was never duplicated, despite every other
>band's attempts to...witness the endless string of cover versions from
>this album. And it earned Wire a place in the heart of every punk
>rocker from that era, even though it was their only dip into the genre.
>
>Manscape & Take Care: OK...they're both kind of dancey. I have a
>friend who mistook Manscape for Depeche Mode. That is, however, merely
>a result of surface listening. Both of these releases have such
>incredible brilliance UNDERNEATH the beats that they can't be
>dismissed as dance floor fodder only. They are both masterpieces,
>IMHO, of subversive dance music. You can shake booty to them, then
>actually LISTEN to them. Irresistible little pop riffs with dark,
>brooding undercurrents are always welcome in my CD deck.
>
>And as far as being a completist goes, I am not one. I only own things
>that I like. I happen to have bought the entire Wire/Wir catalogue
>over the years. I guess that means I like all their albums. I'm a huge
>Elvis Costello fan too, but you'll never find a copy of Goodbye Cruel
>World in any stack of mine. It was a shitty record, period. So if any
>of you people who are thinking of dismantling your collections really
>do dismantle them, drop me a line. I may want what you're getting rid
>of...I wear many copies out, loan them to friends who spirit them
>away, etc...
>
>CHEERS!
>
>CC Ward
>_________________________________________________________
>DO YOU YAHOO!?
>Get your free @yahoo.com address at http://mail.yahoo.com
>
------------------------------
Date: Fri, 11 Dec 1998 22:03:35 -0600 (CST)
From: Jeffrey with 2 Fs Jeffrey
Subject: Re: Absolute
On Fri, 11 Dec 1998, IBRAHIM BOZAI wrote:
> Sure, I can see what you mean but I'm interested in narrowing everything down
> to what it is that I actually like.
The problem I would have trying to put this into practice is assuming that
what I actually like now would be the same five years from now, or next
year, or next week for that matter.
I only know that every time I've tossed a recording, at some point I've
regretted it - if only to listen to it and say, "my god this really does
suck."
- --Jeff
J e f f r e y N o r m a n
The Architectural Dance Society
www.uwm.edu/~jenor/reviews.html
::flag on the moon...how'd it get there?::
------------------------------
End of idealcopy-digest V1 #180
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