From: owner-harbinger-digest@smoe.org (harbinger-digest) To: harbinger-digest@smoe.org Subject: harbinger-digest V2 #22 Reply-To: harbinger@smoe.org Sender: owner-harbinger-digest@smoe.org Errors-To: owner-harbinger-digest@smoe.org Precedence: bulk harbinger-digest Tuesday, July 29 1997 Volume 02 : Number 022 HARBINGER DIGEST To post, mail harbinger@smoe.org To unsubscribe, mail majordomo@smoe.org with: unsubscribe harbinger-digest To get list info file, mail majordomo@smoe.org with: info harbinger-digest Today's Subjects: ---------------- RE: (harbinger) Paula in Hartford [lmurray@uhavax.hartford.edu] Re: (harbinger) Paula in Hartford [Riphug@aol.com] (harbinger) Regis & Kathie Lee [Chris Ladd ] Re: (harbinger) Regis & Kathie Lee [JLorei ] Re: (harbinger) Regis & Kathie Lee [luvksym90_1@juno.com (Michael George ] (harbinger) Lilith at Great Woods in Mansfield, MA [SuccessHB@aol.com] (harbinger) paulacole.com [jt@vval.com (Jason Thompson)] Re: (harbinger) Paula in Hartford [Karen Whyte ] Re: (harbinger) the artist known as paula... and the voice as instrument [Karen Whyte Return-Path: >Received: from shore.shore.net by uhavax.hartford.edu (MX V4.2 VAX) with SMTP; > Fri, 25 Jul 1997 22:49:45 EDT >Received: from jane.smoe.org (majordom@smoe.org [204.167.97.154]) by > shore.shore.net (8.8.3/8.8.2) with SMTP id WAA18201; Fri, 25 Jul 1997 > 22:49:48 -0400 (EDT) >Received: from localhost by jane.smoe.org (SMI-8.6/SMI-SVR4-listq-jane) id > WAA17773; Fri, 25 Jul 1997 22:39:56 -0400 >Received: by jane.smoe.org (bulk_mailer v1.5); Fri, 25 Jul 1997 22:28:40 -0400 >Received: by jane.smoe.org (SMI-8.6/SMI-SVR4-listq-jane) id WAA17317; Fri, 25 > Jul 1997 22:09:41 -0400 >Received: from eci.com by jane.smoe.org (SMI-8.6/SMI-SVR4-daemon-mode-relay2) > id WAA17309; Fri, 25 Jul 1997 22:09:30 -0400 >Received: from 206.243.136.70 by eci.com via SMTP > (940816.SGI.8.6.9/940406.SGI.AUTO) id WAA29301; Fri, 25 Jul 1997 > 22:17:50 -0400 >Message-ID: <33D92527.5247@eci.com> >Date: Fri, 25 Jul 1997 22:13:59 +0000 >From: Jim McNamara >X-Mailer: Mozilla 2.0 (Macintosh; U; 68K) >MIME-Version: 1.0 >To: harbinger list >CC: me >Subject: (harbinger) Paula in Hartford >Content-Type: text/plain; charset=us-ascii >Content-Transfer-Encoding: 7bit >Sender: owner-harbinger@smoe.org >Reply-To: harbinger@smoe.org >Precedence: bulk > >I busted out of work early Thursday, and was not disappointed. A good thing >came from a bad thing yesterday: a death in the Cardigans camp left a gap >in the main stage lineup, so each performer was given some extra time. >Wait 'till you hear what we got!!! > >Throwing Stones >Mississippi >Me >Where Have All The Cowboys Gone >Jolene >I Am So Ordinary >Tiger >Carmen (with Sarah McLachlan) >I Don't Want To Wait >Hitler's Brothers > >The set was superb, as usual. As Phil told me, Paula and Sarah quickly >rehearsed Carmen just an hour before curtain....great job by Sarah! Their >voices blent like kiwi and strawberry. > >Thanks again, Phil, for "the delivery." :) > >OK, time to start guessing songs for Regis and Mrs. Giff > >Jolene? >Mississippi? >Watch The Woman's Video? > >;-) > >Jim > >------------------------------ >To unsubscribe, mail majordomo@smoe.org with: >unsubscribe harbinger > >Digest, further unsub and problems FAQ at: >http://www.netaxs.com/~jgreshes/lists/harbinger.html >For This Fire kinda-lyrics write Riphug@aol.com IN HARTFORD, CT I just wanted to add that Tracy Chapman was awesome. During her slow rendition of "Fast Car" I guess she just got into it and forgot that she sang the second to last verse, so she sang it again. Half way through she realized it, and said "I love this verse." At the end she told us that we just heard the special extended version. I was psyched to see Tracy play so much of her first disc, including "Can I hold you tonight," "Talkin 'bout a revolution," "Fast Car," "The Police, (forgot the real title)". Her Give Me One Reason rendition was excellent; she played it through just as the radio edit is and then sje played it again, faster and harder, I dare say I liked that version better than the original. Also, Fionna Apple was hysterical. She introduced her band as the Spice Boys: Deep Spice Nine, Special Spice, Secret Spice, Candy Spice and one other, whom I forget. But then, she said, "Well, I'm a girl, if I were to put Spice in front of my name it would mean I have no integrity or talent." As always Paula was awesome. I just wish she could have played more from harbinger, like Watch the Women's hands or Oh John, (simply because I've never seen her play Oh John before and it has sentimental meaning to me). Since someone has already gone into detail on Paula I won't repeat it. And one more thing before I go.... don't you think that Lilith has to put together a live compliation? If they are, could anyone let me know.? Thanks, Lynn - ------------------------------ To unsubscribe, mail majordomo@smoe.org with: unsubscribe harbinger Digest, further unsub and problems FAQ at: http://www.netaxs.com/~jgreshes/lists/harbinger.html For This Fire kinda-lyrics write Riphug@aol.com ------------------------------ Date: Mon, 28 Jul 1997 10:44:34 -0400 (EDT) From: Riphug@aol.com Subject: Re: (harbinger) Paula in Hartford In a message dated 97-07-28 10:01:35 EDT, lmurray@uhavax.hartford.edu writes: << And one more thing before I go.... don't you think that Lilith has to put together a live compliation? If they are, could anyone let me know.? >> In case this hasn't been posted already, there is a Lilith Fair compilation tape available at Nine West shoe stores (you know, one of the sponsors of LF). I've heard it's about $10.00, but the store near me hasn't received them yet. Might wanna call ahead...... *hugs and kisses all around* Jill :D - ------------------------------ To unsubscribe, mail majordomo@smoe.org with: unsubscribe harbinger Digest, further unsub and problems FAQ at: http://www.netaxs.com/~jgreshes/lists/harbinger.html For This Fire kinda-lyrics write Riphug@aol.com ------------------------------ Date: Mon, 28 Jul 1997 11:52:52 -0500 From: Chris Ladd Subject: (harbinger) Regis & Kathie Lee Hi, Paula just got done with the brand new edit of IDWIW on Regis and Kathie Lee. I don't know whether she was tired (looked it), or if she was asked to cut most of the song out, but anyway it only lasted about 1 1/2 minutes and went from the first verse to the bridge. I hate to say it but it wasn't that good. I'm sure there was some reason for it, but I still feel bad for Paula because she looked unhappy and not at all enthusiastic to be there. She still has to do Cowboys (BIG surprise). I'm sure that performance will be better, but it's so overdone, who cares. I'm sure I'll take some flak for this but overall I was not pleased with this and I hope that she avoids those tow morons for all time. Chris - ------------------------------ To unsubscribe, mail majordomo@smoe.org with: unsubscribe harbinger Digest, further unsub and problems FAQ at: http://www.netaxs.com/~jgreshes/lists/harbinger.html For This Fire kinda-lyrics write Riphug@aol.com ------------------------------ Date: Mon, 28 Jul 1997 18:55:13 -0500 From: JLorei Subject: Re: (harbinger) Regis & Kathie Lee Chris Ladd wrote: > > > Paula just got done with the brand new edit of IDWIW on Regis and Kathie > Lee. I don't know whether she was tired (looked it), or if she was asked > to cut most of the song out, but anyway it only lasted about 1 1/2 minutes > and went from the first verse to the bridge. I hate to say it but it > wasn't that good. I'm sure there was some reason for it, but I still feel > bad for Paula because she looked unhappy and not at all enthusiastic to be > there. She still has to do Cowboys (BIG surprise). I'm sure that > performance will be better, but it's so overdone, who cares. > > I'm sure I'll take some flak for this but overall I was not pleased with > this and I hope that she avoids those tow morons for all time. > > Chris > I, too, was disappointed in Paula's performance on the insipid Regis & Kathie Lee show (and the CBS Morning show last week). After seeing her perform at Lilith and being so powerfully impressed, these morning show gigs seem an inappropriate stage for her incredible talent. I'm sure that her management and record company delight at her increased exposure, but I'm uncertain how many new fans she gets from a show where people tune in to get gardening tips from "Mrs. Greenthumbs." I love Paula's music and want as many people to hear her as possible, but these morning shows present the performers on such a dismal stage (heavy editting of songs, tinny acoustics, inaudible accompaniment) that I feel that they are best avoided. Stick to the best television forums such as Letterman, SNL, Leno, etc. - ------------------------------ To unsubscribe, mail majordomo@smoe.org with: unsubscribe harbinger Digest, further unsub and problems FAQ at: http://www.netaxs.com/~jgreshes/lists/harbinger.html For This Fire kinda-lyrics write Riphug@aol.com ------------------------------ Date: Mon, 28 Jul 1997 21:23:15 EDT From: luvksym90_1@juno.com (Michael George Fulcher) Subject: Re: (harbinger) Regis & Kathie Lee On Mon, 28 Jul 1997 18:55:13 -0500 JLorei writes: > I love Paula's music and want as many people to hear her as >possible, >but these morning shows present the performers on such a dismal stage >(heavy editting of songs, tinny acoustics, inaudible accompaniment) >that >I feel that they are best avoided. Stick to the best television >forums >such as Letterman, SNL, Leno, etc. PBS does a good job especially this last year. San Antonio has a "Nights' program local only but it is made to fit thirty solid minutes of performance much like Austin City Limits before they decided to put Jewel et al there on August Fifth. Paula should follow! - ------------------------------ To unsubscribe, mail majordomo@smoe.org with: unsubscribe harbinger Digest, further unsub and problems FAQ at: http://www.netaxs.com/~jgreshes/lists/harbinger.html For This Fire kinda-lyrics write Riphug@aol.com ------------------------------ Date: Mon, 28 Jul 1997 10:51:28 -0400 (EDT) From: SuccessHB@aol.com Subject: (harbinger) Lilith at Great Woods in Mansfield, MA Rather than adding only my two-cents worth, I thought I'd re-print an article run in my local paper. It pissed me off, so I wanted to share it with you all. But first, a big thank you to Phil Sullivan. Believe it or not, I was talking with a friend about Phil and what a nice guy he is shortly after we walked through the gates at Great Woods. I told her that I had visualized (call me corny or New Age, but I do it all the time, and that which I visusalize usually materializes) bumping into Phil at some point, and maybe getting the chance to meet Paula and Jay again. Not five minutes later, after trying to find the ATM machine, who do I see out of the corner of my eye?? Yup, Phil . . . big as life, escorting Paula's Mom through the crowd. Phil introduced me to Mrs. Cole, Felicia, I think is her name. (I'm simply terrible at remembering name introductions.) I said something apropriately inane . . . but it was cool being intoduced. I previously had the good fortune of standing very near to Paula's parents at Paula's show at the Paradise in Boston. As Phil, Paula's mom, and I walked along, Phil told me to meet him at the sound board a little later. To make this long story shorter, he gave me a backstage pass so I could attend a "little thing they're having after Paula's set." Cool. Really cool! And my friends thought *I* was totally cool. Quiet, reserved me getting invited backstage. The irony wasn't lost on them. Of course, I certainly played it up. What the heck. You only live once. Thanks Phil! Basically, Phil herded several of the band's family/ friends and assorted others to a tent backstage where we hung out waiting for the folks we really wanted to see. I missed all of Fiona's set, but that was fine with me. The best of it is: I got to chat briefly with Phil, Paula, and Jay again. I must remark, as I did after briefly meeting them both last February, how wierd it is to meet someone with whom you've forged a very one-sided relationship. I've had the luxury of getting to know Paula through her music, yet she knows me simply as a devoted fan. I know she really appreciates her fans, and likely even understands the fan-hero relationship, but it kind of stinks that, aside from Kenn -- Hi there *soul brother*!! -- it really isn't possible, logistically or otherwise, to sit and chat over coffee. I'm not a star-struck person, either, so I found myself wanting to say, "I don't usually do this. But your music has touched me unlike any other." How insipid and overblown! So, I just bumbled my way through. Jay was incredibly gracious, and took time to say hello even though he was surrounded by several memebers of his family (he hails from Maine.) He even remembered me from my 3-show stint in February, when the stages were much more intimate and I was able to be at the foot of the stage. And Phil and I chatted. Then, I hung out and waited for a hello with Paula. I'm pretty quiet, so my typical MO is not to interrupt or steamroll. But when I saw Paula was about to leave, I ambled over to her, Phil at my side, and chatted too briefly with her. Trying not to be just one of the adoring, I recommended a book for her to read: "Sula" by Toni Morrison. Morrison's one of my very favorite writers; her work is incredible and very layered. (I did a thesis on her.) She's been greatly influenced by Zora Neale Hurston, one of Paula's faves, so . . . I thought Paula might appreciate her work. All of Morrison's works are great, but "Sula" and "Jazz" are my favorites. Anyway . . . Back to that visualization thing. After my success at Great Woods, I suppose I should visualize some money in my bank account! :-) Without any further ado, here it is, the article run in today's Boston Globe. It was written by Jim Sullivan, Globe music critic who usually gets things down fairly accurately. He screwed up with this one! >>MANSFIELD - The two best selling summer package tours? The Ozzfest and the Lilith Fair. The probability of audience overlap between the two: less than >>zero. The Ozzfest was the sold-out Ozzy Osbourne/metal tour and Lilith is the female-oriented, 35-city, multi-act brainchild of Sarah McLachlan, which >>played to a sold-out house at Great Woods yesterday. You might have seen the Time feature last week with Jewel beaming on the cover. You know, >>women in rock ... what a shocker. Call it Galapalooza, gosh darn it! >>So, is Lilith an estrogen fest? A packaging gimmick? Well, big boy, before hurling those accusations consider that Ozzfest (not to mention the recent >>Lollapalooza) was a testosterone-heavy load (with the Ozz's exception being the all-gal Drain S.T.H.). Lilith had no fewer than 26 male musicians who >>backed up the seven women in the spotlight, the singer-songwriter-stars on the main and second stage. (We missed Lori Carson and Alisha's Attic on the >>tiny Village Stage.) Ratio of men-to-women on stage: 13-4, with McLachlan's backup singer being the only non-star female up there. Does this say >>anything about the quality of female musicians out there or the willingness by female stars to employ them? This may be an issue for another day, or even >>a non-issue in a non-PC, non-affirmative action world. But it could hardly escape notice yesterday. [I must admit, I was talking with friends yesterday about this same issue. Or non-issue. Take your pick. It nonetheless merits mentioning.] >>The music was a mixed bag. Lilith doesn't represent today's ``pop woman'' any more than the Ozzfest represented today's ``rock man.'' Lilith, at least the >>version that stopped here (acts shift in and out throughout the tour; no Jewel here), could not be confused with an edge-fest. There were no sights or >>equivalent sounds of the likes of L7, Hole, Lunachicks, Sleater-Kinney, Bikini Kill, or Joan Jett, to name a handful of proto-feminist, in-your-face rockers. >>(To McLachlan's credit, she says she tried to land some rockers for the fair.) Here, softer voices sang the songs, tried to stir the soul, with mixed >>success. >>Juliana Hatfield and Tracy Chapman [Yes, they were both pretty awesome. in fact, Chapman was rated one-step higher than Paula by my friends. But most of them found "This Fire" to be only "OK." After seeing Paula live, they were "wowed." I'm a little biased: Paula was number 1 for me, followed by Tracy, then Sarah.] >>are at the top of that ladder and the over-emoting, pretentious Paula Cole [What?!?!? Paula was free and easy on stage, wailing out "Throwing Stones," snarling through parts of "Mississippi" and "Tiger," hissing during "Jolene." Touching the heart during "Me" and "I Don't Want to Wait." She was terrific!] >>and Fiona Apple were at the bottom. Mostly, these were the figurative daughters of James Taylor and Carly Simon, nieces of Jackson Browne and Bonnie Raitt, grandchildren of Joan Baez. Those that carry the soft-rock torch, make few demands and offer comfort not challenge. Who thought we'd be quoting Olivia Newton-John in 1997, but: ``Have you never been mellow?'' Tuesday, it was a case of forced exposure; if there's anger, you knew it will lead to redemption. >>McLachlan - the closer, a Canadian Kate Bush-like mystic without the interesting odd angles - even announced the ``dark and depressing,'' she says, >>``Sweet Surrender'' with a story about her wallowing in ``ugliness. It feels so good to be on the other side of that. That's where the joy comes.'' >>Well, yes. >>Give Lilith credit for scheduling the gigs on the second and third stages so as not to clash with the main stage stuff. But the second stage position, on the >>lawn, at the left as you face the main stage, was odd and caused crowd clogging and conflicted sound. ``Terrible, awful,'' said a member of the Don Law >>Co.'s promoting team. [Actually, the concept of multiple stages is good, and I enjy being able to get up and mill around, though the crowds make it difficult to get up close to the alternate stages. I was fortunate enough to have a real seat for the main stage, so had a home base from which to work.] >>Victoria Williams turned in a lovely, soft country-ish set and Hatfield churned up the edgiest, most agitated set of the night, including a surprise cover of X's >>"The Unheard Music.'' >>On the main stage, Paula Cole showboated her way through overwrought, piano-and-guitar-based mush. [And a caption with a photo of Paula at piano said, "Paula Cole's guitar-and-piano-based songs were a bit too mellow." What?!?!?! She opened with Throwing stones -- excellent and my favorite du jour -- and Mississippi. She threw in a raucous "Jolene," and ended with "Hitler's Brothers" and her trademark wailing on Jay's bass drum. Mellow? MELLOW??? I think not!] >>Apple, who keeps sporting the Emperor's New clothes (and showing that belly button!), slinked her way about the stage, loose-limbed and fancy-free. She >>plays the wide-eyed waif who's been wronged: a sexy, but vapid, vibrato-inclined songstress. Apple is blessed with the gift of being cloying in both >>bombastic rock and soft piano-voice modes. She sounds so self-absorbed ... well check this: ``If I don't faint from lack of oxygen I'm gonna sing another >>song about myself.'' As are they all. Her vision extends to her mirror. >>The Cardigans, an actual band, offered a minor pop treat: light, semi-flowing Swedish delights spiked by Nina Persson's sly and giddy vocals during >>``Lovefool.'' (She twists the object of her affections into a laptop computer at the end.) Chapman started on the warm but bland side, but her set heated up >>with the still chill-inducing ``Fast Car'' and a supple, funky ``Take Me To the River.'' She gave off a sense of grace and good vibes. It was up to McLachlan >>to close the night with her watery post-folk art-rock. She's all about meandering melody and liquid textures. Not unpleasant, but far from commanding. >>And now ... the stats: >> -- Ratio of women to men: 3-1 (educated guess). >> -- Ratio of (some converted) women's rooms to men's rooms: 5-1. (Still there were major lines everywhere.) >> -- Best t-shirt sported on a male: (Front) ``This White Male Hetero Says ...''(back) Sorry I (Messed) Up the World.'' >> -- Best female headgear: A dragon. >> -- Song that summed up the heart of it all: Chapman's ``Fast Car.'' >> -- Poster that summed it up: ``Getting Her Drunk Isn't the Same as Getting Permission'' at the rape awareness booth. [This story ran on page D01 of the Boston Globe on 07/23/97. And is reprinted here entirely without permission.] Well, let me know what you think of this sniveling article. Shared my pissed-ness! Regards, Kate Blaisdell - ------------------------------ To unsubscribe, mail majordomo@smoe.org with: unsubscribe harbinger Digest, further unsub and problems FAQ at: http://www.netaxs.com/~jgreshes/lists/harbinger.html For This Fire kinda-lyrics write Riphug@aol.com ------------------------------ Date: Mon, 28 Jul 1997 22:21:52 -0700 From: jt@vval.com (Jason Thompson) Subject: (harbinger) paulacole.com Looks like this domain has been recently aquired with a website pending (http://www.paulacole.com). Does anyone know what the owner has planned? JT \\ Jason David Thompson \\\\ http://www.thelunapark.com/jt/ \\\\\\ jt@livewire.com, jt@netgate.net - ------------------------------ To unsubscribe, mail majordomo@smoe.org with: unsubscribe harbinger Digest, further unsub and problems FAQ at: http://www.netaxs.com/~jgreshes/lists/harbinger.html For This Fire kinda-lyrics write Riphug@aol.com ------------------------------ Date: Tue, 29 Jul 1997 01:15:14 -0400 (EDT) From: Karen Whyte Subject: Re: (harbinger) Paula in Hartford On Sat, 26 Jul 1997, Kristine E. Boeke wrote: [snip] > I doubt if Paula will be doing a duet with Gifford on the song Carmen like > she did with Sarah. We will see though. Ickickick. Please tell me this didn't happen! - -Karen - ------------------------------ To unsubscribe, mail majordomo@smoe.org with: unsubscribe harbinger Digest, further unsub and problems FAQ at: http://www.netaxs.com/~jgreshes/lists/harbinger.html For This Fire kinda-lyrics write Riphug@aol.com ------------------------------ Date: Tue, 29 Jul 1997 01:12:36 -0400 (EDT) From: Karen Whyte Subject: Re: (harbinger) the artist known as paula... and the voice as instrument First off, Spanish, what a thoughtful, wonderful post. You're awesome! :) On Fri, 25 Jul 1997 HunterXTC@aol.com wrote: > ya know after seeing paula live at lillith and earlier this year, and of > course on all the tv appearances, i just feel very fortunate to watch her > grow as an artist right before my eyes. i remember when i first bought It is very nice to see Paula grow and discover herself. I feel very conncected to her and her message and I find that every time I listen to her music, I feel stronger. She's definitely an influence on me and my writing. [snip] > it and in essance become a slave to it. paula has just opened herself to us, > showed us theres life beyond our own bethehems, and that its ok to walk > beyond the darkness. ok.. i know im gushing here, but hey its friday and im > taking the day off yessssssssss!!! What a terrific way of putting it. :) > for some reason i was thinking about a statement that sarah had made awhile > back.. i think it may have been on modern rock live... she was asked what > instruments she played and of course she said piano guitar... and voice. that > kinda got me thinking, well who are the people that paly their voices better > than others???? i mean, some people just use their voice as a way to convey > the lyrics, while others draw you into the song using their vocal cords as > much as a bass line or some odd new instrument. i guess i feel that there Indeed, I think a vocalist should be able to consider their voice an instrument which is just as vital to a song as a guitar or a piano. I hate the term "accompanist" because it takes so much more than those instruments to make a song live - it takes energy and love and passion. > are two ends to the spectrum... on one end you have people like a paul > robeson (whos he :) ) or a mahalia jackson, their vioices rooted deep in the > gospel church. they dont need a band or a choir to back them up... the voice > itself is like the thunder form heaven. i guess that way up on the other end > id consider classical singers like enrico caruso and maria callas whose > voices soared over the material they were given to sing. i guess that singers > that we talk about on this list fall somewhere in between the two extremes. > id just be interested to hear other folks opinion on that. i think paula I agree with you. There are definitely vocalists who are so dynamic that their sound seems to come from some well inside of them. I appreciate musicians who try to find that fire inside. Paula is doing that. Definitely. Music should be a part of our daily lives, just like poetry. At least that's my opinion. It's something I try to live - I try to find a new way of expressing myself every day. And I know that when I sing, I try to access something inside my gut - where my intution is, where my soul is. > voice is more rooted in the gospel end, especially in the sense that she has > pure power to back it up. it seems like other contemproary artists have a > pure tone (ex.. sarah) but little power to back it up. i dont know if that > comes from a lack of emotion or just the lack of physical strength to let the > sound come out. there are three people off the top of my head that i find > trouble fitting onto the spectrum though.. wll maybe 2. since i have been I think it's a combination of both. I strongly believe that some sort of vocal training is helpful and can help improve one's range. It's helped me in the past and I can't wait to study again someday. [snip] > think are more like an actual instrument than i means to convey lyrics... liz > fraser from the cocteau twins and lisa gerrard from dead can dance... to me, > they simply go off the scale.. its like having another synthesizer or tribal > instrument onstage (maybe i should revise my scale abit!) I completely agree. They have beautiful instruments. :) - -Karen - ------------------------------ To unsubscribe, mail majordomo@smoe.org with: unsubscribe harbinger Digest, further unsub and problems FAQ at: http://www.netaxs.com/~jgreshes/lists/harbinger.html For This Fire kinda-lyrics write Riphug@aol.com ------------------------------ Date: Tue, 29 Jul 1997 02:47:12 -0400 (EDT) From: borchers@bluemoon.net (m borchers) Subject: (harbinger) gifford >> I doubt if Paula will be doing a duet with Gifford on the song Carmen like >> she did with Sarah. We will see though. >Ickickick. Please tell me this didn't happen! missed it. oh god, tell me she did NOT! what did she sing? - ------------------------------ To unsubscribe, mail majordomo@smoe.org with: unsubscribe harbinger Digest, further unsub and problems FAQ at: http://www.netaxs.com/~jgreshes/lists/harbinger.html For This Fire kinda-lyrics write Riphug@aol.com ------------------------------ End of harbinger-digest V2 #22 ******************************