From: owner-fegmaniax-digest@smoe.org (fegmaniax-digest) To: fegmaniax-digest@smoe.org Subject: fegmaniax-digest V12 #312 Reply-To: fegmaniax@smoe.org Sender: owner-fegmaniax-digest@smoe.org Errors-To: owner-fegmaniax-digest@smoe.org Precedence: bulk fegmaniax-digest Tuesday, August 19 2003 Volume 12 : Number 312 Today's Subjects: ----------------- Brenda's Iron Sledge ["Brian" ] Re: Look what you've started now [Tom Clark ] More Neko, elephants, line-dancing, etc. ["Natalie Jane" ] Efficiency efficiency they say... ["Rex.Broome" ] The Libertines ["FS Thomas" ] Re: Look what you've started now ["Matt Sewell" ] Re: question - tangential RH content [Michael R Godwin ] Catching up after hols and that blasted worm [crowbar.joe@btopenworld.com] Re: Archtoplessness [gshell@metronet.com] Re: Look what you've started now [Groove Puppy ] Re: Archtoplessness [Jeffrey with 2 Fs Jeffrey ] Argh [Eb ] Re: Argh [Tom Clark ] RE: Argh ["Iosso, Ken" ] Re: Argh ["Glen Uber" ] okay you started it... [John Barrington Jones ] Michael Bachman rules the Universe RH 50% ["Brian" ] Re: Michael Bachman rules the Universe RH 50% ["Jason R. Thornton" ] ---------------------------------------------------------------------- Date: Mon, 18 Aug 2003 14:29:17 -0800 From: "Brian" Subject: Brenda's Iron Sledge Robyn Hitchcock on the subject Feb 1992 Royal Oak, MI: "I want you to all know that we're never playing Brenda's Iron Sledge again. I hate that fucking song!" - -- Brian nightshadecat@mailbolt.com ------------------------------ Date: Mon, 18 Aug 2003 15:29:35 -0700 From: Tom Clark Subject: Re: Look what you've started now on 8/18/03 3:21 PM, Groove Puppy at groove_puppy@yahoo.com wrote: > On Thu, 14 Aug 2003 AidMerr@aol.com wrote: >>> NB - in the Syd Barrett biography you always see in >>> bargain buckets in >>> indie stores, "Man Who Invented Himself" is listed >>> in the "Songs about >>> Syd" section. For what that's worth. No idea where > >>> they got this from >>> (and since Robyn was living about 10 minutes walk >>> from Syd at the time >>> he wrote it, the line "nobody knows where he's >>> gone, but he's not here" >>> seems particularly inappropriate). > >> Um, I really don't think that's a comment on his >> physical locality, sir. >> >> Nobody knows where Syd went... not even his mum. >> J. > > I may be wrong but I don't think that's quite true. > The Dolly Rocker faq states "Syd Barrett is at home in > Cambridgeshire, England." > > Also, Tim Willis (his biographer) said in interview > that he "walked up to his door and knocked on it, > without introduction." > I think Jeme was speaking of locality in a less than literal sense. - -tc ------------------------------ Date: Mon, 18 Aug 2003 15:49:10 -0700 From: "Natalie Jane" Subject: More Neko, elephants, line-dancing, etc. >Because of your interest in alt-country, and because there was a moment in >late 2001 and early 2002 when I couldn't open an e-mail or pick up a music >magazine without reading something about Buddy and Julie's album, so I >thought Buddy had become, if anything, overexposed! I've only been into alt-country since I bought that $10 copy of "Anodyne" in December of last year. I didn't even leaf through a copy of "No Depression" till a few months ago. >Huh. And again, can't believe the mofo guitar work was in abeyance, but >maybe it was the mother of off-nights for Buddy. Dunno. To be honest, if mofo guitar work is a part of music I don't care about, I don't pay any attention - nor is it enough to redeem music I don't care about. We were busy looking at the elephants. >Yeah, and sure, there's already the Kutie pics to show us most portions of >Ms. Case's anatomy, but (1) it was her, and (2) it was a spontaneous >display of her. Surely the appeal of this is not lost on the jury? As I mentioned, I did see a bit of her belly flab, does that count? >*Throwaway lines, that is. I don't know if Neko's breasts emitted noises >or did tricks or anything. I wasn't there. Dammit. I didn't hear any at the show. >The occasional idiosyncratic two-step, sure, >but as far as I can tell line-dancing came in with Garth Brooks and that >achey-breaky bullshit... which is definitely not the vein of country mined >by those would serve it up alt-style. Weird. I remember that Beck featured line-dancing in one of his videos, and when asked what he thought of line-dancing, he said something like, "Organized dancing is fascism." There were only two girls doing the line-dancing. It was still weird. >Did she mention whether or not she tunes it tenor-style or does it the >wood-hick way: just like the high strings or a regular guitar? She seemed to be doing regular chord fingerings, if that means anything. n. _________________________________________________________________ The new MSN 8: advanced junk mail protection and 2 months FREE* http://join.msn.com/?page=features/junkmail ------------------------------ Date: Tue, 19 Aug 2003 11:27:43 +1200 From: grutness@surf4nix.com (James Dignan) Subject: Elephant/breast/milk >>Oh, and the elephant's name is Packy, not "Paki" (which is a racial >>epithet whence I come). well, if pronounced as in Pachyderm, then sure. But pronounced Parky it's a fairly common Maori surname (as in singer Emma Paki). - --- >We just can't stop talking about breasts around here, can we... any reason why we should? - --- >> Interesting TV prog the other night putting forward the view that the >> goddess Nut, who swallows the sun every night and gives birth to it >> again the following day, is actually a representation of the Milky Way. >> I was convinced, any road! certainly makes sense, going by what the Milky Way liiks like and representations of the goddess. I'm just amazed it took me until recently to realise that the work "Galaxy" translates literally "Milky" (the moderny Greek word for milky is "galacteros"). >Jon, who lives in the country but still can't see the Milky Way becasue >of light pollution James, who lives in the city but who can still clearly see the Milky Way PS - not now; it's 11 a.m. But it was bright last night, though not as bright as that evil fiery Mars... nf - El Salvador James Dignan, Dunedin, New Zealand -.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.- =-.-=-.-=-.- You talk to me as if from a distance .-=-.-=-.-=-. -=-. And I reply with impressions chosen from another time .-=- .-=-.-=-.-=-.-=- (Brian Eno - "By this River") -.-=-.-=-.-=-.-= ------------------------------ Date: Mon, 18 Aug 2003 19:15:38 -0500 From: "Brian Huddell" Subject: "Live Death" on Usenet A 192 kbps rip of Live Death with cover scans was posted to alt.binaries.sounds.mp3.indie on August 7. You'll need a news server with good retention but as of now it's still available via Easynews. +brian in New Orleans ------------------------------ Date: Mon, 18 Aug 2003 17:38:35 -0700 From: "Rex.Broome" Subject: Efficiency efficiency they say... Miles: >>Because of your interest in alt-country, and because there was a moment in late >>2001 and early 2002 when I couldn't open an e-mail or pick up a music magazine >>without reading something about Buddy and Julie's album, so I thought Buddy >>had become, if anything, overexposed! That's true, but when Nat first mentioned Buddy it didn't ring a bell right away with me because I'm only used to seeing his name paired with Julie's. Plus I don't remember him looking especially grizzled, so that threw me, too. _____ Matt: >>My Paris 1991 story takes in sleeping rough, the late Jim Morrison, a >>nice lady from Palo Alto, a boule yard and a cast of hundreds if not >>thousands... how about you Rex? Getting busted for not paying bus fare, amazing weather in the spring, banana-nutella crepes, the ability to navigate the Musee D'Orsay blindfolded, getting scissor-kicked and sworn at in English for no discernible reason by an angry Asian dude in the Metro, the recently-mentioned Replacements show and Minneapolis girl, sex against a lamppost in the 16th Arrondisement, very good wine, very bad wine. Good times. By they way, I was sort of surprised to see that John Cale is actually putting out a full song-based album later this year. That should be interesting. _____ Eb: >>Who claimed that Love ever "broke through"? That wasn't even an issue. It derived from my comment that the Doors had value in that their influence brought about good music, or that their artiness/challengingness allowed other such bands to be seen as viable. So, from that perspective, it was an issue: you can't be all that influential if nobody's heard you. However, I'd agree that Love is such a musician-favorite that their influence is way more prevalent than their sales would indicate. And that they were signed before the Doors, which was your point. Anyways, how 'bout them breasts? - -Rex ------------------------------ Date: Mon, 18 Aug 2003 20:33:50 -0700 From: "Eddie Tews" Subject: Exploding International speaking of neko, am i the only cocksucker what can't possibly get enough of ELECTRIC VERSION? shit-howdy, that's some good listening! now, while i'm looking forward to seeing them at bumbershoot, what i'd *really* love to see is a co-headlining tour with sleater-kinney... i once pissed neko off pretty good, and here's how: it was the second of two nights that the MABD tour spent in seattle, and they'd had an early show. (the venue had to be cleared out early for a rave, or something.) so, neko was hosting an everyly bros. tribute at the croc, and cynthia had learnt of rumours to the effect that robyn would be among the performers. so, in lieu of driving to portland straight away; jeme, carole, michael w., and myself decided to tag along with cynthia to the show. once inside, i of course asked permission to tape the festivities. the croc's taping policy is that it's up to the artist. so the called up neko, to ask her. while i recognised her (i'd seen her opening for dan bern about eight months before), i couldn't quite place her. so i asked her if she was one of the artists. i could tell that she was pretty miffed, in affirming that she was indeed "one of" the artists. so she basically said it would be okay to tape the show, so long as i didn't bootleg it, etc., etc.. fine. but then i pissed her off *even further* by breathlessly asking if robyn would be performing. it was pretty apparent, alas, that i'd only decided to attend on the chance that robyn would be there -- as though i could give a fuck about the rest of the night's entertainments. ah, well. all right, since sleater-kinney and new pornographers are both on my mind, here are (off the top of my head, so don't hold it against me) my ten fave songs of the Y2K era (listed alphabetically, and restricted to one song per artist, so as it's not 80% comprised of sleater-kinney songs!): - --new pornographers, All For Swinging You Around - --nick cave & the bad seeds, Babe I'm On Fire - --lou reed, Big Sky - --robert plant, Hey Joe (the last word on hendrix covers, surely? assuming it's a cover of the hendrix version...) - --audioslave, I Am The Highway (yeah, this is the other rekkid i can't get enough of.) - --mc honky, Like A Duck - --tool, No Quarter (the last word on covers, *period*. in fact, this smokes so fucking hard that i think zeppelin should pay royalties to tool for every copy of HOUSES OF THE HOLY sold from now on in until eternity.) - --cornershop, Spectral Mornings - --sleater-kinney, Step Aside (or Funeral Song, or Pompeii, or All Hands On The Bad One, or Combat Rock, or Ballad Of A Lady Man, or Lions And Tigers, or Sympathy, Milkshake 'n' Honey, or, or, or...) - --the soft boys, Strings in other news, screened soderbergh's Full Frontal last week. pretty good over all, but the hitler story-line is just about the funniest shit ever committed to film! (and the deleted hitler scenes included in the DVD are possibly funnier those that actually made the cut.) KEN "Form a line...to the throne" THE KENSTER ------------------------------ Date: Tue, 19 Aug 2003 00:07:27 -0400 From: "FS Thomas" Subject: The Libertines Oi, Fegland. Just got back from seeing the Libertines at the Cotton Club here in steamy Atlanta and I thought to drop a line. It proved to be a very, very good show; a bit more punk than I was expecting. I've got the disc and like it quite bit, but they were effin' LOUD. The local rag (the AJC) called them "The British Strokes." Not wholly accurate, but a fair comment from a paper with a shitty indie scope. If anyone's going to be in Manhattan on the 20th, I would say go check them out. If you're lucky enough to be going to Reading, than all the better. The opening act, Living Things, wasn't completely full of suck, either. Not really my speed, but appreciable. - -ferris "king of the shit reviews" thomas. ------------------------------ Date: Tue, 19 Aug 2003 10:43:18 +0100 From: "Matt Sewell" Subject: Re: Look what you've started now I think it pertains to the fact that, while Roger Keith Barrett is easily locatable, no-one knows where Syd's gone... Cheers Matt >From: Groove Puppy >On Thu, 14 Aug 2003 AidMerr@aol.com wrote: > >> NB - in the Syd Barrett biography you always see in > >> bargain buckets in > >> indie stores, "Man Who Invented Himself" is listed > >> in the "Songs about > >> Syd" section. For what that's worth. No idea where > > >> they got this from > >> (and since Robyn was living about 10 minutes walk > >> from Syd at the time > >> he wrote it, the line "nobody knows where he's > >> gone, but he's not here" > >> seems particularly inappropriate). > > > Um, I really don't think that's a comment on his > > physical locality, sir. > > > > Nobody knows where Syd went... not even his mum. > > J. > >I may be wrong but I don't think that's quite true. >The Dolly Rocker faq states "Syd Barrett is at home in >Cambridgeshire, England." > >Also, Tim Willis (his biographer) said in interview >that he "walked up to his door and knocked on it, >without introduction." > >(H) - ------------------------------------------------------------------------ Have more fun with your mobile - add polyphonic ringtones, java games, celebrity voicemails and loads more! Click here for phone fun. ------------------------------ Date: Tue, 19 Aug 2003 12:38:28 +0100 (BST) From: Michael R Godwin Subject: Re: question - tangential RH content On Mon, 28 Apr 2003, James Dignan wrote: > Ey oop folks - > I've just been reading a newspaper article about Tony Blair. I'd known he'd > been in a rock band as a teenager, but the article mentions another member > of the band (The Ugly Rumours) was a Mark Ellen, who later became a > magazine editor. Is this the Mark Ellen, rock critic, who is namechecked in > "Clean Steve"? Yes. I think Mark must be the one on the right in this revealing photo: - - MRG ------------------------------ Date: Tue, 19 Aug 2003 13:44:19 +0100 (BST) From: Michael R Godwin Subject: Reap Tony Jackson, bassist of the Searchers. ------------------------------ Date: Tue, 19 Aug 2003 14:56:12 +0100 (BST) From: crowbar.joe@btopenworld.com Subject: Catching up after hols and that blasted worm >The Verlaines, Jean Paul Sartre Experience, The Dandy Warhols... >hell, even >the name of the Beatles was partly a tribute to BH and the >Crickets. The Rolling Stones after a Muddy Waters song...Pretty Things after Bo Diddley song...Pink Floyd after bluesmen Floyd Council and Pink Anderson etc., etc.. My favourite of that ilk was The Sid Presley Experience who went on to become The Godfathers. Surely, 'Bustin' A 40' is an Americanization of Robyn's line about not being able to get into his size 38s... Crowbar Joe np Gibson, Martin, Fender - The Pirates ------------------------------ Date: Tue, 19 Aug 2003 09:30:22 -0500 (CDT) From: gshell@metronet.com Subject: Re: Archtoplessness On Mon, 18 Aug 2003, Jeffrey with 2 Fs Jeffrey wrote: > We just can't stop talking about breasts around here, can we... I have never been able to figure out what all the fuss was concerning breasts. Asses are the shit, no question. A nice ass can almost guarantee at least a couple other nice things, as far as things like that go. And a nice ass can make up for so much, comparatively. And I don't think volume has anything to do with a "nice" set of tits. So before you say something daft about her tits, stop and take a look at her ass and say something daft about that for a change. gSs ------------------------------ Date: Tue, 19 Aug 2003 08:23:52 -0700 (PDT) From: Groove Puppy Subject: Re: Look what you've started now I'll get my coat. (H) - --- Matt Sewell wrote: - --------------------------------- I think it pertains to the fact that, while Roger Keith Barrett is easily locatable, no-one knows where Syd's gone... Cheers Matt >From: Groove Puppy >On Thu, 14 Aug 2003 AidMerr@aol.com wrote: > >> NB - in the Syd Barrett biography you always see in > >> bargain buckets in > >> indie stores, "Man Who Invented Himself" is listed > >> in the "Songs about > >> Syd" section. For what that's worth. No idea where > > >> they got this from > >> (and since Robyn was living about 10 minutes walk > >> from Syd at the time > >> he wrote it, the line "nobody knows where he's > >> gone, but he's not here" > >> seems particularly inappropriate). > > > Um, I really don't think that's a comment on his > > physical locality, sir. > > > > Nobody knows where Syd went... not even his mum. > > J. > >I may be wrong but I don't think that's quite true. >The Dolly Rocker faq states "Syd Barrett is at home in >Cambridgeshire, England." > >Also, Tim Willis (his biographer) said in interview >that he "walked up to his door and knocked on it, >without introduction." > >(H) - --------------------------------- Have more fun with your mobile - add polyphonic ringtones, java games, celebrity voicemails and loads more! Click here for phone fun. ===== CHUCKHOLE All that great punk rock taste with only half the calories. http://clix.to/chuckhole http://www.mp3.com/chuckhole __________________________________ Do you Yahoo!? Yahoo! SiteBuilder - Free, easy-to-use web site design software http://sitebuilder.yahoo.com ------------------------------ Date: Tue, 19 Aug 2003 10:38:41 -0500 From: Jeffrey with 2 Fs Jeffrey Subject: Re: Archtoplessness Quoting gshell@metronet.com: > Asses are the shit, no question. You might want to consider rephrasing that. ..Jeff J e f f r e y N o r m a n The Architectural Dance Society www.uwm.edu/~jenor/ADS.html :: we make everything you need, and you need everything we make ------------------------------ Date: Tue, 19 Aug 2003 13:41:53 -0700 From: Eb Subject: Argh Another mailing list I'm on is a real burden today...a heavy-traffic day of posts which I couldn't possibly care less about. Sure would be nice to see something interesting here, as an antidote. Is it time to pursue the '80s version of the "Top 40 of the 1970s" thread? Or should we just talk about which Fegs we'd like to see naked? If all else fails, we could always talk about my feet. Eb ------------------------------ Date: Tue, 19 Aug 2003 13:55:34 -0700 From: Tom Clark Subject: Re: Argh on 8/19/03 1:41 PM, Eb at ElBroome@earthlink.net wrote: > Is it time to pursue the '80s version of the "Top 40 of the 1970s" > thread? Or should we just talk about which Fegs we'd like to see > naked? Feel free to start us off, on either subject. - -tc Np: Birdshead - RH ------------------------------ Date: Tue, 19 Aug 2003 15:56:24 -0500 From: "Iosso, Ken" Subject: RE: Argh I heard this amazing song on Radio K (our college radio station in the Twin Cities) called "Reach for the Sun" by the Polyphonic Spree the other day. It's beautiful and otherworldly and vaguely familiar. I then discovered that I'd first heard it on a tv commercial for a car or something. 2 things: 1) Has anyone bought the Polyphonic Spree and what do they think of the band? 2) I remember a thread about Jonathan Richman's "Ice Cream Man" being used in a Kohl's commercial and I'm struck by the larger pattern of using weird underground music in mainstream commercials - i.e. Pink Moon, Da Da Da, Lust for Life. Does it just mean that people like us work at advertising firms? If these songs are catchy enough for commercials, why aren't they catchy enough to sell as music? Ken Iosso - -----Original Message----- From: Eb [mailto:ElBroome@earthlink.net] Sent: Tuesday, August 19, 2003 3:42 PM To: fgz Subject: Argh Another mailing list I'm on is a real burden today...a heavy-traffic day of posts which I couldn't possibly care less about. Sure would be nice to see something interesting here, as an antidote. Is it time to pursue the '80s version of the "Top 40 of the 1970s" thread? Or should we just talk about which Fegs we'd like to see naked? If all else fails, we could always talk about my feet. Eb ------------------------------ Date: Tue, 19 Aug 2003 14:17:29 -0700 From: "Glen Uber" Subject: Re: Argh Tom earnestly scribbled: >on 8/19/03 1:41 PM, Eb at ElBroome@earthlink.net wrote: > >> Is it time to pursue the '80s version of the "Top 40 of the 1970s" >> thread? Or should we just talk about which Fegs we'd like to see >> naked? > >Feel free to start us off, on either subject. Working backwards, I'd have to say anyone but me. But most especially Russ Reynolds. Or UglyNoraGrrrl. As for the first topic, and off the top of my head, a few of my favorite albums from the 80s are: The Nightfly, Donald Fagen IODOT, RH Underwater Moonlight, Soft Boys Welcome To The Pleasuredome, Frankie Goes To Hollywood Fisherman's Blues, The Waterboys Sheik Yerbouti, FZ English Settlement, XTC - -- Cheers! - -g- "Soylens Viridis Homines Est" ------------------------------ Date: Tue, 19 Aug 2003 14:51:49 -0700 (PDT) From: John Barrington Jones Subject: okay you started it... 80's albums: Cocteau Twins - Treasure Wall Of Voodoo - Call Of The West The Smiths X - Under The Big Black Sun The Stranglers - The Raven Style Council - Cafe Bleu Prince - 1999 Thomas Dolby - Golden Age Of Wireless New Order - Power Corruption and Lies Squeeze - East Side Story Robyn - IODOT =jbj= ------------------------------ Date: Tue, 19 Aug 2003 12:48:44 -0800 From: "Brian" Subject: Michael Bachman rules the Universe RH 50% Well he does ya know. He may be 50, but he barely looks 40. I got the Let's Active Afoot reissue. Damn good stuff. I might have missed this, but it's on the museum's site. Anyone hear this?: Robyn, Guest DJ! Friday the 15th of August Robyn doing a guest DJ show on Resonance Radio, for their Clear Spot program. It will be a live broadcast from 7pm to 8.30pm and goes out live. They are at Resonance 104.4 FM and online at http://www.resonancefm.com AND: Wig In A Box Robyn appears on the charity album called Wig In A Box based on Hedwig And The Angry Inch. It features a wide range of performers covering Hedwig songs, and a new song of Robyn's based on the Hedwig experience. Called "City Of Women," he's joined by Kimberley Rew on guitar and vocals, Morris Windsor on drums and vocals, Paul Noble on bass, and Terry Edwards on saxophone. The album will be released October 21st and can be obtained through www.offrecords.com. - ------------- Also, anyone enjoying Hot Hot Heat (Make up the Breakdown) as much as me? Why does this remind me of the early dB's? Nuppy - -- Brian nightshadecat@mailbolt.com ------------------------------ Date: Tue, 19 Aug 2003 15:11:28 -0700 From: Tom Clark Subject: Re: Michael Bachman rules the Universe RH 50% on 8/19/03 1:48 PM, Brian at nightshadecat@mailbolt.com wrote: > I might have missed this, but it's on the museum's site. Anyone hear > this?: > Robyn, Guest DJ! > > Friday the 15th of August Robyn doing a guest DJ show on Resonance Radio, > for their Clear Spot program. It will be a live broadcast from 7pm to > 8.30pm and goes out live. They are at Resonance 104.4 FM and online at > http://www.resonancefm.com Dammit Woj! I could've ripped this had I known! - -tc np: Breaking Into Heaven - stone roses ------------------------------ Date: Tue, 19 Aug 2003 15:22:16 -0700 From: "Jason R. Thornton" Subject: Re: Michael Bachman rules the Universe RH 50% At 12:48 PM 8/19/2003 -0800, Brian wrote: >Also, anyone enjoying Hot Hot Heat (Make up the Breakdown) as much as me? Shit, yeah. I was just listening to it yesterday. Eb turned me on to this album awhile ago, and it's been in heavy rotation since. Easily on my Top 40 "80's" albums list... ;) As is Interpol. - --Jason "anyone wanna see me lost and naked in the city again?" Thornton "Only the few know the sweetness of the twisted apples." - Sherwood Anderson ------------------------------ Date: Tue, 19 Aug 2003 15:25:49 -0700 (PDT) From: John Barrington Jones Subject: Re: Michael Bachman rules the Universe RH 50% On Tue, 19 Aug 2003, Jason R. Thornton wrote: > Easily on my Top 40 "80's" albums list... ;) > > As is Interpol. Yeah, the Postal Service is on mine. Is it a new Lightning Seeds project? :) =jbj= ------------------------------ Date: Tue, 19 Aug 2003 16:08:45 -0700 (PDT) From: Mike Swedene Subject: Re: okay you started it... My friend Brian used to always state that the "best year" for music was 1983-84 with the release of the Smiths, Police (Synchronicity), REM and a few others. I remember reading here a while back that we all argued or didn't about the best years for music being when we were younger and had more disposable income. Oh well.... mike ps- Stu, I will be in TO on Saturday to see a play. - --- John Barrington Jones wrote: > 80's albums: > > Cocteau Twins - Treasure > Wall Of Voodoo - Call Of The West > The Smiths > X - Under The Big Black Sun > The Stranglers - The Raven > Style Council - Cafe Bleu > Prince - 1999 > Thomas Dolby - Golden Age Of Wireless > New Order - Power Corruption and Lies > Squeeze - East Side Story > Robyn - IODOT > > =jbj= __________________________________ Do you Yahoo!? Yahoo! SiteBuilder - Free, easy-to-use web site design software http://sitebuilder.yahoo.com ------------------------------ End of fegmaniax-digest V12 #312 ********************************