From: owner-fegmaniax-digest@smoe.org (fegmaniax-digest) To: fegmaniax-digest@smoe.org Subject: fegmaniax-digest V11 #128 Reply-To: fegmaniax@smoe.org Sender: owner-fegmaniax-digest@smoe.org Errors-To: owner-fegmaniax-digest@smoe.org Precedence: bulk fegmaniax-digest Thursday, April 18 2002 Volume 11 : Number 128 Today's Subjects: ----------------- a before e: imagine siouxsie singing "iz-rye-ell" [drew ] RE: Robyn on KEXP Seattle [invader woj ] Feg Programmers Wanted [Keith Hanlon (by way o] RE: Robyn on KEXP Seattle ["Cynthia Peterson" ] San Francisco show [Nur R Gale ] Re: Unprotected Love ["Michael Wells" ] Re: I hate the word "squickism" [gSs ] Re: trite always sounds like a corn chip to me [gSs ] RE: Robyn on KEXP Seattle ["Larry Tucker" ] Re: Feg Programmers Wanted ["noe shalev" ] Re: Unprotected Love [Stewart Russell ] Re: She wears my band [grutness@surf4nix.com (James Dignan)] Colour question [grutness@surf4nix.com (James Dignan)] the fickle fingernail of fate [grutness@surf4nix.com (James Dignan)] Band-name poll [Terrence Marks ] reap [grutness@surf4nix.com (James Dignan)] RE: the Dylan tribute show - various recordings ["da9ve stovall" ] Re: Band-name poll ["Jason R. Thornton" ] Re: Band-name poll ["Fric Chaud" ] Re: Colour question ["Michael Wells" ] Re: Band-name poll [rosso@videotron.ca] Re: Band-name poll ["Michael Wells" ] bottom line boots [mike hooker ] Re: Band-name poll ["victorian squid" ] Re: Band-name poll [Terrence Marks ] ---------------------------------------------------------------------- Date: Thu, 18 Apr 2002 12:15:44 -0700 From: drew Subject: a before e: imagine siouxsie singing "iz-rye-ell" > From: Jeffrey with 2 Fs Jeffrey > > Thanks, Miles - I was going to say something rather like that > (although I > disagree on the _Peggy Suicide_ thing, even though I *would* like it if > it > were shorter). _Peggy Suicide_ was my introduction to Cope and I still like it quite a bit, but yeah, I wouldn't miss some of the songs if they suddenly disappeared. On the other hand, I have yet to hear a Cope album I like better, and I own _Saint Julian_ (nice pop, though), _My Nation Underground_, _12 Mothers_, and _Jehovahkill_. Is there another album that's utterly essential Cope that I could try? > From: rosso@videotron.ca > Hey Drew -- sorry if you made it all the way down here to find only > this. Never mind me, I'm just being an asshole to complain about it anyway. It just seems like some of these sorts of arguments come up again and again in lists and groups I'm on, and it's like being forced to watch a 10-car pileup over and over again, complete with screams and blood. You know what's going to happen, you know it will be ugly, but you are powerless to stop it. The saving grace for fegmaniax is that it's by far THE most civilized online community I've ever been a part of. Even the flamewars we had a while back were incredibly polite by comparison to what I used to see on a daily basis in other groups. Incidentally, I read the digest, so I have to scroll past every article no matter what. This is why "just delete it" doesn't work for me, and why it bothers me when people leave unreadable lumps of quoted text at the bottom of their messages. But I certainly don't expect anyone to rearrange their posting lives around me. I was dissatisfied with the dictionary definitions of "terrorism" I found as well. I can't come up with a better one offhand, but it seems to me that stealth and secrecy are key elements. There is no open declaration of war, there are no uniformed combatants, there is a focus on symbolic acts rather than strategic ones. It's called "terrorism" because it _is_ terrifying, it's designed to be, more so than ordinary war is terrifying, whether that's rational or not. Drew ------------------------------ Date: Thu, 18 Apr 2002 14:54:00 -0500 From: Miles Goosens Subject: Re: a before e: imagine siouxsie singing "iz-rye-ell" At 12:15 PM 4/18/2002 -0700, drew wrote: >_Peggy Suicide_ was my introduction to Cope and I still like it quite >a bit, but yeah, I wouldn't miss some of the songs if they suddenly >disappeared. On the other hand, I have yet to hear a Cope album >I like better, and I own _Saint Julian_ (nice pop, though), _My Nation >Underground_, _12 Mothers_, and _Jehovahkill_. Is there another >album that's utterly essential Cope that I could try? WORLD SHUT YOUR MOUTH (1984). James is sure to add Cope's other 1984 record, FRIED, which I like too, but not nearly as much. 20 MOTHERS was my #1 album of 1995. It, JEHOVAHKILL, and WORLD SHUT YOUR MOUTH, those are the three I always think of as the best. I won't post a full list of Cope favorites, mostly because I'll bet the Feg archives record four or more instances of me posting a list of Cope favorites (though repeats are always available off-list). later, Miles ------------------------------ Date: Thu, 18 Apr 2002 13:10:53 -0700 From: drew Subject: trite always sounds like a corn chip to me > From: "matt sewell" > > Oh right. Thanks for that. In future I will make sure my posts are as > *riveting* as yours, eh? Never a trite word in your posts, Drew? Never a > redundant argument? Just long and *fascinating* insights into someone > (you, obviously) so interesting the minutae of whose life I never fail > to > be entertained by... I wasn't trying to personally attack you, and I wasn't complaining about the content of your posts in general so much as the introduction of one specific topic. You're right, though, that however many times I've seen the question of whether positive faith in the nonexistence of something is equivalent to reasonable and pragmatic doubt that something exists in the absence of proof, someone else may be new to that particular argument, and no-god knows we have debated more trivial matters on this list before now, and anyway, yes, who am I to protest? I must, however, continue to plead with you to stop including quoted text in an unreadable lump at the end of each post. Often the quoted text is quite long and that much context is unnecessary. > Oh, and for god sake, stop. But if I don't believe in her, why would I do anything for her sake? :) > From: gSs > Nope, two completely different fucks. Skill fucking not only takes > practice and a particularly interesting gumption but also a natural sort > of groove that most people do not have. If you are lucky enough to get > skill fucked, you may not realize what has happened until after the > fact. But don't worry, if it ever happens again you'll remember to > follow > the suggestions offered by the skilled fucker so as to keep yourself > conscious for at least the first 45 minutes. Hypnosis? Roofies? Vulcan nerve pinch? Venusian aikido? I'm still in the dark here. > From: barbara soutar > > More "proof" of my theory. The John Lennon song "Oh Yoko" is an > anachronism within the context of the movie, and sweet and loving as the > words to Yoko are and much as I idolize him, this is a lame song. Anyone > else have a reaction like me? Did the choice have something to do with Jason Schwartzman's character's quest for a mother/lover figure? > From: "Jason R. Thornton" > > Is there any overlap, or is it simply impossible to skull fuck > skillfully? Or does it just not matter, as the recipient in this case > is > an empty husk of bone? ...one hopes. > From: "Spring Cherry" > > There are certain colors in nature which seem almost unreproducable > outside > of nature. I'm thinking of a mid-purplish blue that glows in the sky > sometimes, when turned into material it usually dulls out. Or the red > you > get when light is going thru a tulip. Both of these examples are additive color, whereas the pigments you use to paint are subtractive. I suspect it's possible for an extremely skilled painter to come very very close using pigments, but you're trying to reproduce the effects of light using paint and so it makes sense that you'd come closer using glass, as you say. > I hope there's another explanation to the long thumbnail than coke > fiend or > macho warrior. There's gotta be ... right? My guitar teacher used to have all of his long to aid fingerpicking. I could see the thumbnail being very useful in this regard. Drew ------------------------------ Date: Thu, 18 Apr 2002 16:07:25 -0400 From: invader woj Subject: RE: Robyn on KEXP Seattle doh! i spaced on the kexp appearance (something to do with that date confusion i exhibited earlier today). anybody play capture the stream? or record the set? woj ------------------------------ Date: Thu, 18 Apr 2002 16:08:32 -0400 From: Keith Hanlon (by way of invader woj ) Subject: Feg Programmers Wanted I am in search of some experienced PHP programmers who are willing to donate their time and knowledge to the Feg community. I am developing a dynamic website, loosely based on http://www.dylantree.com, that will be a central location for trees and show trading. Although I have a lot of ideas and goals for this site, I would like to launch the site with a minimum of three features: 1) site registration and tree sign-ups, 2) Trading Forum, and 3) Articles on trading etiquette, CD copying, newbies guide, etc. For now, the website team is in search of programmers. As we get most of the technical issues out of the way, we'll be in need of graphic designers, writers, etc. My experience is limited to HTML, working with Perl scripts, intermediate graphic design, the basics of server administration, and some database management. I hope this site will compliment and nurture this wonderful community. If you you can help with programming, contact keith@orchestraville.com. ------------------------------ Date: Thu, 18 Apr 2002 13:17:13 -0700 From: "Cynthia Peterson" Subject: RE: Robyn on KEXP Seattle arg! It wouldn't let me connect! I even skipped a meeting so I could tune in... Oh well. I pinged Mr. Zoom to see if it would be archived. I'll let you know if I find out anything along those lines... Cynthia - -----Original Message----- doh! i spaced on the kexp appearance (something to do with that date confusion i exhibited earlier today). anybody play capture the stream? or record the set? woj ------------------------------ Date: Thu, 18 Apr 2002 13:35:36 -0700 From: Nur R Gale Subject: San Francisco show Well, after several months of travel and work overseas, i have finally managed to resubscribe and rejoin the fegs. Are there any plans of folks gathering somewhere before the San Francisco gig? Also, Nick, i have lost your email address... please post me.. thanks! pax nur ------------------------------ Date: Thu, 18 Apr 2002 15:34:33 -0500 From: "Michael Wells" Subject: Re: Unprotected Love > yup, those are pretty much the words as sung on 3/8 last year, and > copied to the list by me back on 19/12. I *knew* I'd heard it before, thanks Stewart. In my zoned state over the last couple days I didn't bother to even look at my own CDR's, which include your Edinburgh shows. Was that the first documented appearance of this song? And a belated welcome to this side of the world! Sure hope you like hockey. Michael ------------------------------ Date: Thu, 18 Apr 2002 15:43:02 -0500 (CDT) From: gSs Subject: Re: I hate the word "squickism" On Thu, 18 Apr 2002, Jason R. Thornton wrote: > At 10:56 AM 4/18/2002 -0500, gSs wrote: > >Nope, two completely different fucks. > > Is there any overlap, or is it simply impossible to skull fuck > skillfully? Or does it just not matter, as the recipient in this case is > an empty husk of bone? A partial overlap from one side could exist because I understand there is a significant difference between a premium skull fuck and just an ordinary skull fuck and someone will probably request a title or label like "Skilled Skull Fucker, LLC". gSs ------------------------------ Date: Thu, 18 Apr 2002 15:47:39 -0500 (CDT) From: gSs Subject: Re: trite always sounds like a corn chip to me On Thu, 18 Apr 2002, drew wrote: > > But don't worry, if it ever happens again you'll remember to > > follow > > the suggestions offered by the skilled fucker so as to keep yourself > > conscious for at least the first 45 minutes. > > Hypnosis? Roofies? Vulcan nerve pinch? Venusian aikido? > I'm still in the dark here. a skilled fucker is just a really really good lover. gSs ------------------------------ Date: Thu, 18 Apr 2002 16:57:20 -0400 From: "Larry Tucker" Subject: RE: Robyn on KEXP Seattle Play capped about 28 minutes of it. Tuned in about 12:10 PDT as he was talking about Dylan. How much did I miss? - -larry |-----Original Message----- |From: invader woj [mailto:woj@smoe.org] |Sent: Thursday, April 18, 2002 4:07 PM |To: worst...list...EVER! |Subject: RE: Robyn on KEXP Seattle | | |doh! i spaced on the kexp appearance (something to do with that date |confusion i exhibited earlier today). anybody play capture the |stream? or |record the set? | |woj | ------------------------------ Date: Fri, 19 Apr 2002 00:09:00 +0200 From: "noe shalev" Subject: Re: Feg Programmers Wanted I'm not a php code programer, but as a journalist I just founded (today is the beta site official run) a comunity base magazin. I'm not sending you there since it's all hebrew, but I made it completly based on the php nuke (http://phpnuke.org) it's so easy to config, that within a week we managed to translate the all thing to hebrew (and this is not simple, not only different set of letters but also a right to left writing) for an english site, you can do it within hours. even the php work is easy and can be done by anyone. (I have legal education, never wrote a single algorithm or code line, and managed it) noe > I am in search of some experienced PHP programmers who are willing to > donate their time and knowledge to the Feg community. I am developing a > dynamic website, loosely based on http://www.dylantree.com, that will be a > central location for trees and show trading. Although I have a lot of ideas > and goals for this site, I would like to launch the site with a minimum of > three features: 1) site registration and tree sign-ups, 2) Trading Forum, > and 3) Articles on trading etiquette, CD copying, newbies guide, etc. > > For now, the website team is in search of programmers. As we get most of > the technical issues out of the way, we'll be in need of graphic designers, > writers, etc. > > My experience is limited to HTML, working with Perl scripts, intermediate > graphic design, the basics of server administration, and some database > management. > > I hope this site will compliment and nurture this wonderful community. If > you you can help with programming, contact keith@orchestraville.com. ------------------------------ Date: Thu, 18 Apr 2002 17:41:14 -0400 From: Stewart Russell Subject: Re: Unprotected Love Michael Wells wrote: > > Was that the first documented appearance of this song? I think so. > And a belated welcome to this side of the world! Sure hope you like hockey. Uh, I watched Hockey Night last night, but they must've changed the program or something, 'cos all I saw was a bunch of guys fighting. But Loblaws sell Irn Bru, so I'm happy. Stewart - -- Gandalf Graphics Limited, Markham, Ontario, Canada ------------------------------ Date: Fri, 19 Apr 2002 10:06:38 +1200 From: grutness@surf4nix.com (James Dignan) Subject: Re: She wears my band >> I was under the impression that a 'wedding ring' was when the wedding >> party stood in a small circle and sacrificed a small brainless La Jollan >> sea animal to the Elder Gods. What are you thinking of? > >Are you teasing me or is wedding band really the only possible translation >of German 'Ehering'?? I don't have a dictionary handy... He's kidding you. A wedding band is what Americans call a wedding ring. What Jason is referring to is actually called a 'wedding huddle'. James James Dignan, Dunedin, New Zealand. =-.-=-.-=-.-=-.-=-.-=-.-= .-=-.-=-.-=-.- .-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-. -.-=-.-=-.-=-.-=-.-=-.-= You talk to me as if from a distance =-.-=-. And I reply with impressions chosen from another time -=-.-=-.-=-.-=-.-=-.-=-.-=-.-=- (Brian Eno - "By this River") ------------------------------ Date: Fri, 19 Apr 2002 10:15:26 +1200 From: grutness@surf4nix.com (James Dignan) Subject: Colour question Kay asked: >There are certain colors in nature which seem almost unreproducable outside >of nature. I'm thinking of a mid-purplish blue that glows in the sky >sometimes, when turned into material it usually dulls out. Or the red you >get when light is going thru a tulip. The red we wear is never as light. If >it is it's pink. Even light cadmium red in paints isn't light enough. And if >you add white, even a translucent white,--its just pink again. There is >also a dark violet that looks muddy when made into objects, but which looks >luminious in nature. > >Is this optics? Something to do with the nature of light? The best way to >reproduce such colors in man-made stuff is usally in glass(partly why I like >beading so much, you get to play with light)since the light passes thru and >there are multiple angles of reflection. I want to live to see the day when >we wake up and put on high-tech undergarments that glow, and then >outerclothes knitted from some sort of flexiable glass, so we eminate light. >Which we can turn up or down, depending on our mood. that is a damn good question, and one I wish I knew the answer to. I suspect that it is nothing to do with the nature of the light itself, but rather a lacking in the paints. There are some colours that paint can't reproduce because of the nature of paint. It could be because colours created with light are additive (put the three primaries together and you get white), whereas paint colours are subtractive (put the three primaries together and theoretically you get black). However, using glass as a filter is also a subtractive technique (red glass is actually glass that filters out everything but red). I know what you mean though. The glow of orange streetlights on a lawn produces a green/orange colour for which we haven't even got a name (notice that the colours with names are those we can reproduce? I wonder what Sapir and Whorf would have to say about that). The iridescence of oil on water. Some of the shades of the sky at sunset, which seem orange, blue, and green simultaneously. I'm going to a party with some vision researchers tonight (more fun that you might think). If I remember, I'll ask one of them. James Dignan, Dunedin, New Zealand. =-.-=-.-=-.-=-.-=-.-=-.-= .-=-.-=-.-=-.- .-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-. -.-=-.-=-.-=-.-=-.-=-.-= You talk to me as if from a distance =-.-=-. And I reply with impressions chosen from another time -=-.-=-.-=-.-=-.-=-.-=-.-=-.-=- (Brian Eno - "By this River") ------------------------------ Date: Fri, 19 Apr 2002 10:28:15 +1200 From: grutness@surf4nix.com (James Dignan) Subject: the fickle fingernail of fate >I hope there's another explanation to the long thumbnail than coke fiend or >macho warrior. There's gotta be ... right? perhaps we're looking at the qestion the wrong way. It's not a long left thumb nail - it's just that he keeps the other nails more closely cropped. As a guitarist (a right-handed one) the only nail which he would not need to keep to a short length is his left thumbnail. Oh, and his toenails. They could be several inches long. >Come on guys, we all know the answer. There is no reality. And there is. And >if you loose your grip on either axiom, youre in for biiggggg trouble. Or >something like that. Right;-? sounds like zen to me. Probably because it's nothing like zen. James James Dignan, Dunedin, New Zealand. =-.-=-.-=-.-=-.-=-.-=-.-= .-=-.-=-.-=-.- .-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-. -.-=-.-=-.-=-.-=-.-=-.-= You talk to me as if from a distance =-.-=-. And I reply with impressions chosen from another time -=-.-=-.-=-.-=-.-=-.-=-.-=-.-=- (Brian Eno - "By this River") ------------------------------ Date: Thu, 18 Apr 2002 18:27:59 -0400 From: Terrence Marks Subject: Band-name poll I'm working on a new project...I'd like opinions on things. What I've got is band names. If you were to go see a show by a band with one of the following names, what would you expect. In terms of style of music, level of professionalism, number of members...just about anything else. What's your initial reactions to the name? (Reply by e-mail or on-list if you think other peole would like to read it as well) Ruff Chylde Lordly Nightshade The Modern Lizard Quartet Milkweed Hill Manxish Boy Thanks! - -- Terrence Marks http://www.unlikeminerva.com ------------------------------ Date: Fri, 19 Apr 2002 10:51:59 +1200 From: grutness@surf4nix.com (James Dignan) Subject: reap Thor Heyerdahl, 87 James Dignan, Dunedin, New Zealand. =-.-=-.-=-.-=-.-=-.-=-.-= .-=-.-=-.-=-.- .-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-. -.-=-.-=-.-=-.-=-.-=-.-= You talk to me as if from a distance =-.-=-. And I reply with impressions chosen from another time -=-.-=-.-=-.-=-.-=-.-=-.-=-.-=- (Brian Eno - "By this River") ------------------------------ Date: Thu, 18 Apr 2002 15:57:13 -0700 From: "da9ve stovall" Subject: RE: the Dylan tribute show - various recordings >Subject: the Dylan tribute show - various recordings > >> > >is it the same as "Rob, Bob, and Albert" in terms of quality? >> > >> > i can't answer that question directly since i don't have a copy of _rob, >> > bob and albert_, but i can say >> > ... >IIRC, the Promo is better than the Bootleg (both were audience recordings >to analog cassette, i believe.) The best recording, of course, was Bill >Pannifer's audience DAT, which i offered up to Robyn's peeps when I heard >about what was to become "robyn sings"... but they were only mildly >interested (probably b/c the project was already underway). It seems >likely that the source recording that became the Promo was also used >(excerpted from) to make Robyn Sings. (It may be that the promo and the >bootleg were from the same source but the promo was digitally "cleaned >up".) > I've got both the (or at least "a") bootleg and the Promo, and if the promo issue was a digitally cleaned-up version of the same source as the boot, I sure wish I had the software they used for the cleanup :-) I'd love to get ahold of that DAT you mention - any chance it's still extant? I'll be buying the official release momentarily (just got a new job yesterday, so I will have positive cash flow once again), so there's no conflict there. da9ve ------------------------------ Date: Thu, 18 Apr 2002 16:08:49 -0700 From: "Jason R. Thornton" Subject: Re: Colour question At 10:15 AM 4/19/2002 +1200, James Dignan wrote: >It could be because colours >created with light are additive (put the three primaries together and you >get white), whereas paint colours are subtractive (put the three primaries >together and theoretically you get black). However, using glass as a filter >is also a subtractive technique (red glass is actually glass that filters >out everything but red). All colors are "created with light." What you see when you view red paint is red light reflecting off the paint, while the other colors of light are absorbed. So what happens when you mix paints is that you're compiling the absorptive properties of each substance, to get a new color. Theoretically, pure black paint would completely absorb white light (which contains all colors), and white paint would completely reflect it. >The glow of orange streetlights on a lawn >produces a green/orange colour for which we haven't even got a name (notice >that the colours with names are those we can reproduce? I wonder what Sapir >and Whorf would have to say about that). The iridescence of oil on water. >Some of the shades of the sky at sunset, which seem orange, blue, and green >simultaneously. This probably has more to do with the intensity of energy from the color source. Your eyes not only see the three primary colors (cones) but also brightness (rods). The experience of viewing a direct radiant light source is fundamentally different from seeing a little light reflected off a cooler surface - more rod stimulation. Viewing a room temperature Kandinsky is probably a more subtle experience than would be viewing the same painting raised to 400 degrees (hypothetically assuming the material of the artwork could withstand such temperatures). Jason ------------------------------ Date: Thu, 18 Apr 2002 16:28:29 -0700 From: "Jason R. Thornton" Subject: Re: Band-name poll At 06:27 PM 4/18/2002 -0400, Terrence Marks wrote: >What I've got is band names. If you were to go see a show by a band >with one of the following names, what would you expect. In terms of >style of music, level of professionalism, number of members...just about >anything else. What's your initial reactions to the name? (Reply by >e-mail or on-list if you think other peole would like to read it as >well) > >Ruff Chylde A highly professional, very successful gay synth-pop duo. Or an 80s LA glam-rock, big-hair rock band. >Lordly Nightshade An aging pro-rock band with an undying love for the Lord of the Rings, and an utter disdain for anything played in 4/4 - especially anything "hip hop." >The Modern Lizard Quartet An amateurish local blues band with four guys of varying skill, age, talent and equipment quality. (I've always wanted to form a band called The Modern Rock SEXtet, just because it has the words "rock" and "sex" in the title - and because I find the phrase "modern rock" amusing.) >Milkweed Hill A chronic-friendly group of white-boy rappers, probably from the west coast. >Manxish Boy A really inventive indie-folk solo artist, whose work incorporates elements of many other styles of music and whose highly literate lyrics makes everyone with a degree in English swoon. Or another highly professional, very successful gay synth-pop duo. OK, the keyboardist might be bi. - --Jason "I vote for 'Cher' " Thornton "Only the few know the sweetness of the twisted apples." - Sherwood Anderson ------------------------------ Date: Thu, 18 Apr 2002 21:28:30 -0400 From: "Fric Chaud" Subject: Re: Band-name poll On 18 Apr 2002, at 18:27, Terrence Marks wrote: > > Ruff Chylde hair band > Lordly Nightshade hair band with egoist leader > The Modern Lizard Quartet the residents > Milkweed Hill country rap! > Manxish Boy glam! - -- Fric Chaud ------------------------------ Date: Thu, 18 Apr 2002 18:29:22 -0500 From: "Michael Wells" Subject: Re: Colour question Jason and the Wavelengths posits: > Viewing a room temperature > Kandinsky is probably a more subtle experience than would be viewing the > same painting raised to 400 degrees (hypothetically assuming the material > of the artwork could withstand such temperatures). Interestingly, this very phenomenon explains why all paintings, as the approach the speed of light, turn into Vermeers (when viewed from the front, when viewed from back they all look like Seurats). Michael n.w. Blackhawks at Blues (finally! back in the playoffs) ------------------------------ Date: Thu, 18 Apr 2002 21:35:37 -0400 From: rosso@videotron.ca Subject: Re: Band-name poll > Fric Chaud That last one sounds kinda disco. ------------------------------ Date: Thu, 18 Apr 2002 18:46:15 -0500 From: "Michael Wells" Subject: Re: Band-name poll Terrence questions: > What's your initial reactions > Ruff Chylde > Lordly Nightshade > The Modern Lizard Quartet > Milkweed Hill > Manxish Boy I would certainly hope to see and party with them all, as whomever came up with these names has a lot better weed than I do. Michael "I like the Nightshade one" Wells ------------------------------ Date: Thu, 18 Apr 2002 21:37:49 -0400 From: mike hooker Subject: bottom line boots hi, thanks to those who took the time to listen to the test file i made of my bottom line boots. the overwhelming vote was for the version with the guitar evened out with the voice. that said, i'll start burning. if i have a trade going with you, please drop me a line with a reminder of whats what, so i dont let one slip thru the cracks. anyone taping the other shows on the tour, i'm very interested in a trade . please see my music trading page: New URL http://hometown.aol.com/mhooker216/myhomepage/index.html have fun, mike hooker ------------------------------ Date: Thu, 18 Apr 2002 18:34:46 -0700 From: "victorian squid" Subject: Re: Band-name poll 18 Apr 2002 18:27:59 Terrence Marks wrote: >Ruff Chylde A folk-prog bunch who favor pirate shirts. At least one person plays the ocarina. >Lordly Nightshade German death metal. >The Modern Lizard Quartet An outside jazz group who often play at the Knitting Factory and lurk in alleyways smoking Gauloises and hoping to waylay John Lurie. >Milkweed Hill A No-Depression sort of outfit who do a lot of Graham Parsons covers. >Manxish Boy They look like David Bowie circa "Station to Station" and they aspire to record a synth-pop "Threepenny Opera". At least one member is Finnish. loveonya, susan Join 18 million Eudora users by signing up for a free Eudora Web-Mail account at http://www.eudoramail.com ------------------------------ Date: Thu, 18 Apr 2002 21:52:16 -0400 From: Terrence Marks Subject: Re: Band-name poll Michael Wells wrote: > > Terrence questions: > > What's your initial reactions > > > Ruff Chylde > > Lordly Nightshade > > The Modern Lizard Quartet > > Milkweed Hill > > Manxish Boy > > I would certainly hope to see and party with them all, as whomever came up > with these names has a lot better weed than I do. Did not! (Or at least on three of them....I'm not quite sure what Dan Pinkwater smokes, and Robin Williamson undoubtedly was on good stuff) - -- Terrence Marks http://www.unlikeminerva.com ------------------------------ End of fegmaniax-digest V11 #128 ********************************