From: owner-fegmaniax-digest@smoe.org (fegmaniax-digest) To: fegmaniax-digest@smoe.org Subject: fegmaniax-digest V10 #111 Reply-To: fegmaniax@smoe.org Sender: owner-fegmaniax-digest@smoe.org Errors-To: owner-fegmaniax-digest@smoe.org Precedence: bulk fegmaniax-digest Saturday, April 7 2001 Volume 10 : Number 111 Today's Subjects: ----------------- Re: [McLibel] Protesters Hurl Stink Bombs at Paris McDonalds ["Sirloin St] re: Cwz [dmw ] Re: YFF [Eb ] great to be back! ["Renee Haggart" ] Tacky followup to my own post ["victorian squid" ] Mind IS Connected to what? ["Seth Frisby" ] Re: Cowes [grutness@surf4nix.com (James Dignan)] RE: fegmaniax-digest V10 #109 ["Walker, Charles" ] RE: fegmaniax-digest V10 #109 ["Maximilian Lang" ] 3RftS [Glen Uber ] Two Bells: Too sad ["Cynthia Peterson" ] Re: Two Bells: Too sad [Stephen Mahoney ] Vinyl->mp3 [Terrence Marks ] more crap on MTV - literally [Ben ] Milk Cow Blues [Jill Brand ] Re: more crap on MTV - literally ["Maximilian Lang" ] eBay junk ["Dee Adams" ] Re: Milk Cow Blues ["victorian squid" ] Re: eBay junk [recount chocula ] TAB: You've Got a Sweet Mouth -- Help! [overbury@cn.ca] ---------------------------------------------------------------------- Date: Fri, 06 Apr 2001 14:48:52 -0700 From: "Sirloin Stockade" Subject: Re: [McLibel] Protesters Hurl Stink Bombs at Paris McDonalds i, i don't think there can be any doubt that it's me. the problem lies in jeme's and michael's inability to detect and properly analyse voice inflections. anyway, capitalism doesn't really have anything to do with markets. yeah, tad rules! <- he has a cymbal and a wok mounted on a tall springy thing which flips back and forth, nearly hitting him in the head at times.> at some shows he wears a football helmet and lets it crash into his head. by the way, the fellows invited kimberley up onstage during their set to sing Ray Of Sunshine. he makes quite a charismatic front-man! agreed. robyn seems to be in a bit of a bad mood this week. ditto. i think you and i were the only ones! yeah. except for the one night (irving plaza) when they didn't play it. since randi hasn't mentioned it yet. in toronto robyn's guitar was fucking up during Rock And/Or Roll toilet. after some failed attempts at re-wiring, it was finally decided (midsong, mind) to take it away. they actually bungled the changing-of-hands, and dropped it on the floor. anyhow, sans guitar, robyn was free to perform his finest flashdance-asspants moves, and what a sight it was! even better than his grant lee hitchcock dancing. alas, randi had already spent her photo graph allotment by that point, and daniel's friend was changing rolls at the time. yes. some of these people include the bandmembers themselves. just to clarify: the domain name will remain feedthefish.org, but i'm considering changing the title of the page from Robyn Hitchcock Is God, Okay? to Morris Windsor Is God, Okay?. 4/5/01, Pine Street, Portland You'll Have To Go Sideways Queen Of Eyes Tonight Old Pervert My Mind Is Connected To Your Dreams Kingdom Of Love Underwater Moonlight I Wanna Destroy You Human Music Leppo And The Jooves The Bells Of Rhymney Sudden Town Insanely Jealous Rock And/Or Roll Toilet Only The Stones Remain Mr. Kennedy Sleeping With Your Devil Mask The Lizard Face Of Death "You're stiffening up." --Michael Wolfe "Amazing!" --Tom Clark "I stuck it in there, but it doesn't seem to be getting hard." --Chris Franz _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com ------------------------------ Date: Fri, 6 Apr 2001 17:51:48 -0400 (EDT) From: dmw Subject: re: Cwz On Fri, 6 Apr 2001, Eb wrote: > You know, for questions of this nature, you can always go to the CDNow or > Amazon websites and simply type the desired words into the song-title > search engine. Or, better yet, allmusic.com, which won't restrict you to what's in print. Of course, neither would turn up the LB(j) tune. ;) - -- d. This is pretty gross (not the obscene sort of gross, just decidely tasteless), but I found the legalese in it amusing: http://www.sacbee.com/news/calreport/calrep_story.cgi?story=N2001-04-05-1745-3.html - - oh no, you've just read mail from doug = dmw@radix.net - get yr pathos - - www.shoddyworkmanship.net -- post punk skronk rawk = the new thing - - www.pathetic-caverns.com -- books, flicks, tunes, etc. = reviews - - www.fecklessbeast.com -- angst, guilt, fear, betrayal! = rock music ------------------------------ Date: Fri, 6 Apr 2001 15:15:40 -0700 From: Eb Subject: Re: YFF Eddieweddie: ><- he has a cymbal and a wok mounted on a tall springy thing which flips >back and forth, nearly hitting him in the head at times.> > >at some shows he wears a football helmet and lets it crash into his head. Yup, he had the same cymbal gimmick when I saw the Fellows, years ago. Although I *don't* think he used this at the recent Minus 5/YFF show in Hollywood. >since randi hasn't mentioned it yet. in toronto robyn's guitar was fucking >up during Rock And/Or Roll toilet. So, Randi did get to the show? Did she enjoy herself? (There's no telling if she'll get around to posting her own account.) Reap (thank gawd): "Third Rock From the Sun" Eb, wondering if Eddie grasped how monumentally sucky the "That's My Bush" debut was ;) now ehhing: The Shins and Ben Harper ------------------------------ Date: Fri, 06 Apr 2001 15:16:52 -0700 From: "Renee Haggart" Subject: great to be back! after a two-year absence, I've finally rejoined the list! It was great seeing a bunch of you at the Vancouver show--(there's a picture of some of us from the show on the underwatermoonlight page today, I noticed..)sincerely wish we could have gone to Seattle and Portland, too. Eddie, hearing about your tour was very inspirational. Had a fantastic time seeing Robyn again, and now my husband finally really believes me about grayer and older being very sexy indeed. Renee - ------------------------------------------------------------------------ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. ------------------------------ Date: Fri, 06 Apr 2001 15:27:31 -0700 From: "victorian squid" Subject: Tacky followup to my own post I wrote: >At the Portland show, as Gnat has already informed you, he was wearing -those- pants. >Doug cracked "wow, he's not wearing a loud shirt today". Reading this over it seems to me that it might read as tho I don't like the flowered pants. I do. Not only do I like the pants but I admire the guts required to attempt them. Just to be perfectly clear about that. wondering if Michelle knows that Robyn is indomitably gay, Susan Join 18 million Eudora users by signing up for a free Eudora Web-Mail account at http://www.eudoramail.com ------------------------------ Date: Fri, 06 Apr 2001 18:34:57 -0400 From: "Seth Frisby" Subject: Mind IS Connected to what? Huloo.. Just want to second the motion of love towards Mind is Connected, which really hit me well and true when I heard it live. Especially the lines "Where the skull of africa, meets the horn of florida" because since I am a student of Anthropology Skulls from Africa have become more important to me than they should and also because I spent the last month in Florida doing family stuff. So it was one of those dorky moments where you think the artist is singing for you...which I didn't really...but it was affective. The other songs are good too..but that one especially... oh and my favorite Cow song..oh wait I don't have one. I don't like cow songs. Though there are some very hairy and very friendly cows down the road a bit. Maybe i'll write one I like for them. Seth"Cow Crooner"Frisby _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com ------------------------------ Date: Sat, 7 Apr 2001 10:41:07 +1200 From: grutness@surf4nix.com (James Dignan) Subject: Re: Cowes >OK, Bowie mentions cows in "Quicksand," in the lyric "Mickey Mouse >has grown up a cow." > >And I'm sure Jethro Tull probably has a song cycle about milking cows >laying around somewhere.... and no-one's mentioned that cows are even mentioned by the B**tles in "When I get home". The beta band had "The cow's wrong", and stretching a point, the GoBetweens had "Cattle and Cane". But I think that no list of songs with cows is complete without Forest For The Trees' "Infinite cow". A dishonourable mention should also be given to the samled mooing in the song "Bring me Edelweiss" by ghuknowswhuitwasicantremember - were they perhaps just called Moo? James James Dignan, Dunedin, New Zealand. =-.-=-.-=-.-=-.-=-.-=-.-= -=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.-=-.- .-=-.-=-.-=-.-=-.-=-.-=- You talk to me as if from a distance -.-=-.- And I reply with impressions chosen from another time =-.-=-.-=-.-=-.-=-.-=-.-=-.-=-. (Brian Eno - "By this River") ------------------------------ Date: Fri, 6 Apr 2001 12:40:11 -0700 From: "Walker, Charles" Subject: RE: fegmaniax-digest V10 #109 apparently the secret gig at the LArgo isnt so secret anymore. The answering machine now says: "wednesday, mr robyn hitchcock will be here with his friends" - rockin. Largo - Fairfax btwn Melrose and Beverly 323.852.1073 Charles - new to postin' ------------------------------ Date: Fri, 06 Apr 2001 19:10:50 -0400 From: "Maximilian Lang" Subject: RE: fegmaniax-digest V10 #109 If you read the new tour diary on the official web site they played a one off acoustic show the night before Vancouver. Max apparently the secret gig at the LArgo isn't so secret anymore. The answering machine now says: "wednesday, Mr. robyn hitchcock will be here with his friends" - rockin. Largo - Fairfax btwn Melrose and Beverly 323.852.1073 Charles - new to postin' _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com ------------------------------ Date: Fri, 6 Apr 2001 15:53:04 -0700 (PDT) From: Glen Uber Subject: 3RftS On Fri, 6 Apr 2001, Eb wrote: >Reap (thank gawd): "Third Rock From the Sun" Not to start this thread again, but I'm absolutely amazed at how long that show stayed on the air. Now the powers-that-be need to cancel that damn Steven Weber/Chris Elliot farce. How does a man as unfunny as Chris Elliot (see also Tom Green) keep getting work? Cheers! - -g- ------------------------------ Date: Fri, 6 Apr 2001 16:36:53 -0700 From: "Cynthia Peterson" Subject: Two Bells: Too sad Here's the excerpt from the diary: ..... tonight, Robyn, Morris and Scott from the YFF and some others are doing an acoustic set at the 2 Bells not far frm the hotel so I think I'll go along in cub reporter mode and try and photo/bootleg it ..... This must have been either Sunday or Monday, perhaps? You know, it never occurred to me they would come hang out in Seattle for a bit before going up to the Vancouver gig, let alone sneak in a secret Two Bells gig. Not very clever of me, I'm afraid. (I even work mere blocks from the 2B.) I'm in a bit of pain right now -- can you feel it? Cynthia - -----Original Message----- If you read the new tour diary on the official web site they played a one off acoustic show the night before Vancouver. Max ------------------------------ Date: Fri, 6 Apr 2001 16:59:51 -0700 (PDT) From: Stephen Mahoney Subject: Re: Two Bells: Too sad Kimberly Rew( who reminded me of a parody of a rock guitarist much funnier christopher guests) played on stage with the YFF( which was the first time I have ever seen them perform) at the Pine Street Theatre in Portland last night. I had seen Robyn only one other time( a show with the egyptians in the pine street in '88-89). Robyn seemed to be so relaxed and really enjoying himself this time. In '88 he was so concerned with maintaining his surrealist mystique that he was a perfectionist all night long, restarting tunes after a few bars were played, doing dense monologues between songs, and frowning the whole time. Last night, Robyn was smiling interacting with the audience interacting with the opening band, laughing, continuing with Matthew having only three of four strings, continuing with his cough......what a change! What a trooper! - -Stephen"sludgy"mahoney On Fri, 6 Apr 2001, Cynthia Peterson wrote: > Here's the excerpt from the diary: > > ..... tonight, Robyn, Morris and Scott from the YFF and some others are > doing an acoustic set at the 2 Bells not far frm the hotel so I think > I'll go along in cub reporter mode and try and photo/bootleg it ..... > > This must have been either Sunday or Monday, perhaps? You know, it never > occurred to me they would come hang out in Seattle for a bit before > going up to the Vancouver gig, let alone sneak in a secret Two Bells > gig. Not very clever of me, I'm afraid. (I even work mere blocks from > the 2B.) I'm in a bit of pain right now -- can you feel it? > > Cynthia > > -----Original Message----- > > If you read the new tour diary on the official web site they played a > one > off acoustic show the night before Vancouver. > > Max > Quote by Vonnegut: Just because some of us can read and write and do a little math, that doesn't mean we deserve to conquer the universe. Anagram of quote: A masquerade can cover a sense of what is real to deceive us; to be unjaded and not lost, we must, then, determine truth. Stephen Mahoney Multnomah County Library at Rockwood branch clerk stephenm@nethost.multnomah.lib.or.us 503-988-5396 fax 503-988-5178 ------------------------------ Date: Fri, 6 Apr 2001 20:13:23 -0400 (EDT) From: Terrence Marks Subject: Vinyl->mp3 I recently acquired a copy of Mort Garson's Sounds of Ataratia. I'd like to have a copy on mp3. Is one of you with a particularly good vinyl-ripping system willing to help me here? Terrence Marks Unlike Minerva (a comic strip) http://www.unlikeminerva.com The Nice (an organization for comic strips) http://nice.purrsia.com normal@grove.ufl.edu ------------------------------ Date: Fri, 06 Apr 2001 20:51:53 -0400 From: Ben Subject: more crap on MTV - literally http://www.msnbc.com:80/news/555551.asp?cp1=1 ------------------------------ Date: Fri, 6 Apr 2001 21:17:03 -0400 (EDT) From: Jill Brand Subject: Milk Cow Blues It was written regarding the Kinks version of Milk Cow Blues (you rock, Dave D!): Lifted presumably from the Elvis Presley Milk Cow Blues-Boogie, or the Eddie Cochran Milk Cow Blues, which doesn't have the time change but has a better guitar solo by Eddie. And I'm sure they found it on some genuine blues record. Well, shame on my Kinkster soul for not knowing this, but the great 9 zillion page Kinks discography credits one J. Estes for this song. Anyone know who that is? Jill B. ------------------------------ Date: Fri, 06 Apr 2001 21:25:02 -0400 From: "Maximilian Lang" Subject: Re: more crap on MTV - literally Is this the same cable Channel that championed Robyn Hitchcock? Every time I come across the spot where it used to be I get something called CDTV(Carson Daley Television). It`s a channel that seems to talk about the things MTV used to show when it actually existed. Max >From: Ben >Reply-To: Ben >To: "fegmaniax@smoe.org" >Subject: more crap on MTV - literally >Date: Fri, 06 Apr 2001 20:51:53 -0400 > >http://www.msnbc.com:80/news/555551.asp?cp1=1 _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com ------------------------------ Date: Fri, 06 Apr 2001 19:02:28 -0700 From: Tom Clark Subject: On NOW: Re: soft boys special on kfjc As advertised. Friday 7PM PDT. - -tc on 4/5/01 6:59 AM, recount chocula at woj@smoe.org wrote: > no sign of this on the kfjc website yet. can any bayfeg listeners confirm? > >> From: Jennifer Waits >> To: "Woj (E-mail)" >> Subject: soft boys special on kfjc >> Date: Wed, 4 Apr 2001 14:22:50 -0700 >> >> Hi Woj, >> >> How are things? I'm sure this Soft Boys reunion is keeping you busy. I >> wanted to let you know that radio station KFJC will be airing a special >> focused on The Soft Boys this Friday, April 6th from 7-10pm (california >> time)...For SF Bay Area fegs, that's at 89.7FM...For everyone else, visit >> http://www.kfjc.org. >> >> Thought you'd like to know... >> >> jennifer ------------------------------ Date: Fri, 06 Apr 2001 22:13:13 -0400 From: recount chocula Subject: basement-life.com interview It's St. Patrick's Day closing in on 10pm in the Austin Music hall, during the frenzied SXSW music conference. The venue is hosting the Matador showcase, featuring the newly reformed Soft Boys, Mogwai and Stephen Malkumus. The huge hall, a giant barn-like structure, is swarming with humanity. The place is full, but not packed; maybe a fourth fewer heads than at the Ryan Adam's rawk and roll show the night before. The respectful crowd, buzzing but not on fire, waits as the roadies and other techs finalize the stage for the Soft Boys, looking much like the construction workers from Fraggle rock. It's nearly time for the fabled band to take the stage, the first public performance of the band that produced the seminal Underwater Moonlight, in over twenty years. There has been a good buzz about the show, both word of mouth and in the Austin Chronicle which has produced an amalgamated audience composed of the curious, the converted and the ambivalent, people waiting for their favorite band to grace the stage. The lights go down. People are yelling in anticipation, some clap unconsciously, but something is not quite right . . . Robyn Hitchcock, speaking from his Detroit Hotel room eleven days later, explains the first strained moment of their triumphant return: "There were a bit of technical problems at the beginning . . . We were going to walk on one by one and start playing and somewhat immaculately Moris went on and then Matthew went on but his amp didn't work and it was going to be me next but Kimberly went on instead and started playing because Matthew was inaudible. So I got there and my guitar wasn't on either. So there we were, for the first time in twenty years and half of us were dead sound-wise." The show is good - not great, the crowd trying hard to find a reason to dance in place. The sound is tinny and the Boys are dwarfed by the stage - Hitchcock and Rew may as well be in different venues - there is that much space between the musicians. Kimberly Rew, with an almost cliched English drawl, gives his two cents about the show: "Um The stage was kind of full of equipment belonging to other groups. The whole place was like a huge barn. It was a festival gig really. And it was also our first gig. So it was not totally bulletproof on that stage. The audience is there to see a number of bands in different styles and you get on and you get off very quickly. And it's your first gig, as opposed to now where it's the Soft Boys audience and it's your call. You see a lot of smiling faces." To be fair, it is the first time this incarnation of the Soft Boys has played live in twenty years. One must remember also that the band; Robyn Hitchcock, songwriter, guitar and vocal, Kimberly Rew, lead guitar, Matthew Seligman bass and Morris Windsor, drums are touring behind a seminal but obscure album released in 1980. A record that was out of print until Matador and the band decided to re-release Underwater Moonlight. Rewind to England 1980 Punk is king. Harmony and musical acumen are punishable offenses. Hitchcock and the Boys playing smart funny complex music, touched by Syd Barrett and the Byrds, to just give an overview of the sound, were woefully out of step with the Punk revolution. When I asked Robyn about a general punk audience's reaction to a soft boys show, he spits bile. "Punks spat at you if they liked you and they spat at you if they didn't. I'm a physically timid person and I didn't like having the microphone smashed in my mouth and being menaced by people in the audience. It was a dragI'm a musician, not a street fighter. The whole thing was bogus. It was all engineered by middle class people pretending they weren't . . . It just became a product but a rather brutal product." Hitchcock nicely sums up the situation in the comprehensive liner notes for Underwater Moonlight written by David Fricke. The quote reads: "We were the wrong ship on the wrong planet." Hitchcock's twenty plus year career has always reflected an insular sensibility, seemingly unaffected by trends in popular culture. Beginning with the quasi-psychedelic The Soft Boys in the late seventies, Hitchcock and crew were making music that forecasted "alternative" music of the mid to late eighties, rather than reflecting punk. It's a familiar story, the band, out of step with other musical happenings, was largely missed in its time. Playing only songs from the wonderful but largely interior Underwater Moonlight in the cavernous hall was a two-fold mistake. While the band played their hearts out, Kimberly Rew resembling a Muppet version of Nigel Tufnel from Spinal Tap, bopping up and down and displaying great chops and high energy, the song selection and the venue choice didn't do justice to this great old band. Unfortunately the Soft Boys were a mere blip on the rock and roll radar, quietly dissolving in 1981. Hitchcock attests: "I don't think anyone even noticed when we split up". Fortunately they left behind a brilliant gem, "Underwater Moonlight". This album, while never a financial success, refused to die, and this document of the band and their music when on to inspire many a young musician. Like the Velvet Underground and Big Star, the Soft Boys music, especially "Underwater Moonlight" would not go away. Only years later when bands like REM paid homage to Hitchcock and the Soft Boys, in part by taking Hitchcock on the road for their Green tour, did the band and the man begin to get their due. Underwater Moonlight itself is something to behold. To quote again from Fricke's erudite liner notes, "We can listen to these songs nowand wonder why the world did not freeze in astonishment. The audacious opening of "I Wanna Destroy You," a sunlit whirl of guitars coated in Beach Boys vocal chrome; "Kingdom of Love," a sweet slap of sexual tension and exploding-Byrds chorales; the way Hitchcock wired the emotional electricity and metaphor of Syd Barrett and '66 Bob Dylan into his own rich language of love and self-examination." The re-issue features the album proper, an album length compilation of outtakes, and another album's worth of rehearsal tapes. It is a two CD three LP celebration of Underwater Moonlight and that incarnation of the band. It was recorded for very little money, something in the rage on 700 pounds; it is an idie masterpiece before that term even existed. The Trouser Press Record Guide writes this about the album: "Underwater Moonlight is one of the new waves' finest half-dozen albums and unquestionably its most unjustly underrated one." Robyn remembers those days of drudgery and uses imagery of a salmon swimming upstream to describe those day. "It wasn't easy. It wasn't just to do with us. It was to do with the circumstances. It was a pretty wretched existence. It's a bit like celebrating being out of jail for twenty years. We didn't have any fun. We certainly some fun in the Egyptians days. But I remember the Soft Boys days, we were luck if we had a free pint of beer. All the perks that the other bands had, we didn't have any of that stuff. Various forms of glory and ways of sticking your snout in the rock and roll trough were not available to us. And it was pretty ignominious." But now all that toiling and getting booed of the stage for properly harmonizing has come full circle. Matador has championed the album, and the band is getting better each show, now more than half way through their sixteen stop state side tour. The band then goes on to play nearly ten shows in Europe, and an extended European tour is rumored. Hitchcock doesn't try to quash the idea that the band may release new material. They played a new song called "Sudden Town" in Austin, and he says its more a matter of what format the band will choose to release the material they have already written, as well as music yet to come. "We've recorded quite a lot of it," says Hitchcock. Its just a question of whether it comes out as a live record or an mp3 or a vinyl only disk or if it goes to a label or through our web site. You know in the old days you made LPs and that was it. 'Your up for a record deal.' Now there are so many more options." "That was part of the appeal for me to do this tour was to have access to the band, to this particular group to arrange and play some new songs with rather than just going through I Wanna Destroy You and He's a Reptile. We spent most our rehearsals actually arranging stuff rather that going through old songs. I think if there hadn't been any creative juice left in the battery we wouldn't have done very much. It would have been doing a couple of shows, a sort of hall of fame thing . . . For us we are not re-creating anything or reliving anything, we are very much carrying on from where we left off, but we've had a decent break. We haven't been rammed down each other's throats." Apparently a decent break to Hitchcock is no less than twenty years. Hitchcock was very much down to business during our conversation. It seemed like he would much rather be eating a sandwich or combing his hair, very much different that surrealist jokester he presented last time we spoke. But there was a glimmer of the Flesh Cartoon behind our factual conversation. At one point he was describing the month of rehearsals that preceded the tour. The band rented a place the band had used before to make music, and for a moment Robyn lost track of him: "I looked in the mirror. I saw myself as one a middle-aged man. I saw me first and then I looked around and there we were as if we had been put into a trance twenty years ago, playing the same song, and we suddenly come to as middle-aged men. Sometimes it seems like that. But it's all changed a lot really. The energy currents in the group have changed and the climate has changed, very much in our favor. We seem to be welcomed for doing the same things that we were mistrusted for twenty years ago." ------------------------------ Date: Fri, 06 Apr 2001 22:01:08 -0400 From: "Dee Adams" Subject: eBay junk Just wondering why a feg, who could get copies of this stuff anytime, and for free, would give away $56 for a CD which is obviously not the "rare import" it is advertised to be? http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1420983816&r=0&t=0&showTutorial=0&ed=986567905&indexURL=0&rd=1 _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com ------------------------------ Date: Fri, 06 Apr 2001 19:56:37 -0700 From: "victorian squid" Subject: Re: Milk Cow Blues >Well, shame on my Kinkster soul for not knowing this, but the great 9 >zillion page Kinks discography credits one J. Estes for this song. Anyone >know who that is? Sleepy John Estes. Susan bored with time on my hands today Join 18 million Eudora users by signing up for a free Eudora Web-Mail account at http://www.eudoramail.com ------------------------------ Date: Fri, 06 Apr 2001 23:21:08 -0400 From: recount chocula Subject: Re: eBay junk when we last left our heroes, Dee Adams exclaimed: >Just wondering why a feg, who could get copies of this stuff anytime, and >for free, would give away $56 for a CD which is obviously not the "rare >import" it is advertised to be? 'cos john partridge has a congenital obsessive/compulsive disorder when it comes to anything robyn-related. ;) woj n.p. http://netcast.kfjc.org:80/x.mp3 ------------------------------ Date: Sat, 7 Apr 2001 00:12:39 -0400 From: overbury@cn.ca Subject: TAB: You've Got a Sweet Mouth -- Help! If anyfeg out there knows how to tune for "You've Got a Sweet Mouth On You, Baby", I could use the help. I've come close with double drop-D capoed up two frets, but it's still just a bit stretchy, even allowing for Robyn's unfortunate tallness. I'd like to pick this one with Mike at Kool Beanz, and it'd sure be nice if I could tune so that it's easy to play. Please reply off-list, because I'm unsubbed for now. Anybody got YGASMOYB anywhere near worked out? I don't need tab if nobody has it ready -- just the tuning. ------------------------------ End of fegmaniax-digest V10 #111 ********************************