From: owner-fegmaniax-digest@smoe.org (fegmaniax-digest) To: fegmaniax-digest@smoe.org Subject: fegmaniax-digest V7 #435 Reply-To: fegmaniax@smoe.org Sender: owner-fegmaniax-digest@smoe.org Errors-To: owner-fegmaniax-digest@smoe.org Precedence: bulk fegmaniax-digest Saturday, November 21 1998 Volume 07 : Number 435 Today's Subjects: ----------------- (no subject) [jlynn ] Jewels for Sofia [Nigel.Jarman@frco.com] [Fwd: [RTLIST] Robyn Hitchcock on Launch] [Ben ] Typo ["Scott (Ferris) Thomas" ] J song [Russ Reynolds ] Beware The Queen of Ides [griffith ] fwd: J song [Russ Reynolds ] Re: Beware The Queen of Ides [overbury@cn.ca] Beating Morrissey to Death (2% RH) [MARKEEFE@aol.com] Re: time warps, Mozzer, Thommo, rule of the majority, and GARTH [Mike Run] Storefront Hitchcock: Rent out a theater??? ["John B. Jones" ] Mercury Lounge Show [Ultaltwavr@aol.com] Re: Storefront Hitchcock: Rent out a theater??? [Capuchin ] Re: Storefront Hitchcock: Rent out a theater??? [hal brandt ] Re: The Monsters of fegMANIAX! Tour! [Terrence M Marks ] Re: Lemmy and Robyn [Chris32672@aol.com] ---------------------------------------------------------------------- Date: Thu, 19 Nov 1998 22:46:24 -0500 From: jlynn Subject: (no subject) Anyone worked out the tabs/chords to 1974 and Neitzches? J ------------------------------ Date: Fri, 20 Nov 1998 03:52:18 -0600 From: Nigel.Jarman@frco.com Subject: Jewels for Sofia Whatever happened to 'Jewels for Sofia'? It was one of my favourite tracks of last year. I heard Robyn sing it at several live gigs last year, and even managed to get a grotty recording of it on the Isle of Wight. I was expecting it to turn up on Storefront Hitchcock, but it isn't on the UK CD. (Which I think is great by the way.) Will it be on the Vinyl version (which I have ordered) Does anybody know if it was even sung at that session? Does anybody have a studio recording of this track? I would love to get a good recording of this. Can anyone MP3'ize it and stick it somewhere I can download it? P.S. Now I have my Z song 'Zipper in My Spine' all I need is a J song to complete my A-Z. Cheers, Nigel Jarman ------------------------------ Date: Wed, 18 Nov 1998 23:54:30 -0500 From: Ben Subject: [Fwd: [RTLIST] Robyn Hitchcock on Launch] >From the Richard Thompson list: > The new issue of Launch has video segments of Robyn H. and Jonathan Demme > talking about Storefront Hitchcock, the new film. There's also a video of > Robyn H. perfoming a song about cheese... > > /T. > ------------------------------ Date: Thu, 19 Nov 1998 06:51:46 EST From: Sooshii@aol.com Subject: dan, the living and the dead >---i missed the side break about three-quarters of the way through. >why? because i'm a FUCKING imbecile, that's why. check that. i'm a >motherfucking imbecile on a motherfucking stick. and somebody oughta >blow my miserable ass sky fucking high. then we could speak well of you. hey, thanks for the great details. much appreciated! Susan ------------------------------ Date: Fri, 20 Nov 1998 11:45:41 -0500 (EST) From: Gary Assassin Subject: Re: don't even begin... > Number of Indian Restaurants within 100 Miles of My House: None, unless > you count the Cherokee Burger over at Big Chief's . . . . oh, wait. Um . > . . a lot, I guess. Sorry. > Why This is Relevant: Because we are all meeting at an Indian Restaurant > for the Secret Robyn Show, Yaaaaay! So, are we meeting at an Indian restaurant more than 100 miles from your home? That seems a little drastic to go that far just have have dinner before the show. It will take a long time to back back for the Robyn show, so you better plan dinner for 5pm or so. ------------------------------ Date: Fri, 20 Nov 1998 12:26:46 -0500 From: "Scott (Ferris) Thomas" Subject: Typo From the AlbumReviews site.... "The set featured Hitchcock's own compositions as well, including "Viva Sea Tac" and "Queen of Ides."" To go all the way to get 'Sea Tac' right, only to botch 'Eyes?' What a shame. Not a horrible review, however. See y'all (or some of y'all...hopefully) at the Merc. - -f. __________________ F. S. Thomas programmer FUNNYBONE Interactive fthomas@cendantsoft.com For decades we always heard that if you gave a million monkeys typewriters and let them bang away on the keyboard that they would ultimately type the complete works of Shakespeare. The Internet has proved that this is not so. ------------------------------ Date: Fri, 20 Nov 98 10:27:00 -0800 From: Russ Reynolds Subject: J song Nigel sez: >P.S. Now I have my Z song 'Zipper in My Spine' all I need is a J song to >complete my A-Z. Jooves, Leppo And The ------------------------------ Date: Fri, 20 Nov 1998 10:34:25 -0800 (PST) From: griffith Subject: Beware The Queen of Ides From SonicNet: Robyn Hitchcock Opens 'Storefront' With R.E.M. Singer/songwriter does mini-sets with members of Athens, Ga., superstar pop group at film opening. Contributing Editor Brian Hiatt reports: NEW YORK -- The sight of two men standing on a West Village sidewalk playing folk songs Wednesday night was nothing out of the ordinary -- street musicians, after all, are nearly as omnipresent as taxis in New York City. But then again, Robyn Hitchcock and Peter Buck aren't your typical buskers, even if, in time-honored fashion, they did lay a hat down on the sidewalk to receive donations from the small but rapt crowd gathered in front of the Film Forum theater on West Houston Street. "Have you ever seen your head the size of the bus?" -- Robyn Hitchcock Surrealist pop singer/songwriter Hitchcock gathered with Buck and Michael Stipe, two-thirds of the chart-topping pop-act R.E.M., to celebrate the official premiere of his new concert film, "Storefront Hitchcock." The film and recently released soundtrack album document a Hitchcock performance in front of a storefront window in Manhattan. "We've played with each other for 13 years. We've got interchangeable guitar styles; we probably have a lot of the same records," Hitchcock said of his performance with Buck. "We haven't rehearsed at all." The evening's celebration even included several short sets of tunes by both Hitchcock and R.E.M., as well as a few well-chosen covers, for a small, and lucky, group of fans and friends. The sets included Hitchcock and guitarist Buck doing a short busking stint -- which had the duo performing Hitchcock's "Chinese Bones" before the film began -- complete with the requisite upturned hat for donations, in front of the Film Forum theater. The film, which includes the Hitchcock song "The Yip Song" (RealAudio excerpt), had just finished playing inside. "Have you ever seen your head the size of the bus?" Hitchcock said of seeing himself on the silver screen. "It's quite unusual to be that size." Most of the small-but-rapt crowd of Hitchcock fans, film buffs and celebrities watching the high-profile buskers had come straight from the theater, but a few curious passersby also joined the impromptu gathering. One crowd member, Chelsea Miller, a 23-year-old from Long Island and a fan for years of Hitchcock's and Buck's music, said that it was overwhelming to see them both in such an intimate setting. "It was really incredible. Hitchcock really connects with his audience," Miller said. "All these people [watching] are so jaded to music, but you can tell that they're blown away." Buck, who wore a long safari coat, brown pants and Converse sneakers, strapped on a six-string mandolin, while Hitchcock, in a collarless black coat worn over a checkered shirt, wielded a Martin six-string acoustic guitar. Despite a complete lack of amplification, and little-to-no rehearsal time, they managed to play a remarkably polished, if short, outdoor set in the 40-degree weather. They even took requests, playing Bob Dylan's "You Ain't Going Nowhere," and the folk standard "Wild Mountain Tide," a song made famous by folk/rock pioneers the Byrds. The set featured Hitchcock's own compositions as well, including "Viva Sea Tac" and "Queen of Ides." R.E.M. lead singer Stipe, standing in the shadows behind the duo with a black scarf half-covering his eminently recognizable face, seemed to be enjoying the performance. But when Hitchcock and Buck gestured for him to join them, he firmly declined. When another pop icon, pioneering avant-garde rocker Lou Reed -- impossible to miss in his trademark rimless glasses and black leather jacket -- walked out of the theater, he grinned at Buck and Hitchcock, but didn't stick around to watch. The crowd, which also included "Storefront Hitchcock" director Jonathan Demme ("Silence of the Lambs," "Philadelphia"), showed its appreciation with both raucous applause and the occasional dollar bill; it looked like the duo pulled in at least seven bucks. "It just seemed so natural. That was the best part of it," New Yorker Josie Diels, 26, said of the performance. As the duo ended their set, Hitchcock said, "Well, we're off to get drunk." He and Buck, along with Stipe and other insiders, adjourned to the chic Bar Cichetti across the street. Inside the tiny confines of the upscale restaurant, Buck briefly took over on the guitar that Hitchcock had been playing, as he and Hitchcock worked through a song that revealed itself to be R.E.M.'s "Electrolite" (RealAudio excerpt), from 1996's New Adventures in Hi-Fi. Stipe, dressed in a green-striped, short-sleeved polo shirt, walked over to the duo and harmonized with Hitchcock on a quiet run-through of a couple of verses of "Electrolite." It seemed more like a rehearsal than an actual performance, but there was still scattered applause from the restaurant's hipster denizens as Buck put the instrument away and the trio sat down to dinner. But the evening's music was far from over. According to Rick Gershon, head of the publicity department at Warner Bros. Records, Stipe, Hitchcock and Buck later performed a mini-gig in the restaurant. At the suggestion of the establishment's owner, they stood atop an antique bureau and ran through Hitchcock's "Listening To The Higsons," the Byrds' arrangement of the traditional "Bells of Rhymney," Johnny Kidd's "Shakin' All Over," complete with impromptu lyrics, and "Electrolite." Before performing "Electrolite," Hitchcock mentioned to Stipe that he'd like to share the vocals -- but that he needed help with the lyrics. Stipe went to the bar and scrawled out the lyrics longhand for his friend. In a rare public performance on the instrument, the typically guitar-shy Stipe even briefly played Hitchcock's six-string, Gershon said. "Spontaneity is key for everything we want to do now," Buck said of R.E.M.'s plans. "What we want to do is play live, but also do creative work: write new songs for a new album -- which will happen -- and do soundtracks, that kind of thing." While the after-hours crowd mostly was made up of industry insiders associated with Hitchcock, R.E.M. and Demme -- at least one interloper quietly was asked to leave the restaurant -- one couple who was still eating when the entourage arrived managed to sit quietly in a back corner for the whole show, Gershon said. "They were mildly surprised," he said, "and well-entertained." (Staff Writer Chris Nelson contributed to this report.) = = = = = = = = = = = = = = = = = = = = = = = = = = = = Griffith Davies hbrtv219@csun.edu ------------------------------ Date: Fri, 20 Nov 98 10:50:00 -0800 From: Russ Reynolds Subject: fwd: J song ======== Original Message ======== Nigel sez: >P.S. Now I have my Z song 'Zipper in My Spine' all I need is a J song to >complete my A-Z. Jooves, Leppo And The ======== Fwd by: Russ Reynolds ======== okay, a more serious answer... "Just Like Tom Thumb's Blues" from the "Royal Queen Albert" promo ------------------------------ Date: Fri, 20 Nov 1998 14:12:22 +0000 From: overbury@cn.ca Subject: Re: Beware The Queen of Ides > NEW YORK -- The sight of two men standing on a West Village sidewalk > playing folk songs Wednesday night was nothing out of the ordinary -- > street musicians, after all, are nearly as omnipresent as taxis in New > York City. > > > But then again, Robyn Hitchcock and Peter Buck aren't your typical > buskers, even if, in time-honored fashion, they did lay a hat down on the > sidewalk to receive donations from the small but rapt crowd gathered in > front of the Film Forum theater on West Houston Street. > Wouldn't that have made for an interesting scene in Storefront Hitchcock? - -- Ross Overbury Montreal, Quebec, Canada email rosso@cn.ca ------------------------------ Date: Fri, 20 Nov 1998 14:56:47 EST From: MARKEEFE@aol.com Subject: Beating Morrissey to Death (2% RH) In a message dated 98-11-20 00:46:13 EST, Miles wrote: << 1) The "sulky teen melodrama" present on every Morrissey release becomes much more effective when it's surrounded by livelier pieces that contrast with it, instead of by ten other "sulky teen melodrama" songs. >> Maybe I just don't like those two songs on "Queen is Dead" ("Never Had No One Ever" and "I Know It's Over") . . . cuz I agree, in principal, with what you're saying. Balance is good. Then again, "Queen is Dead" doesn't come off as balanced to me. Rather than walking a fine line, I think of it as jumping back and forth on either side of the line. For the most part. I mean, it's not as if I don't like this album at all. It just seems to eratic to me to be the masterpiece that it's praised as being. << 2) One man's "bipolar" is apparently another man's (namely me!) "varied." Can't see what's wrong with doing an album that has a variety of moods and sounds. >> Oh, I like variety just fine. I just find it hard to switch from "gazing out the window forlornly instead of doing my algebra" to "dancing around the house" every few minutes. There's plenty of room for variety on an album without having to make such drastic switches. "Globe of Frogs," for instance! << 3) Singers with a limited range, like the Mozzer and Natalie Merchant, become dreadfully boring if the music behind them is samey (see MEAT IS MURDER, KILL UNCLE, VAUXHALL & I >> Well, I feel luke warm about "Meat is Murder," but it's never sounded samey to me. Patchy, if anything. Or maybe just not really good. "Kill Uncle" is definitely samey. "Vauxhall" is one of my favorite albums, so I don't think of it as samey at all. "Now My Heart is Full" is nothing like "Spring-Heeled Jim," which is nothing like "Lifeguard Sleep, Girl Drowning," which is nothing like "Speedway." Okay, 3 or 4 songs in the middle are all mid-tempo and poppy, but that kind of anchors the album, in my eyes. Then again, one person's "anchored" is probably another person's "samey." - ------Michael K. ------------------------------ Date: Fri, 20 Nov 1998 15:10:41 -0500 From: Mike Runion Subject: Re: time warps, Mozzer, Thommo, rule of the majority, and GARTH This may have come across funky last time, so I'm reposting. Damn this email program... Miles said: >Mike's kids have a chance to learn from his example > and as a consequence might develop their own musical idiosyncrasies as they > get older; most kids are raised by parents whose music collections consist > entirely of Garth, the Eagles, and the odd hair-band "best-of" album kept > for nostalgia's sake, and if they met you at your high school reunion, > they'd still say "you're that guy who listened to all that weird shit." I really makes you wonder. When I was growing up, my parents idea of music was Hee-Haw once a week, and cheezy variety shows like Donny & Marie and Sonny & Cher. (Thank god no Laurence Welk though!). Their record collection consisted of: a few Glen Campbell and Mel Tillis albums, a slew of weird 70'sraunchy funky black underground albums on 8-track (don't ask...something my dad got a kick out of), and one Little Drummer Boy Christmas record. The radio stayed mainly in the off position, but when it was on, it was either on horrid local country stations or something akin to 60's lite rock. My initiation into anything remotely pop or rock or whatever was somewhere between 1978 and 1980, between the Grease soundtrack and summer mornings sweeping the pool listening to American Top 40. Ugh...I'm cringing...someone get me a blanket! So yeah, it does all just keep coming around, the same old thing, and somewhere along the line, some of us branch out and pursue music as more than just something to fill the silence. Actually, despite their grumblings, I think my kids are well on their way to a deep and idiosyncratic appreciation for music. Hell, my 15 year old daughter Holly continually is blasting that infernal Milk Motel something album everytime she takes a shower! Plus her cooler that cool parents sit around every night playing Robyn Hitchcock and Patsy Cline covers on guitar. What could be better? Back to you, Mike ------------------------------ Date: Fri, 20 Nov 1998 13:21:52 -0800 From: "John B. Jones" Subject: Storefront Hitchcock: Rent out a theater??? I can't tell you how annoyed/depressed I am that "Storefront Hitchcock" is not going to see general release. There is a quote from Robyn on the official page that says, "If you want to see the movie, write to MGM." Has anyone considered starting up a write-in campaign? I'm a bit cynical when it comes to the david vs. goliath battles in today's capitalistic society. BUT, on a more realistic note, I read in The Oregonian today of a movie theater that you can rent out for private screenings for FIFTY DOLLARS!! (Portland fegs: it is the Roseway Theater on NE 72nd avenue and Sandy Boulevard--I'm sure its old and crumbling....) How plausible would it be to see if we could procure the film for viewing in our individual cities?? NW fegs, can you picture all of us in our own little theater, singing along, throwing popcorn, dressing up like our favorite Storefront Characters? (I want to dress up as the cone)? heh heh Storefront Hitchcock Picture Show!! I would imagine that Robyn and Jonathan want this movie to be seen on the big screen, and not just on our little dinky 13, 15, 17" tvs. Any thoughts would be appreciated. - -jbj ------------------------------ Date: Fri, 20 Nov 1998 16:19:42 -0600 From: amadain Subject: Re: Beware The Queen of Ides >Wouldn't that have made for an interesting scene in Storefront >Hitchcock? Perhaps they could have jazzed things up a bit with the Wild Mountain Tide. Between that and the Queen of Ides you might have a decent idea for a disaster flick. Love on ya, Susan ------------------------------ Date: Fri, 20 Nov 1998 17:09:22 EST From: Ultaltwavr@aol.com Subject: Mercury Lounge Show Hi all, I was putting my ticket in my pocket for the midnight show at the Mercury Lounge, looked at it, and it said "Fri 20 Nov 98 12:15 AM". I ignored it at first, finally telling it to be quiet since I was giving it away at midnight and didn't want to start a relationship. ... sorry, anyway, wouldn't the show have been last night with that date and time? What if Robyn gave a concert and all the literal people showed up 24 hours early? ... or perhaps he is much more literal than we all imagined and played a concert to bemused clubgoers last night... wasting our time, Steve ------------------------------ Date: Fri, 20 Nov 1998 15:29:39 -0800 (PST) From: Capuchin Subject: Re: Storefront Hitchcock: Rent out a theater??? On Fri, 20 Nov 1998, John B. Jones wrote: > BUT, on a more realistic note, I read in The Oregonian today of a movie > theater that you can rent out for private screenings for FIFTY DOLLARS!! > (Portland fegs: it is the Roseway Theater on NE 72nd avenue and Sandy > Boulevard--I'm sure its old and crumbling....) How plausible would it be > to see if we could procure the film for viewing in our individual cities?? > NW fegs, can you picture all of us in our own little theater, singing > along, throwing popcorn, dressing up like our favorite Storefront > Characters? (I want to dress up as the cone)? heh heh Storefront Hitchcock > Picture Show!! Oddly enough, I'm pretty sure you can do the same thing at The Clinton Street Theater (already home to Rocky Horror for so long). I've had many informal chats with the guy that owns the place and he says he's usually happy if on a two day run of a film, he can get thirty people to show up. Don't you think we can do better than that with Storefront? However, the question is "how many prints of Storefront Hitchcock are in existence?" Prints are pretty spendy to make and I'm sure if they've only got one or two, rental is huge. We really ought to look into it, though. Je. ________________________________________________________ J A Brelin Capuchin ________________________________________________________ ------------------------------ Date: Fri, 20 Nov 1998 15:33:52 -0800 (PST) From: Carole Reichstein Subject: oil, acrylic or watercolor? I just checked out 2 of Robyn's paintings (owned by Jefferson Holt & Peter Buck, respectively) on www.robynhitchcock.com. These two are oils, but has Robyn *always* used oils for his paintings (I know only of the ones on his cd covers), or does he use other mediums? I could've sworn that "Gotta Let this Hen Out" and "Globe of Frogs" are watercolors, but maybe it's just the light colors that throw me off. Any suggestions/answers? Idle thoughts on a blustery November afternoon. Carole ------------------------------ Date: Fri, 20 Nov 1998 19:06:00 EST From: MARKEEFE@aol.com Subject: Re: Storefront Hitchcock: Rent out a theater??? I'll pitch in! John, if you can figure out to whom we should be sending emails, I'll jump on the bandwagon. I'd also pitch in a few bucks for the renting of the theater (although it sounds scary!). But what'll it take to get the movie here? How much $$$$? Maybe if enough Northwesterners wrote in, Robyn and Demme would just screen it in Seattle or something. I know we'd all drive up there for that (more realistic a journey than down to San Fran was for me at the time). Good idea, John. Keep it rolling! - ------Michael K. ------------------------------ Date: Fri, 20 Nov 1998 20:25:51 -0500 (EST) From: Gary Assassin Subject: Re: Mercury Lounge Show Shit! I should have made that observation. Fuck! I'm the only one so anal that people would expect it. I salute you. ------------------------------------ If you have a condom and sunscreen SPF 15 or greater, than it's safe to look at http://www.panix.com/~gsa/index.html On Fri, 20 Nov 1998 Ultaltwavr@aol.com wrote: > Hi all, > > I was putting my ticket in my pocket for the midnight show at the Mercury > Lounge, looked at it, and it said "Fri 20 Nov 98 12:15 AM". I ignored it at > first, finally telling it to be quiet since I was giving it away at midnight > and didn't want to start a relationship. ... sorry, anyway, wouldn't the show > have been last night with that date and time? What if Robyn gave a concert and > all the literal people showed up 24 hours early? ... or perhaps he is much > more literal than we all imagined and played a concert to bemused clubgoers > last night... > > wasting our time, > > Steve > ------------------------------ Date: Fri, 20 Nov 1998 18:37:10 -0700 From: hal brandt Subject: Re: Storefront Hitchcock: Rent out a theater??? John B. Jones wrote: > > I can't tell you how annoyed/depressed I am that "Storefront Hitchcock" is > not going to see general release. Me, too. After digesting the CD and LP, I am chomping at the proverbial bit to see the film. I don't want to see it first on home video. I want to go to my favorite art house (The Mayan here in Denver with a beautiful restored interior) and see it on the silver screen with other fans. Annoyed/depressed sums it up. > on a more realistic note, I read in The Oregonian today of a movie > theater that you can rent out for private screenings for FIFTY DOLLARS!! > Any thoughts would be appreciated. How much to procure a print of the film for one nights/weeks showing, I wonder? If your local theatre has not scheduled the film due to lack of distribution, how would a copy be aquired and what would be the co$t? /hal still playing: The John Lennon Anthology ------------------------------ Date: Fri, 20 Nov 1998 16:19:30 -0800 (PST) From: Capuchin Subject: The Monsters of fegMANIAX! Tour! I think we should just form a concert promotion comittee and run our own Lollapalooza!-like tour/festival. OK, so maybe it'd play at clubs instead of fairgrounds and stadiums, but it'd be grand! Robyn Hitchcock. Dan Bern Neutral Milk Hotel and various local/independent supporting acts! Huh? Who's with me? We could bring along a print of Storefront Hitchcock that will travel with our Advance Man In The Field, who'll arrange a theater screening the night before each gig. I think it'd be a success, undoubtedly. 45 cities in two months. August-September '99. Your last chance to see good music before the big number rolls to 2! I think we could pull it off and probably even profit. What say you? - -- the grandeurous delusional mind of a bored monkey on Friday afternoon. ________________________________________________________ J A Brelin Capuchin ________________________________________________________ ------------------------------ Date: Fri, 20 Nov 1998 21:57:19 -0500 (EST) From: Terrence M Marks Subject: Re: The Monsters of fegMANIAX! Tour! > OK, so maybe it'd play at clubs instead of fairgrounds and stadiums, but > it'd be grand! > > Robyn Hitchcock. > Dan Bern > Neutral Milk Hotel > > and various local/independent supporting acts! The Monkees! They aren't doing anything else at the moment. Terrence Marks normal@grove.ufl.edu ------------------------------ Date: Fri, 20 Nov 1998 23:29:24 -0500 (EST) From: Thomas Rodebaugh Subject: gripe i mostly just lurk, but i just read two digests, and they made me laugh, so i thought i'd contribute something. even if it is just bellyaching, you are probably the only people who are likely to understand the extent of my pain on this matter: my girlfriend, who is in oxford, has a chance to see robyn perform and then a showing of storefront, at a theater that's maybe twenty minutes of walking from her flat. and she *doesn't care*, because she doesn't much like robyn. (now i know the topic has come up before--i know there are others out there with sig others who care not for robyn. is it time for another such thread? or will this lurker be ignored?) that said, my pain comes mostly from the fact that not only am i away from my girlfriend, but once again my girlfriend is in a better position than i am to be near really neat things (in my opinion) that she is fairly indifferent to (it happened before, with martin amis giving a talk). i would say it was ironic, but that's not really what it is. so i'm wondering, does anyone have any information about whether or not storefront will be distributed anywhere besides NY? if there is no information, wildly unlikely theories will do. wishing he were closer to oxford, or failing that, NY, tom ************************************************************************ *d a t a c o l l e c t i o n n o w a t 1/3!!!!!!* ************************************************************************ ------------------------------ Date: Fri, 20 Nov 1998 23:16:38 EST From: Chris32672@aol.com Subject: Re: Lemmy and Robyn Lemmy to Robyn ? EASY!!! Try Non to the Spice Girls!!!! ------------------------------ End of fegmaniax-digest V7 #435 *******************************