From: owner-fegmaniax-digest@smoe.org (fegmaniax-digest) To: fegmaniax-digest@smoe.org Subject: fegmaniax-digest V7 #183 Reply-To: fegmaniax@smoe.org Sender: owner-fegmaniax-digest@smoe.org Errors-To: owner-fegmaniax-digest@smoe.org Precedence: bulk fegmaniax-digest Friday, May 8 1998 Volume 07 : Number 183 Today's Subjects: ----------------- Tork Bangs Lou ["Chaney, Dolph L" ] Re: March of the Wooden Soldiers [M R Godwin ] Re: muddled and amateurish [M R Godwin ] Eno - one more time [Ethyl Ketone ] Re: muddled and amateurish [Mike Runion ] Re: absolutely no NMH content [Christopher Gross ] Re: takin' the Eb bait [M R Godwin ] Fer Sale ["T. DiSandro" ] tape request [Brodyjean ] ONE WEEK UNTIL RMAT TRIVIA CONTEST [Jim_Neill@rhinorecords.com (Jim Neill] Re: san fran travelogue [DElaineMcD ] byn Rules! [JH3 ] D# (totally off-topic) [Eb ] Re: san fran travelogue [Mark_Gloster@3com.com] Haven't heard a word! [hal brandt ] Re: i remember eno [kenster@MIT.EDU (Ken Ostrander)] ---------------------------------------------------------------------- Date: Fri, 8 May 1998 08:24:55 -0400 From: "Chaney, Dolph L" Subject: Tork Bangs Lou I bet Lester Bangs (considering his love-hate critical relationship with Lou Reed) is alternately laughing his head off and screaming in horror in his grave that somebody thinks Peter Tork is a better lyricist than Lou Reed. ------------------------------ Date: Fri, 8 May 1998 15:20:24 +0100 (BST) From: M R Godwin Subject: Re: March of the Wooden Soldiers On Wed, 6 May 1998, Ben wrote: > Speaking of shiny, seamless production, has anyone bought the "Fully > Loaded" version of the "Loaded" album, and is it worth replacing the old CD > with? The great thing about 'Fully Loaded' is that it comes with a whole extra CD of outtakes, including songs like "Ocean" which had only previously appeared on Lou's solo records. Essential listening for those who appreciate serious songwriting. - - Mike Godwin ------------------------------ Date: Fri, 8 May 1998 15:44:13 +0100 (BST) From: M R Godwin Subject: Re: muddled and amateurish On Wed, 6 May 1998, amadain wrote: > All this has made me wonder- has anyone else been following VH1's artist > poll of the 100 most influential artists of all time? For those who haven't, > only musicians (600 of them) were polled. Veddy interesting and some > surprises there. I was surprised and pleased at how high the Clash and > Little Richard came in, somewhat bemused that Michael Jackson came in way > ahead of the Kinks, and thoroughly shocked that the Eagles came in ahead of > Miles Davis, Al Green, and Elvis Costello. With each placement comes a > little 5 minute or so presentation on the person with interviews with folk > who presumably voted for them, and that part's kind of interesting as well. Of course it's hard to tell what criteria the respondents were using. But, by the look of it, sales volumes must have been quite important. Just as a matter of interest, who were the top ten? - - Mike Godwin ------------------------------ Date: Fri, 8 May 1998 07:59:03 -0700 From: Ethyl Ketone Subject: Eno - one more time Always have been a fan of the ambient stuff. Here's a page of something Eno os involved in these days: http://www.warchild.org/ I saw an amazing documentary on Mostar, a city in Hercegovina, and this group, Warchild, have collected the funds to build a music school in east Mostar (now a divided city, the east is muslim, the west croat). The documentary is titled "Off Season" and I heartily recommend it. - - carrie "Questions are a burden for others. Answers are a prison for oneself." **************************************************************************** M.E.Ketone/C.Galbraith meketone@ix.netcom.com cgalbraith@psygnosis.com ------------------------------ Date: Fri, 08 May 1998 11:02:36 -0700 From: Mike Runion Subject: Re: muddled and amateurish Mike Godwin wrote: > Of course it's hard to tell what criteria the respondents were using. > But, by the look of it, sales volumes must have been quite important. Just > as a matter of interest, who were the top ten? Check out http://vh1.com/special/100greatest/ for the full list. - -- Mike Runion Cocoa, FL, USA /******************************************************************\ | VCM: http://www5.palmnet.net/~mrrunion/cones.htm | | Fegmaps: http://www5.palmnet.net/~mrrunion/fegmaps | | Spoken Word Tape: http://www5.palmnet.net/~mrrunion/wordtape.htm | \******************************************************************/ "Wait a minute. Time for a Planetary Sit-In!" - Julian Cope ------------------------------ Date: Fri, 8 May 1998 11:15:55 -0400 (EDT) From: Christopher Gross Subject: Re: absolutely no NMH content On Fri, 8 May 1998, amadain wrote: > Incidentally, in case it > isn't blindingly obvious there were a lot of bands in the sixties that were > quite open about drug use and references thereto- it seems odd to mention > the VU as being sensationalist in that regard. Minor quibble -- Sure, lots of bands mentioned *some* drugs *sometime* in the sixties; but I think the VU were a bit ahead of the pack in singing about scoring smack in 1967, the year of the Summer of Love. - --Chris (we Chrises are legion) np: Element of Light ______________________________________________________________________ Christopher Gross On the Internet, nobody knows I'm a dog. chrisg@gwu.edu ------------------------------ Date: Fri, 8 May 98 08:58:00 -0800 From: Russ Reynolds Subject: tape tree?/tid bit ALRIGHT ALREADY! Either (A) The 4/29 SF show was the greatest Robyn Hitchcock performance ever, or (B) Everyone who attended the 4/29 SF show has conspired to make the couple who chose nudity over Hitchcock believe they may have made the wrong choice. I'm going to need to review the taped evidence to decide. Who's got it? If someone's working on a tree please put me down as a digital branch. COINCIDENCE? Just got a new Yamaha SPX 990 Multi-effect Processor here at work. Any of you musicians have one of these? I notice that one of the preset modulation effects (#66) is named "Underwater Moon." Does this mean somebody at Yamaha is a Soft Boys fan? - -russ, still waiting for spring to arrive in San Jose ------------------------------ Date: Fri, 8 May 1998 17:03:02 +0100 (BST) From: M R Godwin Subject: Re: takin' the Eb bait On Thu, 7 May 1998, Eb wrote: > Family? The Fugs? Hot Tuna? Ehhhh, I don't think so (and I even like the > Fugs). And Cream and Spirit, BARELY. Bowie's SIXTIES work really doesn't > stand up, either. As for Pete Brown, I barely even know the name, which is > almost argument enough for his lack of influence/relevance today. Some > jammin' boogie-bluesman, I'm guessing? > > That was a very puzzling list you posted. Are those REALLY the best > examples you can think of? I mean, you ignore the Rolling Stones and Dylan, > and list THAT stuff? Are you really that hippiejam-focused? Well, it wasn't puzzling to me! Family hit London with this amazing set of psychedelic songs after being a soul band in Leicester. Their first album, "Music in a Doll's House" is quite superb (produced by Dave "I flew on the back of a giant albatross" Mason), and the follow-up "Entertainment" is also pretty good, but contains some fillers. Unfortunately once the original line-up splat (p.p. of "to split"), they began to revert into a soul-jam band. "Weaver's Answer" is still one of the all-time great songs though (avoid the wah-wah guitar version, obviously). Pete Brown is best known for his Cream and Jack Bruce lyrics (White Room, She Was Like a Bearded Rainbow, Rope Ladder to the Moon, Theme for an Imaginary Western, all that stuff) but he also had a band with Graham Bond, and various outfits such as Piblokto, and Battered Ornaments. I saw him on TV quite recently, talking about pop lyrics of the 90s in one of those "can pop be poetry" discussions that usually feature Tom Paulin... - - Mike (arguably hippiejam, but definitely not focused) Godwin "What is time within my mind, is a red rose red to a man who's blind?" PS You're not telling me you never heard of Piblokto (-: ------------------------------ Date: Fri, 08 May 1998 09:20:55 PDT From: "T. DiSandro" Subject: Fer Sale This is a re-posting of some things I'd like to offer for sale. My e-mail address has been changed and I didn't receive any inquiries from the last posting... sorry! This one should work! SPECTRE Promo 1993 A&M - $ 15.00 RHINO SAMPLER Promo 1995 - $ 10.00 SO YOU THINK CD Single (US) 1991 - $ 6.00 I'll pay for the shipping if its w/i the USA. Cheers- Terence ------------------------------ Date: Fri, 8 May 1998 12:39:49 EDT From: Brodyjean Subject: tape request Hello all, I'm looking for a tape of a show which includes "I Don't Remember Guildford." It would be great if the set list included stuff like "....Antwoman" & "...Gene Hackman" too, but mainly I'm looking for "I don't Remember Guildford." Thanks in advance for your help, Becky ------------------------------ Date: Fri, 8 May 1998 09:33:55 -0700 From: Jim_Neill@rhinorecords.com (Jim Neill) Subject: ONE WEEK UNTIL RMAT TRIVIA CONTEST The Rhino Musical Aptitude Test A Reader's Guide WHAT IS IT? A big ol' honkin' music trivia test - 305 multiple-choice questions in one single hour! Every kind of music except classical and children's music. You gotta know your stuff! It's open-book, but (and we know you're on the honor system here) you're supposed to take the test solo. WHEN IS IT? Sunday, May 17, 1998 at 12:00 p.m. PDT / 3:00 p.m. EDT (same GMT in all time zones) WHERE IS IT? Tower Records Test Sites Los Angeles 8801 Sunset Blvd., Los Angeles, CA 90069 Boston Tower Back Bay, 360 Newbury Street, Boston, MA 02115 Chicago Tower Clark Street, 2301 North Clark Street, Chicago, IL 60614 New York Tower Lincoln Center, 1961 Broadway, New York, NY 10023 Philadelphia Tower South Street, 610 South Street, Philadelphia, PA 19147 San Francisco Tower Columbus & Bay, 2525 Jones St., San Francisco, CA 94133 Washington, DC Tower DC, 2000 Pennsylvania Avenue, Washington, DC 20006 Internet www.rhino.com - or - www.yahoo.com/promotions/rmat HOW DO I WIN? AND WHAT DO I WIN IF I WIN? A winner will be chosen from each of the seven live locations, as well as one from the Internet (8 winners total... one grand prize winner). The winner is the person with the highest RMAT score in each of the markets. Grand Prize winner (the person with the highest overall score) will be placed on the Rhino mailing list to receive one copy of everything released on the Rhino label for the winner's lifetime (or Rhino's lifetime, whichever is shorter); Kenwood Home Audio CD-224M 200 CD Disc Changer; a year supply of K-Swiss footwear and apparel (a pair of shoes & socks + T-shirt & cap every month for a year + 6 warm-up suits over one year); plus... Each winner will receive: A custom Rock-Ola CD jukebox stocked with the 100 essential Rhino CDs as selected by Rhino Sr. Vice President of A&R GaryStewart; Yahoo! snowboard and fleece; $100.00 Tower Records gift certificate; One-year subscriptions of Vibe magazine and Spin magazine; Microsoft Office '97 software from Microsoft Internet Explorer. All winners must be residents of the U.S. HOW DO I FIND OUT MORE AND REGISTER? Call the RMAT hotline: 1-888-846-3848 or go to www.rhino.com ------------------------------ Date: Fri, 8 May 1998 14:42:27 EDT From: DElaineMcD Subject: Re: san fran travelogue >>>>>>Cheri Knight and her band .......< large deletion> OK, personally I couldn't imagine this band really rocking anything. Way too much twang and just a little too *ahem* clippity cloppity<<<<< i feel compelled to leap to cheri's defense, having just seen her and her band this past sunday night in seattle. she's articulate and has a wry dark sense of humor, so maybe that's why the pairing with robyn seemed like a good idea to some. to each his own, i guess. the northeast kingdom in these houses of stark white we'd have you think that nothing ever happens lead us not that we should go astray whatever fall from grace in these houses of stark white all our sins are nailed beneath the clapboards and all our secrets are swinging from the rafters through these open windows i am borne away i sit down down down where they make me and i eat everything i'm told on the plate before me i see my own skin and bones overhead the sky is black with carrion crows every lesson is one cross driven deeper into the ground every prayer another wire wound 'round the very thing they desire i slip out every night through a crack in the book i lay myself down beside him they like to call what we have done by any other name so when morning comes i hide his love away there's a moon and a wind on the water and his fingers tug my robe i might take off running no but he knows i will stay my hands pass gently over him tear the nails away singing shine a light to see you by lay me down in the corner tonight bend and kiss my face again lay me down in the river the river of sin in these houses of stark white i will live and i will walk upright and the sun will blaze upon the day when their aching bones have settled in the clay i ran down down down i have lain there and i have put them in their shame no one among them will ever find me on the days of reckoning singing shine a light to see you by lay me down in the corner tonight bend and kiss my face again lay me down in the river ~cheri knight~ elaine ------------------------------ Date: Fri, 8 May 1998 14:51:43 -0500 (CDT) From: JH3 Subject: byn Rules! >>Having a lack of concern for lyrical content blah blah blah... (Hmmm, now why would he think I was responding directly to something *he* said, when I was just expanding on a point made by somebody else? Ah, it must have been the bit about the rock critics. OK, I guess that's understandable. Sorry!) >Yet again, you twist my words. Yes, I'm really quite good at that. I've always been a darn fine word-twister. So I guess we just should be more careful about what we say around here, huh? But now that I think of it, lots of folks on that crazy "Internet" do stuff like that, don't they? Those "Internet" guys must be nuts, saying all kinds of wacky things and then getting all upset when occasionally their words are misinterpreted. But I guess that's to be expected, given the fact that we're taught all our lives to look for deeper meanings in things. Things like rock lyrics, for example... >It's not so much a question of "lack of concern for >lyrical content" -- it's a question of him "concernedly" ranking >PETER TORK on the lyrical level of Lou Reed, fer chrissake. Is it? Sounds to me like Terry might rank *lots* of people on or above the lyrical level of Lou Reed, and he was just using Peter Tork as an (egregious, perhaps) example. So he likes the Monkees but doesn't like Lou Reed - big deal! Is this *really* all that damaging to society? Or even to the rest of this list? Or you, or me, or anyone else? Here we are living in a world where people think Jimmy Buffett and Celine Dion are the Great Poets of Our Time, and you're blasting away at other Robyn Hitchcock fans over trifles. I mean, maybe you don't think matters of personal taste are trifles, so go ahead and do it if that's what you want - but it just seems like such a waste since you're clearly capable of saying things about music that are much more worthwhile and valuable than this constant stream of put-downs and "your band sucks" comments. And I wouldn't rank Peter above Lou either, but personally, I think Liz Frasier writes better lyrics than either of those guys. Apologizing in advance for appreciating deliberate obscurity and surrealism, - --John "steam a lens, stable eyes and glass, not get pissed off through my bird lips as good news" Hedges ------------------------------ Date: Fri, 8 May 1998 13:35:01 -0700 From: Eb Subject: D# (totally off-topic) You dedicated Denise Sharpe watchers will be thrilled to learn that because last night's "Seinfeld" included a Pink Floyd reference, she's now convinced that this show is in on the great Denise/Enigma/Carl Palmer conspiracy too! Oh man, she's hilarious. > From: bluefloyd@aol.com (BlueFloyd) > Newsgroups: alt.music.pink-floyd > Subject: Re: Gilmour in Mojo > Date: 08 May 1998 15:55:27 GMT > > Yeah and I suppose you think that a FLoyd reference in a > Seinfeld show is normal? There is something happening here > and you guys don't understand it, but I do. Eb np: The Grassy Knoll/III (wow, why did it take three albums for me to discover this group?) ------------------------------ Date: Fri, 8 May 1998 13:28:56 -0700 From: Mark_Gloster@3com.com Subject: Re: san fran travelogue >>>>>>Cheri Knight and her band .......< large deletion> OK, personally I couldn't imagine this band really rocking anything. Way too much twang and just a little too *ahem* clippity cloppity<<<<< >i feel compelled to leap to cheri's defense, having just seen her and her band >this past sunday night in seattle. she's articulate and has a wry dark sense >of humor, so maybe that's why the pairing with robyn seemed like a good idea >to some. to each his own, i guess. >the northeast kingdom... >stuffages deletages... You're profoundly correct on the lyric that you just posted. I hate to rail on another creative person, but she started the set with things that had hooks including things like "if wishes were horses" and other painfully overused phrases that forced me to concentrate on the rest of what was going on to stay amused. She kind of kept me out of the picture with the lyrics that I heard. Luckily, the band was extremely tight, the percussion, no matter how hamstrung, really worked. She is a strong singer, and the backing vocals of her bandmates, especially the female guitarist kept the quality very high. Though I was pretty tuned out on the lyrics, I didn't find anything as compelling as these that you posted when I tried to hear them. That is not to say that they were all bad. I didn't find her well-billed with Robyn, from my narrow genreized view from whom RH could have been paired. I think the crowd was polite, yet really wanted Robyn to take the stage as soon as possible. Am I the only one who probably didn't want to hear country music before Robyn's. Maybe it's like the pickled ginger at a sushi restaurant- it cleansed my palate? Disclaimer: I'm internally a bit of a lyricfacist in the sense that if somebody has to sing over music, the lyrics should give me something new, fresh, or different- even if it is just slightly different from that which preceeded it. I love fresh imagery. I love it when it shows conflict or internal struggle or is not absolute or didactic in its perspective. It then becomes art when the music and the lyrics and the performance make the image to the listener that they perfectly grew as one thing. Think of many of Robyn's "prettier" tunes. Think of the old Taupin/John creations. Don't necessarily think of Mark Gloster and Big Rubber Shark ditties- I mean, it's the goal- it doesn't always happen, and it just doesn't happen to everybody who hangs "Songwriter" or "Boy of Beach" or even "Self- Posessed, New York Performance Artist" on their door. Man, I'm trying to stay out of that one, though. In this respect, Cheri Knight's stuff seemed crafted and not gardened. But because she does actually craft her work, she's head and shoulders above most of what's out there in that it shows her hard work and showcases it a great performance vehicle. I'm hoping that she keeps going and grows success. Your correspondent in dizziness, who isn't actually seeking flame mail, but will get it anyway, - -rotomarkg ps. Another aside: Also, anything I say to intellectually or musicalogically justify my opininions are only that. I don't think music education has much to do at all with music appreciation. It's not a bad thing, it has helped me increase the number of genres I do listen to, and to give me something else to do when I'm listening to something that I would ordinarily hate. Usually, what the music does to me is not on a verbal level and I like it that way. It should be okay/comforting to me and y'all that y'all don't share my bizzarre tastes in music and other things. pps. I'm still not actually seeking flames. ------------------------------ Date: Fri, 08 May 1998 15:58:27 -0600 From: hal brandt Subject: Haven't heard a word! Is the Spoken Word tape history, MIA, or what? http://www5.palmnet.net/~mrrunion/wordtape.htm Just asking, /hal ------------------------------ Date: Fri, 8 May 1998 18:04:52 -0400 From: kenster@MIT.EDU (Ken Ostrander) Subject: Re: i remember eno >>> Any fans of the music of Brian Eno out there? here's a list of what eno's done that pretty much speaks for itself. 1972 Roxy Music, Roxy Music Synthesizer, Keyboards, Tape 1972 Matching Mole, Little Red Record Synthesizer 1973 Fripp/Eno, No Pussyfooting Keyboards, Producer 1973 Roxy Music, For Your Pleasure Synthesizer, Keyboards, Tape 1974 Ayers, Kevin, June 1st 1974 Synthesizer, Vocals 1974 Cale, John, Fear Keyboards 1974 Nico, June 1st 1974 Synthesizer 1974 Eno, Brian, June 1st 1974 Synthesizer, Keyboards, Vocals 1974 Sinfonia, Portsmouth, Plays the Popular Classics Clarinet 1974 Nico, End Synthesizer 1974 Lady June, Linguistic Leprosy Guitar, Keyboards, Vocals 1975 Cale, John, Slow Dazzle Keyboards 1975 Cale, John, Helen of Troy Keyboards 1975 Toop, David,New & Rediscovered Musical Producer 1975 Manzanera, Phil, Diamond Head Guitar, Piano, Guitar (Rhythm), Keyboards, Vocals, Vocals (bckgr),Handclapping 1975 Wyatt, Robert, Ruth Is Stranger Than Richard Keyboards 1976 Sinfonia, Portsmouth. Hallelujah Clarinet 1976 Manzanera, Phil, 801 Live Synthesizer, Guitar, Keyboards, Vocals 1976 Fripp, Robert, Evening Star Synthesizer, Keyboards, Producer, Loops 1976 Quiet Sun, Mainstream Keyboards 1977 Roxy Music, Greatest Hits Synthesizer, Keyboards 1977 Bowie, David, Low Synthesizer, Guitar, Piano, Keyboards, Moog Synthesizer, Multi Instruments, Engineer, chamberlain, Mixi 1977 Bowie, David, Heroes Synthesizer, Guitar, Instrumental, Keyboards, Vocals 1977 Camel, Rain Dances Synthesizer, Keyboards 1977 Manzanera, Phil, Listen/Now Synthesizer, Guitar, Keyboards 1977 Cluster, Cluster & Eno Synthesizer 1978 Devo, Q: Are We Not Men? A: We Are Devo! Producer 1978 Talking Heads, More Songs About Buildings and Food Synthesizer, Guitar, Percussion, Piano, Keyboards, Vocals, Vocals (bckgr), Producer 1978 Budd, Harold, Pavilion of Dreams Voices, Producer 1979 Cluster, After the Heat Synthesizer 1979 Bowie, David, Lodger Synthesizer, Guitar, Piano, Trumpet 1979 Devo, Duty Now for the Future Producer 1979 Fripp, Robert, Exposure Keyboards 1979 Talking Heads, Fear of Music Synthesizer, Guitar, Keyboards, Vocals, Vocals (bckgr), Producer 1980 Talking Heads, Remain in Light Synthesizer, Bass, Guitar, Percussion, Keyboards, Vocals, Voices, Producer 1980 Budd, Harold, Ambient 2: The Plateaux of Mirrors Producer 1980 Hassell, Jon, Fourth World, Vol. 1: Possible Musi Synthesizer, Guitar, Producer, Prophet Synthesizer 1980 Laraaji, Day of Radiance Producer 1981 Bowie, David, Another Face Synthesizer, Keyboards 1981 EDIKANFO, Pace Setters Producer 1981 Byrne, David, Catherine Wheel Bass, Guitar, Keyboards, Vibes, Prophet Synthesizer 1981 Byrne, David, My Life in the Bush of Ghosts Synthesizer, Bass, Guitar, Percussion, Arranger, Drums, Keyboards, Vocals, Multi Instruments, Producer 1981 Hassell, Jon, Fourth World, Vol. 2: Dream Theory Drums, Gong, Bells 1982 Talking Heads, Name of This Band Is Talking Heads Assistant Engineer 1983 Bowie, David, Rare Synthesizer, Keyboards 1983 Jordan, Marc, Hole in the Wall 1984 U2, Unforgettable Fire Keyboards, Vocals, Producer, Engineer 1984 Toto, Dune Producer 1984 Budd, Harold, Pearl Synthesizer, Keyboards, Vocals, Producer 1984 U2,Unforgettable Fire [Video] Multi Instruments, Producer, Engineer 1985 U2, Wide Awake in America Producer 1985 Fripp, Robert, God Save the King Keyboards 1985 Brook, Michael, Hybrid Synthesizer, Bass, Percussion, Piano, Wind, Producer, Treatments 1986 Hassell, Jon, Power Spot Bass, Bass (Electric), Guitar(Electric), Producer, Engineer 1987 Nooten/Brook,Sleeps with the Fishes Synthesizer 1987 Dogs in Space, Dogs in Space Producer 1987 Manzanera, Phil,Guitarissimo (1975-1982) Synthesizer, Vocals 1987 U2,Where the Streets Have No Name Producer 1987 U2,With or Without You [#1] Producer 1987 U2,I Still Haven't Found What I'm Look Producer, Mixing, DX-7 1987 U2,Joshua Tree Keyboards, Programming, Vocals (bckgr),Producer, DX-7 1987 Angels in the Architect,Angels in the Architecture Producer 1987 Brook, Michael,Cobalt Blue Voices, Engineer, drum machine, String Arrangements 1988 Opal: Assembly 1,Opal: Assembly 1 1988 U2,Rattle & Hum Keyboards, Vocals, Producer 1988 Budd, Harold,White Arcades Engineer 1988 Hassell, Jon,Flash of the Spirit Producer, Mixing 1988 Married to the Mob,Married to the Mob Producer 1989 Green Peace: Rainbow Wa, Green Peace: Rainbow Warriors Producer 1989 Bowie, David,Sound + Vision Synthesizer, Guitar, Keyboards,Vocals 1989 Lanois, Daniel,Acadie Keyboards, Vocals 1989 Neville Brothers,Yellow Moon Keyboards, Sound Effects, Vocals 1989 Zvuki Mu,Zvuki Mu Producer 1989 Riley, Terry, In C Mixing 1990 Bowie, David,Changesbowie Synthesizer, Guitar, Keyboards 1990 Devo,Greatest Misses Producer 1990 Devo,Greatest Hits Producer 1990 Walkabouts,Scavenger Synthesizer, Vocals, Vocals (bckgr) 1991 Until the End of the Wo,Until the End of the World Producer 1991 U2,Mysterious Ways [#1] Producer 1991 U2,Achtung Baby Keyboards, Producer, String Arrangements, Mixing 1992 Walkabouts,Dead Man Rise Synthesizer, Vocals 1992 Talking Heads,Popular Favorites 1984-1992: Sand i Producer 1992 Gabriel, Peter,Us Keyboards 1992 Classic Rock Box: WNEW-,Classic Rock Box: Wnew-Fm 25th Anni Producer 1992 Red Shoe Diaries,Red Shoe Diaries Producer 1993 Depeche Mode,I Feel You [#2] Synthesizer, Remixing 1993 U2,Zooropa Synthesizer, Piano, Strings, Harmonium, Sound Effects, Vocals(bckgr), Producer, String Arrangements 1993 Camel,Echoes: The Retrospective Piano, Moog Synthesizer, Bells 1993 Siberry, Jane,When I Was a Boy Synthesizer, Oboe, Producer 1993 Plus from Us,Plus from Us Producer, Engineer 1993 INXS,Full Moon, Dirty Hearts Mixing 1993 U2,Lemon Producer 1993 Volume 8,Volume 8 Producer 1993 Ultimate Rock, Vol. 1,Ultimate Rock, Vol. 1 Producer 1993 Siberry, Jane, Temple Producer 1993 U2,Stay (Faraway, So Close) Producer 1994 Suede [1],Wild Ones Remixing 1994 Slowdive,Souvlaki Keyboards, Treatments 1994 Cale, John,Seducing Down the Door Synthesizer 1994 Blown Away,Blown Away Producer 1994 Ferry, Bryan, Mamouna Sonics 1994 Fripp/Eno, Essential Fripp & Eno Producer 1994 Jarman, Derek,Blue (Music for the Film by Derek J 1994 Anderson, Laurie,Bright Red Producer 1994 James,Wah Wah Producer, Mixing 1994 Peter & the Wolf,Peter & The Wolf Synthesizer 1994 Best Rock Album in the World...Ever Producer 1994 Depeche Mode,In Your Room [Maxi Single] Remixing 1995 Heat (Music from the Motion Picture Producer 1995 Bowie, David,Outside Producer 1995 Manzanera, Phil,Manzanera Collection Guitar, Keyboards, Vocals 1995 Passengers: Original Soundtracks I Synthesizer, Vocals, Choir, Chorus, Design, Mixing, Concept, Sequencing, Treatments 1995 Sharks Patrol These Waters Producer 1995 Bowie, David,Strangers When We Meet Producer, Mixing 1995 Bowie, David,Heart's Filthy Lesson Producer 1996 Ocean of Sound,Ocean of Sound Producer 1996 Trainspotting,Trainspotting Producer 1996 Songs in the Key of X: Music from a Producer 1996 Cale, John,Island Years Synthesizer, Executive Producer 1996 Basquiat,Basquiat Producer 1996 Booth, Tim,Booth & The Bad Angel Vocals (bckgr) 1996 Supernatural Fairy Tale Synthesizer 1996 Origins: Early Years of New Age 1996 Sling Blade,Sling Blade DX-7 1996 Lindsay, Arto,Subtle Body Sonics 1996 Jubilee,Jubilee [Virgin] Producer 1996 Bowie, David,Hallo Spaceboy Producer 1997 Eight O Eight State,Lopez Metaphorically Producer, Remixing 1997 Future: A Journey Through the Elect Producer 1997 Bowie, David,Dead Man Walking [3 Tracks] Producer 1997 U2,Last Night on Earth [#2] Producer 1997 James,Whiplash Keyboards, Vocals (bckgr) 1997 Arthur, Joseph,Big City Secrets Vocals (bckgr) 1997 Can,Sacrilege: The Remixes Remixing 1997 Glitters Is Gold,Glitters Is Gold Producer 1997 Amazing Grace,Amazing Grace [Polygram] Keyboards 1997 U2,Staring at the Sun [#2] Producer 1997 Costello, Elvis,Extreme Honey: The Very Best of War 1998 In to the Mix, Vol. 2,In to the Mix, Vol. 2 Mixing ------------------------------ End of fegmaniax-digest V7 #183 *******************************