From: owner-fegmaniax-digest@smoe.org (fegmaniax-digest) To: fegmaniax-digest@smoe.org Subject: fegmaniax-digest V7 #151 Reply-To: fegmaniax@smoe.org Sender: owner-fegmaniax-digest@smoe.org Errors-To: owner-fegmaniax-digest@smoe.org Precedence: bulk fegmaniax-digest Sunday, April 19 1998 Volume 07 : Number 151 Today's Subjects: ----------------- Re: Until The End + soundtrack plug [sdodge@midway.uchicago.edu (amadain)] Newsgroup post (ha) [Eb ] Re: Newsgroup post (ha) [Capuchin ] Long, multi-thread babble, as usual [Danielle ] Re: Long, multi-thread babble, as usual [Eb ] Re: Robyn Hitchcock (0% NMH content) ["Wookie Conscious" ] "propmos" for sale [woj spice ] more on Robyn in SF ["chris franz" ] Eb] Re: watch your intelligence [Christopher Gross ] Garden Path (unknown % RH content) [Gary Assassin ] ---------------------------------------------------------------------- Date: Sat, 18 Apr 1998 18:09:50 -0500 From: sdodge@midway.uchicago.edu (amadain) Subject: Re: Until The End + soundtrack plug >Until the End of the World is probably my favorite pop-song soundtrack >ever. Great stuff. However, it's somewhat of a "cheat," because very few of >the songs play any estimable role in the film. It's almost like Wenders got >all these songs FIRST, and then had to figure out how to slip them into the >film somehow, without distracting anyone from the story. This is very very true. I almost wonder if the "hit soundtrack" wasn't in part put together for the financiers' benefit, because they'd invested a lot of money in a film that was probably not going to be a blockbuster and wanted to cover at least a bit of their ass. Since as you say, in general Wenders uses soundtracks very very well, I'm thinking this might be an explanation. >So, great soundtrack. But not well-used in the film. One of the few really solid pop soundtracks I've heard that was -also- well used in the film was the music in "Goodfellas". Of course none of those were done especially for the film, and so that's a little different- using songs one already has feelings/memories associated with is somewhat easier than trying to work in a totally new pop song soundtrack. Incidentally, the only real complaint I have about that soundtrack is that not everything from the movie is on it. It would be really slammin' if it had -everything-. >On the other hand, I think Paris Texas, The State of Things and Wings of >Desire all exploited their soundtracks to maximum effect. The "Paris, Texas" soundtrack is also wonderful on its own. It was actually the soundtrack album that made me want to see the movie. Love on ya, Susan WXRT rocks! It's been forever since I've heard "Memo from Turner", which I just heard a few minutes ago (speaking of good soundtracks! And good movies, too). ------------------------------ Date: Sat, 18 Apr 1998 23:39:19 -0700 From: Eb Subject: Newsgroup post (ha) And I once had a nasty argument with this guy, too. ;) He claims that the main reason why critics don't like prog is that they all just copy Lester Bangs.... More daring lyrically than Robyn, eh? Heh heh. Eb > From: bullet@acadiacom.net > Newsgroups: rec.music.progressive > Subject: Neutral Milk Hotel - "In The Aeroplane Over The Sea" > Date: Sun, 19 Apr 1998 02:44:05 GMT > > This CD is NOT going to appeal to you fans of tightly arranged and > structured prog or prog/metal, but to those of you who believe that > the word "progressive" means a lot more than just playing in kinky > time signatures real fast, then listen...there is something here. > > I personally think that this CD is the product of pure insane vision > and is easily on the level of Captain Beefheart's "Trout Mask Replica" > or Syd Barrett's "The Madcap Laughs." This is the sound of someone > who does not give a good goddamn about being on MTV or on the cover of > Spin magazine, a complete loony running to the cliffside of > consciousness and flinging himself into the void of pure surrealism, > and singing about what he finds there. > > Instrumentation: mostly acoustic guitar, and no chord progressions > that are too peculiar, but when the rest of the band kicks in with > mellophone, bowed fuzz bass, musical saw (!!!), banjo, drums, and > zanzithophone (whatever the hell that is), combined with the > absolutely insane and beautiful lyrics, we are talking about a key to > ascension that Jon Anderson thought not of. > > Key influences - um. Robert Wyatt, Capt. Beefheart, Syd Barrett, > maybe Robyn Hitchcock (but he's a bit more daring than Robyn > lyrically) ... oh hell, just GET IT, will you? This is the most > angelic, demented thing I have heard in quite some time. ------------------------------ Date: Sun, 19 Apr 1998 01:07:58 -0700 (PDT) From: Capuchin Subject: Re: Newsgroup post (ha) > > From: bullet@acadiacom.net > > Newsgroups: rec.music.progressive > > Subject: Neutral Milk Hotel - "In The Aeroplane Over The Sea" > > Date: Sun, 19 Apr 1998 02:44:05 GMT > > > > Instrumentation: mostly acoustic guitar, and no chord progressions > > that are too peculiar, but when the rest of the band kicks in with > > mellophone, bowed fuzz bass, musical saw (!!!), banjo, drums, and > > zanzithophone (whatever the hell that is), combined with the > > absolutely insane and beautiful lyrics, we are talking about a key to > > ascension that Jon Anderson thought not of. Why does the saw get three exclamation points and no mention at all of the trumpet, flugelhorn, or trombone? I think there might even be a baritone horn in there somewhere. Drums, the man says. Oh really? Daring and unexpected! > > Key influences - um. Robert Wyatt, Capt. Beefheart, Syd Barrett, > > maybe Robyn Hitchcock (but he's a bit more daring than Robyn Yeah, whatever. Although I really thought one of those songs (Oh, Comely?) sounded Sydlike at first listen. J. -- feeling very cynical after a trip to the folks' place tonight. np. Cyndi Lauper. Go figure. ________________________________________________________ J A Brelin Capuchin ________________________________________________________ ------------------------------ Date: Sun, 19 Apr 1998 21:29:55 -0700 From: Danielle Subject: Long, multi-thread babble, as usual James mused: > There's a TV ad which starts "here's what you said you wanted in a > tampon!". Actually, no-one asked me, and I'm not sure what I'd answer if > they did... Our discussion centred on which techniques would be most effective for hurling said products at a performer (in this case, Meredith Brooks). On that basis, you'd want them to be pretty aerodynamic, I think. When those telephone market researchers ring you, James, be sure to let them know. Luther wrote: > ...Besides..."Glen or Glenda" was the WORST movie Eddie Wood > ever made... No, that honour goes to 'Bride of the Atom/Monster'. I especially liked the bit where Bella is meant to morph into some sort of radioactive mutant and scare the crap out of everyone. So he puts on platform shoes and... No, that's it. He puts on some platform shoes. Yeah, *I* was packing myself (there's some Kiwi slang for you, Ebby). ;) Cartman's father (dammit, I want to know! When do we get that episode?), aka Glen, wrote: > The recent remake of "The Island Of Dr. Moureau" -- I like weird shit, but > this movie went a bit too far. What was up with that little monkey man, > anyway? I have not seen this film, mainly because it seems silly to see a movie solely on the basis that you're on your way to actually *becoming* 'Dr Moreau' (only one u, thanks), *and* you live on an island (for the time being, at least). I mean, it would just be too cutesy for words. (Maybe, to live up to the name, I could do a quail/rabbit hybrid, and set it loose somewhere to scare certain listmembers...) Not to mention that my countryman Temuera Morrison is in it, and I didn't want to watch him embarrass himself. The preview for Speed 2 was enough for me. >From Susan D: > I can deal with loose plots, if the > characters are interesting and the dialogue is sharp I hardly notice them, > but I get very very bored when movies have no characters in them. Yes, yes and yes. Exactly. I suppose that counts as a 'me too'. Sorry. Also: > "Until The End of the World", which makes a lot more > sense than the official release and is a better film altogether (though > actually I seem to be virtually alone in having liked the offical release > when it came out as well, even though it was so obviously chopped up you > could even spot the points where huge chunks had been cut). Everyone talked > at the time about how self-indulgent and wasteful that film was.... I liked it, and the soundtrack too, but I've never seen the immensely long version. I was fascinated during the 3 hours of the cinema released version, though - obviously not an entirely successful film, but so damn interesting! I saw it in a big theatre, and during 'part two', when Sam Neill said in horror: 'you're like junkies, hooked on your dreams!', everyone in the audience laughed but me - I really *was* upset by the prospect! :) Solveig Dommartin's wig was pretty cool, too. On the kid lit thing: I *love* good 'young adult' books. That five-book series by Susan Cooper, The Dark is Rising, is *wonderful*. Intelligent and spooky and varied and well-crafted and 'meaty'. And Margaret Mahy's novels (don't know whether you can get them overseas, but they've won all sorts of awards), especially The Changeover, are marvellous. And to move away from sf (in the 'speculative fiction' sense) for a bit, I'm the only K. M. Peyton fan left in the Western world, seems like, even if she did win Carnegie Medals galore. Does no one remember Flambards? Or the Pennington trilogy? It may be around thirty years old, but Patrick Pennington is one of the sexiest male characters I've ever come across. Bitter teen rebel b/w brilliant pianist! Stroke of fookin' genius! Let's not start on my obsession with British girls' boarding school stories from the 1920s-50s, though. Enough torture for one night. :) Rich wrote: > Can I also send you recommendations of cool new music while I'm > pompously insulting you? Yeah, that sounds rockin'. But I've got a better idea. How about you and James get together, and send us a joint recommendation post on cool new *flags* while pompously insulting us? ;) Also: > Fierce Creatures and Chasing Amy were the most abominable > things I saw in the last year with The Full Monty close behind (bad pun > alert). Yes, Fierce Creatures was dire. Chasing Amy was OK (then again, don't believe me. I'm the only person on earth who thought Mallrats was adorable). The Full Monty was a cute enough wee flick. Even if it does bear a startlingly close resemblance to a decade-old New Zealand play called Ladies' Night, which toured Britain very successfully... hmmm... Luther wrote: > let's face it, the whole cast of "Star trek" except Lenny > Nimoy SUCKED! and their later roles did too! No argument here. But isn't that the joy of being an original series Trekkie? Well, it is for me. All 79 episodes have their 'oh my GOD' lowlights (most of which I can quote word for word), and despising Shatner is like a little mini-religion. ;) James wrote: > Ed Hillary should > always be known as "Mister Ed". (Of course he's Sir Ed now, but why spoil a > good story...) I slept in Sir Edmund Hillary's bed once. It's my one claim to fame. > Hmmm. Have I started another analogy? Do we have Terry "Big Bird" Marks? > Capuchin and The Great Quail as Bert and Ernie? Is Bayard Grover? Is > DavefromOz Mr Snuffalopagus? Is Susan the Cookie Monster? Kermit the woj? I wouldn't presume to be a main character, but can I volunteer to be the daughter in that little, extra dumb, blue miniature family? They're my favourites. 'We'll take the CAR to the zoo!' Eb wrote: > Personally, I'd love to see the resurrection of the, er, Australian/UK > slang name-calling thread. ;) > Uh, Quail, Dlang, Danielle...? Sorry, luv, I'm utterly shagged. Rooted. Muntered. Moving flats, you know. Leave it up to Dlang. He seems to have given you a good swift kick up the jacksy. Which you deserve, for lumping me in with those Aussie wankers. ;) And, re the fegetiquette thread: > Hey, I've seen almost the exact same post SEVERAL times on other mailing > lists, when it was *deadly* serious. Anyone here who was ever unfortunate > enough to join COSTELLO-L can probably back this up. Yes, it's true. We don't talk about tampons *nearly* enough. Also (it's a Wenders-heavy post): > In the original, the woman was a trapeze artist. In City of Angels, she's a > surgeon. Hmmmm. > I'm guessing that she's probably a "plucky" surgeon, besides. Why, of course she is. Gallantly battling on in an inhumane metropolis, staring death in the face every day with courage and skill... bleuch. I'm looking forward to this scarily mediocre-sounding remake almost as much as I'm looking forward to the Avengers movie. >From Dave Lang: > My oath ,you would would you ,you bloody bludger? Well Mr sticky beak > ,don't just think that us true blue fair dinkum Aussie battlers and > Anzacs will just churn out the vernacular for your benefit at your say > so , because it won't work.... > Yours disgustedly , written in the horizontal position on the floor of > the local Returned Serviceman's League in a pool of drivel... Listen, *I'll* be at my branch of the Returned Serviceman's Association on Saturday next, *after* the dawn parade, wearing *five* poppies, drinking Lion Red, and telling whoever will listen that those bloody Aussies took all the credit for Gallipoli, when *we* did all the fighting. And bring on those underarm bowlers, too! We'll get a six next time... ;) >From Capitalism Blows: > well, i thought she was great in Hudsucker Proxy. but, i would, > wouldn't i? ARGH!!! Hudsucker Proxy is my pet annoying Jennifer Jason Leigh role! It is the role I point to when I want to expound on my 'she's so mannered!' theory! Still liked the movie, but *god*, she irritated me. Danielle, now *really* wishing she had more than eight CDs left in the house... NP Eric Matthews. Yes, I like him lots and lots, but not for the twentieth time this week. ------------------------------ Date: Sun, 19 Apr 1998 02:59:56 -0700 From: Eb Subject: Re: Long, multi-thread babble, as usual >Our discussion centred on which techniques would be most effective for >hurling said products at a performer (in this case, Meredith Brooks). On >that basis, you'd want them to be pretty aerodynamic, I think. They would probably fly farther if you got them wet first, somehow. Eb ------------------------------ Date: Sun, 19 Apr 1998 06:22:37 -0500 From: "Wookie Conscious" Subject: Re: Robyn Hitchcock (0% NMH content) > on 4/17/98 "Wookie Conscious" brownnosed: > > > > is this mean-spirited? > > > Is which mean-spirited? any of it. > > hey, i just want to say that i like the off topic stuff better than > > the 'relevant' stuff. i've been introduced to tons of new bands (tall > > dwarfs, momus, high llamas, incredible string band all come to mind) > > and if it wasn't for neutral milk hotel, then i would have gone > > through with the suicide attempt last month. > > and eb, you make life worth living. > > what's robyn hitchcock doing anyway? we have to talk about something...- > > > This is utterly moronic. Eb in a completely uncalled for manner > overreacted wildly to a very mild slightly amusing little post. hey! moronic? what the hell did i say up there that could be considered moronic? utterly moronic even! > Can I also send you recommendations of cool new music while I'm > pompously insulting you? yes, please do. > Meanwhile Neutral Milk Hotel if you haven't noticed is being heavily > hyped in every music publication in this end of the galaxy. I'm sure > your suicide could have been prevented. haven't noticed. i'm too much of a moron to actually understand the language of those publications. thanks. - --shane ------------------------------ Date: Sun, 19 Apr 1998 14:24:34 GMT From: dwdudic@erols.com (David W. Dudich) Subject: unedited? On Sat, 18 Apr 1998 18:54:24 -0400 (EDT), you wrote: >unedited version of "Until The End of the World"...> >i can't believe you didn't mention The Man Who Fell To Earth, susan, >that being one of your ten fave movies and all. There is an uneditied rendition? I like what I have seen of the original on TV (though it is a rather badly filmed movie, IMO). What is in the unedited one? I thought the whole concept of the ultra-intelligent alien getting corrupted by humanity was brilliant. -luther n.p. David Bowie, "Earthlings" ------------------------------ Date: Sun, 19 Apr 1998 14:37:54 GMT From: dwdudic@erols.com (David W. Dudich) Subject: watch your intelligence On Sat, 18 Apr 1998 18:54:24 -0400 (EDT), you wrote: >The other point is really the thing that's touchy. It's not the concept of a >mentally handicapped person being successul or the impact that one person's >goodness has on the people around him that really rankles. These are both >fine things. It has to do with the fact that American culture does not like >smart people. This is so old a bias that it even long ago trickled down to >language- "smart-ass" "smart aleck" "smart mouth" &c., which are insults. >And people who -are- noticeably smart are picked on as children and as >adolescents, and even in adulthood are often supposed to smother it or at >the very least be overly modest so that other people don't "feel bad" >(actually when I was growing up my mom advised me to "tone it down" and not >talk about books so much because other kids would feel bad and not like me). >As one of these "smart kids" (and I know full well there are lots of others >lurking around this list :)) I am very very weary of this shit. We all are! I mean, if I >can slamdunk like Michael Jordan then every thinks I'm really cool, but if I >know more words than some other people I'm not supposed to let on so that >they don't feel bad about it. I mean, I don't get angry or get an >inferiority complex because other people are better at slamdunking or guitar >playing or physics than I am. If someone uses a word or expression I don't >know, I ask them what it is and am glad to have learned something, I don't >get all het up about "you show-off using these ten dollar words". What the >hell is that about? Everyone has their strengths and weaknesses and it would >be nice to be valued for mine without the majority of people thinking I'm >egotistical and elitist just because I use a word they don't know. It's >really really frustrating. And so when I see something like "Forrest Gump" >being celebrated it makes me feel a little resentful, and I suspect that >this is how others on this list who objected to the film feel as well. It >feels like another slam on our intelligence, only with a feel-good veneer. AMEN! As an unabbashed, unrepentant smart person, I agree completely. America DOES NOT respect intelligence! I was just talking to some friends about this last night. The people that got everything in college were the "cookie cutters" (ya'll know who I'm talking about...the jocks that made fun of Robyn). These were the assholes that were cool, got all the women, fu#ked over our female friends, etc. ad nauseum. The great thing is, though, in this age of high technology, THEY are the ones who are now obsolete. ("What's an internet, dude?" (conversation actually over heard in a bar)) In great britian, people like Desmond Morris ("the human animal", "the human sexes") and James Burke ("COnnections 1,2, and 3") get their own TV shows...they wouldn't here. (that said, The Learning Channel and DIscovery Channel has a pretty high following in this country... Anybody remember that epsisode of Northern Exposure when Holling had that whole thing about his indiffernece to sports?) To a certain extent, this country was BUILT on ignorance and brute strength, Manifest Destiny and all that stuff. (You couldn't tell it, but I am part Cherokee, so I tend to disagree). So, what do we do about it? any ideas? (I personally tend to think the solution is to strike the Patti Smith- "I'm smart, I'm an american artist, white-nigger, fuck you" stance.) -luther ------------------------------ Date: Sun, 19 Apr 1998 11:19:13 -0400 (EDT) From: dmw Subject: Re: Long, multi-thread babble, as usual On Sun, 19 Apr 1998, Danielle earned my undying admiration: > On the kid lit thing: I *love* good 'young adult' books. That five-book > series by Susan Cooper, The Dark is Rising, is *wonderful*. Intelligent > and spooky and varied and well-crafted and 'meaty'. And Margaret Mahy's i'd like a special dispensation for this me-too post, 'cause i've been waiting >years< for someone else to have heard of cooper's books. so just be thankful i'm spewing a long list of other worthwhile young adult literature at the list instead of a marriage proposal to Danielle, which was pretty much my first inclination. sorry if any of these've been mentioned already, but: lloyd alexander's prydain chronicles are really fab and the unrelated solo novel _the marvelous misadventures of sebastian_ is maybe even better -- alexander is into sensitive reworkings of traditional mythic tropes, his prose is solid, his grasp of character is good, and he has more than enough twists to keep his work from seeming familiar -- it seems resonant instead. sadly, some of his more recent stuff seems like hackwork -- i read a couple books with a young indiana jones-styled adventuress with an overtly jeevesian guardian that were pretty dreadful. dianna wynne jones has a couple good books out; i particularly liked _hexwood_, though i haven't yet found a copy of _dogsbody_ which seems to be the popular favorite. without giving too much away, _hexwood_ puts the arthurian mythos in a chrono-blender set to puree, and reminded me of _hitchhiker's guide to the galaxy_ to boot. >someone< must have already mentioned l'engle's _wrinkle in time_ trilogy, right? and john bellairs' _the house with the clock in its walls_ and, to a lesser degree, its sequels, good spooky stuff, slightly menacing magic in a modern setting did anyone else ever read _no flying in the house_? can't remember the author, it's been years since i saw my copy. dark undercurrent despite the goofy title. soft spot in the heart also for: roald dahl (much creepier and more unsettling than the movies they keep making), danny dunn and his magic chemistry set, most of heinlein's ya novels (better than his "real" ones by half, for the most part) jeez, too many to recount, really... obtopic: i'm sure robyn would have liked some of these books, especially given his stated admiration for peake. - -- d. - - oh,no!! you've just read mail from doug = dmayowel@access.digex.net - - and dmw@mwmw.com ... get yr pathos at http://www.pathetic-caverns.com/ - - new reviews! tunes, books, flicks, etc. ------------------------------ Date: Sun, 19 Apr 1998 11:52:19 -0400 From: woj spice Subject: "propmos" for sale > From: Brian Dorbuck > Newsgroups: alt.music.pink-floyd > Subject: Robyn Hitchcock for sale > Date: Sat, 18 Apr 1998 09:25:10 -0400 > Organization: United States Internet, Inc. > > Hi, > > I have 2 propmo CD's of Robyn Hitchcock for sale: > > Madonna and the Wasps > Oceanside with full colour cover > > Will take $20 for both > > Brian > > nanook@usit.net ------------------------------ Date: Sat, 18 Apr 1998 10:05:26 PDT From: "chris franz" Subject: more on Robyn in SF Anyone going to the Storefront Hitchcock show on the 28th is welcome to join up beforehand at the Patio Cafe, one block down Castro Street from the theater. A reservation in the name of Mr. Feg has been made for 7PM. (SH showtime is 9:30.) And if you can get to the area sooner than that, feel free to stop in on the traveling PacNW trio and me at my flat a couple of blocks away. Email me if interested. in other news... The Great American Music Hall show will be "presented" by KALX, the college station in Berkeley. I talked to some of the people there about whether Robyn will be in their studio at some point; nobody seemed sure, but one person there said that last time Robyn was in town he stopped by and "spun some records" with one of their DJs. I'll keep checking. Opening for Robyn at the GAMH will be somebody named Cheri Knight, formerly of a band called the Blood Oranges. - - Chris ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com ------------------------------ Date: Sun, 19 Apr 1998 09:49:00 -0700 From: Paul Montagne Subject: Eb> Hey Eb, > >Give it a break. Who made you mister feg etiquette. >>- -Paul >Hey Paul,Give it a break. Who made you mister Eb etiquette. >- -Ner Heh heh heh... Paul np: I have Seen the Sleeping Nights of Ebness ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Paul Montagne Faculty Research Assistant Oregon State University Department of Civil, Construction, and Environmental Engineering Phone: 541.737.3319 Fax: 541.737.3052 Email: montagnp@ucs.orst.edu ------------------------------ Date: Sun, 19 Apr 1998 13:35:20 -0400 (EDT) From: Christopher Gross Subject: Re: watch your intelligence On Sun, 19 Apr 1998, David W. Dudich wrote: > >It has to do with the fact that American culture does not like > >smart people. This is so old a bias that it even long ago trickled down to > >language- "smart-ass" "smart aleck" "smart mouth" &c., which are insults. [snip!] > As an unabbashed, unrepentant smart person, I agree > completely. America DOES NOT respect intelligence! I was just > talking to some friends about this last night. The people that got > everything in college were the "cookie cutters" (ya'll know who I'm > talking about...the jocks that made fun of Robyn). These were the > assholes that were cool, got all the women, fu#ked over our female > friends, etc. ad nauseum. I tend to agree with Susan and David here, but I would add that this is not just an American trait. (It might be stronger in America than in some other countries, though.) James Burke might have gotten his own TV show in the UK, but I'll bet Baywatch got higher ratings that Connections ever did. (But then, I'm a cynic.) Besides, the Learning Channel did revive Connections in the US for a while, though in an unsatisfying half-hour format. If, as I think, this contempt for intelligence is a general human trait, why should that be? I think it's because above-average intelligence is seen as a threat to the social hierarchy. By social hierarchy I mean the pecking order of popularity that seems to develop in most human groups, NOT the hierarchy of social classes. Think cliques, alpha-males, and schoolyard gossip, not castes, proletarians and Marx. Intelligence is more of a threat than good looks or athletic prowess because smart people might be right when the popular people are wrong, or might even laugh at the whole pecking order. What's worse, intelligence isn't as dependent on popular acknowledgement as other advantages, like good looks, are. Finally, smart people are more likely to have weird interests that no one else shares, so it's hard to place them in the pecking order by their activities and conversation. On the whole, if you want a nice comfy hierarchy it's safest to keep pushing smart folks down to the bottom of the heap, where their opinions can be automatically ignored. Of course smart people aren't always hated. Sometimes they're good to have around the (white-collar) workplace, where they can help make up for the lazy and incompetent. And, in America at least, anyone who's smart enough to come up with a good scheme for making lots of many will be accorded a certain grudging respect. - --Chris np: Adrian Belew, Inner Revolution (used, $2.99) ______________________________________________________________________ Christopher Gross On the Internet, nobody knows I'm a dog. chrisg@gwu.edu ------------------------------ Date: Sun, 19 Apr 1998 13:59:34 -0400 (EDT) From: Gary Assassin Subject: Re: "propmos" for sale Propmos!!!!I've been looking for propmos for yeears. Holy shit. I didn't think anyone in the world had propmos anymore. Wow! I'm going to get these before anyone else on this list beats me to it. Propmos! Who'd-a-thought. ------------------------------------ If you have a condom and sunscreen SPF 15 or greater, than it's safe to look at http://www.panix.com/~gsa/index.html On Sun, 19 Apr 1998, woj spice wrote: > > From: Brian Dorbuck > > Newsgroups: alt.music.pink-floyd > > Subject: Robyn Hitchcock for sale > > Date: Sat, 18 Apr 1998 09:25:10 -0400 > > Organization: United States Internet, Inc. > > > > Hi, > > > > I have 2 propmo CD's of Robyn Hitchcock for sale: > > > > Madonna and the Wasps > > Oceanside with full colour cover > > > > Will take $20 for both > > > > Brian > > > > nanook@usit.net > ------------------------------ Date: Sun, 19 Apr 1998 14:01:49 -0400 (EDT) From: Gary Assassin Subject: Garden Path (unknown % RH content) Does anyone know of the band Garden Path? I have a record by them called 5 reasons from 1988 or so. This is the band that sometimes used to tour as the Acid Birds and do an all-RH cover show. Do they have any other records, CD's? I know for a fact there are no propmos of this band. ------------------------------------ If you have a condom and sunscreen SPF 15 or greater, than it's safe to look at http://www.panix.com/~gsa/index.html ------------------------------ End of fegmaniax-digest V7 #151 *******************************