From: owner-fegmaniax-digest@ecto.org To: fegmaniax-digest@ecto.org Reply-To: fegmaniax@ecto.org Errors-To: owner-fegmaniax-digest@ecto.org Subject: Feg Digest V5 #189 Fegmaniax Digest Volume 5 Number 189 Monday August 4 1997 To post, send mail to fegmaniax@ecto.org To unsubscribe, send mail to majordomo@ecto.org with the words "unsubscribe fegmaniax-digest" in the message body. Send comments, etc. to the listowner at owner-fegmaniax@ecto.org FegMANIAX! Web Page: http://remus.rutgers.edu/~woj/fegmaniax/index.html Archives are available at ftp://www.ecto.org/pub/lists/fegmaniax/ ---------------------------------------------------------------------------- Today's Topics: ------- ------- Re: Feg Digest V5 #186 Ignore unless you're Terry Linnig Positive Engrams Re: The Dastardly Pry RE: 70s Quiz (No RH) John Wesley Harding (NO RH!) RE: John Wesley Harding (NO RH!) Re: Grateful Drones Re: Feg Digest V5 #186 need info on Dec 6, 1996 gigs The Rosehips? (no Robyn, sorry) Re: Positive Engrams Re: more orphaned songs ad homonym Chinese Dead Man Walking Blues Influences - and a small author plug Re: Grateful Drones Re: need info on Dec 6, 1996 gigs ------------------------------ Date: Mon, 4 Aug 1997 16:23:33 +1200 (NZST) From: james.dignan@stonebow.otago.ac.nz (James Dignan) Subject: Re: Feg Digest V5 #186 >>>Wrist deep in Fork Songs, >>Owww! That must hurt. > >I'm sure Mr. Dignan can relate.... ...not since I moved to Weeville :) James ------------------------------ From: dsaunder@islandNet.com (Daniel Saunders) Subject: Ignore unless you're Terry Linnig Date: Sun, 3 Aug 1997 21:50:05 -0800 All the mail I've been sending to your e-mail address has bounced. Here is my snail-mail address: Daniel Saunders 2033 Chaucer St. Victoria, B.C. V8R 1H6 Thanks. -- Daniel Saunders Have a day. :-| ------------------------------ Subject: Positive Engrams Date: Mon, 4 Aug 97 01:07:50 -0000 From: The Great Quail Mark Gloster wrote (or lied, at least), >We missed you, T.G. Quail Thanks! I missed you guys too. Isn't it funny the way you actually feel vaguely out of touch when you are absent from a beloved mailing list? Like all your friends are still back at the party, warm and laughing and singing and passing each other beers, and you are outside, in the cold, maybe because you walked down to the Unimart for a Death Dog, and you can just see them in the window as you appraoch on your return. And you get this weird mixed feeling of sadness and belonging, knowing that the last half hour of conversation went on without you, as it should, but that it's now lost to time, and you are a slight bit estranged . . . but then a friend hands you a beer and catches you up a bit, and suddenly you feel back at home - until Terry throws on a Hanson album, and everyone looks at you and says, "We all confessed that MMMMMBop is really a great song. . . ." Or something like that. >Susan came back from the secret great lakes black hole. Perhaps you >saw some of the scuttlebut about it in >alt.conspiracies.xfiles.black.holes.ojeez.i.dont.have.a.life >I hope that her alien contact suits her well. I also hope she wasn't >replaced by a podsusan. Hello and welcome back, Susan! And if you really are a Podsusan, I hope that you are just as charming as the real, undoubtedly dismembered and stached into mason jars and sunk at the bottom of a lake, Susan. >Meanwhile, Terry continued to post innocent notes that somehow caused >other people's heads to explode. Could we have that many potential >candidates for drummer in Spinal Tap? I just hope someone wiped all the green goo from their keyboards. And yes, I did catch a wee bit of Mr. M's astonishing innocence. Terry - if you truly believe music of the sixties was better, on the average, I only have two words for you: "Ultimate Spinach." I'll gladly send you a tape. (My favorite song being "Hip Black Death Goddess.") >Eb continued to softly rock our world with his polite, sesquepedalien >postings about all things feg. Yes, that signiture politeness of his has become something of a legend. But oddly, I'm feeling the strange urge to purchase another copy of Glass Flesh. Now why is that? >We found some of the old faithful returning to the flock this week with >in-depth examinations of pertinent topics like Beatles, Oranges and >Lemons, and whether musicians who are now dead are making better music >than they would if they were alive. Hell, Zappa's still churnin' 'em >out- I didn't know he was a Scientologist. Ha! So you, too, have noticed that death seems to have only increased L. Ron Hubbard's prolificity? (Hey - is that a word?) To be honest, I'm not really sure he's dead. I want to *see* the corpse. I have this spooky feeling that the Scientologists have encased his body in ice, severed his holy head, and are taking orders from his disembodied brain, currently being kept in the air 24 hours/day on Tom Cruise's private jet. I can just imagine it's most oracular pronouncements: "Tom . . . Tom . . . this is very important . . . you . . . MUST . . . stop . . . .your wife . . . from making any more movies . . . " >Tom, Nick, Russ, Glen and I met for lunch to drink to the health of >TGQ, but we forgot to do that, so we have to do it again. In our >own charming way we are probably doing that even right now. Sounds delightful! Did Tom give out any free copies of OS 8? >I think I've kept some of the alt.binaries.pictures.avian.bondage >posts that you asked me to download for you. (I sure hope I didn't >send this to the whole list. Gawd, wouldn't _that_ be embarrassing!) Um, well, yes you did send it to the whole list, but that's ok. I can't stay in the closet forever. It's high time I admitted my perversity - if Troy MacClure can start a new life, so can I! (Um, hey Mark . . . did you get the really important one? You know . . . the one with the nuthatches. . . yeah . . . ) Cheep on ya, Quail ---------------------------------+-------------------------------- The Great Quail, K.S.C. | Literature Site - The Libyrinth: TheQuail@cthulhu.microserve.com | www.rpg.net/quail/libyrinth www.rpg.net/quail | Vampire Site - New York by Night: riverrun Discordian Society | www.rpg.net/quail/NYBN 73 De Chirico Street | Arkham, Orbis Tertius 2112-42 | ** What is FEGMANIA? ** "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents." -- H.P. Lovecraft ------------------------------ Date: Mon, 4 Aug 1997 00:35:47 -0800 From: John Barrington Jones Subject: Re: The Dastardly Pry Mike Runion wrote: >Anyway, just thought you all might be interested. If anyone can help >decipher this letter (PJ? Minx?), have at it. Jefferson is obviously Mr. >Holt, REM's ex-manager. I'm pretty sure that Minx would be Michelle. She didn't join him on the tour until a week or so later (March 9th I believe), and so he undoubtedly was missing her. Minx would be a suitable Hitchcockian nickname for her, I believe. I have no idea who PJ is. Speaking of cool stuff sent by mail, I got 2 shows and an interview a few months ago, and I've lost the letter detailing where the show took place. Does anyone have this sort of info in old files or something? These gigs and interviews were a rehearsal for the Storefront Hitchcock filming, and took place December 6th, 1996. New York City, or maybe Providence, at Lupo's??? I know he was doing little one=off gigs here and there. -jbj /-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-//-/-/-/-/-/-/- John B. Jones e-mail:lobstie@e-z.net web: http://web.syr.edu/~jojones "Force is the weapon of the weak." -Ammon Hennessey \-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\- ------------------------------ From: HAMISH_SIMPSON@HP-UnitedKingdom-om4.om.hp.com Date: Mon, 4 Aug 97 09:29:30 +0100 Subject: RE: 70s Quiz (No RH) TO: fegmaniax@ecto.org, hssmrg@bath.ac.uk Ha, I think I know one. 8. Tanz der Youth was formed by which guitarist? What band had he just left? Name of guitarist: Brian James Name of band he left: The Damned > Answers by 8th August, please. No conferring. No hesitation, > deviation or repetition. Steer well clear of Mornington Crescent. Even if I'm in nib?? (Hamish) ------------------------------ Date: Mon, 4 Aug 1997 07:35:23 -0600 From: mbrage@surgery.bsd.uchicago.edu (Michael Brage) Subject: John Wesley Harding (NO RH!) Fegs, This post has no Robyn, so delete it now if you like. John Wesley Harding played four sets here in Chicago this weekend. I went only to the first show and it was great fun. He has a quick wit about him and was highly amusing. He played for nearly two hours and then signed autographs at the end. He played tons of new material and a nice collection of his oldies. He is much better live than on his records. I have a nice tape of the show for trades, if anyone wants one. Michael ------------------------------ From: "Chaney, Dolph L" Subject: RE: John Wesley Harding (NO RH!) Date: Mon, 4 Aug 1997 09:01:49 -0400 As an equally off-topic followup, I'd like to point out that JWH's debut, the live IT HAPPENED ONE NIGHT, is one of my favorite purchases of the year. It's on... Rhino! (Woo-hoooo! extremely tangential pseudo-Robyn-content! love it love it love it!) Since it was actually recorded in front of a bunch of his friends at a concert, both the songs and the performances have a lot of warmth mixed in with the bile. Also, the "God Made Me Do It -- The Christmas EP", if you can find it, is a lot of fun, even if only for Wes's cover of "Like A Prayer". What I've heard from NEW DEAL, his '96 album, is fantastic as well. Dolph ------------------------------ From: Mark_Gloster@3com.com Date: Mon, 4 Aug 1997 06:38:13 -0700 Subject: Re: Grateful Drones >> "The Greatful Dead. Now _there's_ a band that had one great >> album in them!" >> -a friend who shall remain nameless. (He said the same about >> Chicago.) >The funny thing is, both bands kept releasing that one album over and >over. Come to think of it, so did AC/DC and ZZ Top. Or, to put it >another way: "If you own one album, you own them all." >Regarding Chicago: Same album, different Roman numeral. >In all fairness, though, I think that AMERICAN BEAUTY is one of the >great albums of all time and "Box Of Rain" remains one of my all-time >favourite songs. I must be honest here too. I've seen the Dead, and enjoyed one of the openers, and the crowd at the show. I never "got" the deadheads trip until I had one of those epiphanous, spinal-column-fusing, 3 zillion volt shocks once when seeing Oingo Boingo. I went, hey, now I know the feeling that los cabezas de muertos (literally: "dead cabbages," "dead heads," or "hey, look! those cabbage heads sure look dead!") feel. If only the dead had done that to me or if Boingo would've toured more, I wouldn't have had the job, the money, or the musical instruments I have now. I would be a different person entirely. I'm not saying that that would be a bad thing. Well, yea, I guess I am saying that that is a bad thing, but it's only that way from my perspective. Also, the one Dead album to take hold of me was _Terrapin Station_. I don't think there is a bad track on it. I kinda' wish that they would've repeated that album just a few times. Chicago: people keep handing me a crappy bootleg CD of Chicago. It is a bad recording of a bad concert. I'm not a big fan of them to begin with- this is just a total piece o' krap. It's kind of an in joke that I can't imagine that all these people could be in on. The story is always the same- they can't trade it in so they leave it in my office or my home and won't take it back because it's evil, awful, and has already caused them seven years bad luck. I've received 3 of them now. Why me? Maybe I've just prevented other people 21 years of bad luck. I really am swell for serving as a listening discomfort bag recycling center. Please send more audio vomit, I'll send it to Casey Kasem and tell him that it's a new collaborative tribute to him by U2 and Negativland. AC/DC: Uh. Yea. The lyrics are kinda cute sometimes, but I don't buy Flock of Seagulls albums either. ZZ Top: Don't get em? They must be writing way over my head. I'd like to thank Eb for his remarks on _Glass Flesh!_ again. Another promised order! Bayard and I may one day break even on a really dumb idea and maybe even be able to afford to do this whole thing again for volume 2. Life is good and then you go to work and then you leave work and life is good again. More happies to you all than you can shake a bad CD at, -Markg ps. Robyn Hitchcock is cool ------------------------------ Date: Mon, 4 Aug 1997 16:05:31 +0100 From: fiona zinovieff Subject: Re: Feg Digest V5 #186 >Subject: Re: Grateful Bones > >>The GQ wrote: >>I would kill to hear Bob Weir cover a Robyn tune! > >How about this... what Dead tune(s) (if any) do you think would be cool for >Robyn to cover? If a geranium came out of it and reminded me of you then scarlett begonias would complete the hanging basket. f zed ------------------------------ Date: Mon, 4 Aug 1997 11:37:58 -0800 From: John Barrington Jones Subject: need info on Dec 6, 1996 gigs Do any of you out there keep old tour info? I usually do, but I can't find any info on the Dec 6 1996 gigs. After the tour with Billy Bragg was over, thoughts turned toward the filming of Storefront Hitchcock. A slew of warmup and rehearsal dates were announced--some of which took place in New York City, with one or two elsewhere. I am in the process of updating my trading list, and I have tapes of two gigs from Dec. 6 (an early and a late set) but there is no venue or city listed. I can't get ahold of the guy that made them for me. If you can be of help, it would be greatly appreciated. Thanks. -jbj /-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-//-/-/-/-/-/-/- John B. Jones e-mail:lobstie@e-z.net web: http://web.syr.edu/~jojones "Force is the weapon of the weak." -Ammon Hennessey \-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\- ------------------------------ Date: Mon, 4 Aug 1997 11:40:48 -0700 (PDT) From: misplaced joan of arc Subject: The Rosehips? (no Robyn, sorry) Hey, does anyone know of a Brit band called the Rosehips, circa 1985, or thereabouts? I believe they may have been on a label called Revolver Records, or, ummm, maybe that was their distrubuter. Dunno. e-mail me, Thanks! ------------------------------ From: "Glynyrd Skynyrd" The Great Quail Date: Mon, 4 Aug 1997 12:25:11 -0800 Subject: Re: Positive Engrams A long time ago in a galaxy far, far away, The Great Quail wrote: > Terry - if you truly believe music of the sixties was better, on the > average, I only have two words for you: "Ultimate Spinach." I'll > gladly send you a tape. (My favorite song being "Hip Black Death > Goddess.") Ultimate Spinach is the group that ultimately evolved into Steely Dan. As I remember it, the members of US were David "Not The Guy From ABC" Palmer, Elliott "Reelin' In The Years" Randall, Denny "Boddhisatva" Dias and Jim "Hiccough-Burp" Hodder. Donald Fagen and Walter Becker recorded some demos tapes as well as the soundtrack to "You Gotta Walk It Like You Talk It" (later re-released as a Steely Dan record) with US as the backup musicians, and eventually formed The Dan with Jeff "Skunk" Baxter replacing Randall. Although Randall continued to make guest appearances on every Steely Dan album, he was never an official member of the group (sort of the Wally Badarou of his day). I don't know if there are any Steely Dan fans out there, but I though that this might be a tidbit worth noting, since I know that A. Metcalfe has cited Steely Dan as one of his favourite groups. (Oh, look -- tangential RH content!!! WOO-HOO!!!) An interesting sidenote: Fagen and Becker met at Bard college in New York and played together in a series of bands, one of which included Chevy Chase as drummer. Can't Buy A Thrill, --g "Turn that shit off!!!" --Bob Dylan, upon first hearing the Beatles' SGT. PEPPER'S LONELY HEARTS CLUB BAND ------------------------------ From: "Glynyrd Skynyrd" Date: Mon, 4 Aug 1997 12:25:10 -0800 Subject: Re: more orphaned songs A long time ago in a galaxy far, far away, Bayard wrote: > > I remembered a few more tracks I wanted to find for this year's > rarities compilation: > > 'mother loves you... mother drugs you'... someone (peter?) posted > about this, i don't think anyone knew the sure title. I think it was I who first mentioned this after he played it at the Sweetwater in Mill Valley, CA on 2 June. I believe Eddie "Blue Suede" Tews taped the whole show, including the soundcheck (during which he played this song). Decaying groovily, --g "I'd trade it all for just a little more." --Montgomery Burns *************** Glen Uber glen@metro.net http://metro.net/glen/ *************** ------------------------------ From: "Eddie Tews" Subject: ad homonym Date: Mon, 04 Aug 1997 13:34:50 PDT i've been questioning some of my assumptions lately. no, not the one about capitalism being the blackest, most evil blight on history. that's pretty sound. rather, i've assumed that in Elizabeth Jade, he sings, "i've got to find myself a stopper before i find myself a pauper." but it could be, "i've got to find myself a stopper before i find myself a-popper." in Walnut, i'd always assumed he sings, "everybody kneads my nose but no one know my needs." but it could be just about any combination of kneads/needs or knows/nose/nos at those four critical junctures. (and, "nos" could be a verb, as in "nixes," or it could be the plural of "no," as in, "i kept asking for syringes, but all i got were 'nos.'" ) let's try a couple-- everybody needs my nos but no one nose my kneads everybody kneads my knows but no one nos my needs ...ok, you can see it's not exactly pullitzer material. but with robyn singing it, it works, i think. somebody else can figger out how many permutations there are. terry and graham: the gators had a nice ride last year, for which congrats. but the huskies are going to dominate in '97. i love the jaguars though, because mark brunell (despite that interception against ucla in 1990) is a demi-god. i promise no more sportstalk on this wavelenght until such time as the huskies clinch the pac-10 championship. ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com ------------------------------ Subject: Chinese Dead Man Walking Blues Date: Mon, 4 Aug 97 16:46:26 -0000 From: The Great Quail I thought it might be interesting to actually respond to some things I missed over the last two weeks. Hal writes, >Why pay that <$53.00 for a live Dead double CD> when the Dead taper community still runs >rampant?! Well, I for one would prefer to have a really good set on CD rather than tape - I have dozens of Dead tapes, but I will still shell out some bucks for a CD version of a really good one -- which is why those very reasonably priced "Dick's Picks" are so joyous to me. But even so, yes, it is an excessive price, which is why Satan put credit cards on earth to tempt small God-fearing birds with funny feathers on the top of their heads! I wrote: >> having been to many Dead shows, I really >> can't vouch for the audience. They're usually so stoned that they would >> cheer if the Dead covered a Hall and Oats song. Hal: >That's a pretty broad generalization. Ever heard of the "Wharf Rats"? Yes! So you were one of the Wharf Rats, those mysterious mariners on the Seas of Tour, marking their ghostly presence by hand-lettered signs tacked up to venue walls. . . . Neat! And as for my generalization, hey! I *am* a Deadhead! I just have a sense of humor about my Deadfandom. (I'm not saying that you do not, Hal, and I know how it is to defend the Dead amidst an angry mob of naysayers) Of course, I pretty much have a sense of humor about all my musical likes and heros. Except Johnny Cash. I will not tolerate anyone putting down Johnny Cash. That makes me . . . mad. And mean. I want to peck, furiously. Someone asked: >How about this... what Dead tune(s) (if any) do you think would be cool for >Robyn to cover? I would love to hear him do China Cat Sunflower, which has some very strange and surreal lyrics. But I would want him to do the song on his own terms, you know - slow it down, play with it. But then again, it would be really really strange to watch him perform Terrapin Station, complete with Deni Bonet on trusty violin! I would love to hear his own lyrical alterations. . . . John LittleJohn: >Quoting Neil Peart is the one thing that shouldn't be allowed on this >list (or any for that matter). Disregard the Free Speech issue; it's just >wrong. "Those who know what's best for us-- Must rise and save us from ourselves." (Sorry, John, I couldn't resist!) Eddie: >legalized murder: that's an interesting thought glen. of course there's >no shortage of young black men being falsely accused. but, i wouldn't >be at all surprised if this song was at least partially inspired by >mumia. what years was robyn living in DC? i've got a couple of tapes >of mumia's commentaries from inside prison, if anyone's interested. >they're very good. I had originally thought the song had something to do with Mumia as well, but after a few listens (And may I add, for the record, that the Great Quail *does* actually dislike a Robyn song, and it happens to be "Legalized Murder" -- I must grit my teeth to to get through it -- but it is the *only* Robyn song I really dislike, the only other one that even comes close being "Ted Woody & Junior") . . . er, where was I? Oh, yes: after a few listens I discarded that theory. First of all, Pennsylvania does not use the gas chamber, we use lethal injection. Additionally, in the song, they seem to actually kill the prisoner - who may be named "Jim." Eb: >Sometimes, it's good creative timing when an artist dies (not that this is >necessarily the case with Lennon). I mean, the Doors seemed fairly out of >gas to me on L.A. Woman. If they had continued, they probably wouldn't >turned into some boring boogie-blues band and destroyed their >mystique/image. Good career move, Jim. ;) I actually agree here, Eb, as cold and unfeeling as it sounds. If Jim had lived, he would proabably be washed up by now. You can see that sad potential future, somehow, casting its shadow over the last year of his life; but he opted out, perhaps out of some weird self-imposed sense of unconscious necessity: by dying young, the image of Jim in the collective consciousness is that of an erotically charged wild-haired Poet/Mystic. Boom! Instant connection to the warehouse of images buried deep in our brains. In our modern pantheon of media-created dieties, where Marilyn is Aphrodite, Nixon is Chronos, and Elvis is Apollo, Jim has assumed the thorny wine-drenched crown of Dionysus. . . . Very good career move! Alas, like Daffy Duck's gasoline and match trick, you can only do it once. (Unless, perhaps, you're L. Ron Hubbard. . . ) --The Quail PS: As for other odds and sods, I *like* "Home Improvement." I think the interaction between Tim and Jill is more geniune than most SitCom families . . . plus, my Dad is a lot like Tim Allen. I also think In Utero is much better than Nevermind, though both are classics. I am also thinking, right now for a reason I really don't know, about squashing a pea with a fork, like in "Murder by Decree." This is probably more than you wanted to know. ---------------------------------+-------------------------------- The Great Quail, K.S.C. | Literature Site - The Libyrinth: TheQuail@cthulhu.microserve.com | www.rpg.net/quail/libyrinth www.rpg.net/quail | Vampire Site - New York by Night: riverrun Discordian Society | www.rpg.net/quail/NYBN 73 De Chirico Street | Arkham, Orbis Tertius 2112-42 | ** What is FEGMANIA? ** "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents." -- H.P. Lovecraft ------------------------------ Subject: Influences - and a small author plug Date: Mon, 4 Aug 97 16:47:49 -0000 From: The Great Quail Bayard writes: >IMHO your definition of "influence" is too confining-- there's a lot more >to influence than just a signature sound. My favorite opinion on influences and imitation comes from Jorge Luis Borges, in his essay "Kafka and his Precursors." According to Borges, every artist creates his own precursors, essentially because his original work forms new connections among previous artists; connections that might never have been seen before. Essentially, Kafka *created* his precursors, not the other way around. It is very difficult untangling the web of influences . . . and it is also amazing to see how our *perception* colors this sort of thing. What if Robyn came first, before Syd? Would we still consider Syd a genius? Or what if "Airscape," "Bass" or "Chinese Bones" were written by someone like Evan Dando, trying to turn over a new leaf? Would we actually keep an open mind, or pick it apart . . . or just dismiss it? Borges' essay is brilliant, and may be found in his collected works "Labyrinths." For those of you who have not read Borges, I highly recommend him - I think that most fans of Robyn would really appreciate Borges. -- The Quail PS: And may I modestly suggest, if you want to find out more about Borges, that you drop by this lovely web site, surely one of the best on the whole internet: www.rpg.net/quail/libyrinth ---------------------------------+-------------------------------- The Great Quail, K.S.C. | Literature Site - The Libyrinth: TheQuail@cthulhu.microserve.com | www.rpg.net/quail/libyrinth www.rpg.net/quail | Vampire Site - New York by Night: riverrun Discordian Society | www.rpg.net/quail/NYBN 73 De Chirico Street | Arkham, Orbis Tertius 2112-42 | ** What is FEGMANIA? ** "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents." -- H.P. Lovecraft ------------------------------ Date: Mon, 4 Aug 1997 14:37:02 -0700 From: Eb Subject: Re: Grateful Drones Mark wrote: >I'd like to thank Eb for his remarks on _Glass Flesh!_ again. Another >promised order! Bayard and I may one day break even on a really dumb >idea and maybe even be able to afford to do this whole thing again for >volume 2. I'll write the liner notes for Volume 2, if you like. ;) Eb ------------------------------ Date: Mon, 4 Aug 1997 17:49:44 -0400 (EDT) From: the woj of noise Subject: Re: need info on Dec 6, 1996 gigs also sprach John Barrington Jones : >Do any of you out there keep old tour info? I usually do, but I can't find >any info on the Dec 6 1996 gigs. i've been haphazardly keeping a list of tour dates, but i don't seem to have this one on the list. however, i do remember that the location was, as you surmised, lupo's, providence. i don't remember there being two shows that evening, but i wouldn't trust my memory that far. ;) if you can post setlists, john, that would be much appreciated (and if the person who sent the tapes to john wuld care to trade them to me as well, please drop me a line!). woj ---------------------------------------------------------------------------- The End of this Fegmaniax Digest. *sob* .