From: owner-fegmaniax-digest@ecto.org To: fegmaniax-digest@ecto.org Reply-To: fegmaniax@ecto.org Errors-To: owner-fegmaniax-digest@ecto.org Subject: Feg Digest V4 #182 Fegmaniax Digest Volume 4 Number 182 Send posts to fegmaniax@ecto.org Send subscribe/unsubscribe commands to majordomo@ecto.org Send comments, etc. to the listowner at owner-fegmaniax@ecto.org FegMANIAX! Web Page: http://remus.rutgers.edu/~woj/fegmaniax/ Archives are available at http://archive.uwp.edu/pub/music/lists/fegmaniax/ ------------------------------------------------------------------------- Today's Topics: ------- ------- Re: Tabs Alright Yeah, followed home by an Octopus on Magritte Street Re: De Chiciro Re: Robin Bob & Albert Hickory Wind Robyn in Ray Gun Re: Robyn Bob & Albert just about everything, but no Farts of Old Dylan Re: Robyn Bob & Albert Re: new boot CD Re: non-release of Queen Elvis in the UK Re: A Happy Byrd is a Fylthy Byrd Re: Pet shop boys Re: mailbag Re: A Happy Byrd is a Fylthy Byrd Re: A Happy Byrd is a Fylthy Byrd Beat the Boots! Beyond the Rain Parade Re: Pet shop boys Imports and Fantastic People varia ------------------------------ Date: Wed, 18 Sep 1996 16:29:26 -0500 From: Dmitry Gokhman Subject: Re: Tabs The Human Mellotron wrote: > How about someone putting up a feg tab webpage. I'll send tabs if > someone;'s willing to html'ize them and put them up.. I volunteer to htmlize (is this a word? sort of like caramelize?) them, but my site is at work, so I'd rather have the final product go to one of the existing places. What say woj? capucin? altri? - D -- Dmitry Gokhman http://www.math.utsa.edu/~gokhman Brahms Gang/Mathematics/UT San Antonio -- Dmitry Gokhman http://www.math.utsa.edu/~gokhman Brahms Gang/Mathematics/UT San Antonio ------------------------------ From: "Aaron J. Sparrow" Date: Wed, 18 Sep 1996 17:24:11 -0500 Subject: Alright Yeah, followed home by an Octopus on Magritte Street BLATZMAN (whose name I am too ignorant to connect to any beverage, alcoholic or non) asked if those of us who heard the Moss Elixir "Alright Yeah" first have any preference for that version over the 1993 version. I am one of those. Having only heard the 1993 version once (last night) I really shouldn't comment, but my initial impression is that I like the Moss Elixir version more, confirming your hypothesis that whichever version you hear first is the one you're more partial to. The difference really isn't great at all. I guess it sounded like the Moss Elixir version was more polished, but that could easily be attributed to my expecting to hear the song a certain way. Daniel Saunders posted the lyrics to one verse of "Octopus". Thank you, Daniel! That is my favorite Syd Barrett song as well. Any chance you or anyone else could post the lyrics to the entire song? I fear there is much I am missing. After having always heard the line as "The grasshopper's green ovarian band", I checked last night and you are indeed right about it being a(n) Herbarian band. Or maybe it was agrarian? Bavarian? As per the artist discussion, Robyn Hitchcock and Rene Magritte are my favorite painter and singer/songwriter, respectively. Popping in a Hitchcock CD is merely the denoument as far as I'm concerned. It's the covers I long for. As for Magritte, his paintings won him a lot of money and praise, but I'm holding my breath for the Rhino releases due out this fall of all the Rene Magritte and the Yemenites albums. I did some research on Giorgio de Chirico (i.e. talked to my wife, an art historian) to find out whatever became of him. All of his influential paintings were done in the span of about a decade in the 19-teens. Apparently his prayers only succeeded in annoying the powers that be, because he completely ran out of inspiration. In fact, things became so bad that he began making reproductions of his earlier works (and driving down their value in the process). Aaron "who devoted not one but 2 messages in the past to the similarities between Rene Magritte and Robyn Hitchcock, neither of which met with any response, but he's not bitter and is actually quite happy that the discussion finally surfaced so why the hell is he writing this self-congratulatory nonsense anyway except that it seems to be all the rage to write these signatures" Sparrow Aaron J. Sparrow Research Assistant Population Studies Center The Urban Institute 2100 M Street, NW Washington, DC 20037 (202) 857-8510 ------------------------------ Date: Wed, 18 Sep 1996 15:01:58 -0700 From: Nick Winkworth CC: Vyrna Knowl Subject: Re: De Chiciro Tom Clark ranted (probably prior to forcible restraint): > > Sig-less Nick requests: > >How about relating Robyn/his work to other artistic arenas? > >...Pottery? > > Robyn's work would have to be most closely related to the Bauer family > pottery of the 1940's. One can see a resemblance in that both employ > traditional stylings but present them through a modern design. Robyn, > with his neo-psychedelia, and Bauer, with their classic pieces > manufactured in the mint green and pink colors of the period, both prove > that innovation and tradition are not mutually exclusive. I think you'll > see my point if you listen to 'Wey Wey Hep-A-Hole' while you continuously > assemble/disassemble a set of speckled nesting bowls. > > I need help desperately. > I feel ashamed to have contributed to your obvious mental demise. Nevertheless, your post made my day! -Nick ------------------------------ Date: Wed, 18 Sep 1996 15:15:25 -0700 From: gondola@deltanet.com (E.B.) Subject: Re: Robin Bob & Albert I don't know anything about organizing tape trees and I'm not particulary into the tape thing anyway, but I MUST have a copy of that RobyndoingDylan boot! Keep me posted. EB PS Bayard, "Hickory Wind" is probably the Gram Parsons/Byrds song? ------------------------------ From: Glen At Metro Dot Net Subject: Hickory Wind Date: Wed, 18 Sep 1996 15:46:39 -0700 At 14:13 18.09.96 -0400, Bayard wrote: >hickory wind (or is this a cover?) If it is the following song, yes it is a cover. ***HICKORY WIND*** In South Carolina There're many tall pines I remember the oak trees That we used to climb But now when I'm lonesome I always pretend That I'm getting the feeling Of Hickory Wind I started out younger Had most everything Of the riches and treasures What else could life bring? But it makes me feel better Each time it begins Callin' me home Hickory Wind It's a hard way to find out That trouble is real In a faraway city With a faraway feel But it makes me feel better Each time it begins Callin' me home Hickory Wind Keeps callin' me home Hickory Wind Written by Gram Parsons and Bob Buchanan in 1967. Appeared in the Byrds' 1968 album, _Sweetheart of the Rodeo_ and Gram Parsons' 1974 album, _Grievous Angel_. Appeared in a remixed form in _The Byrds_ box set, 1990, with Gram Parsons, not Roger McGuinn on lead vocals. Lyrics used without permission ########################################################## "Why is there no easy way to remember how to spell 'mnemonic'?" --Glen Uber ########################################################## # Glen E. Uber glen@metro.net http://metro.net/glen/ # ########################################################## ------------------------------ From: Glen At Metro Dot Net Subject: Robyn in Ray Gun Date: Wed, 18 Sep 1996 15:49:47 -0700 feggers, I came across an interview with Robyn from the April '93 edition (5) of Ray Gun magazine. It's a hipper-than-thou, trendy, post-modern type rag here in the states. If any of you want it posted to the list, please let me know and I will type it up. Cheers, --g ########################################################## "Why is there no easy way to remember how to spell 'mnemonic'?" --Glen Uber ########################################################## # Glen E. Uber glen@metro.net http://metro.net/glen/ # ########################################################## ------------------------------ Date: Wed, 18 Sep 1996 19:21:45 -0500 From: Brandt Subject: Re: Robyn Bob & Albert E.B. wrote: > > I don't know anything about organizing tape trees and I'm not particulary > into the tape thing anyway, but I MUST have a copy of that RobyndoingDylan > boot! > > Keep me posted. I confess to being VERY into the tape thing!! I want to thank Bayard for his efforts. (Please continue to make those goodies in your collection available..!) I would really like to help with tree organizing/dubbing, but don't possess a DAT. It's always a thrill to get new RH tunes and I am always up for a trade if you email direct. I'm looking for Robyn live and radio appearances, Zappa and Dead SBD's. Have many hrs. Dead and Beatles/Lennon to trade. BTW, I apologize for my public flamethrowing during that fart thread. I'm really not a bad guy when you get to know me..! The "grow up" thing was just posted out of frustration and care for the list. Susan got it right. So, as Little Alex would say, "appy polly loggys" to Brian (even though his response WAS a bit much.) It originally was nothin' personal, mate. Sorry it briefly became that way. ~peace~ hal ------------------------------ Date: Thu, 19 Sep 1996 13:23:35 +1200 (NZST) From: james.dignan@stonebow.otago.ac.nz (James Dignan) Subject: just about everything, but no Farts of Old Dylan Robyn's music is definitely like a Hundertwasser development working off an Art (gravy?) Deco theme. But don't ask me why, that's just what it looks like to me. And yes, I favour the Magritte opinion to the De Chirico. Whereas another of my musical heroes, Brian Eno, is more Duchamp. Hamish (who spends a lot of his time in parentheses) - I'm sorry, but all I can remember of the Herbs is "I'm Dill the Dog, I'm a Dog called Dill" and "Oi'm Bayleaf Oim the gaaardner, Oi work from early dawn..." Then again, New Zealand's best ever reggae band was called Herbs, for what that's worth. >What does 'in orbit' mean in the foregoing? Perhaps Tracy would give us an >exegesis? I'd settle for two slices of lightly browned toast and some marmite. From: "Trixie, Bunny and Peaches" , possibly Liechtenstein's answer to the ultimate question (or possibly not) wrote: >>... Robyn Hitchcock, is a post modern... >i *knew* that that would be used again. it haad to be--far too much of a >catch phrase. it is more than that little sticker on, what i think a fine >album, QE. >but, just what is post-modern when it comes to pop music?? i have my ideas >but would like to hear others... well, I always see it as being self-referential, or referential to its own medium - rock music - to the point where the reference becomes the substance. It could be lyrically (the ultimate example of this is possibly the Beatles song "Glass Onion"), or it could be in the form of sampling and plagiarising your own work (or, sneakily, someone else's) within a song. In which case, I don't see Robyn as being that Post-Modern. Billy Bragg is, when he sneaks the bass line to the Monkees "Last Train to Clarksville" into the end of "Mother of the Bride", or when he nods to Dylan in his titles ("From a Vauxhall Velox"). Sting is when he starts singing "Every breath you take" at the end of "Seventh Wave". Even the goddamn Sisters of Mercy tried a Dylan nod with the line "stuck inside of Memphis in a mobile home" in "Mother Russia". It's sort of the next stage on from plagiarism, where parts are taken from other songs not to steal or copy, but to bring a shock or humoprous element to the piece through our being aware of where the line came from. Robyn? Not really, the nearest he gets to this is his deliberate aping of the styles of other musicians when he sings their songs (Lennon on 'Yer Blues', and Van the man on "Linden Arden hid my flashlight") Then again perhaps I'm just opening my mouth and letting the wind blow my tongue around. James (whose song "Omens on the run" contains the line 'smoke on the water', as well as the words crustacea, Eskimo, calibrated, horizontal and kettle :) James Dignan, Department of Psychology, University of Otago. Ya zhivu v' 50 Norfolk St., St. Clair, Dunedin, New Zealand pixelphone james.dignan@stonebow.otago.ac.nz / steam megaphone NZ 03-455-7807 * You talk to me as if from a distance * and I reply with impressions chosen from another time, time, time, * from another time (Brian Eno) ------------------------------ From: "Brian Huddell" Date: Wed, 18 Sep 1996 20:49:05 +0000 Subject: Re: Robyn Bob & Albert hal says: > So, as Little Alex would say, "appy polly loggys" to > Brian (even though his response WAS a bit much.) More than a "bit," I fear. I went from my usual thin skin to no skin at all yesterday. Nothing but love and kisses from me from now on. I have nothing worthwhile to add, but while I'm here I'd like to thank all those who have recently posted reviews and articles (even the infuriating ones). This is really a wonderful thing, almost like an international clipping-service. Very valuable, and I look forward to an opportunity to contribute, soon as I stumble across something before anyone else does. --brian ------------------------------ Date: Wed, 18 Sep 1996 20:50:53 -0500 (CDT) From: sdodge@inforel.com (Truman Peyote) Subject: Re: new boot CD >Fegs, > >The latest issue of ICE CD newsletter mentions a new Robyn Hitchcock boot >of his May 27th performance this year in London. It features numerous >Dylan covers. It is called Rob, Bob and Albert. If anyone knows where to >obtain this CD I would appreciate the information. > >Thanks, > >Michael Me too. This sounds so damn tasty I am willing to reconsider my anti-bootleg stance altogether. Susan ------------------------------ Date: Wed, 18 Sep 1996 20:51:03 -0500 (CDT) From: sdodge@inforel.com (Truman Peyote) Subject: Re: non-release of Queen Elvis in the UK >There was a rumor on this very list a couple years ago (in digest >vol 1 #35, to be precise) that the record had not been release >because Robyn's label at the time was Demon, same as Elvis Costello, >and someone at the label (perhaps Elvis himself) decided they didn't >like the album title. > >Larry-bob >lroberts@oacis.com Lots to reply to today, kids! Maybe I've finally reached my fegposting limit :). Elvis was on Warner's at the time, wasn't he? Leastaways that's what I thought, though he may have had some different kind of distribution deal over across the herring pond. Anyway, this doesn't sound to me like something Elvis C. would be upset about. As I recall, he was rather miffed himself at having to change the title of "Girls, Girls, Girls" to "This Year's Model" because that particular album was in the works around the time of the other Elvis's death and Columbia thought the title unseemly. One would think that this would make him more sympathetic to Robyn's cause than not, and consequently I would guess that if this is in fact what happened, it was not at Mr. Costello's urging. Susan ------------------------------ Date: Wed, 18 Sep 1996 20:51:07 -0500 (CDT) From: sdodge@inforel.com (Truman Peyote) Subject: Re: A Happy Byrd is a Fylthy Byrd >Susan, who is a certified genius and really pretty, too, Why thank you. You're pretty scrummy yourself, you know :). >makes the following Robyn- to- painter correlation: >"Robyn always seemed more Magritte to me :). DeChirico is a bit too stark >and somber. >This Magritte thing has been mentioned before, and it's very valid. Howevah, >I think Robyn is a little less one for winking directly at his audience a la >Magritte. Painting-wise you're right. Lyrically, however, I think there's a definite spiritual connection. Bypassing Dali, whose technique is a little too refined to >parallel Robyn, I see a little bit of the stranger Ernst stuff in Robyn, Oh yes! Definitely. Rex, I love you. What was that someone said about surrealism being defined by the chance meeting of an umbrella and a sewing table? I think it was Ernst, actually. Anyway, it fits. >one might even describe his more brutally biological explosions of gristle as >a little bit Bacon-esque (think "Can of Bees"). Yes. I think mostly what fits here is the darker SBs stuff like "Pigworker" and such (Can of Bees, basically, as you said), although "Agony of Pleasure" kind of has this feeling about it too. Of course, when Robyn >himself paints, it's, I dunno, more like Matisse than most things filled with >floating fish painted like WWII fighter planes are. :) I don't know about that. Robyn's stuff is generally speaking more figurative than Matisse's, but that's only my opinion. (stuff about Nigel and the Crosses deleted) >Russ taunts the Blatzman: >"But then, I'm still trying to figure out why a home-brewing beer connoiseur > >would choose an internet name that reminds me of the most foul tasting swill > >I've ever sucked from a can." > >Gotta admit, Dave... you set yourself up for that one... Oh, you silly people. You have obviously never tasted Carling's Black Label. >As to the meaning of "Filthy Bird", I think that perhaps Robyn just likes >fish better than birds... like I do. This song reminds me of something I >wrote years ago, an item in a surreal "what's in / what's out" list. Just >looked it up. Went like this: >"IN: concept of a world where beautifully bejewelled fish float languidly >through the air bringing joy to all, while dirty, twitching birds flounder >pathetically beneath the waves. >OUT: Anyone referring to him or herself by the psuedonym "Louse", up to and >including groups of people calling themselves "lice"." >Best not to ask what I was up to at the time, but "Filthy Bird" reminds me of >this... OK, I'll bite. What WERE you up to? Re REM (oh my, that looks kinda nifty actually.......Tom, I get this strange feeling that you are not alone in sanity loss:)): > "Document" and "Automatic" are the best of the >post-godhood lot, "Automatic" is FAB. Love those dramatic strings on "Drive". IMHO; "Monster" plays like a great album with a throwaway >EP stuck in the middle of it. Yes, exactly, bingo again Rex! Why do we agree so damn often? As for what I would want to add to this, I just have to say I could never completely hate an album with "Crushed With Eyeliner" on it. The guitar riff on that is just too cool for words (and the words are pretty excellent too). Susan ------------------------------ Date: Wed, 18 Sep 1996 20:51:43 -0500 (CDT) From: sdodge@inforel.com (Truman Peyote) Subject: Re: Pet shop boys >> And anyway, what contributions have the music criticism industry >> actually made to popular music, to show that "they know any better". >> The Pet Shop Boys???? Let he who is without sin etc.. > >The Pretenders? or was Chrissie H a muso first and a critic later? > >James Three words: Yo La Tengo (many smiles for Rex here, he knows why :)). The album known as "Electr-o-pura" rocks the world as we know it. With lyrics like "Spent so much time dreaming of Eleanor Bron/ in a room with the curtains drawn", you just have to love it. There's even a song called "Paul Is Dead". May I also add that I love Chrissie Hynde? This is a woman who was engaged to Johnny Rotten and later married Ray Davies. I've always wanted to meet her, because this only proves to me (along with her songwriting for the Pretenders, who were IMHO excellent) that she must be a fascinating individual. Susan ------------------------------ Date: Wed, 18 Sep 1996 20:51:48 -0500 (CDT) From: sdodge@inforel.com (Truman Peyote) Subject: Re: mailbag >>1) There's genuine doubt as to whether the CoB liner note songs existed. >>We think that we found The D Song and maybe one other one, but a lot of >>them seem kinda made up. > >Forgive me if this has been dealt with before, but this comment made me >think of something... > >"So You Think You're In Love" is one of the titles listed in the CoB notes. >Is this the "other one" referred to by T.H. Mellotron? Does anyone know if >the song is the same one that turned up on PI? I think it is, actually. Because didn't Robyn once make some comment about feeling that it was somehow too warm and fuzzy to be quite right for the SBs, and that that was the reason it was not recorded with them? Perhaps it's just my poor befuddled brain, but it seems to me that I remember reading something like that once somewhere (ooooh! so SPECIFIC :)). Susan my n.p.- Jo Carol Pierce, "Bad Girls Upset By The Truth". I haven't laughed so hard at a musician's spoken asides since I first heard "That's Where Your Heartaches Begin". Go seek this fine recording immediately :). ------------------------------ Date: Wed, 18 Sep 1996 20:51:53 -0500 (CDT) From: sdodge@inforel.com (Truman Peyote) Subject: Re: A Happy Byrd is a Fylthy Byrd Hamish Simpson, who dareth insult the great Ray and will consequently soon be struck by the gods' wrathful lightning, writes: > My next request is for the chords to the Yip Song, Mr Mello?, anyone? > I am trying to convince my band to cover it. (I might be on a roll.) > In a strange-but-true-Michael-Aspel-other-worldy-deja-vu connection, > when I first mooted (now there's a word) the Groove Puppies part of > our name about 6 years ago, I envisaged our fans (in my dreams) all > running down the front at our gigs and repeatedly crying "Yip, yip, > yip, yip". Now tell me that's not fate. > I want that tab too. I greatly enjoy yelling yipyipyipyipyip and would like to combine this with my so-called guitar playing at some point. When I am next in London, I will be sure to attend one of your gigs and get lots of people to yell this at you. I can do this. A few weeks ago, I went to see the Mekons (this was when the Democrats were having their Maccarena hoe-down here in Chicago) and got everyone to start yelling "Four More Years" at Mr. John Langford instead of the infinitely less fun but more obvious "encore" that they started off yelling. He, of course, mutated the chant into "Four more beers". > P.S. > > Susan, > > Big, big, big, big, big, big, big, big, big, big, big, big, big, big, > big, big, big, big, big, big, big, big, big, big, big, big, big, big, > big, big, big, big, big, big, big, big, big, big, big, big, big, big, > bignose. And not as good looking or anywhere near as talented as I > myself am indeed. Well, well Mr. Big Stuff, who do you think YOU are? :) To quote Paul's grandfather in A Hard Day's Night (on the subject of Ringo's nose)- "Now Paulie, don't mock the afflicted. He can't help having a hidjous great hooter and the poor little head trembling under the weightofit". This absolutely cannot be denied. However........... I think that if you are as brilliant as the great Ray, it sort of doesn't matter. You can have a huge nose. You can not be as good looking as the dashing, debonair likes of one Hamish Simpson. You can even write stupid songs about lusting after women in elevators. It doesn't negate the fact that you wrote beauties like "Village Green Preservation Society", "Wonderboy", "David Watts", "A Face In The Crowd", "Harry Rag" (and etc. on and on ad infinitum), any one of which most songwriters would probably give their eyeteeth to have written, IMHO :). So Mr. Simpson, I think that, given this evidence presented above, you must indeed be the greatest songwriter alive and amazing indeed if you are more talented than Mr. Davies. Either that or you get by on your superior looks :). Susan P.S. apropos of nothing- I read somewhere that Pete Townsend suggested that Ray Davies be nominated for Poet Laureate. Anyone know if there's any truth to this? ------------------------------ From: Stanley Moon Subject: Re: A Happy Byrd is a Fylthy Byrd Date: Wed, 18 Sep 1996 19:50:17 -0700 At 20:51 18.09.96 -0500, Truman Peyote wrote: Re: REM and _Automatic For The People_ >"Automatic" is FAB. Love those dramatic strings on "Drive". I must admit (even though it was I who originally said I don't like REM) I love the electric guitar on this song. When Peter Buck comes in with those six descending notes about halfway into the song, it makes me feel tingly in all the right places. The fat tone he manages to squeeze out of the guitar on that song is reminiscent of Brian May. That part always blows my mind. The strings (courtesy John Paul Jones) are pretty good, too. P.S. Susan, I hope you like my new name better ;) Cheerz, --g ########################################################## "Why is there no easy way to remember how to spell 'mnemonic'?" --Glen Uber ########################################################## # Glen E. Uber glen@metro.net http://metro.net/glen/ # ########################################################## ------------------------------ Date: Thu, 19 Sep 1996 01:11:29 -0500 From: jojones@mailbox.syr.edu (John, Jacci, & Madison) Subject: Beat the Boots! >E.B. wrote: >> >> I don't know anything about organizing tape trees and I'm not particulary >> into the tape thing anyway, but I MUST have a copy of that RobyndoingDylan >> boot! >> >> Keep me posted. > >I confess to being VERY into the tape thing!! >I want to thank Bayard for his efforts. (Please >continue to make those goodies in your collection >available..!) I would really like to help with tree >organizing/dubbing, but don't possess a DAT. Hal-- I have an analog version of the Dylan gig taped straight from Bayard's DAT, and would be glad to be an analog root for the tree. Anyone willing to be branches for the analog section of the tree, e-mail me with trading lists, or offers, etc. and we'll set something up. John B. Jones ------------------------------ From: Terrence M Marks Date: Thu, 19 Sep 1996 02:04:18 -0400 (EDT) Subject: Beyond the Rain Parade Just if you like to know.. Dave Roback, of THe Rain Parade was one of the members of Opal, the band that did "If the Sun Don't Shine (Jugband Blues" on Beyond the Wildwood, the Syd Barrett tribute album Terry "The Human Mellotron" Marks normal@grove.ufl.edu ------------------------------ From: HAMISH_SIMPSON@HP-UnitedKingdom-om4.om.hp.com Date: Thu, 19 Sep 96 09:04:47 +0100 Subject: Re: Pet shop boys Item Subject: cc:Mail Text Susan writes > May I also add that I love Chrissie Hynde? Hah! Now I have you. We are now discussing the person who wrote the memorable chorus "Watching the clothes go round. Watching the clothes go round. Watching the clothes go round. Watching the clothes go round." The prosecution rests m'lud. Hamish (who quietly likes the Pretenders a little but doesn't want anyone to know) ------------------------------ From: NJARMAN@frmail.rosemount.com Subject: Imports and Fantastic People Date: Thu, 19 Sep 1996 04:02:31 -0500 I want to thank everybody in one go for mailing me about the Queen Elvis CD and Mossy Liquor! You are all fantastic! So many of you responded with help and advice as well as offers to get me stuff. I simply wouldn't have time to reply to you all individually (Not that I could because I don't know your email addresses, see previous posting) You know who you are. Needles to say, I have now tracked down a copy of Mossy Liquor and Blatzman is sending me a Queen Elvis in exchange for a CD from over here. This is what this list should all be about. It is so heart warming to find people you don't even know willing to go out of their way to help you. This is why I subscribe to Fegmaniax, and will continue to. Thank you again. Cheers, Nigel Jarman ------------------------------ Date: Thu, 19 Sep 1996 07:08:59 -0400 From: sister ernestine Subject: varia 1) terry sent me his tab file and i hope to start adding them to the fegmania! site this weekend (along with the slew of new album and concert reviews, the glass flesh pages and, hopefully, a reorganization which will make it easier to find stuff). 2) i found an used copy of _queen elvis_ last night at cutler's in new haven. first first served (again, with preference to the english types). 3) that raygun interview that glen mentioned has already been transcribed. it can be found at http://archive.uwp.edu/pub/music/artists/h/hitchcock.robyn/interviews/, along with a bunch of other stuff that really needs to be migrated to the web page. carry on, woj ---------------------------------------------------------------------------- The End of this Fegmaniax Digest. *sob* .