Fegmaniax Digest <==----------==> (Send posts to the list to fegmaniax@nsmx.rutgers.edu) (Send adminstrative commands to majordomo@nsmx.rutgers.edu) (Send comments, etc to the listowner at owner-fegmaniax@nsmx.rutgers.edu) <==----------==> Volume 3 Number 192 Today's Topics: ------- ------ DC That Robyn interview To CD or not to CD? Re: Things Shakespeare never said. Re: To CD or not to CD? Zero Mostel and Gene Wilder? hello update on DC show, dec. 27 hello Production CRD: Calvary Cross J-Card Info J-Card Info PB Comic Re: update on DC show, dec. 27 alternate lyrics CRD: Cars she used to drive Currency(No Robyn Content) F and Toast Sharp In the California office and out of it... Ghost tab Re: To CD or not to CD? CRD: Cars she used to drive CRD: Wading Through a Ventilator ------------------------------ Date: Thu, 30 Nov 1995 21:33:46 -0500 (EST) From: Gary Assa To: Robyn Subject: DC Hey, can I have more info on the DC show??? Where can one in NY get tix? What time is it? Address. I am familir with DC, so cross streets are fine. --------------------------------------------------- 1. Earth is 98% full. Please delete anyone you can. 2. I came, I saw, I deleted all your files. 3. The world will end in 5 minutes. Please log out. ------------------------------ From: bing@student.umass.edu Date: Thu, 30 Nov 1995 21:42:18 -0500 Subject: That Robyn interview To: fegmaniax@ns2.rutgers.edu Followed up on that post to check out the Robyn interview at http://k12.cnidr.org:90/hitchcock.html -- great interview! Kind of interesting to hear him talk about his father-- in a rather disconcerting way, however. Interesting, also, to hear how Love inspired him to play with his songwriting a bit. What other Robyn info is out there? Bradley ps- still waiting to find some sign of Nick Lowe in this crazy info wasteland.... ------------------------------ Date: Thu, 30 Nov 1995 23:07:59 -0700 To: fegmaniax@ns2.rutgers.edu From: sherrett@teleport.com (Jason Sherrett) Subject: To CD or not to CD? To those folks who got their hands on all of the Rhino CD re-releases: was there anyone title you felt that was NOT well served by being re-released on CD, besides Gotta Let This Hen Out, cause I know most folks were not too impressed that nothing was added to this title. I love the bonus tracks, but I love my vinyl records too. Just wondering if someone felt like they could speak authoritatively about this. -Jason BTW, in regard to the long running "who should produce Robyn" thread: you've all got it wrong. Robyn needs to make an album that ROCKS. Therefore he needs someone like Butch Vig or Don Fleming, or if he wants to go the cheap route, Kurt Bloch. I can just hear it now... ------------------------------ Date: Fri, 1 Dec 1995 01:33:35 -0600 (CST) From: "Jeffrey with 2 f's Jeffrey" To: "Us...we wanna be some anglepoise lamps yeh!" Subject: Re: Things Shakespeare never said. On Thu, 30 Nov 1995, bravely resisting his nearly overwhelming urge to go out and hunt down giraffes, Terry Marks wrote: > Hasn't someone made up a list of 15 or so things that Shakespeare never did? > I remember reading about that when the unearthed that play that > Shakespeare may or may not have written. One of them was that he never > used contractions, so he never would have said "You've got to be kidding" Umm, that was *Data* who never uses contractions... --Jeff Jeffrey Norman "In two thousand years, they'll University of Wisconsin-Milwaukee still be looking for Elvis. Dept. of English & Comp. Lit. This is nothing new," e-mail: jenor@csd.uwm.edu said the priest. In my CD changer: Elastica [s/t] Mercury Rev _See You on the Other Side_ This Mortal Coil _It'll End in Tears_ Robert Wyatt _Dondestan_ Stereolab _The Groop Played "Space Age Bachelor Pad Music"_ ------------------------------ Date: Fri, 1 Dec 1995 08:45:46 -0500 (EST) From: Dolph L Chaney To: Jason Sherrett cc: fegmaniax@ns2.rutgers.edu Subject: Re: To CD or not to CD? On Thu, 30 Nov 1995, Jason Sherrett wrote: > To those folks who got their hands on all of the Rhino CD re-releases: was > there anyone title you felt that was NOT well served by being re-released > on CD, besides Gotta Let This Hen Out, cause I know most folks were not too > impressed that nothing was added to this title. I love the bonus tracks, > but I love my vinyl records too. Just wondering if someone felt like they > could speak authoritatively about this. Whether or not I know anything about a subject, I can speak pseudo-authoritatively on it, sort of. 8-) Anyway, I bought all the re-issues, and to my mind, if you already have the first CD issues of IODOT and EYE, you don't *absolutely* need the Rhinos -- the demos just sound like the final versions not yet finalized (except maybe for the demo of "Raining Twilight Coast", which is just different enough to be interesting). BSDR, GD (unless you already have both versions), EOL, and IH are essential to have in Rhino form, and if you *really* like "Egyptian Cream" and "The Pit Of Souls", you need the fegMANIA! reissue. > BTW, in regard to the long running "who should produce Robyn" thread: > you've all got it wrong. Robyn needs to make an album that ROCKS. Therefore > he needs someone like Butch Vig or Don Fleming, or if he wants to go the > cheap route, Kurt Bloch. I can just hear it now... WOW! What a great idea! Don Fleming did such a bitchen job with the Posies on FROSTING ON THE BEATER! (Besides, it would be perfectly logical; the Posies did DEAR 23 with John Leckie, who (co?)produced RESPECT, and then moved on to Fleming for FROSTING.) I know Kurt Bloch's work with Young Fresh Fellows (Vig produced the killer ELECTRIC BIRD DIGEST by YFF, the best 25-cent tape I ever bought!), and I know Kurt's a member of the Fastbacks (whom I haven't heard), but what has Kurt produced? Vig, if RH can tear him away from Garbage, might be perfect -- anyone who can handle YFF, King Snake Roost (a band so sludge-o-rific that one listen necessitates 15 showers), Nirvana, Sonic Youth, Smashing Pumpkins, AND Freedy Johnston might be the only producer wacky enough for RH (though probably way out of RH's budget). Still, I often dream of Pat Collier's return... What about Jessica Corcoran, the engineer on QUEEN ELVIS, among others? Sorry about the length, fellow Fegs -- I don't post often, so I get all excited when something comes up with which I am actually familiar! Prawn Salad to all, Dolph ------------------------------ Date: Fri, 01 Dec 1995 09:35:25 -0600 (CST) From: JAY LYALL Subject: Zero Mostel and Gene Wilder? To: fegmaniax@ns2.rutgers.edu Well after driving to work in a bleak Houston morning listening to Daniel Lanois' Beauty of Wynnona...I think he would make an apt producer for the next RH outing...though even better, if you could get his shrink away from him, Brian Wilson... %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Jay Lyall "All my friends do the model girl thing hist1a@jetson.uh.edu So I found me one University of Houston Now she wears my nose ring" --Lloyd Cole "Yip Yip Yip Yip Yip Yip" "There's liquor on my breath --Robyn Hitchcock And you on my mind" --Replacements %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% ------------------------------ Date: Fri, 1 Dec 1995 09:57:42 -0600 To: fegmaniax@ns2.rutgers.edu From: aac708@Waldo.Angelo.Edu (eric gibbons) Subject: hello hello gang, my name is eric and i come from a place called texas. i hope this was not too brash. tell me morris ------------------------------ Date: Fri, 1 Dec 1995 11:11:35 -0500 (EST) From: Bayard To: fegmaniax@ns2.rutgers.edu Subject: update on DC show, dec. 27 Looks like there are at least seven of us going to the dc gig. Here is some more info: The 9:30 club is located (for another month at least) at 930 F street in NorthWest DC, between 9th and 10th streets. It's convenient to both Metro Center and Gallery Place metro stops. The show is $18 and may well sell out (RH has played two nights there the last couple of times). Of course TicketMonster will hit you with additional bogus charges. The dc number for ticketmaster is 202-432-7328 (432-seat). The 9:30 club recorded message, which does not really tell you anything vital beyond what i've said here, is 202-3-930-930. You can have ticketbastard place your tickets on "will call" or whatever, and have them waiting for you at the club rather than mail them to you. they will give you a secret code and you will show id, etc. We'll definitely meet before the show to have something to eat, either in adams morgan (making carpooling/metroing from food place to music place necessary) or chinatown. I am open to any suggestions. The idea of wearing toast was a joke brought on by the idea of toast badges discussed earlier (i think it was chris' idea?) Anyway, since we have not made those yet we will carry citrus objects as per usual, i suppose. I don't know what time he will go on or who the opening act is. A friend of mine, Chad Clark, was asked to open but his band was already booked at the Black Cat. They're called Smart Went Crazy and are pretty darn good. Another friend of mine may be opening, I will keep you posted. If you haven't already, let me know if you might come to the gig and I'll make a mini-mailing list for the purpose of coordinating this grand event. So far Mary, Gary, Doug, Rob, Gene, and JH3 have expressed interest. I look forward to seeing you. bayard ------------------------------ Date: Fri, 1 Dec 95 12:16:00 CST From: Bram Tchaikovsky To: fegmaniax@ns2.rutgers.edu Subject: hello Well, hello to you too Eric, or as they say in Czech "Ahoy!" (I have no idea why, it's a landlocked country, but perhaps it denotes a longing for the sea:)). I am originally from Texas too. No one believes me because I do not talk like a member of the cast of "The Beverly Hillbillies" and have never owned a ten gallon hat. The fact that I am near fluent in French also makes them suspicious. Perhaps they think I am actually from somewhere REALLY weird, like New York. The season for feg demographics has somewhat passed, so you've missed the enlightening exchange of (ir)relevant information concerning the others on this list. That doesn't mean that you are going to get out of it, however. Tell us about yourself. :) Susan P.S. That wasn't a long rhyme but it took me ages to think of! ------------------------------ Date: Fri, 1 Dec 1995 17:10:07 -0500 (EST) From: Terry Marks Subject: Production To: Pretty Girls and Anglepoise lamps Hmmm... How's one of the old standards like maybe Matt Seligman (if you can tear him away from his legal career), Andy Metcalfe, James A. Smith, or (grin) Kimberly Rew? Terry "The Human Mellotron" Marks a013645t@bcfreenet.seflin.lib.fl.us ------------------------------ Date: Fri, 1 Dec 1995 17:33:15 -0500 (EST) From: Terry Marks Subject: CRD: Calvary Cross To: Pretty Girls and Anglepoise lamps Accuracy rating: 0 This is done after not hearing the song for a while, and not checking it with anything, as I don't have it on CD. If any of you have a copy of Calvary Cross (by Thompson or Hitchcock), please check this one.. E G D E G D I was under the Calvary Cross palefaced lady, she said to me.. etc. Terry "The Human Mellotron" Marks a013645t@bcfreenet.seflin.lib.fl.us ------------------------------ Date: Sat, 2 Dec 1995 16:24:06 -0500 (EST) From: Terry Marks Subject: J-Card Info To: Pretty Girls and Anglepoise lamps I've been trading for a while here and I've noticed a few things that I wish people would do.. 1) Include setlists. 2) Include personnel. One of my biggest problems is telling between a solo show and an Egyptians show. There's a really big difference in the sound if Andy and Morris are there. Also, may as well denote Soft Boys shows while you're at it. If you'd lke to take it a step further and add whether Jim Melton, Matt Seligman, Peter Buck, Roger Jackson or Debi Bonet was on it, that's fine also. Terry "The Human Mellotron" Marks a013645t@bcfreenet.seflin.lib.fl.us ------------------------------ Date: Sat, 2 Dec 1995 16:24:06 -0500 (EST) From: Terry Marks Subject: J-Card Info To: Pretty Girls and Anglepoise lamps I've been trading for a while here and I've noticed a few things that I wish people would do.. 1) Include setlists. 2) Include personnel. One of my biggest problems is telling between a solo show and an Egyptians show. There's a really big difference in the sound if Andy and Morris are there. Also, may as well denote Soft Boys shows while you're at it. If you'd lke to take it a step further and add whether Jim Melton, Matt Seligman, Peter Buck, Roger Jackson or Debi Bonet was on it, that's fine also. Terry "The Human Mellotron" Marks a013645t@bcfreenet.seflin.lib.fl.us ------------------------------ From: MILLER@ECCLES.NZDRI.Org.NZ Date: 03 Dec 1995 10:29:54 +1200 Subject: PB Comic To: fegmaniax@ns2.rutgers.edu There have been a few Robyn-related web sites bandied around of late, so here's another (this does, however, make fun of RH - you have been warned...) Pete Buck comics at http://ernie.bgsu.edu/~ckile/buck/ might be worth a look. ------------------------------ From: "Monsters...Monsters from the Id" Subject: Re: update on DC show, dec. 27 To: fegmaniax@ns2.rutgers.edu Date: Sun, 3 Dec 1995 00:44:42 -0500 (EST) > Looks like there are at least seven of us going to the dc gig. Here is > some more info: > > The 9:30 club is located (for another month at least) at 930 F street in > NorthWest DC, between 9th and 10th streets. It's convenient to both > Metro Center and Gallery Place metro stops. [Sorry about emailing this to you twice, bayard] Remember, the Metro closes at midnight, and the last trains generally leave before then. Shows at the 9:30 tend to start late...counting on the Metro to get home may not be a good idea. johnj ------------------------------ Date: Wed, 29 Nov 95 13:10:04 From: Russ Reynolds To: fegmaniax@ns2.rutgers.edu Subject: alternate lyrics For whoever it was who asked about such things, here's another for your files. "It was in the City of Shapes/that she made love to several apes/She felt weird for a couple of hours/She cheered up when they brought her some flowers." don't remember which show that's from, probably Maxwells some time in the mid 80's. Russ. Beatles fans might enjoy this: today local sports writer Mark Purdy wrote a column comparing the 1995 Raiders with the 1995 Beatles. "a glorious hint of a voice from the past...with a bunch of other guys trying to pretend it's still 1967", adding later that the Raiders need to stop being Ringo and start being John Lennon again ("roughly elegant with a don't-give-a-damn edge"). ------------------------------ Date: Sun, 3 Dec 1995 13:00:01 -0500 (EST) From: Terry Marks Subject: CRD: Cars she used to drive To: Pretty Girls and Anglepoise lamps I think that the verse goes something like this e:---0-------0--------- B:-----3------3-------- G:-1-----1-2---2------- But I'm not sure... also.. I can't check right now, but I think that the first bit of "Queen of Eyes" is the exceedignly similar e:---0-------0--------- B:-----0------0-------- G:-1-----1-2---2------- Terry "The Human Mellotron" Marks a013645t@bcfreenet.seflin.lib.fl.us ------------------------------ Date: Sun, 3 Dec 1995 14:16:22 -0500 (EST) From: Terry Marks Subject: Currency(No Robyn Content) To: Pretty Girls and Anglepoise lamps I'm sorry that this has no relation whatsoever to Robyn... but, I'm looking for non-American opinions on American money and anyone's opinions on American money having different colours for different denominations. Thank You Terry "The Human Mellotron" Marks a013645t@bcfreenet.seflin.lib.fl.us ------------------------------ Date: Sun, 3 Dec 1995 16:04:17 -0800 (PST) From: Miss Teen Reclamation USA To: dennis Subject: F and Toast Sharp Bayard's (i think) comment about meeting for the upcoming show and wearing a indicator of some fegmaniax sort got me thinkin. so, i have prepared a f from the cover of fegmaniax to use with some other object. initially i am thinking of toast. the f and the toast, or other object, would be then made into a badge with a pin back of some sort, and good quality. this seems like a reasonable way of identifying feg-selves at shows without resorting to a embarrassing handshake sort of thing. thus, given such information, i ask the following. 1. is this a good idea, the making of a small badge? or, is it meerly a way for extreme computer geeks to label and identify themselves? 2. i was thinking the 'f' from the fegmaniax on the fegmaniax album, red colored with a background of some very real looking, i.e. photo quality, toast as a background. I am quite stuck on the 'f' and am very attached to the toast idea. but, is there something better for the background that is simple, i.e. a fish, ect.? i am a little put off by using robyn's art, but am open to that suggestion too. perhaps a picture of woj as the background? 3. i was thinking of having these made into a badge with a pin closure on the back. I was hoping to make them good quality, as opposed to a cheap standard button type thing. first, would people be willing to pay for these, and how many would these people want? and, two, has anyone had experiences doing this badge-making thing? in order not to clutter the list, it might be best to respond to me and i can summarize major design discussions to the list after enough responses. end of thought pattern, chris ------------------------------ Date: Mon, 4 Dec 1995 14:43:28 +0800 To: The Glass Hotel From: james.dignan@stonebow.otago.ac.nz (James Dignan) Subject: In the California office and out of it... As the lizard of the Negev longs for its beebybawb in the dusk, Marys loosing of their choicers bellydown deep in the longdraw, and who that significated for them are gone, gone. Upstare, knickerbait! Risen, slimesearchy! Zoozos, Zardos, Zinzan, Zinberdoo! The agony of essence, broken like a tram on the Eastcoast run. Quantum ille canis, preserve his twisted soul, est fenestra? Oh and he might wonder, he with his looms and clankers. He with the anxious thumbs and the heavy seat. Go, take yer mad Dane wit you. Up soon, to the braketoast and jaundoed slibberslip and marleyfruit, or the crakecop, beanzoot, cobbytee, craunch in the pot. No welhoofen lankylouts preeving alane of the outskirts. Skat! All but the ballybounce. Nuvilia among, her silmenspinny limened down from above. Gad but for the times. I would but scary my eighteightsix for the maschellated concavions of her blemishing. Nux and nevermore, her brazening ever for the Pursued Perceit Perseid, and I drop a thirtyone. The beauty and imagine of the softzing. Darling childycloud. The claver and clinch of the seedymain. Oh to fake hime to a hardygarb and splate that man in the skrivers. Ah, but the cost, the cost: Strawberry feels for Heather. There's the man, I knew his sorts, but not as I knew his sisters, back in the findleparts where none but the curlews know the wind. Is it so exalted? Why reel and scrane against when faltered all would want? None but the fennyboy rasers know the otherside both of the coin. Lucky bogstarers. I... oh, sorry, I don't know what came over me then. James ------------------------------ Date: Sun, 3 Dec 1995 21:06:09 -0500 (EST) From: Gary Assa To: Robyn Subject: Ghost tab I don't know if it was posted, but can someone post the tabs to Ghost Ship. --------------------------------------------------- 1. Earth is 98% full. Please delete anyone you can. 2. I came, I saw, I deleted all your files. 3. The world will end in 5 minutes. Please log out. ------------------------------ Date: Sun, 3 Dec 1995 19:39:59 -0800 (PST) From: Brooks Martin To: Dolph L Chaney Cc: Jason Sherrett , fegmaniax@ns2.rutgers.edu Subject: Re: To CD or not to CD? Dolph said: "Vig, if RH can tear him away from Garbage, might be perfect -- anyone who can handle YFF, King Snake Roost (a band so sludge-o-rific that one listen necessitates 15 showers), Nirvana, Sonic Youth, Smashing Pumpkins, AND Freedy Johnston might be the only producer wacky enough for RH" Let's not forget Vig's amazing work with Killdozer. ------------------------------ From: Ross Overbury To: fegmaniax@ns2.rutgers.edu (The list that invented itself) Date: Sun, 3 Dec 95 22:48:55 EST Subject: CRD: Cars she used to drive First, here's a quick thought on coloured money. I find the USA's monochromatic money makes it easy to confuse denominations. We find the colours work well for us. But why stop there ? Let's see now -- the slippery little blue triangles that smell like fish are the ones, and .... THE CARS SHE USED TO DRIVE (intro only): It's pretty simple as played on "Gotta Let This Hen Out": E ---0---0------------------------------------------------ B ----3---3----------------------------------------------- G -----12------------------------------------------------- D -02----------------------------------------------------- Repeat this 4 times. The one Terry submitted is more like the one on Groovy Decay, which I hear this way: E ---0---0---0--0----------------------------------------- B ----3---3------3---------------------------------------- G -1---12--21-12--2--------------------------------------- D -------------------------------------------------------- ... at least for the first 2 bars, then you start using the "D" string on the next 2 bars. It might actually be a second guitar. It would certainly be easy to play that way although it's playable on one guitar. I'll have a whack at it tomorrow; my daughter's got a fever and she just woke up. -- Ross Overbury - Orb's surveyoR Montreal, Quebec, Canada email: rosso@cn.ca ------------------------------ Date: Mon, 4 Dec 1995 03:50:00 -0600 To: fegmaniax@ns2.rutgers.edu From: jh3@ns.cencom.net (JH3) Subject: CRD: Wading Through a Ventilator Feguitarists: There certainly are lots of chord postings on this list, aren't there? This is of course a rave-up, and these are all basically barred power chords, but I don't think it really matters much how you play most of them -- maybe just the picked part in the middle. And if anybody can correct some of these lyrics, please do -- I couldn't find anybody else's transcription so I did it myself. (Tried, anyway. Damn tuff. Gave up on some lines.) And just what drugs were these guys on, anyway? --John Hedges -------------------------------------- WADING THROUGH A VENTILATOR E: 079900 or X79997 (take your pick) G#: 466544 B: 799877 D: 10-12-12-11-10-10 Hi-E: 12-14-14-13-12-12 (or just play 5&6 open) C: 8-10-10-9-8-8 F#: X-9-11-11-11-X A: 577655 C#: 9-11-11-10-9-9 (intro) E (add Bb): (022300)--- G#--- B--- D--- Hi-E------- C----------- F# (halt!) (This first intro is the only time I hear the 022300 chord, which you might recall from the end of "Do Policemen Sing?") (verse) F# B I fix my fish... I fool my frog... E F# I frame my feet I drag my dog I drop my dirt B A B Across the wall... I squash my chiggers like my grub A B F# (halt) I've got flatters in the pub F# B My girl is right -- in greasy silk E F# A split tomato in a madly thermal heart B E F# Sucked in a sea...Tomato heart escaping gas E F# I think I killed another spleeeeeeen (chorus) A B Of all the people that I know A B The ones I like I love the best C# E B F# The fishes in the sea were hives C# E B F# The highway many yellow stripes They might not now but they will be later E (halt) Wading through your ventilator (diabolical laughter) (intro: E-G#-B-D-etc.) (verse) F# B I time my fag -- you [pless-just-tist? What the hell is he singing there?] E F# Your pretty body lifts my [stag?] it twists a fang B A B She turns just [butch?]...We think of better things and laugh A B F# (halt) The hairs on my marshmallow [paws?] F# B My head is rich -- enough to burst E F# Without me [strum?] around I can't fish any flies B E F# E F# Or melon halves...You want 'em in somewhere cheap and diabolical but meeee (chorus) A B Of all the people I don't know A B The ones I do I hate the most C# E B F# The twisted fodder of mankind's C# E B F# Enough to drive a poor boy blind It might not now but it could be later E (halt) Wading through your ventilator (staccato B's on 3+ & 4) I waded in it and that's a fact... The meat was cut the meat was packed You shredded me with icy -0---------2-------5-------7----- ---2---2-4---4-------5-------7--- -----2---------4-6-----6-8-----8- --------------------------------- --------------------------------- --------------------------------- (4 times) strings... As coiled salami I was led -0---------4-------5-------7----- -----0---6---6---5---5-------7--- ---6---6-------6-------6-8-----8- --------------------------------- --------------------------------- --------------------------------- (twice) Into a holy stacking shed -0---------2-------5----- ---0---2-4---4-------5--- -----2---------4-6-----6- ------------------------- ------------------------- ------------------------- E (079900) My life lie down to septic stings (intro: E-G#-B-D-etc.) (verse) F# B It's on the stalk and tender leaves E F# Eventually your skeleton to melon splits B A B And like an egg... It dribbles down against my leg A B F# (halt) Don't get me wrong I'm quite OK... F# B I drank a cat...I start a cake E F# She drew transistors in my leg 'n' I threw her head B E F# Walk through the door... You wonder what I do that for E F# Then wonder what you think I've got (spoken, w/ska-esque A - B - A - B - A - B etc.) Listen baby, there ain't nothing in here but my own sweet mind If it bothers you, we can turn it off With my antelope cheek and my raven's eye and my buffalo heart and the crocodile's hide (louder) B D Hi-E C And my summer hen waist and my moose's neck... F# (the rest of the way) A breathing fungus on a hellish lawn invented me one summer's morn I'd love to now but I'll get you later (halt) Wading through your ventilator ------------------------------ Bonus postmodern interpretational section: Well, that was a tough tabbing job...I think I'll go have an egg-tomato-melon sandwich now...I guess I could add some coiled salami for that septic taste...But it might stick on my marshmallow [paws?]...Still, maybe I'll have a cat with that, on ice...If only people would quit mistaking me for some sort of weird mutant animal hybrid fungus creature... [][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][] The End of this Fegmaniax Digest. Archives can *not* be found at ftp://fegmania.wustl.edu/fegmaniax/archives/ The Archives are temporarily unavailable. For administrative questions, send mail to owner-fegmaniax@nsmx.rutgers.edu For subscription requests, send mail to majordomo@nsmx.rutgers.edu. Slipping you the midnight fish...