From: owner-ecto-digest To: ecto-digest@ns2.rutgers.edu Subject: ecto-digest V2 #114 Reply-To: ecto@nsmx.rutgers.edu Errors-To: owner-ecto-digest Precedence: bulk ecto-digest Sunday, 21 May 1995 Volume 02 : Number 114 The Ecto digest is now being generated automatically. Please send problems and questions to: ecto-owner@nsmx.rutgers.edu. ---------------------------------------------------------------------- From: David Dalton Date: Fri, 19 May 1995 15:58:17 UTC-0700 Subject: Re:Cracks in the primrose bangpath and other stories Mitch Pravatiner wrote: >WRT spring music: Amid all the other stresses of the moment, I forgot to >mention yesterday that the very first number to hit my consciousness after >reading Amy's initial call for examples was "The Lusty Month of May," from >the musical "Camelot." That reminds me of the tune "Rocky Road to Dublin", which begins "In the merry month of may, mary mack..." >Having been informed that it's the fistula in Jewel's guitar that makes it >such a conversation piece, I started wondering whether someone's idea of a >cheap publicity stunt will be to have her do a concert at the Liberty >Bell? Well, she is tres belle (maybe not quite super belle though) so I bet she would go over well. But with the wrong tones the bell and guitar might get in resonance and things would get out of hand. (I would what the three musketeers would do if there wasn't a two for one sale?) The bell reference reminds me of the Dylan Thomas story A Prospect of the Sea, although he didn't mention a piercing. >When will I think of something to write in these pages that I don't feel >constrained to follow with a smiley? Oh when time unfolds and the dragon gets its tail? Right now I feel that we are on Jan 6 and running backwards but at an accelerated rate (like rollerblader with a round heel going backwards down the hill mentioned in the story above, probably aFlame with fear) so the year should wrap itself up and reboot nicely shortly. :-? >WRT MJM on the cancellation of _MSCL_: There seems to be a strange >internal logic, at least to me, in describing David Caruso as the redhead >who quit _NYPD Blue_. Who's Valery from Ipanema? And what was that tune on the phone, Turkey in the Straw or another icecream classic. (It's all lost, in me.) >Maybe after the few episodes of MSCL that live on >have had cult status on the off-network syndie circuit for enough years, >someone will have the imagination to bring _My So-called Life: The Next >Generation_ into the world :-). Yes, maybe I should go check out the voices on that show since others seem to be herding me in the wrong direction today, which is why I say Jan. 6 but moving backwards, if things are getting better. Perhaps some fish will help. >From: Vickie the Ectophile >Mitch writes: > >> In memory of Elizabeth Montgomery. > >:-( yes...a favorite of mine since childhood. > >...and Alexander Godinov (sp?). OV? That's a Calgary beer isn't it, I remember having some from a bathtub filled with ice at a corporate party once, in the summer of 1984. Who's Gary? He wasn't the bartender! >ps. Samantha never once moved her nose...she wiggled her *mouth*. >(How come no one ever agrees with me about that?) Oh no, I forgot my sunblock today but luckily the sun was behind me during the concert, and I wiggled my fingers and tapped my toes, but my feet were too hot on the place where the ground in thin (G.Island). Still during Tammy Fassaert's (check her out, list) song about home I first envisioned the peace of Jan. 7/8 night (in between two storms) in Newfoundland, the stars aglow, in a field of snow, and then expanded that with a view of the earth from space, then the earth as a goddess that we were on and spiralling over, so everywhere was home, or she was home. Maybe Samantha knows Gene Simmons and Charlie Parker? Oh well, this thesis is getting to be torture, but I'd better get to it soon or else do a swan dive (in Rocky Pond?) :-) David ------------------------------ From: "Mitchell A. Pravatiner" Date: Fri, 19 May 95 19:07:09 EDT Subject: One Mo' Time Finally remembered one more thing I was meaning to mention a day or two ago: The other day NPR gave a favorable review to the Rankin Family, a subset of a large group of siblings from Nova Scotia who do what I'm undecided if it's folk-rock or country-rock. Sounds like enjoyable listening for the likes of we. No if only we could get Happy a spot on _Morning Edition_. The latter, btw, now has its own email address: morning@npr.org . Mitch ------------------------------ From: David Dalton Date: Fri, 19 May 1995 16:39:04 UTC-0700 Subject: Re:Jewel's guitar in reply to my comment that >DD> But yes, Jewel is a >DD> hell of a fingerpicker for her age, she must >DD> have started young, maybe there isn't much else Dan Stark wrote: >Actually, she claims to have started playing only 3 years ago. Oh, then maybe there's hope for me yet, although if I had any musical talents they surely would have popped out by now. But with recent developments, anticipated free time (unemployment) soon, and lots of good, even powerful, teachers to hit on, who knows? Does Geena Davis play any instruments, or kayak? Does any collagen come from bulls? Maybe I'll ask jewel for some advice on Saturday, or listen to her between-song raconting more carefully. She's a fast tuner, and has some good hooks. But Sarah McLachlan is still my favourite, with a tight grip on the top of my charts. David ------------------------------ From: Cevad Date: Sat, 20 May 1995 07:41:59 +0800 (WST) Subject: Re: At a party last night... On Tue, 16 May 1995, Anthony Horan wrote: Hi Anthony! > :) I should scan the EP and album covers for the world at large, now that I > have access to a 1600dpi color scanner. Anyone interested? Anyone care to > give me an idea what minimum dpi is acceptable? (The PC the scanner is > attached to barfed when I tried to do a 300dpi scan of a CD sleeve; I think > the poor beastie virtual-memoried itself to death :-). > I usually do them at 300dpi.. I might be able to do it if you cant. Both "Coma" and "Be Firm" are getting airplay on mainstream radio here in Perth (Western Australia) I bought a copy of the album yesterday and I love it, definately in my top 10 for 1995. Regards, Dave +------------------------------------------------+ | Dave Cook Perth, Western Australia | | Internet: davecook@yarrow.wt.com.au | | IRC on #Atari, #Ecto or #Indigo-Girls as Cevad | +------------------------------------------------+ ------------------------------ From: David Dalton Date: Fri, 19 May 1995 16:57:29 UTC-0700 Subject: Re:Wigglin' noses & Mae Moore chip-l@nwu.edu (Chip Lueck ) wrote: >>Vickie wrote: >>ps. Samantha never once moved her nose...she wiggled her *mouth*. >>(How come no one ever agrees with me about that?) >I'll almost agree with you, Vickie. She *DID* wiggle her mouth >a lot which caused her nose to wiggle a little bit! Is Samantha a PC? (That's the Canadian equivalent of republican, who may want to throw in the towel.) neilg@sfu.ca (Neil K.) wrote > Anyway, I saw the Mae Moore video, which may be of some interest to >Ectophiles. Oddly, her makeup and the multihued lighting and the closeup >camera shots the director used make her face look awfully similar to >Happy's face on the cover of BTC. Probably a coincidence. Ms. Moore was >also wearing her hair in pigtails and severe bangs... didn't Meth start a >thread a while back about Happy and Sarah McLachlan in pigtails? But I hope they don't wear leather riding gear, that wouldn't be P.C. probably cotton or nylon would work ok for protection, or elevation. And suede tuxedos are no fun. (I actually blew the french in my first interview partly because I was wearing a suede sportscoat that was too hot, same deal when I screwed up the 0,1 to 0,0 on Reach For The Top, where I had a slow finger, and said Paul Anka instead of Burton Cummings for I did it My Way. Have to run help set up at TheA's and watch the hockey, which I was never any good at, in fact I can't skate without support, and would fall easily from those hip chicks. But wait, I don't need my holy sweater today, only after a long cold day, my salmon sweatshirt will do for backup tonight. David - -- David Dalton ----geophysics Ph.D student----- --- Dept. of Geophysics & Astronomy, (604) 822-2267 2219 Main Mall, University of British Columbia fax 822-6047 Vancouver, Canada V6T 1Z4 ------------------------------ From: jwaite@popmail.ucsd.edu (Jerene Waite) Date: Fri, 19 May 1995 19:29:21 -0700 Subject: Rebirth and Wonder and Joan Osborne My favorite spring/awakening-from-doom-and-gloom recording is the original Broadway cast soundtrack from "The Secret Garden", the musical. It has some wonderful songs and some intensely beautiful voices singing them. The one song most relevant to this theme is sung by Dickon, the *magical* Yorkshire lad who "conjures with his stick" to call spring to the English countryside and send winter packing: Winter's on the Wing. It's accompanied by compelling drumbeats that evoke the feeling of Celtic mystery and hint at wonders to come. But the entire story is one of rekindling hope and courage followed by the bloom of childlike happiness and a positive spirit--a theme certainly appreciated by those who listen to HR lyrics! I was wondering something after reading a recent post about Jewel Kilchner and her name schizophrenia. Her music is filed under J for Jewel in music stores at present. If she puts in the Kilchner, will they change where her music is located or put her recordings in two places or keep her in J or none of the above? The reason HR is sometimes found under H is because the music store people do not know whether she is a person or a group. Oh yeah, I went to see Joan Osborne and friends at the Belly Up in Solana Beach last Wednesday. I had heard snippets of her Relish at a listening post but a ticket to the Belly Up is cheaper than a CD. She's got a strong and versatile voice that kept me thinking that this was what Brenda Lee might sound like if she were starting out now. Her style was upbeat and energetic with enough bluesiness to make me really really *LIKE*. (drums, 2 guitars, bass, some harmonica, some tambourine, for those who need to know) She only accompanied herself twice, once acoustic, once not. She showed soft and tender on a couple numbers including a cover of Man in the Long Black Coat, but mostly she was belting it out. I'd not been to this place before. Acoustics were great and the crowd was large (I thought) for a late Wednesday and very appreciative. She expressed surprise at the size of the crowd as well since she hadn't been to the area before. And an appreciative crowd elicits an extra level of creativity from the performers, so EVERYBODY was happy! - --Jerene - ----------------------------------------------- Cherish the cycle; Freedom in time. --Happy Rhodes - ----------------------------------------------- ------------------------------ From: pmcohen@netaxs.com (Paul Cohen) Date: Fri, 19 May 1995 22:28:41 -0400 Subject: Re: new music >- There's now a double CD with rarities by Danielle Dax named "Comatose > non reaction". I haven't found it yet, but it does exist. And for those of us in America should note that about 2/3 to 3/4 of it duplicates the "Dark Adapted Eye" compilation of a few years ago. The packaging is very nice. I just couldn't justify the cost of a double import for 6 or 7 tracks I didn't have. Quite a nice package for the European market though. ________Paul Cohen________________pmcohen@netaxs.com________________________ King of Prussia, PA http://www.netaxs.com/~pmcohen/ ooooooooooooooooooooooooooooooooo talk: pmcohen@slip-91.netaxs.com ------------------------------ From: mcb@postmodern.com (Michael C. Berch) Date: Fri, 19 May 1995 20:41:40 -0700 Subject: Re: Regarding Sinead/Van et al. I'm afraid I missed the Late Show in question (sigh), but after reading all this discussion I just wanted to mention that (1) Sinead and Van Morrison are very, very, very old friends, and she has often credited him with helping her career get started back in the early '80s; (2) Sinead and most of the members of the Chieftain are also friends and go way back... especially one of them who used to be with In Tua Nua (help me out here on the name...) when Sinead recorded with them a long time ago; and (3) the musical guests on Letterman's show often (presumably with Dave's encouragement) mug it up for the cameras, so -- in short -- it doesn't surprise me at all that they were jostling each other and joking and trying to break each other up. Also (shameless plug) if you are interested in a Sinead O'Connor mailing list, drop a line to jitr-request@server.postmodern.com for an auto-reply with subscription info. - -- Michael mcb@postmodern.com http://www.postmodern.com/ ------------------------------ From: mklprc@teleport.com (Onica) Date: Sat, 20 May 1995 14:31:41 -0700 Subject: my best furend hullo, all! Onica here...long time no see/speak la la la here i sit at Mr. Pearces lovely, oh sooo lovely cornputer... it's a sweet day here in Portland town, Oregon state. All is well with me. I sure miss ecto at times, tho...but i keep up somewhat with a little help from ma furends (fiends;>). SOAP! I recently had serious surgery (kidney) and, tho I'm healin' up fine an' dandy i must miss PJ tomorrow night, to my dismay...Oh well:<. Still makin ma own musica and lovin' it...Mr. Philipsen... I have gotten *************** your address again and will be FINALLY sending you that tape (so sorry for the delay, but i have not forgotten [ALAS!!]) Well...I hope all is well for everyone in ectoville. Be strong, all... lots o' luv, ONICA,AWNeeKa,oNuHkUh,etc....;> ------------------------------ From: Jacob Paul Leonard Date: Sat, 20 May 95 17:44:00 M Subject: ...hmmmmmmmm... I just went and saw Indigo Girls last night and as usuall they were amazing. Jerry Morota was doing all of the percussion for the show and he was absolutely amazing...just thought I would let all of you Happy folk know...see ya... -Jacob Paul Leonard ...I was a girl too... ------------------------------ From: David Dixon Date: Sat, 20 May 1995 17:08:03 -0700 (PDT) Subject: SFO2 - and a MUST SEE Hello ectoids, Last night Em and I went to an evening of female singer/songwriters in SF, in conjunction with SFO2, which is Frisco's annual convention thingie (sort of a smaller version of South By Southwest), at a little SOMA dive called Cat's Grill and Alley Club, hosted by Dianne Nola (a friend of ours and also one of the acts on the bill, though we had never heard her perform before, but more on that later). First up was Allison Faith Levy, who didn't do much for me. As a result, I don't remember much of what she performed. Maybe Em can fill in the details. Next was a spunky Ani DiFranco-like grrl with guitar named Laura Chandler, who charmed the audience (and us) with her jazzy, catchy tunes. Em bought her tape afterward ("Confessions of an Unarmed Poet"), and we got on her mailing list. She says she'll have a CD out in June. Watch This Space, could be an up-and-comer. Third was the very silly keyboardist Tru Margrit, with sparkles on her face and a wardrobe, as Em curmudgeonly remarked, looked like "she got dressed in the dark." Tru turned out to have a darn good collection of tunes (as well as an impressive collection of hats; she'd put a different one on at the beginning of each tune), and a strong alto. Also the only performer I've come across to use the word "feculant" in a song. :) Then our friend Dianne Nola stepped up to the piano. Imagine Tori Amos with a more bluesy bent and who'd listened to a whole bunch of Laura Nyro, and you've got a fairly good approximation to Dianne's style. Very dense, fairly non-linear, occasionally really intense. I'll have more to say once Dianne sends me her demo. About this time Em was starting to fade (it was 11:15 and she usually goes to sleep around 10; the perils of a day job), but we decided to stick it out for the last performer, Susan James. And Susan James turned out to be INCREDIBLE! Imagine a female Michael Hedges mixed with some Sonic Youth. She played her first tune at blinding speed and with flawless dexterity, after which Em said to me, "I'm awake! I'm awake!". For another tune, "Poison," she inserted a small piece of paper behind the bass strings of her electric and fingerpicked an "evil-sounding" (her words) thunky bass riff throughout the tune. She also did a tribute to OJ, which she says she wrote "after thinking of what OJ must be thinking sitting behind bars"; the ten-second "song" consisted of her scraping the bass string of her guitar, sounding like a file being rubbed against metal. To end, she did another wicked number on acoustic, ending the piece by holding the guitar against her amp, making a swirling nimbus of noise. The whole set was un-be-fuggin'-lievable, one of the best sets of original music I've witnessed in a long, long time. And the best part is, Susan James is recording a CD now, which should be out this year. Needless to say, we got on her mailing list too. Dianne hosts these "Goddess" shows at the Cat's Grill and Alley Club I believe once every other week, so if you're in the area, you might want to look into it. I know I will. Dianne's also helping me put together another Bay Area Ecto Sampler, since she has a closetful of demo tapes of local artists. I'll post when it's ready to be sent off to Doug Burks's dubbing project. D^2 ------------------------------ From: doylem@iia.org (M.Doyle) Date: Sun, 21 May 1995 01:27:20 -0400 Subject: Stone Roses! I don't know how far afield from the ecto pantheon I am on this one, but I just got back from the Stone Roses show at the Manhattan Center Ballroom NYC and I thought I'd share my glow... It was a kind of odd concert. Part of the reason was that people were ferried from the street to the 7th floor ballroom about ten at a time so it took forever for the place to fill up. I was there early and positioned myself close to the stage. Over the course of the next hour the crowd closed in around my friend and I. Another hour or so passed and the incessant dance music they were blaring was getting annoying, and there was no opening act. Stage hands tuned guitars in slow motion and the crowd grew restless. Finally! the Stone Roses took the stage, barely visible through all the fog that had been pumped into the auditorium. They started in with "I Wanna Be Adored" and the crowd, their pent up energy boiling over, went nuts. Suddenly I was in the human equivalent of a nuclear reactor -- and it was kind of scary, especially when I saw lead singer John Squire standing over the roiling mass slowly nodding his head at us with a look of pure evil. Sure drove the words to that song home: "I don't need to sell my soul. He's already in me..." Well the crowd kept the fever pitch for the next several songs (and I became a more willing mosh participant), until the band slowed things down and did a couple accoustic songs. When they picked the pace back up, however, with "Begging You" and "Made of Stone," the crowd responded with far less enthusiasm than I had expected. In fact, as I went nuts over "Begging You," the same people who had careened about for "I Am the Resurrection" seemed to look at me strangely, like "Oh, do you know this band?" Then I realized that everyone had pretty much spent themselves on the first few songs. When the Stone Roses left the stage, the audience was so weakened from heat exhaustion that they barely drew the band back for a truncated rendition of "Fool's Gold." Once "Fool's Gold" was over, the crowd barely had strength to clap appreciatively. So, good show? Yeah. Though it coulda been better, I was simply thrilled to actually *see* the Stone Roses. Plus, I made all my train connections home smooth as glass. :) Later! M. Doyle ========= Man creates noise; only God can create silence ------------------------------ From: Robert Lovejoy Date: Sun, 21 May 1995 19:46:02 -0400 Subject: Resubscribe! Now that I've cleverly got your attention, Sharon Nichols called tonight to ask if anyone plans on ordering Rhodeways. A new issue is going to press soon, and Sharon is pretty sad because few if any folks are renewing their RS subscriptions. So if any of you maybe meant to resubscribe, now would be a good time. Sharon mentioned that there were exactly zero responses from the ectophiles from the last post about it, and I mentioned I'd pass the info along to y'all. I guess I'm the worst culprit; I really mean to subscribe, but I just don't seem to. As a major RhodesFan I'm surprised at myself, and I hope I do subscribe, if I ever have any leftover cash (it seems to all go to the modem, the phone company, or Tower!). Also: Autographed issues of Rhodeways are available! For a specific issue, the cost is $10, but if you resubscribe for $21 instead of the going rate of $15, you will get the next issue autographed. A one-year subscription to _Rhodeways_ is $15 for four issues in the U.S. and $18 overseas (Canadians luck out). Single issues are $5 if you wait to buy them at the concerts! Rhodeways, P.O. Box 1953, Kingston, NY 12401 Phone/Fax (914) 339-2561 Robert the Bear Remember: Only YOU can subscribe to Rhodeways. ------------------------------ From: MattMiz@aol.com Date: Sun, 21 May 1995 20:00:06 -0400 Subject: Place to live (non-ecto) Help! I am (possibly) soon to be working in the eastern end (New London/Mystic) of Connecticut and am wondering about where I should live. Any hints on places with stuff to do would be of great help. Obviously, I want to try and live in a nice wonderful ecto-ish tolerant happy community (as opposed to living with militia types next door) if one exists around there. Please reply directly to me if you have any suggestions. Sorry 'bout the non-ecto content and thanks1 :) plh, matt ------------------------------ From: Philip Sainty Date: Mon, 22 May 1995 12:41:38 +1200 Subject: Re: Resubscribe! Bob writes: > Now that I've cleverly got your attention, Sharon Nichols called > tonight to ask if anyone plans on ordering Rhodeways. A new issue is going > to press soon, and Sharon is pretty sad because few if any folks are > renewing their RS subscriptions. So if any of you maybe meant to > resubscribe, now would be a good time. :( Well I don't know about other subscribers, but I think _Rhodeways_ is wonderful... I sent in my re-subscription a week ago, and I'm looking forward to future issues! > Sharon mentioned that there were exactly zero responses from the > ectophiles from the last post about it, and I mentioned I'd pass the info > along to y'all. I guess I'm the worst culprit; I really mean to subscribe, > but I just don't seem to. As a major RhodesFan I'm surprised at myself, > and I hope I do subscribe, if I ever have any leftover cash (it seems to > all go to the modem, the phone company, or Tower!). If you've (everyone, not just Bob) been thinking of subscribing, and you're also a fairly regular music buyer, you should note that you'd get a whole year's subscription for not much more than the price of a new CD. Especially if you're a Happy fan... There's *lots* of stuff about Happy in Rhodeways that you don't get here on Ecto... as much as I love this list, it doesn't have direct contact with and input from Happy, like the 'zine does. If you've been thinking about it, but keep putting it off, take a few minutes and work out how much of a sacrifice $15 (or $18) a year would be. (And if money isn't a problem at all, well you could always consider subscribing simply because it will help Happy!) Philip (disclaimer: just a satisfied customer) _ _ ___ _ _ _ (_ / | / \ |_) |_| | | (_ Philip Sainty (_ \_ | \_/ | | | | |_ (_ ectophil@comp.vuw.ac.nz - -------------------------------------------------------------- "This is where I want to be, this is what I need." --Kate Bush > A one-year subscription to _Rhodeways_ is $15 for four issues in the U.S. > and $18 overseas (Canadians luck out). Single issues are $5 if you wait to > buy them at the concerts! > > Rhodeways, P.O. Box 1953, Kingston, NY 12401 > Phone/Fax (914) 339-2561 ------------------------------ From: winkte@wwa.com Date: Sun, 21 May 95 20:03 CDT Subject: Sounds from the Cold Seas Could someone give me some additional info about this obviously ecto-desirable cd? Both Borders and Tower here in Chicago have absolutely no idea of what I'm talking about! Any info such as label, contributing artists, release date, etc. would be greatly appreciated! Hugs, Lynne winkte= two souled ------------------------------ From: THE OLIVE-LOAF VIGILANTE Date: Sun, 21 May 1995 22:43:57 -0400 (EDT) Subject: holy cds, batman! WOJ-N-METH'S SPECTACULAR CD BLOWOUT (Or, The Great CD Consolidation Sale) The following compact discs are for sale. All prices include postage and handling. Please send e-mail to woj@remus.rutgers.edu AND meth@delphi.com with your full postal address and list of which discs you want. We will reply with our postal address and notify you which discs on your list are still available. (We'll figure out foreign currencies if we have to - there's always the wonderful world of trading.) Of course, we will also be glad to answer questions about anything on the list. Happy shopping! (NOTE: Most of the discs listed are dupes from our combined collections, so no gasping and taking in of breath at some of the titles included here, okay? Never fear, we'll still have one around here somewhere! :) ALBUMS ($8.00 each) ARTIST TITLE Annabouboula Greek Fire Arson Garden Wisteria Heidi Berry Heidi Berry Big Hat Selena At My Window Luka Bloom Turf Danielle Brisebois Arrive All Over You Kate Bush The Kick Inside (West German CD pressing) Christmas Masters of the Psykick Revolution Cocteau Twins Head Over Heels Cocteau Twins Heaven Or Las Vegas Cranes Forever Danielle Dax Blast The Human Flower Dead Can Dance The Serpent's Egg Dead Can Dance Into The Labyrinth Field of Vision Groceries Laurie Freelove Smells Like Truth Peter Gabriel Ein Deutsches Album (Melting Face, auf deutsch :) The Golden Palominos Drunk With Passion Heavenly Bodies Celestial Kristin Hersh Hips And Makers Innocence Mission Umbrella Ingrid Karklins Anima Mundi Ingrid Karklins A Darker Passion Le Mystere des Voix Bulgares From Bulgaria With Love Kirsty MacColl Titanic Days Wendy MaHarry Fountain Of Youth Loreena McKennitt To Drive The Cold Winter Away Loreena McKennitt The Mask And Mirror The Moon Seven Times The Moon Seven Times Mae Moore Bohemia Mazzy Star So Tonight That I Might See October Project October Project Over The Rhine Patience Jane Siberry The Speckless Sky Jane Siberry No Borders Here Jane Siberry When I Was A Boy Spirea X Fireblade Skies The Story The Angel In The House The Sundays Blind 10,000 Maniacs The Wishing Chair 10,000 Maniacs Hope Chest This Mortal Coil Filigree & Shadow This Mortal Coil It'll End In Tears Throwing Muses House Tornado Tribe Abort Tribe Sleeper Suzanne Vega Solitude Standing Suzanne Vega Days of Open Hand Suzanne Vega 99.9F CLASSICAL ALBUMS ($8.00 each) COMPOSER TITLE PERFORMER/ENSEMBLE Anthology of Byzantine Secular Music Christodoulos Halaris Hildegard von Bingen -- Symphoniae Sequentia Songs And Dances of the Middle Ages Sonus Bach Brandenburg Concertos Nos. 4-6 Camerata Romana Bach Brandenburg Concertos 4,5,6 Berlin Chamber Orchestra Mozart Coronation Mass, K317 The Academy of Ancient Music Orff Carmina Burana San Francisco Symphony & Chorus Vivaldi The Four Seasons Nigel Kennedy/ English Chamber Orchestra SINGLES/RADIO PROMOS/EPs ARTIST TITLE PRICE Maire Brennan Big Yellow Taxi Promo $3.00 Tracy Chapman Bang Bang Bang Promo $2.00 Cowboy Junkies Anniversary Song Promo $2.00 Melissa Etheridge I Will Never Be The Same Promo $2.00 Kristin Hersh Strings $7.00 Mouth Music/Outback/Songhai Worlds Collide EP $5.00 Jane Siberry Temple CD5 $3.00 Stereolab Jenny Ondioline (Part 1) Promo $2.00 The Story So Much Mine Promo $2.00 They Might Be Giants I Palindrome I Promo $1.00 Tom Tom Club Sunshine And Ecstasy Promo $2.00 woj-n-meth's world o' muzak thanks you for your patronage. Have a nice day!!! Meredith meth@delphi.com ------------------------------ End of ecto-digest V2 #114 ************************** ======================================================================== Please send any questions or comments about the list to ecto-owner@nsmx.rutgers.edu