Errors-To: ecto-owner@ns1.rutgers.edu Reply-To: ecto@ns1.rutgers.edu Sender: ecto@ns1.rutgers.edu From: ecto@ns1.rutgers.edu To: ecto-request@ns1.rutgers.edu Bcc: ecto-digest-outbound@ns1.rutgers.edu Subject: ecto #989 ecto, Number 989 Sunday, 30 January 1994 Today's Topics: *-----------------* Equipoise.. Berkeley Happy Sites? Re: ecto-babble Making a Happy Living Jody Grind et al CDC Re: Berkeley Happy Sites? The Story- Free Concert ton 'Twuz a miracle :-) Holiday greetings for some of you LSD world cafe appearances mumble mumble mumble MCC Himmelcomb, etc. On the Radio! pocket change KonvenTion eyes and spies Is this old news? LSD (yummie, and good for you!) Happy Wheel ======================================================================== From: freeform@aol.com Date: Wed, 26 Jan 94 02:20:41 EST Subject: Equipoise.. Hi all... I have come to the conclusion that _Equipoise_ is a brilliant album, especially "He Will Come / The Flight"... It may take awhile to get into the album initially, but after a few listens it all comes together. I love the whole thing, except for maybe "Mother Sea" which hasn't clicked with me yet. I'm currently going over the lyrics and trying to figure out what all of the songs are about. I usually listen to a new CD a few times without looking at the lyrics, then once I'm familiar with the music, I read the lyrics. It doesn't work for me to follow along with the lyrics the first time I hear something new. Anyway, I think I've figured out most of _Equipoise_ now, but I am having trouble understanding what is going on in "Out Like A Lamb". I think I get the first part of the song, but what does the following part mean? " for seventeen hours he moved vern out piece by piece by six a.m. he'd broken his lease." I have an idea as to what this song is about, but would like to know for sure.. help?? Charles ********* "keep your eyes on me if you want to see some mountains move" (happy) "nobody's here--just me and the birds in the belfry" (jane) "God please leave us something to breathe" (kate) "I found the secret to life, I'm OK when everything is not OK" (tori) ======================================================================== Date: Wed, 26 Jan 1994 00:07:15 -0800 (PST) From: Moon Roach Subject: Berkeley Happy Sites? I'm a long-time lurker whose experience with Happy has been sadly limited to about 4 songs...Here in Sunny Redlands, the stores are low on Happy content. Since I will be up in Berkeley next week, I was wondering if anyone could tell me of a place or two at which I could expand my Happy collection. Thanks! AMIGA POWER! the sig of: A1200HD The Merely Magnificent MOON ROACH! Rush tickets Feb 5th! (saallena@ultrix.uor.edu) Nethack addict. It's replaced Civ. "Perhaps *two* sacks of gold?" --Cerebus (in his quest for meaning) ------------------------------------------------------------------------------ Paradimethylaminobenzaldehyde |gulp!| Go soak your head in a good strong insecticide \___/ I don't consider a drink to be strong | If its carbon chains aren't at least twelve atoms long! _|_ ------------------------------------------------------------------------------ ======================================================================== Date: Tue, 25 Jan 1994 13:02:03 +0000 From: S.L.Fagg@bnr.co.uk (Steve Fagg's Mac) Subject: Re: ecto-babble At 6:53 pm 24/1/94 -0500, WretchAwry wrote: >NeIl sparks: >> Hmm... Just to add more confusion, I always thought a catherine wheel >> was a sparkling spinny firework that one uses on, for instance, Guy >> Fawkes' Day. You know, the round kind that's got fireworks on the >> perimeter of its wheel and so when you light it it spins 'round and >> 'round. >> >> Any AngloEctophiles out there care to comment? :) Yeah! That's a Catherine Wheel alright! It was named after the instrument of torture on which Saint Catherine was martyred. >I think that I have no idea where the name came from, but that you >just gave me a nice visualization. Thanks! > >Vickie > >ps, Twyla Tharp choreographed a piece call "The Catherine Wheel" and >I *think* David Byrne scored it. I've never seen it. Yes. That was David (Talking Heads) Byrne. >pps, nice haul Ilka! Please give Victoria more chances. It's so charming >and can't be listened to or judged by any other artist's standards. Heard >in the midst of all the other stuff you bought, yeah, it's going to sound >strange. Play it sometime when you're feeling silly. (Though, I play it >when I'm feeling down, because it perks me up. I can't listen to Ilka! I second that. Victoria isn't really all that strange at all. The songs are very evocative and, yes, charming. -- Regards Steve Fagg ( S.L.Fagg@bnr.co.uk +44-279-402437 ) BNR Europe Ltd., London Road, Harlow, Essex, CM17 9NA, UK *** We tried to add it all up and got merely sunrise. *** *** Try putting that in a letter to someone in exile. *** ======================================================================== From: r.lovejoy1@genie.geis.com Date: Wed, 26 Jan 94 03:14:00 BST Subject: Making a Happy Living Hi! With respect to Vickie's reply to Charles about how Happy's getting along, everything Vickie said was true. It should also be noted that Kevin is quite a noted production music composer. Kevin Bartlett has written music for Sesame Street and HBO, among many others. He has scored commercials in New York and Boston. In fact, when we met, it turned out that we knew a lot of the same folks in Boston, which was one of the many Great Coincidences that occurred when I first met Happy & Kevin. Still enjoying the fermentation of the Catherine Wheel thread! +*************************************************************************+ + Robert Lovejoy + I've got a letter here postmarked Deep Space + + Deepspace + -The Firesign Theatre + + Cherry Hill, NJ + But baby I'm here and I've been quite an + + r.lovejoy1@genie.geis.com+ Alien too... + + kdvn07a on Prodigy + -Happy Rhodes + +*************************************************************************+ ======================================================================== From: Tim Cook Date: Wed, 26 Jan 94 11:59:25 GMT Subject: Jody Grind et al Someone mentioned Jody Grind. Their CDs are still available from CDC *DB155 +JODY GRIND LEFTY'S DECEIVER $12.48 DB 4/92 *DB96 +JODY GRIND ONE MAN'S TRASH IS ANOTHER M *** $12.35 &DB 9/90 :40 While I was on there I got surveyed! AUR21 RHODES*HAPPY RHODE SONGS $12.61 AURAL GRATIFICATION 9/93 => Please enter your rating for this CD from 1-10 (10 = best), or enter an N for no opinion yet, or enter an R to remove this CD from your list, or enter a Q to quit grading CDs: 9 If you want to check out CDC, telnet to 157.155.0.1 and enter "CDC" at the prompt. Well I'm off soon. Hope to see some of you in Chicago over the weekend. tim ======================================================================== From: Tim Cook Date: Wed, 26 Jan 94 13:36:53 GMT Subject: CDC Many zillions of apologies. I posted the wrong Telnet address for CDC. This is the correct one - 157.151.0.1 and to prove it... halite% telnet 157.151.0.1 Trying 157.151.0.1 ... Connected to 157.151.0.1. Escape character is '^]'. HoloNet(SM) -- A service of IAT HoloNet Member Name (Non-members type "guest"): cdc Last login: Wed Jan 26 05:35:29 from lyr.dhmolde.no ------------------------ HoloNet Services Gateway ------------------------ The HoloNet Services Gateway provides access to electronic services through HoloNet. Use of this service is subject to HoloNet Terms and Conditions. The Compact Disc Connection is an independent service not affiliated with Information Access Technologies, Inc. Want a faster connection? Try using "zen.holonet.net" or 157.151.0.5 instead of "holonet.net" or 157.151.0.1 for the Compact Disc Connection! Control-C to abort connect Waiting for the Compact Disc Connection...... ======================================================================== Date: Wed, 26 Jan 1994 08:57:36 -0800 (PST) From: David Dixon Subject: Re: Berkeley Happy Sites? On Wed, 26 Jan 1994, Moon Roach wrote: > I'm a long-time lurker whose experience with Happy has been sadly limited > to about 4 songs...Here in Sunny Redlands, the stores are low on Happy > content. Since I will be up in Berkeley next week, I was wondering if > anyone could tell me of a place or two at which I could expand my Happy > collection. Thanks! Hey Allen (and Moira), The best place to get Happystuff in Berkeley is Rasputin's. Last I checked, they had all of her disks in stock. It's in the "Rock" section, not the "Independent" section, curiously enough. I've even seen a couple of her disks in the "New Age" section as well, which I'm sure she would find really funny. D^2 ======================================================================== Date: 26 Jan 1994 17:15:59 U From: "Christine Waite" Subject: The Story- Free Concert ton Subject: Time:4:15 PM OFFICE MEMO The Story- Free Concert tonight! Date:1/26/94 The Story are in concert at Battery Park in NYC at 7pm for free!!!!! ======================================================================== Date: Wed, 26 Jan 1994 15:48:22 CST From: Subject: 'Twuz a miracle :-) Only a day after Rutvm1 sat on my post for hours, it passed the next one on in minutes. Go figure :-). Today _The Midnight Special_ played a couple of tracks from Ani DiFranco's new compilation of old material, called something like _What I Said_. They also said she's penciled in to play Chicago in April. Today, _Fresh Air_ has been interviewing the real Gerry Conlon, and perhaps someone else connected with _In the Name of the Father_. They just played Sinead O'Connor's song from the soundtrack. It's very good. Buried under something or other, I too have one or more Jody Grind tapes. I was inspired to get the first one in 1991, after I saw them on _Street Beat_-- the next best defunct syndicated late-Saturday-night music program Channel 5 ever ran, second only to _New Grooves_ in that department. Mitch ======================================================================== Date: Wed, 26 Jan 1994 16:05:59 CST From: Subject: Holiday greetings for some of you Happy Australia Day to ectophiles on both sides of the Equator. Mitch ======================================================================== Date: 26 Jan 94 15:29:20 EST From: Mike Mendelson Subject: LSD I just got the Love Spirals Downward CD calles Idylls. If you don't own this you should make acquiring it a very top priority. This is the most fulfilling *first* listen to a disk I've had since Sarah's FTE was debuted in my player a while ago. It's Cocteau-Twinish in a sense, but much much *prettier* and more *listenable* on first listen. Not as rough as CT is sometimes. Excellent, excellent, excellent. The best ethereal CD I've heard (and this is truly etherial.) An absolute ecto-must-have. -mjm ======================================================================== Date: Wed, 26 Jan 94 18:13:54 EST From: woj@remus.rutgers.edu (world serve your own needs) Subject: world cafe appearances >From: pirrung@nadc.nadc.navy.mil (G. Pirrung) >To: folk_music@nysernet.org, radio-concerts-urgent@cook.albany.edu >Subject: World Cafe 1/27-28 > > Future World Cafe In-Studio Guests & Specials >=============================================================================== > >JANUARY >------- > >27 - ACOUSTIC SESSION FROM THE COWBOY JUNKIES AND > CANADA'S THE BIRD SISTERS > >28 - IN STUDIO PERFORMANCE FROM THE BODEANS > >=============================================================================== >World Cafe is produced at WXPN in Philadelphia, and distributed >to public radio stations by APR (American Public Radio) Check for >times on the outlet in your area. In Philadelphia, these programs >will air at 10:00-Noon and repeat at 20:00-22:00 on WXPN, 88.5 FM. ======================================================================== Date: Wed, 26 Jan 94 18:29:37 EST From: woj@remus.rutgers.edu (world serve your own needs) Subject: mumble mumble mumble jeffy@syrinx.umd.edu sez: >That aside, it's irrelevant, because I've had a policy since '87 of never >parting with a CD. i've made the mistake of selling a few cds that i now wish i hadn't. these days, i do have a stack of discs that i will get around to selling (either over the net or to a store) one of these days...but there are discs that i *know* i will never listen to again. stuff i wonder why i bought in the first place (probably used...). mitch sez: >Today, _Fresh Air_ has been interviewing the real Gerry Conlon, and perhaps >someone else connected with _In the Name of the Father_. They just played >Sinead O'Connor's song from the soundtrack. It's very good. i was wondering what that was. i left work just in time to hear the last strains of that song and terry gross didn't back-announce it ("dammit woj, i'm an interviwer not a deejay!"). have i mentioned cheralee dillon yet? probably not. someone over on rdt was babbling about her and said that she was in the same vein as ani difranco. he offered to send tapes to anyone interested so i did so and got two of her albums and one live recording to boot (no pun intended). anyways, to the extent that socially aware, acoustic performers are "in the same vein as ani difranco," this is true. cheralee dillon writes good lyrics but without the punch that distances ani from the horde of acoustic soloists out there now. her music is nice but not distinctive. greg disliked her voice but i thought it was at the very least decent with some strange and interesting stylistic idiosyncraticities (did i spell that right?). her two albums are _pool_ and _old lady love songs_. she also used to front a band called boil which was/is (dunno) a noisy guitar band from the pacific northwest (if i recall correctly, she's from portland) but i was duly unimpressed by the couple boil songs that filled out the end of the tape - i can handle a lack of melody, but a lack of focus and talent is another matter. anwyays, off to the laudromat! +woj ======================================================================== Date: Wed, 26 Jan 94 15:42:08 PST From: Neal Copperman Subject: MCC I recently picked up Mary Chapin Carpenter's State of the Heart disc and really enjoy it. It's a 1989 release, but it was my first introduction to her. They probably call her New Nashville or some other nonsense, but it sounds almost like a mildly twangy old folk album. It's one of those albums where things sound imediately familiar after one or two listens, but not old and tired, sort of like old standards. The first song is a rollicking lively track that makes her sound like she could be Johnny Cash's daughter (in concept, it doesn't sound like Roseanne Cash at all). THere are a number of quick paced fiddle driven tracks as well as nice reflective songs. Her voice was deeper and richer than I expected (I guess I was thinking along the lines of Nancy Griffith, but it's more akin to maybe Lucinda Williams, though not as rocky and not as twangy). It's a good folk album with a very light country influence. Neal ======================================================================== Subject: Himmelcomb, etc. Date: Tue, 25 Jan 94 17:09:25 CST From: Joe Zitt Hi, all! Sorry I haven't been more interactive of late, but I'm still dialing in to my system in Texas from here. I've kludged together a shell script and a batch file so that I can get and read mail via an offline reader, but the drain-bamaged QWK software over there doesn't seem to want to accept my reply packets. (Anyone out there know anything about uqwk?) Anywho, this problem may go away soon as I'm hooking up with a system called NJLink that seems too good to be true. I'll let y'all know if it lives up to its name, and what my more efficient email address will be. Woj wojaculates: >you call that a *desert island* collection?!? joe, man, you ain't gonna >have enough room in your lifeboat for your walkman if you expect that >the desert island music board of directors will allow you to bring all >those cassettes with you to visit robinson caruso! never mind yourself! ;) Honest, Skipper, I thought it would be OK! I mean, look what Mr. and Mrs. Howell have in *their* hut! >>(Has anyone else heard of Robin Holcomb? > >yup. i've ever seen her perform. it was a fantastic performance in the >cramped quarters of the knitting factory a few years ago. lots of nyc >luminaries in her band: wayne horovitz (of course), bill frisell, joey >baron (i think it was him anyways). excellent show, the tape of which >i've apparently lost. argh. Ooh... I've seen all those players together in the New York Composer's Orchestra, playing some of Holcomb's non-pop stuff. I've also seen several in various incarnations at the Knitting Factory among others, including Frisell (I think) and Baron in John Zorn and Tim Berne's Ornette Coleman tribute band (fortunately, I caught them before the idea mutated into Spy vs Spy and they merely tried to use the tunes to set small-ensemble volume and speed records *grrr*). BTW: as Brian asked: Nope, I didn't bring down any Zappa, unfortunately -- I couldn't decide on which one to tape in time. I do have his "Naval Aviation in Art" on my "Music You May Not Have Heard" compilation, and, if I ever have an income again, "The Yellow Shark" is high on my list. Re: Zappa: I had given the conductor of the local orchestra a tape of some of my music. My mother (who's in the orchestra) was baffled when she heard him say to me that it sounded "like Jazz From Hell" and I was pleased. Not knowing the Zappa album, she thought that was an insult. (BTW, I may be interviewed on a new music radio show in the NYC area very soon, with some of my music played; I'll post details, FWIW, when I know more.) >Mike Mendelson sez: >>Peter Himmelman, great songwriter and performer from >>Minneapolis, has a tremendous CD called From Strength to Strength. > >he also has (at least) two other releases (_synthesia_ and _gematria_) >which are pretty good. i saw him a few years ago at one of those >whfestivals that whfs holds every fourth of july or thereabouts. he >was on early in the day and people were pretty much ignoring him when >he came on stage. by the end of his short set, he had the entire crowd >enthused and about 40 people on stage with him. i don't think i've >ever seen anyone work a crowd like he did. i'll also recommend his >albums - pretty good stuff. I've also enjoyed his stuff, and wish I was hearing him live in NYC this week... I find it especially interesting due to the heavy Jewish factor in his lyrics -- he's somewhat religious and well-educated in the lore. "From Strength to Strength" is part of a Jewish expression "May you proceed from strength to strength (mikoakh l'koakh)". >3) if possible, use a stereo walkman with a stereo mic. you don't really > get separation between the left and right channels, but the stereo mic > does fill out the sound and there's a noticable increase in listenablity > over a mono mic. I've gotten some *very* good results from a stereo walkman/mic, with very good stereo separation (though the stereo isn't as noticable in the music as it is in the other sound, as the music is often put out through the PA in mono anyway. For a recent performance, I used field recordings I had made with mine in Jerusalem as a dance score, with good results. >>My impression is that it is not illegal as long as you don't sell them. >>IS this true? > >unknown. the way that copyright laws in the united states are written, >that is a possible interpretation. however, it'd be tough to convince >someone to take that bold of a stance in a court case. Hard to say. I know I've been thoroughky searched at most Robert Fripp performances I've seen (he tends to be ...er... strict about this stuff). OTOH, I've taped some jazz performances, with the equipment in full view, after asking the performers. Quite often, they'v said that it was OK as long as I made sure to send them a copy. THere are some shows that I wish I'd taped, such as the John Cage solo reading I caught in July of '92 B-(. neilg nogtes: > You're talking about those little CasioTone gadgets, aren't you? >About a foot long with little pushbuttons? My sister got one from a >relative when we kids. She didn't use it much but I had lots of fun >playing with it. That memory function you mention was brilliant - you >could laboriously type in a melody in memory mode note by note, >deleting errors. Then you could play it back with the AutoPlay key, so >you could play a tune of sorts even if you couldn't play a keyboard by >punching in the notes and then tapping out the rhythm later... I have one of those! When in a prankish mode, I useta set the drum machine loops playing and stick it in someone's desk drawer or back pocket. heheheheh.... Unrelatedly: I just picked up Jane's BBtB at the county library (along with some Coltrane, Charlie Haden, Butch Morris, and "Nixon in China"). Unfortunately, one of the speakers on the stereo upstairs had crapped out. Actually, it crapped out a long time ago, but my mother didn't realize that it made a difference. I guess if you spend your life with a violin right under your left ear, you don't realize that music's supposed to come from the right side, too B-). That's not as bad as my grandfather, though -- he never quite has gotten the concept of stereo, and had one speaker in his living room and one in his study. I also picked up (along with about 5 other library books; "Too Much Time on my Hands", as Styx might say) Howard Rheingold's "The Virtual Community". Real interesting reading for all us net-evangelist types. Well, off to decide whether I can get away with getting the new Tori Amos album today... *HUGS* to all you wonderful fucking incompetent amateurs!-) !-) !-) ======================================================================== Subject: On the Radio! Date: Wed, 26 Jan 94 0:22:21 CST From: Joe Zitt I will swallow my rarely-rumoured modesty to mention: I'm going to be interviewed on the radio show Transfigured Night on WKCR-FM in New York, (89.9 FM, from Columbia University) on Thursday morning, February 3rd, from 1 to 5 AM. We'll be playing some of my theatrical scores and other music, and I'll be reading from my book "Shekhinah: The Presence". Yippee! ======================================================================== Date: Wed, 26 Jan 94 18:45:10 PST From: Neal Copperman Subject: pocket change I have sold two CDs as far as I can remember, and I don't miss either one at all. (I guess if I've actually sold more, I certainly don't miss those.) I have a humongous pile of two more discs I want to get rid of. I tried three stores, was refused in one, amazingly was offered 6 dollars credit in another (and could find absolutely nothing I wanted), and even more amazingly, was offered 1 dollar credit in another. I snidely asked if I wanted cash would they give me fifty cents, to which they replied yes with a completely straight face. So, I've still got 'em as I wasn't in dire need of a candy bar and lacking any change. It's probably easier to keep them or throw them away! Maybe I'll try again someday when I feel more ambitious. COngrats Joe Zitt for your upcoming radio appearance (debut??). And thanks for recounting your experiences with taping for me. Neal ======================================================================== Date: Wed, 26 Jan 1994 22:30:30 -0500 (EST) From: Suspended In Duct Tape Subject: KonvenTion Hi! This news seems to have been passed over, but there isa definite date for the 1994 Homeground/KBC Kate Bush Convention in London: Sunday, April 10. This is a call for American love-hounds/ectophiles: who's going? I'm going to call my travel agent tomorrow (the travel agent of the gods, she is) and put her on the trail of cheap flights to London out of the NYC/Newark area. I'll ask her to check out "chartering" (i.e. booking blocks of seats for a larger group of people at a cheaper rate), but I'm not positive I'll be able to find out much without a number to go by. So, if you're American and would leave from New York or Newark if you were to go to London for the KonvenTion, drop me e-mail and let me know. I know from experience that these things are *not* to be missed, especially if KaTe Herself is there! Peter Fitzgerald-Morris and the rest of the planners are to be commended for their efforts to pull this off yet again. (How's Dave Cross doing, by the way?) Meredith, who has no money and no time but will go to London anyway meth@delphi.com ======================================================================== Date: Wed, 26 Jan 1994 23:02:16 -0500 (EST) From: Suspended In Duct Tape Subject: eyes and spies Hi! Yay, woj can see again for the first time in 4 years. The test will be if he runs screaming from the room the first time he lays eyes on me and really sees me... ;) Just wanted to mention a few things: 1.) People have been discussing Big Hat again. I repeat, their new album _Selena At My Window_ is amazing. Wonderful. Buy it in multiple copies now. 2.) February 1 is going to be an expensive music day. Tori, Sarah, Kristin Hersh ... But I've been good this month in preparation for this, really I have! :} Mitch, if you are still looking for that article you were seeking from the Sunday Times, I can rescue the paper from the recycling and send it to you if you want- I just need to know what it is. 4.) (Forgot to number 3) I saw the movie _Short Cuts_ last night. It's Robert Altman's latest film, and it has to be the most brilliantly edited film I've ever seen. It's 3 hours long, but worth every minute- it features Lori Singer (remember her from "Fame"? She plays the cello in this role too), Robert Downey Jr., Matthew Modine, Madeliene Stowe, Jennifer Jason Leigh, Andie MacDowell, Lyle Lovett (?), Huey Lewis (?!?), Tom Waits (!!!), Jack Lemmon, Tim Robbins, Lily Tomlin, Peter Gallagher, the woman who played Frannie on _As The World Turns_ for eons (and no, I do NOT want you to ask me how I knew that), and the woman who played John Cusack's stoned friend in _The Sure Thing_, as well as a few other people whose names I should know but don't. And they're not just cameos, either. It takes place during one 3-day period in Los Angeles, and features people whose lives are all interconnected, even if they don't know it. And the final scene is a major earthquake, which is supposed to be kind of humourous, but nobody was laughing last night, for obvious reasons. It's an excellent film, highly recommended from this corner. Time for bed, yes it is... it's cold here again. Bleagh. Meredith meth@delphi.com "Is that explicit enough for you?" - Tori Amos ======================================================================== Date: Wed, 26 Jan 94 23:40:47 PST From: kyrlidis@templeton.cchem.berkeley.edu (Angelos Kyrlidis) Subject: Is this old news? Hi, I was reading the February issue of Vox (a UK magazine) and saw an ad for a mail order service called Compact disc Services which featured: HAPPY RHODES: Rhodes I/Rhodes II/ Warpaint/ Rearmament/ Ecto/ Rhodesongs/Equipoise (Contemporary artist-Strong songs with dark, mystical edge-Excellent music for Kate Bush, Enya and Joni Mitchell fans-Some feature very strange sleeve designs!) #14.95 I remember that a UK ectophile had posted something about a Happy mention in the past. Well, the ad's still running (assuming it's the same one) so they either had a good response to it, or they like Happy, or they are trying to get rid of the overstock (NOT! :) ). FYI Angelos ======================================================================== Date: Thu, 27 Jan 94 3:52:19 EST From: WretchAwry Subject: LSD (yummie, and good for you!) mjm ethereals: > I just got the Love Spirals Downward CD calles Idylls. > Excellent, excellent, excellent. > The best ethereal CD I've heard > (and this is truly etherial.) > An absolute ecto-must-have. Vat he said, folks! Is *beautiful*! This is on Projekt (PRO36) and Anyone who is enthralled by angelic, ethereal, alternative music will experience a corner of heaven when they hear this. LSD are Ryan Lum and Suzanne Perry, and oh my, they are not just Cocteau wannabes (anymore than Mozart was a Bach wannabe). "Idylls" was one of my very favorite albums from 1992. Love Spirals Downward "Idylls" - Projekt PRO36 Projekt: Box 1591, Garden Grove, CA 92642-1591 LSD: 2537 Bolar, Industry, CA 91745 Vickie (your resident slugslob with good taste in music) ps, maybe if I keep the lights down low and play LSD to Tim he won't notice how messy the house is. I washed the dishes though! pps, see y'all Chicagophiles on Saturday for the 1st annual "We'll-Throw-Tim-Cook-An-Ectoparty-Because-He'll-Go-Anywhere-For-An- Ectoparty-And-This-Time-He's-Coming-All-The-Way-From-England-For-One- And-He's-Going-To-Go-Home-Broke-Because-I'm-Taking-Him-To-All-The- Cool-Chicago-Record-Stores-And-Assuming-The-Weather-Doesn't-Interfere- With-His-Flight-By-Later-This-Afternoon-I'll-Have-The-Two-UK-Cornflake- Girl-CD-Singles-In-My-Possesion-And-I'll-Get-To-Hear-Tori-Amos-Covering- Billie-Holiday-And-Tim-Will-Have-Seen-The-Cool-Thing-At-O'Hare-Airport- And-Too-Bad-He-Comes-To-Chicago-In-The-Midst-Of-A-Snow-And-Ice-Storm- But-Thems-The-Breaks-And-It-Will-Be-Wonderful-Having-Him-Here" Ectoparty! 1pm to infinity...1627 W. Farwell, 2N...(312) 508-KATE...usual "beware of overly affectionate kittys and Good Housekeeping Stamp of Appallness" warnings apply... ======================================================================== Date: Thu, 27 Jan 1994 08:58:24 GMT From: imy@wcl-rs.bham.ac.uk (Ian Young) Subject: Happy Wheel ** BUG ALERT ** Ethan, you mention about never having made the connection between Tribe's Abort and Sugar's Copper Blue. This, on checking my facts is not so surprising: Gil Norton did _not_ produce the latter. Evidently the top of my head has a bug in it. Sorry for any inconvenience or embarrasment caused! Ian. ======================================================================== The ecto archives are on hardees.rutgers.edu in ~ftp/pub/hr. There is an INDEX file explaining what is where. Feel free to send me things you'd like to have added. -- jessica (jessica@ns1.rutgers.edu)