From: owner-avalon-digest@smoe.org (avalon-digest) To: avalon-digest@smoe.org Subject: avalon-digest V5 #226 Reply-To: avalon@smoe.org Sender: owner-avalon-digest@smoe.org Errors-To: owner-avalon-digest@smoe.org Precedence: bulk avalon-digest Tuesday, June 13 2000 Volume 05 : Number 226 Today's Subjects: ----------------- RE: [AVALON] art of bloomsbury [Jocelyn Fiske ] Re: [AVALON] Summer concerts ["Simon Galloway" ] [AVALON] Summer gigs [Terry Lane ] [AVALON] Re: Don't make me cry ["Martin Stockman" ] Re: [AVALON] Ann O'Dell ["sjaak" ] Re: [AVALON] Re: The Muse and The Music ["Ivor Canning" ] [AVALON] Petworth [JObinv01@aol.com] Re: [AVALON] Re: The Muse and The Music [KB Porter ] Re: [AVALON] Re: The Muse and The Music ["Tim Kendrick" ] [AVALON] SLAVE TO LOVE AND MONEY ["Grant Goggans" ] Re: [AVALON] Glam Name ["Will Frechette" ] Re: [AVALON] Glam Name ["Will Frechette" ] Re: [AVALON] Re: The Muso, The Audient and The Music ["Ivor Canning" Subject: RE: [AVALON] art of bloomsbury Considering he's also got a fair proportion of his collection on loan to the Tate Gallery (old not Modern) he must have some very bare walls at the moment. Jocelyn-----Original Message----- From: Tim Kendrick [mailto:tim63@earthlink.net] Sent: 11 June 2000 23:51 To: Avalonia Subject: [AVALON] art of bloomsbury The BryanFerry Collection has loaned five pieces to the exhibition - including one of the larger canvasses, ' Summer Camp ' by Vanessa Bell, and a Duncan Grant painting of the unfinished bust of Virginia Woolf, this one of the most striking pictures in the show. Do try and get there if you can. Tim ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 10:41:00 +0100 From: "Simon Galloway" Subject: Re: [AVALON] Summer concerts >>> Ida M Miller 06/11 12:30 am >>> >Is this a common type of event in England, or is this a unique series that BF has >conjured up? These kind of events have been going on for years, but used to be largely for classical and operatic events. I went to a similar event at Ascot racecourse a few years ago (Jools Holland was the headlining act, Jazz FM were promoting it) and basically you bring out all the stuff you would for a picnic - food, drink, blankets, folding chairs, jumpers/sweaters, something waterproof, and don't sit on the grass as it goes dark or else you get a wet behind! >Are the homes (mansions? castles?) where these shows will be held, actually >occupied? On the BF tour I think that they are. Similar events are organised by The National Trust and English Heritage (they manage and maintain buildings and sites of historical interest and importance), a recent example being Diana Krall and Tony Bennet at Leeds Castle in Kent (English Heritage I think) and all the seating there was provided in rows. Not that I was there you understand, I saw it on TV! SimonG ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 11:01:57 +0100 From: Terry Lane Subject: [AVALON] Summer gigs Someone mentioned who`s going to what gig this summer. I will be at Petworth & Elton Hall - hope to meet up with some of you. Terry *************************************************************** The contents of this Email and any files transmitted with it are confidential and intended solely for the use of the individual or entity to whom it is addressed. The views stated herein do not necessarily represent the view of the company. If you are not the intended recipient of this Email you may not copy, forward, disclose or otherwise use it or any part of it in any form whatsoever. If you have received this mail in error please Email the sender. *************************************************************** ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 12:34:06 +0100 From: "Martin Stockman" Subject: [AVALON] Re: Don't make me cry I thought this was an excellent post from Kevin Sheridan. The best observations are not necessarily accurate but reflect the glorious madness of the Ferry fan. I'm not sure you were around when I deconstructed the track Boys and Girls as a lament to his late father. Unsurprisingly the usual suspects tore into my admittedly curious analysis, as if by some dark forbidden hunger, but I remain faithful to my interpretation and happy to have shared my thoughts. For what its worth I think Bry had a celluloid romance with the ersatz world of Southern California circa American Grafitti, and has part-lovingly, part-satirically attempted to recreate the bubble-gum and bobby-socks world in some of his seemingly throwaway numbers. The West Side of Manfiesto clearly takes us there, as does All Night Operator, One Kiss, Party Doll from IYM, Oh Yeah from F+B, and, perhaps, Love is the Drug. pip pip Sugarpants - ---------- >From: "Kevin Sheridan" >To: >Subject: Re: [AVALON] Don't make me cry >Date: Wed, Jun 7, 2000, 6:25 pm > > I quite agree with your analysis of Cry-to-the-Third. The difficulty with > this whole "bad song" discussion is that it flattens out Ferry--who, > obviously is not only a complex artist, but an ironic self-consciously Pop > Artist to boot. Fully half of his art is the way his worldview filters the > possibilities. Which is an obscure way of saying that intellectual > intent--that old PoMo bugaboo--really does need to be given equal weight > with the performance of a song or its construction. > > My further two cents concerning Cry-to-the-Third is that, like it or lump > it, it's the culmination of Ferry's facination with ? and the Mysterian's > kitch classic, "96 Tears." For years preceding Cry(3) all of that snake > keyboard work that followed Ferry's "This way!" signal exclamation, was > pretty much a public flirtation with the infectious organ riff in "Tears" > I've always seen Cry(3) as Ferry's run at rewriting it, shallow kitch and > all. And the fact he seemed impelled to first quote and then overhaul "96 > Tears" deserves discussion (both praising and critical) that simple > dismissal of the song doesn't allow. > > And, as long as were on the topic, Cry(3) is one from the "God, Jeri's > Left!" basket. As loathe as I am to parade through someone's private life, > Ferry is spot-on with Cry(3) as it refers to Hall. A shallow cynical song > for a shallow cynical lost love. Call it psychological form-and-function. > Try this test: Think of Ms Hall, all breathy and solipsitic, then thing of > Cry(3), Kiss And Tell, and "When She Walks in the Room. By this standard, > When She Walks In the Room is, by far, the song that misses the mark most widely. > > I've digressed--the point is, we all seem to revel in the complexity, > irony, double-meanings, distance, and pop art stance of Ferry and then > proceed to use single dynamics to dismiss pieces of his work: good song, > bad performance; lovely vocal, bad choice to cover; etc. > ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 06:54:11 -0500 (CDT) From: MarlanaK@webtv.net (Mary Korfanty) Subject: [AVALON] Re: Petworth , what to bring Reecey, what kind of Chardonnay to bring? Just any kind I'm sure it will get drank. Could you bring along a filet & a very good loaf of bread? All kidding aside, hope everyone has a good time only wish I could be there . Maybe one in the near future. I could arrange to fly over . Is there any of Bryan's concert in Italy in Oct?. Chance of a vacation possibly then. Marlana... ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 13:21:58 +0100 From: "Simon Galloway" Subject: Re: [AVALON] Lucy W. Ugh!! I had no idea that she was in My Life Story, an overrated blustery band of hopelessness, but I think that all comes down to their leader Jake Shillingford. He claims to have formed the band completely from musicians he found busking on the streets of London. Arsehole! I'm not quite sure whu I don't like this man, but I never have and I find his music truly pathetic. I bought one of their records once, their cover of Duchess by The Stranglers. Useless. It's a shame that Lucy W is associated with him. Yours in scathing honesty Nova Tackycake >>> "Johnny Reece" 06/12 2:32 am >>> For the endlessly growing list of Lucy W. fans : http://home.virtual-pc.com/mls/band/profiles/lucy.htm Didn't realise she played with them, liked the last Single though, 'It's A Girl Thing'... Seems she is a fave amongst My Life Story fans, there's a few pics/reviews etc on various Fan Pages. Reecey... ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 14:43:12 +0200 From: "sjaak" Subject: Re: [AVALON] Ann O'Dell Hello Ivor, I own this record. The Chopin LP is called "Grand Slam" and released in 1975 by JET Records, catalog nr. JET LP 08. The members of Chopin are: Denny McCaffrey (vocals), Ann Odell (Keyboard, tuned percussion and vocals), Ray Russell (Guitars, sitar and back-up vocals), Klyde McMullin (bass guitar and back-up vocals), Simon Phillips (drums) and Simon Harold'Colclough (percussion and vocals). Songs: 1. In The Midnight Hour ( Yes, that one BF did), 2. Non-Commerecial Blues, 3. Backstage, 4. Space Nativity, 5. Wasting Time, 6. Girl At The Top Of The Stairs, 7. Insomniac Arrest, 8. Laughing Tackle, 9. Somebody Gotta Go, 10. You Never Told Me Your Last Name. The LP is co-produced by Ann Odell and John Punter. The songs are very different of style. Some easy listening, some (almost) instrumental, some rocky. Real sounds of the seventies. I hope that you have enough info now. greetings, Sjaak Versluis from Holland ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 14:11:28 +0100 From: "Ivor Canning" Subject: Re: [AVALON] Re: The Muse and The Music Martin posited: > The best observations are not necessarily accurate but reflect the glorious madness > of the Ferry fan. To quote Dryden: 'There is a pleasure, sure, in being mad, which none but madmen know' ('The Spanish Friar' Act ii, Scene i) Indeed, I would go further than Martino and say that the very concept of 'accuracy' has little relevance here at all. How any of us choose to perceive songs (or any art) is an intensely personal matter and as such is entirely subjective regardless of how much objective 'fact' is brought to bear, including knowledge of the artist's original intentions. Knowing why someone created something certainly enhances my appreciation of the work but does not fundamentally change my reaction to it. Bryan's muse is not mine. He grew up in a different era, under different personal circumstances, listening to different music. When I listened to 'For Your Pleasure' for the first time, I had virtually nothing to compare it with. It was the closest to 'pure' music I will ever hear - no preconceptions, no influences. Just me and a record. No concept of how the album was put together, of who was playing what (and what was actually being played anyway) no knowledge of Nijinsky or Guernica but I loved it then as I love it today. On the other hand, hearing Bryan's influences on 'These Foolish Things' did nothing for me then (and largely still doesn't today). I may love a lot of his music but I don't much care for a lot of his muse. But that's just me. Ultimately the music stands or falls on its own merits. And who's to say that's wrong ? To (probably mis)quote Kipling: "But the devil whoops as he whooped of old: 'It's clever...but is it Art ?'" I am genuinely interested to discover that 'Cry Cry Cry' is a clever piece of pop pastiche and that it quotes from '96 Tears' but, damn it, I still *hate* the song... Regards, Ivor. n.p. Varese - Arcana (the original 'Bogus Man' ?) ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 07:03:54 -0700 (PDT) From: Cecilia Subject: Re: [AVALON] Re: Petworth , what to bring My biggest envy :-( for all of you going to the UK gigs. I wish I could be there too. Please, do have a Chardonnay on us absents. Marlana: the next Bryan's concerts in Italy are, as far as I know, on July, 26th in Lucca (Toscana) and July 28th in Udine (near the border to Slowenia). I guess they'll be in a jazz festival contest. I'm going to both ones. Anyone else going? If I happen to know about any autumn dates, I'll inform the list, though the vice versa seems more likely. Ciao Cecilia __________________________________________________ Do You Yahoo!? Yahoo! Photos -- now, 100 FREE prints! http://photos.yahoo.com ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 10:47:39 EDT From: JObinv01@aol.com Subject: [AVALON] Petworth Does anyone have 2 spare tickets for Petworth as I might get the time off work to go. Please mail me off list if you know of any. Regards John O'Brien ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 11:23:56 -0400 From: KB Porter Subject: Re: [AVALON] Re: The Muse and The Music I quite agree, subjective interpretation/reaction to any stimulus constitutes the thing we perceive as Reality. This reality may or may not simulate what actually is: While most of us are able to distinguish an apple from an orange, we find consensus becomes increasingly difficult as the object under consideration becomes less tangible/solid. The more abstract the object, the greater the range for interpretation that molds our personal reality. By nature, art is illusive and highly personal because of its infinite fluidity. This fluidity renders any formed consensus (defining the object) woefully inadequate. Consensus, or shared reality, is not necessary for the existence and acknowledgment of the object as art. The artwork ultimately stands on its own in the realm of multifaceted chaos. This explains why one may truly believe something is art whilst another truly believes the same thing is rubbish. Yes, to each his own. And who, in shared reality, is to say which is right or wrong. The professional critic? The untrained observer? The naive dolt? The creator? The detractor? Who? - Whomever exerts the most influence and power. Ivor, you are fortune to have a strong reaction to Cry, Cry, Cry. Love it, or hate it, you have been and still are affected by it. Not all art is likable. Pity the indifferent, for they cannot fathom the depth of plasticity. Best wishes, KBP ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 13:11:13 -0400 From: "Linda Epstein" Subject: [AVALON] Completely offtopic But please allow me a little brag... The ring bearer and the flower girl on the front of USAToday today (MOnday) are from my wedding. I am so damn proud of this I have to share. ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 11:54:20 -0400 From: "Tim Kendrick" Subject: Re: [AVALON] Re: The Muse and The Music These are good, if very French (!), points, but I'm going to throw in the philosophically reactionary thought that not all perceptions are of equal worth. Who is in the end 'right' about a work of art? Impossible to say, of course, but there is at least one person whose insight is surely of greater value than others, and that is the creator's. But it's perversely true that the creator is rarely the person of most influence or power. it is the critic in the end who most wholly, if woefully, defines culture generally and the 'value' of individual artifacts. Who, incidentally, came up with the idea that the creator is only one perception, neither better nor worse than any other? That talentless but prominent individual, the critic himself, who serves his own ends and his own ego ego by downplaying the importance of the artist. Tim - -----Original Message----- From: KB Porter To: avalon@smoe.org Date: Monday, June 12, 2000 11:32 AM Subject: Re: [AVALON] Re: The Muse and The Music . This >fluidity renders any formed consensus (defining the object) woefully >inadequate. Consensus, or shared reality, is not necessary for the >existence and acknowledgment of the object as art. > >This explains why one may truly believe something is art whilst >another truly believes the same thing is rubbish. Yes, to each his >own. And who, in shared reality, is to say which is right or wrong. >The professional critic? The untrained observer? The naive dolt? The >creator? The detractor? Who? - Whomever exerts the most influence >and power. ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 10:19:09 -0700 From: Betsy Fowler Subject: [AVALON] Art of BloomsFerry The "Art of Bloomsbury" exhibit which Tim Kendrick mentioned is briefly described at the Yale Center for British Art's website: http://www.yale.edu/ycba/exhibit/bloomsbury/bloomsbury.htm I just missed this show at the Tate earlier this year, and didn't realize it had been to LA until too late. But I did find the coffee-table book "The Art of Bloomsbury" by Richard Shone at my library. The book is gorgeous and has superb color prints of everything in the show and more, including all five of the works which Bryan has lent to the exhibit. They include three Duncan Grant works and two Vanessa Bell paintings, one of which is a fabulous portrait of the young Aldous Huxley. I was not surprised to note that Bry, unlike most private owners of fine art, doesn't hide behind the anonymity of "Private Collection" when ownership is indicated, but struts his stuff with a "Bryan Ferry Collection" label! Seems to me he should mount an exhibit of his own sometime. With his stately-home connections, anything is possible. Betsy ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 14:41:58 EDT From: "Grant Goggans" Subject: [AVALON] SLAVE TO LOVE AND MONEY >Date: Sun, 11 Jun 2000 11:12:26 +0100 >From: "Robert Whiteford" >Subject: Re: [AVALON] SLAVE TO LOVE AND MONEY > >Just a miserable Scot ! > >Point well made on the Diana album -didn't mean to imply that was >exploitation- I was just a bit annoyed at having to shell out another few >£'s to acquire more material I've already got. On a similar note, I'm awfully annoyed that "Dance With Life" isn't on this compilation. I understand a lot of people don't like this song, but I've never heard it, never seen the single, and am not about to shell out for the soundtrack album to get the sole interesting piece on it. It really should have been included on this, I think. "DRAT! This would have to happen when I'm in a rented tux!" You have just read another thrilling e-mail from... Grant Goggans ...who encourages you to read GMS Legion daily. "http://ggoggans.home.mindspring.com/cx.html" ________________________________________________________________________ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 14:47:44 -0500 From: "Will Frechette" Subject: Re: [AVALON] Glam Name What a coincidence mine was Vodka Shimmersex. And Ginchy, BTW, was an old surfer expression for homely Will - ----- Original Message ----- From: "Jocelyn Fiske" > > http://qix.lm.com/cgi-bin/fun/glamname.pl > > To prove how close to reality it is Reecey becomes Kitschy Silverplanet > (Bolan would be proud of you) and Martino unsurprisingly is (tonight > Matthew) Icy Sugarpants. > > Have fun > > > Ginchy Shimmersex (now changed by deed poll) ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 14:52:12 -0500 From: "Will Frechette" Subject: Re: [AVALON] Glam Name Let me ask you something, and be honest, Do I make you horny baby, do I? Will - ----- Original Message ----- From: > > Multiplex Mirrorball here. :) ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 21:38:27 +0100 From: "Ivor Canning" Subject: Re: [AVALON] Re: The Muso, The Audient and The Music Tim has made me pause in the middle of KB's comments to answer this point: > Who is in the end 'right' about a work of art? Impossible to say, of course, but there is > at least one person whose insight is surely of greater value than others, and that > is the creator's. Aha, but 'right' about *what*, exactly ? Right about the *value* of a song ? Every artist who has ever lived has doubts and changes of heart about various pieces of his/her art at various times (with the possible exception of Wagner !). It's notoriously difficult to be objective about the last song you wrote. This is why God created B-sides...and box-sets S;^) Right about the *meaning* of a song ? I think you'll find most artists will admit that the majority of their lyrics are deliberately non-specific, even if inspired by autobiographical events. Once the creator presents a piece to an audience, each 'audient' interprets it differently. This is after all what makes songs 'personal' (sic) to individuals. Most artists acknowledge and accept that (frankly there's little they can do about it anyway). Some even go out of their way to encourage it ! The only alternative is to stay in that ol' garret and compose for oneself. IMO each audient of a song is 'right' about the value and meaning of the song to them. That includes the creator BTW. > Who, incidentally, came up with the idea that the creator is only one > perception, neither better > nor worse than any other? That talentless but prominent individual, the > critic himself, who > serves his own ends and his own ego ego by downplaying the importance of the > artist. Great, so all those crap songs I wrote after eight pints of Fuller's GBH last Saturday are actually peerless works of art and I defy anyone to say otherwise S;^) Seriously though, I agree that critics can have a disproportionate effect on people's opportunity and (for some) ability to hear music for themselves. Conformity is a powerful influence (later !) Regards, Ivor. n.p. 'Hergest Ridge' - ahh, perfect balmy summer evening listening, with birdsong outside the window... ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Mon, 12 Jun 2000 23:26:22 +0100 From: "Killip family" Subject: Re: [AVALON] Lucy Wilkins (Brits only post) - ----- Original Message ----- From: To: Sent: Sunday, June 11, 2000 10:25 PM Subject: Re: [AVALON] Lucy Wilkins (Brits only post) > In a message dated 06/11/2000 2:30:46 PM Eastern Daylight Time, > killip.family@advsys.co.uk writes: > In the Isle of Man very little..he does have a recording studio at his home (in a place called Glen Vine) and has played a couple of local gigs with his son Adam (curiously the same name as my keyboard playing son). But lately he's cropped up most visibly as a celebrity (?) guest on "Never Mind the Buzzcocks" BBC2's "hilarious" (shome mishtake surely) music quiz. Hologram Lushtrash > Not to get too off-topic, but WHAT is Wakeman doing these days besides > playing golf? > > Arnie > > > ___________________________________________________________________________ > Come to Las Vegas and hear the indestructible tagline sing > selections from "The Jazz Singer" ! > To unsub, mail majordomo@smoe.org with: > unsubscribe avalon ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ Date: Tue, 13 Jun 2000 09:06:37 +0200 From: "Han Snijders en Willy v/d Geest" Subject: [AVALON] Summer concerts...who? I made a list of the people who are going to the various summerconcert. You can add your name or sent your name to me off list so I can make a weekly update. Han CASTLE HOWARD Tracy Connell TATTON PARK Richard Swift ELTON HALL Terry Lane Richard Swift PETWORTH Richard Swift Glen Lehman Han Snijders Pim Rebolz Frank Herrebout Andy Mol Anton van Lammeren Ivor Canning Johnny Reece Martin Stockman Terry Lane Kevin Routley ___________________________________________________________________________ Come to Las Vegas and hear the indestructible tagline sing selections from "The Jazz Singer" ! To unsub, mail majordomo@smoe.org with: unsubscribe avalon ------------------------------ End of avalon-digest V5 #226 **************************** ======================================================================== For further info, mail majordomo@smoe.org with: info avalon-digest