From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #8965 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Friday, May 20 2022 Volume 14 : Number 8965 Today's Subjects: ----------------- She lost 49 LBs eating this BUTTER? ["Butter" ] I do think that things happen for a reason. ["Good Vision" Subject: She lost 49 LBs eating this BUTTER? She lost 49 LBs eating this BUTTER? http://shieldforce.buzz/6RPUUWQ1GGyJIAvvNtjZ3WTL1PhG_Ed4w9YiifBXAF2m1Sd4rg http://shieldforce.buzz/G_NpRPP8NSz7JCewmZUzT5_QF5dB_Ifyg26Ug411V3reuoEa0g n his commentary, Fraenkel followed the method of the variorum, whereby substantial space is given to the views of previous scholars beside those of the primary author. In his view, the presentation of existing approaches, though laborious, was necessary to separate the text from the scholarly views that had accrued over time. Contrary to common practice, his book did not deal with overarching themes in a separate introduction but covered them in the commentary whenever they appeared. His individual notes thus became sources of information on many areas of scholarship beyond the play itself. Fraenkel also showed an interest in commentary technique, coining new critical terms, such as guttatim for Aeschylus's use of cumulative apposition. Stone bust of a male torso with curly hair and beard Fraenkel wrote a commentary on the Agamemnon of Aeschylus. This likeness of the playwright is a Roman copy of a Greek original from the 4th century BC. For the classicist H. J. Rose, Fraenkel's commentary was "perhaps the most erudite that any Greek play has ever had". Rose commended the book for espousing the practice of a thematic introduction and for its balance in presenting the Fraenkel's own views next to those of his predecessors. Rose concluded his review for The Journal of Hellenic Studies by saying "with confidence that the value is permanent". The reviewer C. A ------------------------------ Date: Thu, 19 May 2022 11:32:48 -0400 From: "Good Vision" Subject: I do think that things happen for a reason. I do think that things happen for a reason. http://ocurenew.us/yA0LAgQt2SkfLCdBkzZ091Humjg7tRgW48QHahw6nrwxYCKMRA http://ocurenew.us/OZmx1EYN2nfLQbTBKM4SQ37cXWLIY1p0cIYSQJFlmgbc5FPYbQ of the comedies of Plautus was dominated by the idea that his plays were largely derived from examples of Greek middle comedy, most of which have been lost. Scholars treated Plautus's plays chiefly as a means of retrieving information about this lost Greek genre. Fraenkel's mentor, Friedrich Leo, took this line of argumentation in his 1885 study Plautinische Forschungen. In 1922, Fraenkel published a monograph entitled Plautinisches im Plautus ('Plautine Elements in Plautus'), founded upon his doctoral work conducted under Leo. The book was designed to analyse Plautus as an author in his own right and not as a source for middle comedy. Fraenkel's approach to this problem was to isolate recurring details and forms of expression as a basis for the reconstruction of Plautus's original contribution to the genre of comedy. Using this method, he identified four elements which he deemed characteristic of Plautus: the opening formulae of direct speeches; his characters' habit to intimate their own transformation into someone else; his use of Greek mythology; and his treatment of inanimate objects as animate. Building on these observations, he went on to delineate the main areas of the genre where he considered Plautus to have innovated. These include the length of direct speech, the ------------------------------ Date: Thu, 19 May 2022 09:01:13 -0400 From: "Wrinkle Free Skin" Subject: Pinch Test Reveals How Fast Your Skin Is Ageing Pinch Test Reveals How Fast Your Skin Is Ageing http://moderntial.buzz/KPBzWsiyfUMBLaGQ9HRgGAUol8mtfw8e1a4qTLJqAPbiymzaoA http://moderntial.buzz/lpx2xqOgf4ipo3qgs5rrQfX8mQK1S_GGfYQbhxK-S6qEBFFt9A ury, study of the comedies of Plautus was dominated by the idea that his plays were largely derived from examples of Greek middle comedy, most of which have been lost. Scholars treated Plautus's plays chiefly as a means of retrieving information about this lost Greek genre. Fraenkel's mentor, Friedrich Leo, took this line of argumentation in his 1885 study Plautinische Forschungen. In 1922, Fraenkel published a monograph entitled Plautinisches im Plautus ('Plautine Elements in Plautus'), founded upon his doctoral work conducted under Leo. The book was designed to analyse Plautus as an author in his own right and not as a source for middle comedy. Fraenkel's approach to this problem was to isolate recurring details and forms of expression as a basis for the reconstruction of Plautus's original contribution to the genre of comedy. Using this method ------------------------------ Date: Thu, 19 May 2022 13:51:52 -0400 From: "Storage Container Homes" Subject: Shipping container homes are the best value and cheapest. Shipping container homes are the best value and cheapest. http://ocurenew.us/TaZwmIsumzRrUMX8Jtc2ax9sFA5HOy000N-bqy9nAeCurxuhfw http://ocurenew.us/W8qFtqaXSN43MorskpmtjihKyo7cHb7ysza2DS-DBYU84BLzcA raenkel's chapters on the Epodes and Satires, he argued that Horace had undergone a process of artistic maturation away from the imitation of his literary models (the Greek lyric poet Archilochus and the Roman satirist Gaius Lucilius) towards his own conception of the respective genres. A large central section dealt with the first three books of Odes. He showed how Horace developed the patterns of Greek lyric into an increasingly abstract form of literature. Concerning the poems addressing the emperor Augustus, Fraenkel argued that they did not contradict the political stances of Horace's youth, contradicting the views of the historian Ronald Syme. In The Roman Revolution, Syme depicted these poems as a form of propaganda for the Augustan regime. The book took an innovative view on Horace's Epistles, a collection of letters in dactylic metre; although most previous scholars had regarded them as either faithful reproductions of real-world letters or entirely fictitious, Fraenkel argued that they were of a "double nature", combining real and unreal elements. He interpreted the Carmen Saeculare, a celebratory hymn commissioned for the Secular Games of 17 BC, as a poem independent from its festival context, which marked Horace's return to lyric poetry ------------------------------ End of alt.music.moxy-fruvous digest V14 #8965 **********************************************