From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #8537 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, February 23 2022 Volume 14 : Number 8537 Today's Subjects: ----------------- Don't Let Neck Pain Hold You Back! ["Andrew Dressen" Subject: Don't Let Neck Pain Hold You Back! Don't Let Neck Pain Hold You Back! http://prosurveys.co/DePiefpXCAjqAwpV9o5DVGD4O-Du5j5XrlA7R3U-e456eQL4mg http://prosurveys.co/V3kxDPTXVXAClfkPG89zBPUHxNSRRnEkgu-WQWdHPEhuIGjXlw eral de Catalunya or Corts Catalanes (General Court of Catalonia or Catalan Courts): parliamentary body and main institution of the Principality, created during the 13th century. Summoned and presided by the king, it was composed by the three estates of the realm and approved the legislation and the economic donation to the crown. Also served as monarch's council and as the place where the king could administer justice. DiputaciC3 del General or Generalitat de Catalunya (Deputation of the General or Generalitat of Catalonia): permanent council of deputes, created in 1359 by the Courts in order to collect the "taxes of the General", and later gained political power and tasks of prosecutor, becoming the most relevant Catalan institution during the early modern age. It consisted of three deputies and three oC/dors (auditors of accounts), there was one deputy and one oC/dor by estate. Consell de Cent de Barcelona (Council of One Hundred of Barcelona): institution of government of the city of Barcelona, created during the reign of James I. The municipal authority rested on five, later six, counselors (led by the Conseller en cap, Head Counselor) elected by a Council of hundred individuals (jurats). Reial AudiC(ncia i Reial Consell de Catalunya (Royal Audience and Royal Council of Catalonia): supreme court of justice of Catalonia and seat of the government. Its m ------------------------------ Date: Tue, 22 Feb 2022 06:24:58 -0500 From: "ThermometerStore" Subject: NO-CONTACT Digital Thermometer Makes Reading Temperatures a Snap! NO-CONTACT Digital Thermometer Makes Reading Temperatures a Snap! http://govcig.co/knR-FI4zBjcgpcSS-UCm7tvDmAMA2jYQg5MsFvCosRt1wLelZg http://govcig.co/1YVkF4gMrljA0wZNG7p964zK6dEb9nIuKvgG0ncDRAy3sjAUkw me of the pigments used by medieval painters, such as cinnabar (contains mercury), orpiment (contains arsenic), or lead white (contains lead) are highly toxic. Most artists today use modern synthetic pigments, which are less toxic but have similar color properties to the older pigments. Even so, many (if not most) modern pigments are still dangerous unless certain precautions are taken; these include keeping pigments wet in storage to avoid breathing their dust. Application Tempera paint dries rapidly. It is normally applied in thin, semi-opaque or transparent layers. Tempera painting allows for great precision when used with traditional techniques that require the application of numerous small brush strokes applied in a cross-hatching technique. When dry, it produces a smooth matte finish. Because it cannot be applied in thick layers as oil paints can, tempera paintings rarely have the deep color saturation that oil paintings can achieve because it can hold less pigment (lower pigment load). In this respect, the colors of an unvarnished tempera painting resemble a pastel, although the color deepens if a varnish is applied. On the other hand, tempera colors do not change over time, whereas oil paints darken, yellow, and become transparent with age. Ground Pietro Lorenzetti's Tarlati polyptych, Tempera and gold on panel, 1320 Tempera adheres best to an absorbent ground that has a lower oil content than the tempera binder used (the traditional rule of thumb is "fat over lean", and never the other way around). The ground traditionally used is inflexible Italian gesso, and the substrate is usually rigid as well. Historically wood panels were used as the substrate, and more recently un-tempered masonite or medium density fiberboard (MDF) have been employed; heavy pa ------------------------------ Date: Tue, 22 Feb 2022 09:38:31 -0500 From: "Doctors Book" Subject: Make your own antibiotics at home Make your own antibiotics at home http://doctorbook.biz/bRS3qVvrtCOIfTdq32K82flSTa1aiUYxXtV_OKC6me8aEdwBsw http://doctorbook.biz/AYQxE4wLQIPDFth02Ng1H5nQOfCfk75repdye7wdP3xb2i4_8w oths are generally believed to have been first attested by Greco-Roman sources in the 1st century under the name Gutones. The equation between Gutones and later Goths is disputed by several historians. Around 15 AD, Strabo mentions the Butones, Lugii, and Semnones as part of a large group of peoples who came under the domination of the Marcomannic king Maroboduus. The "Butones" are generally equated with the Gutones. The Lugii have sometimes been considered the same people as the Vandals, with whom they were certainly closely affiliated. The Vandals are associated with the Przeworsk culture, which was located to the south of the Wielbark culture. Wolfram suggests that the Gutones were clients of the Lugii and Vandals in the 1st century AD. In 77 AD, Pliny the Elder mentions the Gutones as one of the peoples of Germania. He writes that the Gutones, Burgundiones, Varini, and Carini belong to the Vandili. Pliny classifies the Vandili as one of the five principal "German races", along with the coastal Ingvaeones, Istvaeones, Irminones, and Peucini. In an earlier chapter Pliny writes that the 4th century BC traveler Pytheas encountered a people called the Guiones. Some scholars have equated these Guiones with the Gutones, but the authenticity of the Pytheas account is uncertain. In his work Germania from around 98 AD, Tacitus writes that the Gotones (or Gothones) and the neighbouring Rugii and Lemovii were Germani who carried round shields and short swords, and lived near the ocean, beyond the Vandals. He described them as "ruled by kings, a little more strictly than the other German tribes". In another notable work, the Annals, Tacitus writes that the Gotones had assisted Catualda, a young Marcomannic exile, in overthrowing the rule of Maroboduus. Prior to this, it is probable that both the Gutones and Vandals had been subjects of the Marcomanni. The Roman Empire under Hadrian, showing the location of the Gothones, then inhabiting the east bank of the Vistula Sometime after settli ------------------------------ End of alt.music.moxy-fruvous digest V14 #8537 **********************************************