From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #8495 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, February 17 2022 Volume 14 : Number 8495 Today's Subjects: ----------------- Little Known Way To Bring Nearly ANY Dead Battery Back To Life again.. ["] Please confirm your shipment right now.. ["Shipment on Hold" Subject: Little Known Way To Bring Nearly ANY Dead Battery Back To Life again.. Little Known Way To Bring Nearly ANY Dead Battery Back To Life again.. http://producthut.us/Y9uHUhQBgMewxtwHn1oqVwsBRS2aPVpM9ygnPcKHSofFXb70Ag http://producthut.us/V8URlx9ISTqX1UkX3cfAMpUChip_F2shXpoG72qvhljuCc8-lA tory painter, Delaroche aimed to present in his work a bphilosophical analysisb of a historical event and link it to bthe nineteenth-century understanding of historical truth and historical time.b Although there are some discrepancies between history and his own history painting, Delaroche saw the importance in being faithful to the presentation of facts. German literary critic, Heinrich Heine, says " has no great predilection for the past in itself, but for its representation, for the illustration of spirit, and for writing history in colours." Delaroche painted all of his subjects in the same light whether they were great historical figures from the past, founders of Christianity, or important political figures of his time like Marie Antoinette or Napoleon Bonaparte. He carefully researched the costumes and accessories and settings he included in his paintings in order to accurately present his subject. To accentuate historical accuracy, Delaroche painted with meticulous detail and finished his paintings with clear contours. The varying movement of his brush strokes along with the colors and placement of his subjects give each of them a unique appearance and allows them to act in the spirit and tone of their character and the event. The public eye is less observant of fine details and nuances in painting, but Delaroche appreciated the literary value of his paintings over their pictorial value. He balances the literary aspects with the theatricality, narrativity, and visuality of his historical paintings. Historical works and accuracy This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (October 2021) (Learn how and when to remove this template message) His dramatic paintings include Strafford Led to Execution, depicting the English Archbishop Laud stretching his arms out of the small high window of his cell to bless Thomas Wentworth, 1st Earl of Strafford, as Strafford passes along the corridor to be executed, and the Assassination of the duc de Guise at Blois. Another famous work shows Cardinal Richelieu in a gorgeous barge, preceding the boat carrying Cinq-Mars and De Thou carried to their execution. Other important Delaroche works include The Princes in the Tower and La Jeune Martyre (showing a you ------------------------------ Date: Wed, 16 Feb 2022 09:10:44 -0500 From: "Shipment on Hold" Subject: Please confirm your shipment right now.. Please confirm your shipment right now.. http://nervecare.us/CZSFYITW-bpNmZNA4oRbJrsW8i2BRokx-4-ZckLBC5_kO_ytDg http://nervecare.us/cKxcDgVVMoid-4vXavMvfoteXk7r67SfbQOkJBrlbTfvOdFAJw roup of words with the root "Roman" in the various European languages, such as "romance" and "Romanesque", has a complicated history. By the 18th century, European languages b notably German, French and Russian b were using the term "Roman" in the sense of the English word "novel", i.e. a work of popular narrative fiction. This usage derived from the term "Romance languages", which referred to vernacular (or popular) language in contrast to formal Latin. Most such novels took the form of "chivalric romance", tales of adventure, devotion and honour. The founders of Romanticism, critics August Wilhelm Schlegel and Friedrich Schlegel, began to speak of romantische Poesie ("romantic poetry") in the 1790s, contrasting it with "classic" but in terms of spirit rather than merely dating. Friedrich Schlegel wrote in his 1800 essay GesprC$ch C