From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #7871 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, November 18 2021 Volume 14 : Number 7871 Today's Subjects: ----------------- Innovative Space Heater that Saves Energy ["Energy Saving Heater" Subject: Innovative Space Heater that Saves Energy Innovative Space Heater that Saves Energy http://smartsiren.us/cbqTx7O3RbrdXmmkEq3LgHDIS08u609PAtg6HGDAR4QUj7G26Q http://smartsiren.us/lT7-zsqgh633AoufOG3NTdE6F1Z-p-1o8YBnEGpaINcOyxC5 eling defeated and mentally tortured by Jaikant to no limits, a worried Singham first contemplates returning home, but is stopped by Kavya, who encourages him to fight against the evil and not run away like a coward. At that point, some of Jaikant's men attack him, and he, realizing the futility of returning to Shivgarh, brutally beats the goons black and blue, locking them up. Singham then arrests Shiva in a fake case of illegally smuggling alcohol after setting him up to tear the FIR against the goons, who he had come to free, and recalling to the officers that Shiva, under Jaikant's orders, had planted bundles of cash in Kadam's jeep. Later, he thwarts off Patkar in full view of the public when Patkar, bounded by his duties to Jaikant, tries to bail Shiva out. Jaikant kidnaps Kavya's younger sister Anjali for ransom on Kavya's birthday. Rescuing her, Singham successfully traces the origins of the kidnapping racket to Jaikant, confronting Narvekar with his team in anger, but is unable to arrest him as he wins the election and is set to become a minister of the Goa Government. Jaikant hands over transfer orders to Singham to go back to Shivgarh within 24 hours. That night, at a police function organized for the officers with their family, Singham confronts the officers, particularly Pawar and Patkar, for not abiding by their duties and being dishonest and unfaithful to their profession by protecting Jaikant. At first, Patkar berates Singham, but filled with guilt, Phadnis, Abbas and Savalkar decide to help Singham fight Jaikant. Soon, he is joined by the entire Goa Police Force, with Pawar also extending support, and all of them invade Jaikant's home to kill him, with Patkar revealing himself to be in support of Singham in a twist. Jaikant eventually escapes but after running through the city, he is arrested by the police the next morning. They bring him to the police station and shoot him dead on Kadam's chair, threatening Shiva moments after the showdown to change his statement. At a media conference, while proving Jaikant and Narvekar guilty, Pawar and Singham clear the late Kadam of all corruption charges. The film ends with Singham and the other police officers saluting Megha. Cast Ajay Devgn as Inspector Bajirao Singham, a police officer with unparalleled strength and wit of mind, one would say, close to godliness; his sheer existence is enough to cripple entire criminal empires and strike fear into the minds of those who opp ------------------------------ Date: Thu, 18 Nov 2021 06:32:36 -0500 From: "Freedom From BackPain" Subject: The telltale symptoms of sciatic nerve pain are severe pain in your back The telltale symptoms of sciatic nerve pain are severe pain in your back http://surveyidea.us/sfzoPmKY_OcLbd859ZTgNEAe4CfntITkyYL7nhI3ewhXFCbmSA http://surveyidea.us/64jkRtM3PTnz4ndTYlrKPpXK4zOJ5DfziSbXhyZdr1YgDHoNuA gham, unaware of Jaikant's hand behind his transfer, joins the Colva police station in Goa as an inspector, when on the very first day, he is confronted by Jaikant, who shows Singham his true colours and tries to intimidate him by mentioning how Kadam preceding him ended up committing suicide, warning Singham that he is out to trouble him to no end. Eventually, in a discussion with his co-workers and juniors, Sub-Inspector Dev Phadnis, Sub-Inspector Abbas Malik, and Head Constable Prabhu Savalkar, he learns how much the three officers hate Jaikant for his crimes but are unable to take any action because of Jaikant's political powers. DSP Satyam Patkar, Singham's senior, is on Jaikant's payroll and takes care in concealing and eliminating the evidence of Jaikant's crime from the eyes of the law. Singham, upon learning of Kadam's tragedy from the colleagues and Megha, and taking cues from what he has already seen, tries to take this to the notice of DGP Vikram Pawar but it turns out to be of no use as there is no evidence against Jaikant and Patkar. Local minister Anant Narvekar soon adds to Singham's troubles when he refuses to support him against Jaikant, later launching the latter as a candidate from his local political party. Feeling defeated and mentally tortured by Jaikant to no limits, a worried Singham first contemplates returning home, but is stopped by Kavya, who encourages him to fight against the evil and not run away like a coward. At that point, some of Jaikant's men attack him, and he, realizing the futility of returning to Shivgarh, brutally beats the goons black and blue, locking them up. Singham then arrests Shiva in a fake case of illegally smuggling alcohol after setting him up to tear the FIR against the goons, who he had come to free, and recalling to the officers that Shiva, under Jaikant's orders, had planted bundles of cash in Kadam's jeep. Later, he thwarts off Patkar in full view of the public when Patkar, bounded by his duties to Jaikant, tries to bail Shiva out. Jaikant kidnaps Kavya's younger sister Anjali for ransom on Kavya's birthday. Rescuing her, Singham successfully traces the origins of the kidnapping racket to Jaikant, confronting Narvekar with his team in anger, but is unable to arrest him as he wins the election and is set to become a minister of the Goa Gover ------------------------------ Date: Thu, 18 Nov 2021 06:02:20 -0500 From: "Balanced Blood Sugar" Subject: 2 finger trick RESETS blood sugar 2 finger trick RESETS blood sugar http://pianoforrall.us/SboJLACpUyXKY23E_5VApuzhI7xit4vRSoH2KFPnXWH8wFgfaw http://pianoforrall.us/e6D3qy9FuehJ4JjtxZ6c67VHBx14afyOCZ7msAkm1tI4RSaxqQ ector Rakesh Kadam is an honest police officer who ends up committing suicide due to the false accusations of corruption levelled against him by Jaikant Shikre, a crime boss, businessman and politician in Goa running various rackets like kidnapping, extortion and smuggling. Kadam's wife Megha vows revenge against Jaikant in front of him, exclaiming that God will dispense justice to him for this act. The story moves to Shivgarh, a small village near the Goa-Maharashtra border. Bajirao Singham, an honest police officer like Kadam, is in charge of the Shivgarh police station. A station house officer in charge of his own town, he resolves most of the problems in his town informally and without filing charge sheets, thereby gaining much reputation and love from the villagers. Gautam "Gotya" Bhosle is an industrialist and a friend of Bajirao's father Manikrao "Manya" Singham. He comes to Shivgarh with his wife and daughter Kavya. Eventually, Singham and Kavya fall in love with each other. Their courtship takes place through a series of comic events where she initially hates him after he slaps her tight when she is caught frightening villagers disguising as a ghost, but then has a change of heart when she sees his honest and simple nature and finds that he wants to apologize for his behaviour. Everything seems to run smoothly until Jaikant, who is given a conditional bail for a murder he had committed, is required to travel to Shivgarh to sign the bail through a fortnight. Acting on the recommendation of his top lieutenant Shiva Naik, he instead sends one of his allies, Vitthal Dalvi, and his men, to do the formalities, much to the fury of Singham who demands Jaikant sign the bail in person within the next four hours. An incensed Jaikant reaches Shivgarh to confront Singham, but local villagers, upon hearing of his comments against Singham, threaten to finish him off, damaging his convoy's vehicles in a dramatic show of public power. Singham asks his assistant, Ramesh Kelkar, to bring the register containing Jaikant's record, forces a thumb impression of Jaikant's left hand onto the register, and warns him to continue signing the bail for the remaining 14 days, as a humiliated Jaikant looks on terrified by Singham's courage and leaves the village on foot as a sign of protest, refusing to travel by wheels. On the highway, as he stops at a point, he recalls his humiliation, learns of Singham's background from Shiva through a source, and using his political contacts, gets Singham transferred to Goa to seek reve ------------------------------ Date: Wed, 17 Nov 2021 10:11:51 -0800 (PST) From: Amanylolom Lolom Subject: =?UTF-8?B?2LPYrNmEINin2YTYp9mGINmE2YTYrdi12YjZhA==?= =?UTF-8?B?INi52YTZiSDYtNmH2KfYr9ipINmF2K/ZitixIA==?= =?UTF-8?B?2YXZiNin2LHYryDYqNi02LHZitipINmF2LnYqtmF?= =?UTF-8?B?2K8g2KfZhNin2K3YryDYp9mE2YLYp9iv2YUgMg==?= =?UTF-8?B?MSDZhtmI2YHZhdio2LEg2YjZhNmF2K/YqSA1?= =?UTF-8?B?INin2YrYp9mFINiq2K/YsdmK2KjZitipINmE2YQ=?= =?UTF-8?B?2KrYs9is2YrZhCDYqtmI2KfYtdmEINmF2LnYp9mG?= =?UTF-8?B?2KcgMDAyMDEwNjI5OTI1MTA=?= IAoKKtin2YTYr9in2LEg2KfZhNi52LHYqNmK2Kkg2YTZhNiq2YbZhdmK2Kkg2KfZhNin2K/Yp9ix 2YrYqSoKCirYqtiv2LnZiNmD2YUg2YTZhNmF2LTYp9ix2YPYqSDZgdmKIDogKiog2LTZh9in2K/Y qSoKCtmF2K/ZitixINmF2YjYp9ix2K8g2KjYtNix2YrYqSDZhdi52KrZhdivCgpIdW1hbiBSZXNv dXJjZXMgTWFuYWdlciAoSFJNKQoKKtio2YbYp9ihKiAq2YXZhti42YjZhdipKiAq2KfZhNmF2YjY p9ix2K8qICrYp9mE2KjYtNix2YrYqSogKtin2YTZhdiq2YPYp9mF2YTYqSoKCirYqNi02YfYp9iv 2Kkg2YXYudiq2YXYr9ipINmI2YXZiNir2YLYqSoKCirYp9mE2YLYp9i52Kkg2KfZhNin2YHYqtix 2KfYttmK2Kkg2LLZiNmI2YjZiNmFINmB2Yog2K3Yp9mE2Kkg2KrYudiw2LEg2KfZhNit2LbZiNix INmE2YTZgtin2YfYsdipKgoKKtmF2YYgMjEg2KfZhNmKIDI1INmG2YjZgdmF2KjYsSAgMjAyMdmF KgoKIAoKIAoKKtmF2YLYr9mF2Kk6KgoKICAgLSAq2LTZh9in2K/YqSDZhdiv2YrYsSDYp9mE2YXZ iNin2LHYryDYp9mE2KjYtNix2YrYqSDYp9mE2YXYudiq2YXYryAg2YjYp9it2K8g2YXZhiDYp9mH 2YUg2KXZhiDZhNmFINmK2YPZhiDYp9mE2KPZh9mFINi52YTZiSAKICAg2KfZhNij2LfZhNin2YIg 2YTZg9mEINin2YTYsdin2LrYqNmK2YYg2YHZiiDYp9mE2LnZhdmEINio2YXYrNin2YQg2KfYr9in 2LHYqSDYp9mE2YXZiNin2LHYryDYp9mE2KjYtNix2YrYqdiMINit2YrYqyDYqti52K8g2KfZhNiv 2KfYsSAKICAg2KfZhNi52LHYqNmK2Kkg2YTZhNiq2YbZhdmK2Kkg2KfZhNin2K/Yp9ix2YrYqSAg 2YXZhiDYp9mI2KfYptmEINin2YTZhdix2KfZg9iyINin2YTYqtiv2LHZitio2YrYqSDYp9mE2KrZ iiDYp9mH2KrZhdiqINio2KfYttin2YHYqSAKICAg2KfZhNmF2YjYp9ix2K8g2KfZhNio2LTYsdmK 2Kkg2KjZg9in2YHYqSDYqtiu2LXYtdin2KrZh9inINin2YTZiSDYp9mE2K7Yt9ipINin2YTYqtiv 2LHZitio2YrYqSDYp9mE2K7Yp9i12Kkg2KjZh9in2Iwg2YjZgtivINmC2KfZhSDZhdim2KfYqiAK ICAg2KfZhNmF2KrYr9ix2KjZitmGINio2KfZhNit2LXZiNmEINi52YTZiSDYtNmH2KfYr9ipINiv 2KjZhNmI2YUg2KfYr9in2LHYqSDYp9mE2YXZiNin2LHYryDYp9mE2KjYtNix2YrYqSDZhdmGINin 2YTYr9in2LEg2KfZhNi52LHYqNmK2KkgCiAgINit2YrYqiDYqtmFINin2LnYr9in2K/Zh9mFINmD 2KfYqtin2YTZiiAuKiAKICAgLSAq2KXYudiv2KfYryDZg9mI2KfYr9ixINi52LHYqNmK2Kkg2YLY p9iv2LHYqSDYudmE2Ykg2YLZitin2K/YqSDZhdik2LPYs9in2Kog2KfZhNin2LnZhdin2YQg2YHZ itmF2Kcg2YrYqti52YTZgiDYqNil2K/Yp9ix2KkgCiAgINin2YTZhdmI2KfYsdivINin2YTYqNi0 2LHZitip2Iwg2YjZgtin2K/YsdipINi52YTZiSDYqtmC2K/ZitmFINin2YTYr9i52YUg2KfZhNmF 2YfZhtmKINmI2KfZhNmB2YbZiiDZhNmF2KTYs9iz2KfYqtmH2KcuKiAKCirYp9mE2KfZh9iv2KfZ gSA6KgoKKjEtINiq2K7Yt9mK2Lcg2KfZhNin2K3YqtmK2KfYrNin2Kog2YXZhiDYp9mE2YXZiNin 2LHYryDYp9mE2KjYtNix2YrZhyAqCgoqMi0g2KfZhNit2LXZiNmEINi52YTZiSDYp9mE2YXZiNin 2LHYryDYp9mE2KjYtNix2YrZhyDZiNiq2K/YsdmK2KjZh9inINmI2KrYrdmB2YrYstmH2Kcg2YjY qtix2YLZitiq2YfYpyAqCgoqMy0g2KrYrti32YrYtyDZiNiq2YbZhdmK2Ycg2KfZhNmF2LPYp9ix INin2YTZiNi42YrZgdmJINmE2YTZhdmI2KfYsdivINin2YTYqNi02LHZitmHICoKCio0LSDYpdiv 2KfYsdmHINiq2K/YsdmK2Kgg2YjYqtmG2YXZitmHINmF2YfYp9ix2KfYqiDZhdiv2YrYsdmJINin 2YTZhdmI2KfYsdivINin2YTYqNi02LHZitmHICoKCio1LSDYp9mE2KPYs9in2YTZitioINin2YTY rdiv2YrYq9mHINmB2Ykg2KrYt9mI2YrYsSDZiNio2YbYp9ihINin2YTZgtiv2LHYp9iqINin2YTY qNi02LHZitmHICoKCio2LSDYp9mE2KfYr9in2LHZhyDYp9mE2KfYs9iq2LHYp9iq2YrYrNmK2Ycg INmE2YTZhdmI2KfYsdivINin2YTYqNi02LHZitmHINmB2Ykg2LbZiNihINmF2KrYutmK2LHYp9iq INin2YTYudmI2YTZhdmHICoKCio3LSDYp9mE2LPZitin2LPYp9iqINin2YTYudin2YXZhyDZhNil 2K/Yp9ix2Ycg2KfZhNmF2YjYp9ix2K8g2KfZhNio2LTYsdmK2YcgKgoKKjgtINiq2YPZhtmI2YTZ iNis2YrYpyDYp9mE2YXZiNin2LHYryDYp9mE2KjYtNix2YrZhyDZiNin2YTYo9iv2KfYoSDYp9mE 2KjYtNix2YkgKgoKKjktINin2YTYqNi52K8g2KfZhNin2YLYqti12KfYr9mJINmI2KfZhNmF2KfZ hNmJINmI2KfZhNiq2LPZiNmK2YLZiSDZhNil2K/Yp9ix2Ycg2KfZhNmF2YjYp9ix2K8g2KfZhNio 2LTYsdmK2YcgKgoKKjEwLSDYo9iu2KrZitin2LEg2KfZhNmD2YHYp9ih2KfYqiDZhdiv2K7ZhCDZ hNiu2YHYtiDYqtmD2YTZgdmHINin2YTYqtiv2LHZitioICoKCioxMS0g2LPZhdin2Kog2YjYqtit 2K/Zitin2Kog2LnYtdixINin2YTYudmI2YTZhdmHINi52YTZiSDZhti42KfZhSDYp9mE2KPYudmF 2KfZhCDYp9mE2KzYr9mK2K8gKgoKKtin2YTZhdiz2KrZh9iv2YHZiNmGKgoK2YrYtNin2LHZgyDZ gdmJINmH2LDYpyDYp9mE2KjYsdmG2KfZhdisINmF2K/Zitix2Ygg2KfZhNmF2YjYp9ix2K8g2KfZ hNio2LTYsdmK2Kkg2YjZhdiv2YrYsdmIINi02KbZiNmGINin2YTZhdmI2LjZgdmK2YYgCtmI2KfZ hNij2K7Ytdin2KbZitmI2YYg2YjYp9mE2YXYsdi02K3ZiNmGINmE2LTYutmEINiq2YTZgyDYp9mE 2YjYuNin2KbZgSAuCgogCgrZhNmE2KfYt9mE2KfYuSDYudmE2Ykg2KfZhNmF2K3Yp9mI2LEg2YjY p9mE2KrZgdin2LXZitmEINin2LbYuti3INmH2YbYpyAKPGh0dHBzOi8vYXJhYmhvdXNlZm9yb25s aW5ldHJhaW5pbmcuYmxvZ3Nwb3QuY29tLzIwMjEvMTEvMjEtMjUtMjAyMV8xNC5odG1sPgoKIAoK Ktiz2KzZhCDZhdmGINiu2YTYp9mEINin2YTYtti62Lcg2YfZhtinKiAKPGh0dHBzOi8vZG9jcy5n b29nbGUuY29tL2Zvcm1zL2QvMTJ5Vnk0RTM4aDNDMzNqbDZmRFprNllHejNPaWwwVkQxTnd5VFNH ZDg1NW8vZWRpdD4KCtmE2YTYp9i32YTYuSDYudmE2Ykg2YXZhti12Kkg2KfZhNiq2K/YsdmK2Kgg 2KfZhNiu2KfYtdipINio2YbYpyDYp9i22LrYtyDZh9mG2KcgCjxodHRwczovL2FyYWJob3VzZWZv cm9ubGluZXRyYWluaW5nLmJsb2dzcG90LmNvbS8+CgrZhdmE2K3ZiNi42KkgOiDZitmF2YPZhtmG 2Kcg2KrZhtmB2YrYsCDYp9mKINio2LHZhtin2YXYrCDZgdmKINin2YTZiNmC2Kog2YjYp9mE2YXZ g9in2YYg2KfZhNmF2YbYp9iz2Kgg2YTYs9mK2KfYr9iq2YPZhSDYudix2YjYtiDYrtin2LXYqSAK 2YTZhNmF2KzZhdmI2LnYp9iqCgogCgogKtmE2YXYstmK2K8g2YXZhiDYp9mE2YXYudmE2YjZhdin 2Kog2YjYp9mE2KfYs9iq2YHYs9in2LHYp9iqKiAq2K3ZiNmEINix2LPZiNmFINin2YTYp9i02KrY sdin2YMg2YjYp9mE2YrYqSDYp9mE2KrYs9is2YrZhCAg2YrYsdis2YkgIArZhdix2KfYs9mE2KrZ htinINi52YTZiSoKCirYp9mE2KPYqti12KfZhCDYudmE2Ykg2KfZhNin2LHZgtin2YUg2KfZhNiq 2KfZhNmK2Kk6KgoKKtmE2YTYqtmI2KfYtdmEINi52KjYsSDZiNin2Kog2LPYp9ioINin2LbYuti3 INmH2YbYpyogCjxodHRwczovL2FwaS53aGF0c2FwcC5jb20vc2VuZC8/cGhvbmU9MjAxMDYyOTky NTEwJnRleHQmYXBwX2Fic2VudD0wPgoKKlBob25lOiAwMDIwMjM3ODAwNTgzICoKCipNb2I6MDAy MDEwNjI5OTI1MTAsKgoKIAoKKiBGYXggOjAwMjAyMzc4MDA1NzMqCgogCgogCgogCgogCgogCgog CgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgog CgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgogCgog CgogCgogCgogCgogCg0KLS0gCuKAj9mE2YLYryDYqtmE2YLZitiqINmH2LDZhyDYp9mE2LHYs9in 2YTYqSDZhNij2YbZgyDZhdi02KrYsdmDINmB2Yog2KfZhNmF2KzZhdmI2LnYqSAi2YHYp9i52YTZ itin2Kog2KfZhNiv2YjYsdin2Kog2YjYp9mE2KjYsdin2YXYrCDYp9mE2KrYr9ix2YrYqNmK2KjY qSIg2YXZhiDZhdis2YXZiNi52KfYqiBHb29nbGUuCtmE2KXZhNi62KfYoSDYp9mE2KfYtNiq2LHY p9mDINmB2Yog2YfYsNmHINin2YTZhdis2YXZiNi52Kkg2YjYpdmK2YLYp9mBINiq2YTZgtmKINix 2LPYp9im2YQg2KfZhNil2YTZg9iq2LHZiNmG2YrYqSDZhdmG2YfYp9iMINij2LHYs9mEINix2LPY p9mE2Kkg2KXZhNmD2KrYsdmI2YbZitipINil2YTZiSBhbWFueWxvbG9ta2xna2ZqZGgrdW5zdWJz Y3JpYmVAZ29vZ2xlZ3JvdXBzLmNvbS4K2YTYudix2LYg2YfYsNmHINin2YTZhdmG2KfZgti02Kkg 2LnZhNmJINin2YTZiNmK2KjYjCDYp9mG2KrZgtmEINil2YTZiSBodHRwczovL2dyb3Vwcy5nb29n bGUuY29tL2QvbXNnaWQvYW1hbnlsb2xvbWtsZ2tmamRoLzgyMmViZmJiLTJkMjgtNDFjMy04Mzk0 LWFkMjg0NmY3NGM1OG4lNDBnb29nbGVncm91cHMuY29tLgo= ------------------------------ Date: Wed, 17 Nov 2021 08:15:46 -0500 From: "Skin Ageing" Subject: Pinch Test Reveals How Fast Your Skin Is Ageing Pinch Test Reveals How Fast Your Skin Is Ageing http://flatballyshke.info/9ay_w529IY6qkegNOf5O1wS45asdTS3Fa-VpC-IW4MwJi7J-JQ http://flatballyshke.info/hlAlK8AeA0aN7UkW351psob2pSLUwYOt-evybp6qxNkqZTPDqQ annular brooches, but have a small section joining the two terminals. Others have fully joined terminals, and emphasize in their design the central area where the gap would bebfor example the Tara Brooch. Pseudo-penannular brooches may also be described as "annular", or as "ring brooches". The Rogart brooch, National Museums of Scotland, FC2. Pictish penannular brooch, Scotland, 8th century, silver with gilding and glass. Classified as Fowler H3 type. The terms "open brooch" or "open ring brooch" are also sometimes used for penannular brooches. There is a scheme of classification originally set out, in relation to earlier types, by Elizabeth Fowler in the 1960s, which has since been extended in various versions to cover later types. Brooches of either penannular or annular type, where the pin is very large in relation to the ring, so that the ring cannot play any part in the fastening of the brooch, may be called "ring brooches", "pin brooches", or "brooch-pins"; or, especially where the ring is small and plain, "ringed pins". In these, the design of the pin head typically shows that the pin is intended to sit underneath the ring (seen from the front), rather than on top of it as in the larger brooches. "Celtic" is a term avoided by specialists in describing objects, and especially artistic styles, of the Early Middle Ages from the British Isles, but is firmly fixed in the popular mind. The term Insular art is used to describe the distinct style of art originating in the British Isles and combining Germanic, Celtic, Pictish and Mediterranean elements. Although some simpler and relatively early penannular brooches are found in Anglo-Saxon contexts, and some sub-types predominantly so, as far as is known the Anglo-Saxons did not use these brooch styles for prestige elite jewellery. However, there are elements in the style of Irish and Scottish brooches deriving from Anglo-Saxon art, and related to Insular work in other media, especially illuminated manuscripts. Fibula is Latin for "brooch" and is used in modern languages to describe the many types of Roman and post-Roman Early Medieval brooches with pins and catches behind the main face of the brooch. The brooches discussed here are sometimes also called fibulae, but rarely by English-speak ------------------------------ Date: Wed, 17 Nov 2021 04:30:56 -0500 From: "National Reward Notice" Subject: Customer rewards waiting inside! Customer rewards waiting inside! http://goldno.us/phHkMnYQYbNsZnXelI-aDUHxkd-lajmEbMWCxap0oFabYGxifw http://goldno.us/WpJmSjCetxxQg6sysKZ3aslIl3FmDe7jgSQAVzbGLrbOUSKIbQ partment or cell bearing traces of red enamel, while the sides are formed from gold plates bounded by twisted wires and interlace decorations. The ring ends on two quadrilobate terminals (ie consisting of four lobes each), which are formed from a central square surrounded by semi-circular or crescent lobes, three of which are free, while the fourth is shaped and attached to arm of the ring itself. The format of the terminals has been compared to the opening folio for the Gospel of Luke in the c. 800 AD Book of Kells. The overall head is strap-like when viewed in cross-section. The tracery on the curves of the ring is made up of interlaced bodies and legs of zoomorphic animals, including an Irish elk. Most of the origional pin head is lost with only its base remaining intact, and also has traces of red enamel. The reverse is mostly flat, but repeats shape of the oval compartment on the front. It has some interlace designs, including two interlocking dogs. The brooch's style has been described as of "Ecclesia-Gothio character" with "fine workmanship", and compared to the Tara example although "not so fine". Although described in 1989 as "probably Irish", it contains structural and decorative designs, including its lobed (ie "hanging") terminals, small cusps, and the cartouche on the hoop, are reminiscent of the Pictish-syle, indicating that it may be of Northumbrian origin (unlikely), or at least heavily influenced by that style. Brooches of this type are the most common and thus studied form of surviving Irish and Scottish medieval metalworks, due both to their then popularity and inherent durability. Examples such as the Kilmainham Brooch were built by skilled craftsmen and the ------------------------------ End of alt.music.moxy-fruvous digest V14 #7871 **********************************************