From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #6647 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, May 26 2021 Volume 14 : Number 6647 Today's Subjects: ----------------- Youâve Been Nominated by Whoâs Who⦠["Professional Recognition" Subject: Youâve Been Nominated by Whoâs Who⦠Youbve Been Nominated by Whobs Whob& http://backpainsos.co/Ism95JyB6jvvCdjxa1O0DYS1DP5-vny6WKmAmmr-41VJJuFA http://backpainsos.co/Uvp05ctgBO_Qj_yRcmALhUSLZ_UGVOe1OmmKvdg6cRg0PfxR he "pink film," or "eroduction" (erotic production) as it was first called, is a cinematic genre without an exact equivalent in the West. Though called pornography, the terms "erotica", "soft porn" and "sexploitation" have been suggested as more appropriate, although none of these precisely matches the pink film genre. The Japanese film ethics board Eirin has long enforced a ban on the display of genitals and pubic hair. This restriction forced Japanese filmmakers to develop sometimes elaborate means of avoiding showing the "working parts", as author Donald Richie puts it. To work around this censorship, most Japanese directors positioned propsblamps, candles, bottles, etc.bat strategic locations to block the banned body parts. When this was not done, the most common alternative techniques are digital scrambling, covering the prohibited area with a black box or a fuzzy white spot, known as a mosaic or "fogging." Some have claimed that it is this censorship that gives the Japanese erotic cinema its particular style. Donald Richie says, "American pornography is kept forever on its elemental level because, showing all, it need do nothing else; Japanese eroductions have to do something else since they cannot show all. The stultified impulse has created some extraordinary works of art, a few films among them. None of these, however, are found among eroductions." Richie is making a distinction between the erotic films of the major studios such as Nikkatsu and Toei as against the low-budget pink films produced by independents such as OP Eiga. Contrasting the pink film with Western pornographic films, Pia Harritz says, "What really stands out is the ability of pinku eiga to engage the spectator in more than just scenes with close-ups of genitals and finally the complexity in the representation of gender and the human mind." Richie and Harritz enumerate the fundamental elements of the pink film formula as: The film must have a required minimum quota of sex scenes The film must be approximately one hour in duration It must be filmed on 16 mm or 35 mm film within one week The film must be made on a very limited budget History Background In the years since the end of World War II, eroticism had been gradually making its way into Japanese cinema. The first kiss to be seen in Japanese filmbdiscreetly half-hidden by an umbrellabcaused a national sensation in 1946. Although throughout the 1940s and early 1950s nudity in Japanese movie theaters, as in most of the world, was a taboo, some films from the mid-50s such as Shintoho's female pearl-diver films starring buxom Michiko Maeda, began showing more flesh than would have previously been imaginable in the Japanese cinema. During the same period, the taiyozoku films on the teen-age "Sun Tribe", such as K? Nakahira's Crazed Fruit (1956), introduced unprecedented sexual frankness into Japanese films. Foreign films of this time, such as Ingmar Bergman's Summer with Monika (1953), Louis Malle's Amants (1958), and Russ Meyer's Immoral Mr. Teas (1959) introduced female nudity into international cinema, and were imported to Japan without problem. Nevertheless, until the early 1960s, graphic depictions of nudity and sex in Japanese film could only be seen in single-reel "stag films," made by film producers such as those depicted in Imamura's film The Pornographers (1966). First wave (The "Age of Competition" 1962b1971) The first wave of the pink film in Japan was contemporary with the similar U.S. sexploitation film genres, the "nudie-cuties" and "roughies". Nudity and sex officially entered Japanese cinema with Satoru Kobayashi's controversial and popular independent production Flesh Market (Nikutai no Ichiba, 1962), which is consid ------------------------------ Date: Tue, 25 May 2021 16:55:35 -0400 From: "Street Fighting" Subject: ONE Fighting tactic you need, now! ONE Fighting tactic you need, now! http://healthplane.biz/IWhMazXLkfSf6IyBR5H0SwEYwtFw7_FjIWXYBwP10LlOfhKj http://healthplane.biz/74P8DGvaQRnSTBqwQxbo1TwJHT4oGV9xMb2IB8sUHO9DHDAm ior to the establishment of the Wind River Indian Reservation, the U.S. Cavalry constructed Fort Brown on the reservation lands, which was subsequently renamed Fort Washakie. During the late 19th century, the fort was staffed by African-American members of the U.S. Cavalry, better known as the Buffalo Soldiers, including the second African-American graduated from the United States Military Academy, John Hanks Alexander. Chief Washakie is buried at the fort, which is located immediately east of the forest boundary. Rumor has it that Sacajawea, the Shoshone Indian who provided invaluable assistance to Meriwether Lewis and William Clark during the Lewis and Clark Expedition, is also buried here, but it is now considered that this is unlikely and that her actual burial place was Fort Lisa in North Dakota. During the last decade of the 19th century, minerals such as gold were mined with limited success. The last mine was abandoned in 1907, but panning for gold is still allowed in many areas of the forest, and in most circumstances no permit is required. After the end of the mining era, numerous camps were established by the Civilian Conservation Corps to help combat unemployment during the Great Depression of the 1930s. The camps housed groups of unemployed men who were paid by the federal government to build roads, hiking trails, and campgrounds for future travelers to the Yellowstone region. Visitation to national forests like Shoshone increased dramatically after World War II with the advent of better roads and accessibility to the regi ------------------------------ End of alt.music.moxy-fruvous digest V14 #6647 **********************************************