From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #6612 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Friday, May 21 2021 Volume 14 : Number 6612 Today's Subjects: ----------------- The portable, compact, and light vacuum that will help you save money ["M] ---------------------------------------------------------------------- Date: Fri, 21 May 2021 08:48:00 -0400 From: "Mini-Vac Cleaner" Subject: The portable, compact, and light vacuum that will help you save money The portable, compact, and light vacuum that will help you save money http://savagehut.us/nnsqL3ztzczeDwVUXwtTOCguGtHaHou2Ew5hBtjd2I3sa_KC http://savagehut.us/_52jleHOjp3yvi0mxaD09b-sPqLRiXXjoA81jIeQOK755a-j ve been over 100 full-length recordings of Cavalleria rusticana published since it was first recorded in Germany in 1909. As in live performances of the opera, recordings of the work have often been paired with Ruggero Leoncavallo's Pagliacci. In addition to the original Italian, recordings of the work in the English, French, German, and Hungarian languages have been released. Mascagni himself conducted the opera in two recordings, the better-known of which is the 1940 EMI recording made to mark the 50th anniversary of the opera's premiere. The performance by the La Scala orchestra and chorus with Lina Bruna Rasa as Santuzza and Beniamino Gigli as Turiddu also has a spoken introduction by Mascagni. Originally released as an LP, it is available on CD under several historical recording labels. Radio A double-bill performance of Cavalleria and Pagliacci was transmitted as the first broadcast by New York City's Metropolitan Opera on 11 December 1910. Radio pioneer Lee de Forest talked Giulio Gatti-Casazza, the Met manager, into sending the program over the airwaves by using a backstage radio transmitter and a rooftop antenna, "using a long fishing pole for his mast." Enrico Caruso and Emmy Destinn were in the leading roles. Few listened. There were no radios. But public receivers had been set up in several well-advertised locations in New York City, and people could catch at least an inkling of the music on earphones. The next day, The New York Times reported that static and other interference "kept the homeless song waves from fin ------------------------------ End of alt.music.moxy-fruvous digest V14 #6612 **********************************************