From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #6306 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Friday, April 2 2021 Volume 14 : Number 6306 Today's Subjects: ----------------- These women are really hot! See for yourself! ["Thailand Women" Subject: These women are really hot! See for yourself! These women are really hot! See for yourself! http://smartspeech.buzz/ovVY1yUiIc2ZG0BJk7ntOPph7GUhsqm4hMolRCmZUz7bh_P6 http://smartspeech.buzz/05H3aMK9yoKNrpvBEwBoyhHI-PIEB75t8QODsD72Bvfksun7 ring was designed and installed by the UK-based artist Ludwig Oppenheimer. It contains symbols of the zodiac, images based on the mythological "River of Life", and depictions of flora, fauna and river scenes. These designs celebrate the Genesis creation narrative and illustrate passages from the Old Testament including the "Benedicite" (also known as "A Song of Creation") from the Book of Daniel, which was sung during the office of lauds on Sundays and feast days. The pattern at the entrance contains a verse from Psalm 148 ("Praise to the Lord from Creation"). Sea creature The floor consists of four sections. The main entrance on the west side is dominated by a sunburst and stars surrounded by signs of the zodiac, while the imagery on the aisle depicts the head of a beast, his jaws open to form a river in which fish swim toward the chancel. The east side of the nave shows a large coiled sea creature which is part-serpent, part dragon and part whale. There are stags, deer, sheep and other animals, drinking from a river in a forest, while exotic birds fly around them. The section inside the chancel shows a globe and symbols of creation, including animals, plants and imagery of planets. The four sections are unified by interlaced Celtic and zoomorphic border designs. The representations of the sun and night stars at the entrance signify both the new day and the resurrection, as Jesus is traditionally believed to have risen at dawn. Reflecting 12th-century Christian art, the presence of signs of the zodiac symbolises God's dominion over time. The beast's head in the aisle contains a series of tripartite motifs representing the Trinity: spirals, trefoil knots and interlace containing three saltire crosses. The sea creature at the east end of the nave is mentioned in the verse on the floor by the entrance dracones et omnes abyssi ("Dragons and all the depths"); alongside are the words cete et omnia quae moventur in aquis ("whales and all that move in the water"), which in medieval exegesis conjured images of death and referen ------------------------------ Date: Fri, 2 Apr 2021 01:17:03 -0700 From: "Amazing Deals" Subject: Survey for a $50 Kohls reward. Participation Required. Survey for a $50 Kohls reward. Participation Required. http://anklesnake.us/4TQlrJY6YwTUBAveJm86xEl8aE51WdIIZbUPK6ZbTniaoNlj http://anklesnake.us/TP_afT55omfaMhDWlmpzjawR5iqbZ2QxpfaKn0J7h07PgBMa onsistent, and the film poorly paced, some scenes going on too long. Owen Glieberman compared it unfavorably to another time-travel film, Back to the Future (1985), which he found more cleverly structured. He described some scenes as isolated comedy sketches rather than part of a larger narrative. Thomson said that the repetition of scenes worked against the film, making it seem as if no progress was being made. Hinson countered that minor alterations to the scenes kept them interesting as part of a "brilliantly imaginative" and "complex" script. Some reviewers said that the humor was often mild, eliciting small chuckles instead of outright hilarity, although Hinson found it to be "wildly funny". The Hollywood Reporter wrote that it offered a range of comedy and satire, all tempered by the love story between Phil and Rita. Critics highlighted the deeper story behind the comedy. Ebert called it a comedy on the surface, but with an underlying thoughtfulness. Maslin said that her initial impression was of a lightweight fare, but it became "strangely affecting". Murray was consistently praised for his performance. Critics were in agreement that his performance was essential to the film's success by making Phil's transformation believable. Gene Siskel wrote that any other actor could not have prevented the film from becoming too "saccharine". Turan said that Murray's natural gruffness and comedic barbs prevented over-sentimentality. Turan also appreciated the endearing performance by Murray compared to his more abrasive, past performances. Hinson said that Murray had never been funnier. He continued that Murray was a vital component in keeping the film's optimism from seeming dishonest or manufactured. Hinson liked that even after Phil's redemption, he retains a cynical edge. Glieberman believed that Murray's indifference retains the audience's attention, but added that while Murray was talented enough to play a redeemed person, it was not a good fit for him. Ebert found Murray significantly funnier as a sarcastic antagonist than the friendly protagonist. Critics were enamored with MacDowell's performance. Siskel said that she lit up the screen when she was on. Maslin called her a "thorough delight", saying that MacDowell's performance offered a comforting, comedic presence. Hinson said that the on-screen chemistry between MacDowell and Murray was "otherworldly" and that she was a perfect fit for comedy. Tobolowsky also received praise as a hilari ------------------------------ Date: Fri, 2 Apr 2021 02:26:47 -0700 From: "Shoulder Holster" Subject: RE: Free Anti-Biden Gun Gift for you RE: Free Anti-Biden Gun Gift for you http://anklesnake.us/2Mfu-hbpxTS2c73mxHns5nQTc_juNi6wFPmgPqkn8G4EczIz http://anklesnake.us/YOI_OAp0ho78_T2OKMzdV1sD2UQvyKjQAePgINPu3-2taUhl igned in 1915 and the first of Clarke's designs to be completed, the Triadis Thaumaturga windows of Ireland's three patron saints, Brigid, Saint Patrick and Columcille, are positioned on the west wall above the main entrance door. The Patrick window was the first of Clarke's windows. He worked on it for two months beginning on 18 March 1915, the day after his 21st birthday. The window, at 11.6 x 2.10 inches (29.5 x 5.3 cm) the largest in the chapel, is positioned on a base of five lilies, and the deep blue and green hues in the window were achieved using sheets of "antique" pot metal glass which were specially ordered from Chance Glasswork in Birmingham. Patrick wears a bishop's mitre and holds a crosier in one hand and a shamrock in the other. The upper panel shows the saint's birth, the lower panel his death. The borders are decorated with what O'Connell described as "symbols of his learning, his justice, his kingly dignity, of truth, of spiritual fire, of light overcoming darkness, of the serpent typical of the reptiles which he banished from Ireland". Known as "The Mary of Ireland", Brigid is shown dressed in a blue cloak and robe and wears a white headdress decorated with spirals. A large angel wearing a multi-coloured robe is positioned above her, while another four hover at her feet. She holds a representation of Kildare Cathedral, which she is said to have founded. The lamb alongside her represents faith, while the calf signifies innocence. The window was well received by critics when first shown in Clarke's studio in Dublin and led to the original commission for five windows. Columcille, whose name translates as "Church Dove" (Colm Cille), lived in the 6th-century and is said to have founded Iona Abbey. Clarke shows him as accompanied by the dove O'Connell describes as his "daily adviser and companion", and the white horse said to have "comforted him in his last days". He is dressed in red, green and blue vestments, and holds a si ------------------------------ End of alt.music.moxy-fruvous digest V14 #6306 **********************************************