From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #6238 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, March 25 2021 Volume 14 : Number 6238 Today's Subjects: ----------------- ClearView Glasses Are Great For A Number Of Activities ["Clear View" ] ---------------------------------------------------------------------- Date: Thu, 25 Mar 2021 11:15:29 +0100 From: "Clear View" Subject: ClearView Glasses Are Great For A Number Of Activities This email must be viewed in HTML mode. ------------------------------ Date: Thu, 25 Mar 2021 01:07:50 -0700 From: "Guns Legally Invisible" Subject: How to make guns legally invisible How to make guns legally invisible http://jointflx.co/VjPy1zJEHZz9GtXyL5E3jYltgmWkid6qgPE8x8HWmFjoGREC http://jointflx.co/3Wdxfjcg10q1HERHngC1vuxMzkkIO7AfGHdOzMycgFNXzUv1 he Marciana Library or Library of Saint Mark (Italian: Biblioteca Marciana, but in historical documents commonly referred to as Libreria pubblica di san Marco) is a public library in Venice, Italy. It is one of the earliest surviving public libraries and repositories for manuscripts in Italy and holds one of the world's most significant collections of classical texts. It is named after St Mark, the patron saint of the city. The library was founded in 1468 when the humanist scholar Cardinal Bessarion, bishop of Tusculum and titular Latin patriarch of Constantinople, donated his collection of Greek and Latin manuscripts to the Republic of Venice, with the stipulation that a library of public utility be established. The collection was the result of Bessarion's persistent efforts to locate rare manuscripts throughout Greece and Italy and then acquire or copy them as a means of preserving the writings of the classical Greek authors and the literature of Byzantium after the fall of Constantinople in 1453. His choice of Venice was primarily due to the city's large community of Greek refugees and its historical ties to the Byzantine Empire. The Venetian government was slow, however, to honour its commitment to suitably house the manuscripts with decades of discussion and indecision, owing to a series of military conflicts in the late-fifteenth and early-sixteenth centuries and the resulting climate of political uncertainty. The library was ultimately built during the period of recovery as part of a vast programme of urban renewal aimed at glorifying the republic through architecture and affirming its international prestige as a centre of wisdom and learni ------------------------------ Date: Thu, 25 Mar 2021 02:43:12 -0700 From: "Gorgeous Glock" Subject: Dick's Just Did the Unthinkable Dick's Just Did the Unthinkable http://memoomax.us/VcVIuq1JAxAvynKzlINW9mQL7cagXpQ--WawwFcWWiDUDN9E http://memoomax.us/25ZZLfn0wq0tsc-TmLO4m-TA6dIYp09ngzeo9QPIjItFlRHq enetian government viewed the possession of the valuable codices as a source of civic pride and prestige for the republic. Little was done initially to facilitate public access to the library or to improve services to readers. Inventories were sporadically conducted, but no acquisition policy was established for the continued incrementation of the collection. Only two new manuscripts, both donations, entered into the library prior to the inventory of 1575. Although an attempt was made in 1603 to increase the library's holdings by legally requiring that a copy of all books printed within the territory of the Venetian Republic be henceforth deposited in the Marciana, the law had little initial effect due to lack of enforcement.[note 43][note 44] Similarly disregarded was the Senate's decree in 1650, requiring that the procurators allocate funds annually for the acquisition of new books. Nevertheless, a series of individual bequests began in 1589 and greatly expanded the collection over time. The requirement for printers to deposit copies of new books was also increasingly enforced, beginning in the early eighteenth century. In addition, from 1724 onward, the Senate appropriated annual funding for the acquisition of newly printed foreign books so as to ensure that the collection remained up-to-date. Concurrently, the library began to sell books of marginal interest or little value, primarily books obligatorily deposited by printers, and then use the proceeds to purchase works of cultural impor ------------------------------ Date: Thu, 25 Mar 2021 00:31:36 -0700 From: "Guns Legally Invisible" Subject: Move your guns immediately (urgent!!!) Move your guns immediately (urgent!!!) http://jointflx.co/tX9s2mIHWBhUsa0uKtZoP2WkRyI8rS1tIfWDZQv5i5ydaoBQ http://jointflx.co/kwWIwMv5znJw7AAOn8ZMYyubm0oT82F1J4Dp3N0ku5SLY9tR he Marciana Library or Library of Saint Mark (Italian: Biblioteca Marciana, but in historical documents commonly referred to as Libreria pubblica di san Marco) is a public library in Venice, Italy. It is one of the earliest surviving public libraries and repositories for manuscripts in Italy and holds one of the world's most significant collections of classical texts. It is named after St Mark, the patron saint of the city. The library was founded in 1468 when the humanist scholar Cardinal Bessarion, bishop of Tusculum and titular Latin patriarch of Constantinople, donated his collection of Greek and Latin manuscripts to the Republic of Venice, with the stipulation that a library of public utility be established. The collection was the result of Bessarion's persistent efforts to locate rare manuscripts throughout Greece and Italy and then acquire or copy them as a means of preserving the writings of the classical Greek authors and the literature of Byzantium after the fall of Constantinople in 1453. His choice of Venice was primarily due to the city's large community of Greek refugees and its historical ties to the Byzantine Empire. The Venetian government was slow, however, to honour its commitment to suitably house the manuscripts with decades of discussion and indecision, owing to a series of military conflicts in the late-fifteenth and early-sixteenth centuries and the resulting climate of political uncertainty. The library was ultimately built during the period of recovery as part of a vast programme of urban renewal aimed at glorifying the republic through architecture and affirming its international prestige as a centre of wisdom and learni ------------------------------ Date: Thu, 25 Mar 2021 05:44:41 -0400 From: "Jason Hanson" Subject: Change Me Change Me http://remedie.guru/1e70XAiOvZ9mVWXepsTuBHgr-CfKNJSIsFX9rkLZR4HeGO9U http://remedie.guru/PVrxF9GAu0wdmAdNzNYZU-K1ni0TcYycth6Q3b8HgKL6M5Ds cent reading room originally had 38 desks in the centre, arranged in two rows, to which the valuable codices were chained according to subject matter.[note 33] Between the windows were imaginary portraits of great men of Antiquity, the 'philosophers', each originally accompanied by an identifying inscription. Similar portraits were located in the vestibule. Over time, however, these paintings were moved to various locations within the library and eventually, in 1763, to the Doge's Palace in order to create the wall space necessary for more bookshelves. As a result, some were lost along with all of the identifying inscriptions. The ten that survive were returned to the library in the early nineteenth century and integrated with other paintings in 1929. Of the 'philosophers', only Diogenes by Tintoretto has been credibly identified.[note 34] circular painting in set in gilded ceiling Battista Franco, Actaeon and Diana and grotesques The ceiling of the reading room is decorated with 21 roundels, circular oil paintings, by Giovanni de Mio, Giuseppe Salviati, Battista Franco, Giulio Licinio, Bernardo Strozzi, Giambattista Zelotti, Alessandro Varotari, Paolo Veronese, and Andrea Schiavone. They are inserted into a gilded and painted wooden framework along with 52 grotesques by Battista Franco. The roundels by Bernardo Strozzi and Alessandro Varotari are replacements from 1635 of earlier roundels, respectively by Giulio Licinio and Giambattista Zelotti, which were irreparably damaged by water infiltrations. The original roundels were comm ------------------------------ End of alt.music.moxy-fruvous digest V14 #6238 **********************************************