From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #6005 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, February 24 2021 Volume 14 : Number 6005 Today's Subjects: ----------------- Cooling Bra Pro ["Cooling Bra Pro" ] ---------------------------------------------------------------------- Date: Wed, 24 Feb 2021 06:51:05 -0500 From: "Cooling Bra Pro" Subject: Cooling Bra Pro Cooling Bra Pro http://dentafend.cyou/IUBW_udRFNC2vprdhtOzPh6CFYUuogKe3yUHNG32YTkq3aUw http://dentafend.cyou/9bKxy7r8AVZB2PJc3Gcb-GNM4gth7ydd2mf9d8RWNqFQG_JR he Lady with an Ermine[n 1] (Italian: Dama con l'ermellino [?da?ma kon lermel?li?no]; Polish: Dama z gronostajem) is a portrait painting widely attributed to Italian Renaissance artist Leonardo da Vinci. Dated to c.?1489b1491 the work is painted in oils on walnut panel. The portrait's subject is Cecilia Gallerani, painted at a time when she was the mistress of Ludovico Sforza, Duke of Milan, and Leonardo was in the Duke's service. It is one of only four surviving portraits of women painted by Leonardo, the others being Ginevra de' Benci, and La Belle FerronniC(re and the Mona Lisa.The Princes Czartoryski Collection, including the Lady with an Ermine, was sold for b,100 million on 29 December 2016 to the Polish government by Princes Czartoryski Foundation, represented by Adam Karol Czartoryski, the last direct descendant of Izabela Czartoryska Flemming and Adam George Czartoryski, who brought the painting to Poland from Italy in 1798. It is now housed at the Czartoryski Museum in KrakC3w, and is one of Poland's national treashe subject has been identified with reasonable certainty as Cecilia Gallerani, the mistress of Leonardo's employer, Ludovico Sforza. Her gaze is directed neither straight ahead nor toward the viewer, but toward a "third party" beyond the picture's frame. Gallerani holds a small white-coated stoat, known as an ermine. Her dress is comparatively simple, revealing that she is not of noble birth or noble descent. Her coiffure, known as a coazone, confines her hair smoothly to her head with two bands of it bound on either side of her face and a long plait at the back. Her hair is held in place by a fine gauze veil with a woven border of gold-wound threads, a black band, and a sheath over the plait. As in many of Leonardo's paintings, the composition comprises a pyramidic spiral and the sitter is caught in the motion of turning to her left, reflecting Leonardo's lifelong preoccupation with the dynamics of movement. The three-quarter profile portrait was one of his many innovations. Il Moro's court poet, Bernardo Bellincioni, was the first to propose that Cecilia was poised as if listening to an unseen speaker. This work in particular shows Leonardo's expertise in painting the human form. Cecilia's outstretched hand was painted in great detail, with every contour of each fingernail, each wrinkle around her knuckles, and even the flexing of the tendon in her bent fin ------------------------------ End of alt.music.moxy-fruvous digest V14 #6005 **********************************************