From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #5835 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Sunday, January 31 2021 Volume 14 : Number 5835 Today's Subjects: ----------------- Home-Remedies-For-Keratosis-Pilaris ["KP Natural Remedy" Subject: Home-Remedies-For-Keratosis-Pilaris Home-Remedies-For-Keratosis-Pilaris http://healthpro.buzz/dI8akG6vFugc3lz8DpVkLuzZJjkLR2WVIID_aeZCN7MZVucn http://healthpro.buzz/Bv7PAxjpYOGSVye1MrARrU3YxiVyY7SPTkJWhjk3F3SEIACi mented with textural effects, perspective, shadow and light. His early graphic period resulted in works such as Zebras (1937), Chess Board (1935), and Girl-power (1934). 1944b1947: Les Fausses Routes b On the wrong track: During this period, Vasarely experimented with cubistic, futuristic, expressionistic, symbolistic and surrealistic paintings without developing a unique style. Afterwards, he said he was on the wrong track. He exhibited his works in the gallery of Denise RenC) (1946) and the gallery RenC) Breteau (1947). Writing the introduction to the catalogue, Jacques PrC)vert placed Vasarely among the surrealists. PrC)vert creates the term imaginoires (images + noir, black) to describe the paintings. Self Portrait (1941) and The Blind Man (1946) are associated with this period. 1947b1951: Developing geometric abstract art (optical art): Finally, Vasarely found his own style. The overlapping developments are named after their geographical heritage. Denfert refers to the works influenced by the white tiled walls of the Paris Denfert b Rochereau metro station. Ellipsoid pebbles and shells found during a vacation in 1947 at the Breton coast at Belle Cle inspired him to the Belles-Isles works. Since 1948, Vasarely usually spent his summer months in Gordes in Provence-Alpes-CC4te d'Azur. There, the cubic houses led him to the composition of the group of works labelled Gordes/Cristal. He worked on the problem of empty and filled spaces on a flat surface as well as the stereoscopic view. Tribute to Malevitch (1954), Ciudad Universitaria de Caracas 1951b1955: Kinetic images, black-white photographies: From his Gordes works he developed his kinematic images, superimposed acrylic glass panes create dynamic, moving impressions depending on the viewpoint. In the black-white period he combined the frames into a single pane by transposing photographies in two colours. Tribute to Malevitch, a ceramic wall picture of 100 m2 (1,100 sq ft) adorns the University of Caracas, Venezuela which he co-designed in 1954 with the architect Carlos RaC:l Villanueva, is a major work of this period. Kinetic art flourished and works by Vasarely, Calder, Duchamp, Man Ray, Soto, Tinguely were exhibited at th ------------------------------ End of alt.music.moxy-fruvous digest V14 #5835 **********************************************