From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #5624 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Monday, January 4 2021 Volume 14 : Number 5624 Today's Subjects: ----------------- Few People Know How to Save with Free Samples ["Verizon Opinion Requested] Quick question... ["Fun Quiz" ] Over 7000 landscaping ideas inside... (open now) ["Landscaping Ideas" ] ---------------------------------------------------------------------- Date: Sun, 3 Jan 2021 06:21:34 -0500 From: "Verizon Opinion Requested" Subject: Few People Know How to Save with Free Samples Few People Know How to Save with Free Samples http://dialvision.co/JGoouamU7-bJ8wfLfwBEr4PV514SD_r6kSas1ZbMkNRRuYqI http://dialvision.co/C0JbO7enq78KJdlbpctSfIRqN8eiEg954DPKuz9Y4ArgZEVG terdam is much younger than Dutch cities such as Nijmegen, Rotterdam, and Utrecht. In October 2008, historical geographer Chris de Bont suggested that the land around Amsterdam was being reclaimed as early as the late 10th century. This does not necessarily mean that there was already a settlement then, since reclamation of land may not have been for farmingbit may have been for peat, for use as fuel. Amsterdam was granted city rights in either 1300 or 1306. From the 14th century on, Amsterdam flourished, largely from trade with the Hanseatic League. In 1345, an alleged Eucharistic miracle in Kalverstraat rendered the city an important place of pilgrimage until the adoption of the Protestant faith. The Miracle devotion went underground but was kept alive. In the 19th century, especially after the jubilee of 1845, the devotion was revitalized and became an important national point of reference for Dutch Catholics. The Stille Omgangba silent walk or procession in civil attirebis the expression of the pilgrimage within the Protestant Netherlands since the late 19th century. In the heyday of the Silent Walk, up to 90,000 pilgrims came to Amsterdam. In the 21st century, this has reduced to about 5000. Conflict with Spain Amsterdam citizens celebrating the Peace of MC Subject: Quick question... Quick question... http://heartgov.buzz/d8gP8XbsdhkOOFLZLQT72Li3Hg4tXuXaXaOxbIu496OZh6UT http://heartgov.buzz/sFtopYaf5Ln0mTK2xgHrrFNbkgTFWslFuaeSZXS1i06BLwR7 scape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide viewbwith its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely imaginary, or copied from reality with varying degrees of accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, it is called a topographical view. Such views, extremely common as prints in the West, are often seen as inferior to fine art landscapes, although the distinction is not always meaningful; similar prejudices existed in Chinese art, where literati painting usually depicted imaginary views, while professional artists pai ------------------------------ Date: Sun, 3 Jan 2021 08:21:44 -0500 From: "Landscaping Ideas" Subject: Over 7000 landscaping ideas inside... (open now) Over 7000 landscaping ideas inside... (open now) http://offertrend.icu/WN5xRaV0eou5kaBtOjx2i332ip_Zc9wzciwzLnkV9a54MOp9 http://offertrend.icu/sHuJuH-CgeuvYF5OlCo4XFKlHuHrmZi4_QydSwBENsKeT-J_ rliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included. The earliest "pure landscapes" with no human figures are frescos from Minoan Greece of around 1500 BCE. Hunting scenes, especially those set in the enclosed vista of the reed beds of the Nile Delta from Ancient Egypt, can give a strong sense of place, but the emphasis is on individual plant forms and human and animal figures rather than the overall landscape setting. The frescos from the Tomb of Nebamun, now in the British Museum (c. 1350 BC), are a famous example. For a coherent depiction of a whole landscape, some rough system of perspective, or scaling for distance, is needed, and this seems from literary evidence to have first been developed in Ancient Greece in the Hellenistic period, although no large-scale examples survive. More ancient Roman landscapes survive, from the 1st century BCE onwards, especially frescos of landscapes decorating rooms that have been preserved at archaeological sites of Pompeii, Herculaneum and elsewhere, and mosaics. The Chinese ink painting tradition of shan shui ("mountain-water"), or "pure" landscape, in which the only sign of human life is usually a sage, or a glimpse of his hut, uses sophisticated landscape backgrounds to figure subjects, and landscape art of this period retains a classic and much-imitated status within the Chinese tradition. Both the Roman and Chinese traditi ------------------------------ Date: Sun, 3 Jan 2021 05:52:31 -0500 From: "Energy Controller" Subject: Reduces your electricity bill by 50%. Guaranteed results! Reduces your electricity bill by 50%. Guaranteed results! http://guntracker.buzz/_-gJZD7emsMOhPagXwjrzsR9gDkcif0k3SSj2PegmLeBhsDR http://guntracker.buzz/LHaUI6zpNg9FXhznAf6MJZUV7f7FJPyr057GbFYhiilXIMY_ almeiro re-signed with the Baltimore Orioles in 2004, on a 1-year, $4,000,000 contract. In his press conference, he claimed he was "a little bit older, a little bit wiser". He also said he didn't want to retire until he rejoined the Orioles and if he was inducted to the Hall of Fame, he would do so as an Oriole. His power fell significantly his first season back with the Orioles, having 142 hits, along with 23 home runs, 88 RBIs and a .258 batting average, all drops from the previous season. Despite this, he became one of only six players (the other five being Ken Griffey Jr, Mark McGwire, Jimmie Foxx, Albert Pujols and Manny RamC-rez) in history to hit at least 200 home runs for two different clubs, doing so on September 13, 2004 off Justin Miller. Entering 2005, he was just 78 hits shy of 3,000. He hit his 563rd home run that season, passing Reggie Jackson on the all-time list. Just a few weeks later, on July 15, Palmeiro joined Hank Aaron, Willie Mays, Alex Rodriguez, and Eddie Murray as the only players in major league history to get 3,000 hits and 500 home runs. Not long after his achievement, Palmeiro was suspended 10 days for testing positive for steroids. He claimed he received a tainted vitamin b12 shot from Miguel Tejada. Upon returning, he only played seven more games. He was booed by the home fans. He was sent home due to a nagging injury, but was told to stay home b largely because of his attempt to implicate his teammate. As of April 2016, he has yet to return to Baltimore. In his final season, he had 98 hits, 18 home runs, 60 RBIs and a .266 batting average in 110 total games played. He finished his career with 2,831 games played, the most by any player who never played in the World Se ------------------------------ Date: Sun, 3 Jan 2021 07:32:54 -0500 From: "Flash Drive" Subject: The keyring that protects your files! The keyring that protects your files! http://offertrend.icu/pHJZwyqc4eCYvIP-11CwuQt9oruOT4CIYAKItDbsWaI5a_J9 http://offertrend.icu/VdEvw1FYPUA_VL-cluLYZ1BGBlqPElB573tJLIpzjaCXs8Kz erlands remained neutral in this war, Amsterdam suffered a food shortage, and heating fuel became scarce. The shortages sparked riots in which several people were killed. These riots are known as the Aardappeloproer (Potato rebellion). People started looting stores and warehouses in order to get supplies, mainly food. On 1 January 1921, after a flood in 1916, the depleted municipalities of Durgerdam, Holysloot, Zunderdorp and Schellingwoude, all lying north of Amsterdam, were, at their own request, annexed to the city. Between the wars, the city continued to expand, most notably to the west of the Jordaan district in the Frederik Hendrikbuurt and surrounding neighbourhoods. Nazi Germany invaded the Netherlands on 10 May 1940 and took control of the country. Some Amsterdam citizens sheltered Jews, thereby exposing themselves and their families to a high risk of being imprisoned or sent to concentration camps. More than 100,000 Dutch Jews were deported to Nazi concentration camps, of whom some 60,000 lived in Amsterdam. In response, the Dutch Communist Party organised the February strike attended by 300,000 people to protest against the raids. Perhaps the most famous deportee was the young Jewish girl Anne Frank, who died in the Bergen-Belsen concentration camp. At the end of the Second World War, communication with the rest of the country broke down, and food and fuel became scarce. Many citizens travelled to the countryside to forage. Dogs, cats, raw sugar beets, and tulip bulbsbcooked to a pulpbwere consumed to stay alive. Many trees in Amsterdam were cut down for fuel, and wood was taken from the houses, apartments and other buildings of deported Jews. People celebrating the liberation of the Netherlands at the end of World War II on 8 May 1945 Many new suburbs, such as Osdorp, Slotervaart, Slotermeer and Geuzenveld, were built in the years after the Second World War. These suburbs contained many public parks and wide-open spaces, and the new buildings provided improved housing conditions with larger and brighter rooms, gardens, and balconies. Because of the war and other events of the 20th century, almost the entire city centre had fallen into disrepair. As society was changing,[clarification needed] politicians and other influential figures made plans to rede ------------------------------ Date: Sun, 3 Jan 2021 05:40:21 -0500 From: "AirWatch" Subject: Donât Let A Virus Catch You Off-Guard Donbt Let A Virus Catch You Off-Guard http://smartpad.today/e93pnlis5nbRNUnoX6c5gYEyig5GvJ3aNQc7Qkf5ku6hTweC http://smartpad.today/aUBtvrf9w-TMZOO47fsAvEOoI0qoBXnzpiFp_eR35Z6Mcimg own for his Romantic pastoral scenes (especially paintings of livestock) with detailed landscapes, notably inspired by Golden Age artist Paulus Potter and continuing the Realist tradition of that era. He emphasized drawing as essential to truthful painting, quoting the motto le dessin est the probite de l'art (drawing is the integrity of art) after French painter Ingres. He required his students to learn to sketch natural scenes in great detail before permitting them to hold a brush. This emphasis on work en plein air presaged the landscape work of Hague School artists. He has been described as "an honest landscape painter" whose scenes are "entirely free from mannerism and artificiality". His works often emphasized animals on the landscape, driven in part by their commercial success. His son Julius later relayed the story of one of Hendrik's paintings of a landscape near Oosterbeek that featured what was to his father an ordinary brown horse but which so caught the fancy of his customer's neighbors in Philadelphia that Hendrik received at least ten orders for similar pictures with that particular horse, as if the horse itself were somehow special. Most of van de Sande Bakhuyzen's work was summer landscapes, but he also painted a small number of winter scenes, often of quintessentially Dutch scenes including windmills, ice skaters, and cottages built in traditional Dutch architectural style. In this vein his work closely resembled that of Andreas Schelfhout (1787b1870), a close friend who was famous for his winter landscapes and with whom v.d.S. Bakhuyzen collaborated, including at least one joint canvas that bears both artists' signatures. His work is displayed in the Rijksmuseum, the British National Trust, Teylers Museum in Haarlem, Museum Fodor, Museum of Fine Arts Bern, and the Royal Museums of Fine Arts of Belgium, among oth ------------------------------ Date: Sun, 3 Jan 2021 07:43:14 -0500 From: "Hazard Lights" Subject: Orange LED emergency light disc Orange LED emergency light disc http://heartgov.buzz/rhegR4ey4zOmQxfjGpofb8whinrfqTSgFz2I2LzlgXmjl1qe http://heartgov.buzz/8Ueb_7rFWUWzPBWOtZZRlPrHDH8B2COfcDHr5VaZn16vB4TQ ndes are a MesozoicbTertiary orogenic belt of mountains along the Pacific Ring of Fire, a zone of volcanic activity that encompasses the Pacific rim of the Americas as well as the Asia-Pacific region. The Andes are the result of tectonic plate processes, caused by the subduction of oceanic crust beneath the South American Plate. It is the result of a convergent plate boundary between the Nazca Plate and the South American Plate. The main cause of the rise of the Andes is the compression of the western rim of the South American Plate due to the subduction of the Nazca Plate and the Antarctic Plate. To the east, the Andes range is bounded by several sedimentary basins, such as Orinoco, Amazon Basin, Madre de Dios and Gran Chaco, that separate the Andes from the ancient cratons in eastern South America. In the south, the Andes share a long boundary with the former Patagonia Terrane. To the west, the Andes end at the Pacific Ocean, although the Peru-Chile trench can be considered their ultimate western limit. From a geographical approach, the Andes are considered to have their western boundaries marked by the appearance of coastal lowlands and a less rugged topography. The Andes Mountains also contain large quantities of iron ore located in many mountains within the range. The Andean orogen has a series of bends or oroclines. The Bolivian Orocline is a seaward concave bending in the coast of South America and the Andes Mountains at about 18B0 S. At this point, the orientation of the Andes turns from Northwest in Peru to South in Chile and Argentina. The Andean segment north and south of the Orocline have been rotated 15B0 to 20B0 counter clockwise and clockwise respectively. The Bolivian Orocline area overlaps with the area of maximum width of the Altiplano Plateau and according to Isacks (1988) the Orocline is related to crustal shortening. The specific point at 18B0 S where the coastline bends is known as the "Arica Elbow". Further south lies the Maipo Orocline a more subtle Orocline between 30B0 S and 38B0S with a seaward-concave break in trend at 33B0 S. Near the sout ------------------------------ Date: Sun, 3 Jan 2021 08:57:36 -0500 From: "Landscaping Ideas" Subject: Over 7000 landscaping ideas inside... (open now) Over 7000 landscaping ideas inside... (open now) http://offertrend.icu/0g4Taj2jGM6c0TC2Wa-lJAYsqVy3kUqPogtlHKQk2zhz8MDW http://offertrend.icu/qzPXt4jNa5hdHupe1WxQtRR0NYqJSdq6FC_VCmBBF1d245U rliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included. The earliest "pure landscapes" with no human figures are frescos from Minoan Greece of around 1500 BCE. Hunting scenes, especially those set in the enclosed vista of the reed beds of the Nile Delta from Ancient Egypt, can give a strong sense of place, but the emphasis is on individual plant forms and human and animal figures rather than the overall landscape setting. The frescos from the Tomb of Nebamun, now in the British Museum (c. 1350 BC), are a famous example. For a coherent depiction of a whole landscape, some rough system of perspective, or scaling for distance, is needed, and this seems from literary evidence to have first been developed in Ancient Greece in the Hellenistic period, although no large-scale examples survive. More ancient Roman landscapes survive, from the 1st century BCE onwards, especially frescos of landscapes decorating rooms that have been preserved at archaeological sites of Pompeii, Herculaneum and elsewhere, and mosaics. The Chinese ink painting tradition of shan shui ("mountain-water"), or "pure" landscape, in which the only sign of human life is usually a sage, or a glimpse of his hut, uses sophisticated landscape backgrounds to figure subjects, and landscape art of this period retains a classic and much-imitated status within the Chinese tradition. Both the Roman and Chinese traditi ------------------------------ Date: Sun, 3 Jan 2021 06:47:44 -0500 From: "FedEx Feedback" Subject: "Leave your feedback and you could WIN! "Leave your feedback and you could WIN! http://guntracker.buzz/FCjwSH8Yw4euCin1gVCxBoW9csY8QeXLlmVNTRf8g6z2oPBG http://guntracker.buzz/I6O9TahNTdy_1a56DrVv8oZWqJMrF8TPSVwuYF8jDArJFbTP paculos were traditionally placed in a distinct family Rhinocryptidae; more recent research (Irestedt et al. 2002, Rice 2005a,b) indicates that according to analysis of mt and nDNA sequence data, the tapaculos might be better merged into the Formicariidae as tribe Rhinocryptini, as they are closer to the antthrushes than either is to the true antpittas. Alternatively, the latter might be raised to family status. In this case, it would be possible to maintain the tapaculos as a separate family too, but it would seem altogether more warranted to consider them a subfamily of the Formicariinae sensu stricto, which would be called Rhinocryptinae. Whether this latter approach, the placement as a tribe in a tapaculo-antthrush Formicariinae subfamily, or maintenance as a separate family is to be preferred depends on whether the true antpittas are closer to the tapaculos and true antbirds, or rather to the Pittasoma "gnatthrushes" and other gnateaters and the true antbirds. There are some, albeit very tentative, indications that the latter may indeed be the case, which would be reflected in the placement of the tapaculos as subfamily Rhinocryptinae, with the Formicariinae being restricted to the true antthrushes (Rice 2005a). Today, the tapaculos continue in the Rhinocryptidae until the systematics can be further defined. Apparently not all tapaculo genera would have to be moved to the formicariids (Irestedt et al. 2002). As the type genus Rhinocrypta certainly would, any distinct genera (such as the peculiar crescent-chests) would need a new family name. An alternative family name Pteroptochidae, has been used hist ------------------------------ Date: Sun, 3 Jan 2021 05:01:32 -0500 From: "Masks" Subject: Don't Use a Disposable Mask (Use This Instead) Don't Use a Disposable Mask (Use This Instead) http://byebye.buzz/-7WzXeynKr4msSE2TBaRwl8wbw_1yEqypDw2Bk-5EbUQyaO3 http://byebye.buzz/daZuxhaapEoBuB905hBA68jr5e74Z3PNzEGF7bWA_by6L9Yo tained a Royal Decree granting legal permission to add his late mother's surname to his own and became known as Hendrikus van de Sande Bakhuyzen. His wife was Sophia Wilhelmine Kiehl (1804b1881). He lived principally in The Hague in the Netherlands. He died on December 12, 1860. His son, Julius van de Sande Bakhuyzen (1835b1925), became a well-known landscape painter as well. His daughter, Gerardine Jacoba van de Sande Bakhuyzen (1826b1895), was a painter of still life, flowers, and fruit. His son Henricus Gerardus van de Sande Bakhuyzen (1838b1923) became a prominent astronomer, member of the Royal Netherlands Academy of Arts and Sciences, and director of the Leiden Observatory. His son Ernest-Frederich van de Sande Bakhuyzen was also an astronomer at the Leiden Observatory. Career Gelders landscape Ruin on a Mountain. 1810b1860 Winter landscape Hendrik v.d.S. Bakhuyzen learned drawing and painting first from Jan Willem Pieneman and his pupil J. Heymans and then later from Simon Andreas Krausz at the Hague Academy, recently endowed by Willem I. His fellow students included Andreas Schelfhout and Bart van Hove, each of them significant for the development of the Hague School. He was successful while still quite young, with his painting Gelders landschap acquired by the Rijksmuseum in Amsterdam in 1818. In 1821 he received a medal of honor from the Royal Society for the Encouragement of Fine Arts at an exhibit in Brussels, followed in 1822 by a medal and 300 guilder prize from the Society of Encouragement of Fine Arts in Antwerp. In the same year he became a member of the Royal Academy of Arts in Amsterdam and a board member of the Art Academy in The Hague. He was later elected Director of the Hague Academy. He traveled to paint in Belgium in 1824 and in Germany in 1834. In 1840 he became one of the early members of the Arti et Amicitiae artists society in Amsterdam. In 1841 he traveled along the Rhine river in Germany with his pupil Willem Roelofs. He also painted landscape scenes from Noorden and the area around Oosterbeek, an artists' colony that later became known as the Dutch Barbizon. He was an active teacher and continued to take in pupils until shortly before he died. Some of these pupils, notably Ter Meulen became pupils of Hendrikus' son Julius upon his death. Even after his death, Hendrik's work contin ------------------------------ Date: Mon, 04 Jan 2021 03:10:28 +0800 From: "ååè¾" Subject: Re:ï¼ç¨-票-代-çï¼721021293961919 g=g13[IMAGE]g!.h.$ [demime 0.97c-p1 removed an attachment of type image/jpeg which had a name of =?utf-8?B?QzFRRDF2TjZwLmpwZw==?=] ------------------------------ End of alt.music.moxy-fruvous digest V14 #5624 **********************************************