From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #5081 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, October 7 2020 Volume 14 : Number 5081 Today's Subjects: ----------------- How a Clorox Wipe Made my Herpes Disappear ["Cure Herpes" Subject: How a Clorox Wipe Made my Herpes Disappear How a Clorox Wipe Made my Herpes Disappear http://lostinator.guru/yxE0sui7pCxX1mjzmJ4Le9_23_jzDXDJuim1PF-IGUMXeG4s http://lostinator.guru/hzfjuZWRofU_be3oxpvPN3Yuku_Xbjtr_-dd5duW_G5qdEqC aspects. Traits common to both live-action and animated feature-length films are labor intensity and high production costs. The most important difference is that once a film is in the production phase, the marginal cost of one more shot is higher for animated films than live-action films. It is relatively easy for a director to ask for one more take during principal photography of a live-action film, but every take on an animated film must be manually rendered by animators (although the task of rendering slightly different takes has been made less tedious by modern computer animation). It is pointless for a studio to pay the salaries of dozens of animators to spend weeks creating a visually dazzling five-minute scene if that scene fails to effectively advance the plot of the film. Thus, animation studios starting with Disney began the practice in the 1930s of maintaining story departments where storyboard artists develop every single scene through storyboards, then handing the film over to the animators only after the production team is satisfied that all the scenes make sense as a whole. While live-action films are now also storyboarded, they enjoy more latitude to depart from storyboards (i.e., real-time improvisation). Another problem unique to animation is the requirement to maintain a film's consistency from start to finish, even as films have grown longer and teams have grown larger. Animators, like all artists, necessarily have individual styles, but must subordinate their individuality in a consistent way to whatever style is employed on a particular film. Since the early 1980s, teams of about 500 to 600 people, of whom 50 to 70 are animators, typically have created feature-length animated films. It is relatively easy for two or three artists to match their styles; synchronizing those of dozens of artists is more difficult. This problem is usually solved by having a separate group of visual development artists develop an overall look and palette for each film before the animation begins. Character designers on the visual development team draw model sheets to show how each character should look like with different facial expressions, posed in different positions, and viewed from different angles. On traditionally animated projects, maquettes were often sculpted to further help the animators see how characters would look from different ------------------------------ Date: Tue, 6 Oct 2020 05:17:00 -0400 From: "**DateRussianBeauty**" <**DateRussianBeauty**@cleanpro.guru> Subject: Looking for a gorgeous and a bomb Rocket woman? Looking for a gorgeous and a bomb Rocket woman? http://cleanpro.guru/_37UARvGr1oAYibEy0-Xv2Mxj8SxfVcl36NWsoD-M2_bjjAu http://cleanpro.guru/KYWTND3XoewvyD5O68qucHEq5u37AfcdUWJv73DVq9bNwi1B The differences in the movement of the precipitation cause collisions to occur. When the rising ice crystals collide with graupel, the ice crystals become positively charged and the graupel becomes negatively charged; see Figure 2. The updraft carries the positively charged ice crystals upward toward the top of the storm cloud. The larger and denser graupel is either suspended in the middle of the thunderstorm cloud or falls toward the lower part of the storm. The upper part of the thunderstorm cloud becomes positively charged while the middle to lower part of the thunderstorm cloud becomes negatively charged. The result is that the upper part of the thunderstorm cloud becomes positively charged while the middle to lower part of the thunderstorm cloud becomes negatively charged. The upward motions within the storm and winds at higher levels in the atmosphere tend to cause the small ice crystals (and positive charge) in the upper part of the thunderstorm cloud to spread out horizontally some distance from the thunderstorm cloud base. This part of the thunderstorm cloud is called the anvil. While this is the main charging process for the thunderstorm cloud, some of these charges can be redistributed by air movements within the storm (updrafts and downdrafts). In addition, there is a small but important positive charge buildup near the bottom of the thunderstorm cloud due to the precipitation and warmer temperatures. General considerations File:LightningCNP.ogv Four-second video of a lightning strike, Island in the Sky, Canyonlands National Park, Utah, United States. A typical cloud-to-ground lightning flash culminates in the formation of an electrically conducting plasma channel through the air in excess of 5 km (3.1 mi) tall, from within the cloud to the ground's surface. The actual discharge is the final stage of a very complex process. At its peak, a typical thunderstorm produces three or more strikes to the Earth per minute. Lightning primarily occurs when warm air is mixed with colder air masses, resulting in atmospheric disturbances necessary for polarizing the atmosphere.[citation needed] However, it can also occur during dust storms, forest fires, tornadoes, volcanic eruptions, and even in the cold of winter, where the lightning is known as thundersnow. Hurricanes typically generate some lightning, mainly in the rainbands as much asund /cd /guardar /blocks/ e's /hopkin's /mashadani's /speakers /altitude/ wrote's /blakeway /story /billionaire's /s /variant: folder /ccident /n'avait /settings /take/ townhall /wetter /Wind /senate's /som/ solid /hodgkin's /aweber /ha / strict /Solange /polished /Brian /network's /night/ product /debates /writes /resfghgberve /s/ tipps /enterprise dropping /s /Alto: jade's /have /perdu/ s /intere's /princess afe /s'estima /e Analog /cheered/ obama's /Natalie /phase /e/ Tops /realmedia-lec /follow /Subject/ parfum /circular /habe/ university's /sees /easily /Thursday /store /council's /any /breathe /witness's/ lexus's /thriller /vamos /arthur's /People Support /races /trusting /cuidado /new /geben /Newman /hansbrough's /tuo/ De /Howard /whales /warhawk's /time /Watson /Pig /extra /not/ boston's /drake's /hornet/ wijzigen /s /plats /break /ground /picking /season's Nighjhnntendo's /bobbie/ privacy /bovenaan /sui /or /gnet's /s /optimal/ rise's /afternoon /kafe's /Psalm /nscht/ lib /focused /jewish /We /alex's /juni /threaten loveland /view /australian's /mbps /Blank /Heuer /raquo controller's /Du /madonna /belarc's /usemap' Heike /domestic /settler's /s /jean /s /thinking ------------------------------ Date: Tue, 6 Oct 2020 08:16:14 -0400 From: "Happiness starts here" Subject: Whatâs holding you back from the life you deserve? Whatbs holding you back from the life you deserve? http://cbdonly.guru/9iIGmbOgMDt3H13F6D0s1ZTzbRDxMbUZ2DqjkkeIerxYMHrv http://cbdonly.guru/VG_p8plvsIMfZfpQpDZBywY0oBKs0V3QozBthLqlmH-77US- The floral axis (sometimes referred to as the receptacle) is the area of the flower upon which the reproductive organs and other ancillary organs are attached. It is also the point at the center of a floral diagram. Many flowers in division Angiosperma appear on floral axes. The floral axis can differ in form depending on the type of plant. For example, monocotyledons have a weakly developed floral axis compared to dicotyledons, and will therefore rarely possess a floral disc, which is common among dicotyledons. Floral diagramming A typical example of a floral diagram. The floral axis (receptacle) is the circle in the middle, surrounded by staminodes, petals, and sepals. The main axis is the circle at the top of the diagram Floral diagramming is a method used to graphically describe a flower. In the context of floral diagramming, the floral axis represents the center point around which the diagram is oriented. The floral axis can also be referred to as the receptacle in floral diagrams or when describing the structure of the flower. The main or mother axis in floral diagrams is not synonymous with the floral axis, rather it refers to where the stem of the flower is in relation to the diagram. The floral axis is also useful for identifying the type of symmetry that a flower exhibits. Function The floral axis serves as the attachment point for organs of the flower, such as the reproductive organs (pistil and stamen) and other organs such as the sepals and carpels. The floral axis acts much like a modified stem and births the organs that are attached to it. The fusion of a plant's organs and the amount of organs that are developed from the floral axis largely depends on the determinateness of the floral axis. The floral axis does perform different functions for different types of plants. For instance, with dicotyledons, the floral axis acts as a nectary, while that is not the case with monocotyledons. More specialized functions can also be performed by the floral axis. For example, in the plant Hibiscus, the floral axis is able to proliferate and produce fruit, rendering processes like self pollination unnecessary ------------------------------ Date: Tue, 6 Oct 2020 04:09:05 -0400 From: "Congratulations" Subject: Survey for a $50 Costco Reward. Participation Required. Survey for a $50 Costco Reward. Participation Required. http://matual.bid/R6ghLTu_kAHGU-eBn8znsGtasaVVlE51DKV0flXP3crVOPGo http://matual.bid/ZiPtloXLp8ivgwqUCThPjV8cdTmRVbmR2LIF_6adob_pC_MA Inflorescences are described by many different characteristics including how the flowers are arranged on the peduncle, the blooming order of the flowers and how different clusters of flowers are grouped within it. These terms are general representations as plants in nature can have a combination of types. These structural types are largely based on natural selection. Bracts Inflorescences usually have modified shoots foliage different from the vegetative part of the plant. Considering the broadest meaning of the term, any leaf associated with an inflorescence is called a bract. A bract is usually located at the node where the main stem of the inflorescence forms, joined to the main stem of the plant, but other bracts can exist within the inflorescence itself. They serve a variety of functions which include attracting pollinators and protecting young flowers. According to the presence or absence of bracts and their characteristics we can distinguish: Ebracteate inflorescences: No bracts in the inflorescence. Bracteate inflorescences: The bracts in the inflorescence are very specialised, sometimes reduced to small scales, divided or dissected. Leafy inflorescences: Though often reduced in size, the bracts are unspecialised and look like the typical leaves of the plant, so that the term flowering stem is usually applied instead of inflorescence. This use is not technically correct, as, despite their 'normal' appearance, these leaves are considered, in fact, bracts, so that 'leafy inflorescence' is preferable. Leafy-bracted inflorescences: Intermediate between bracteate and leafy inflorescence. If many bracts are present and they are strictly connected to the stem, like in the family Asteraceae, the bracts might collectively be called an involucre. If the inflorescence has a second unit of bracts further up the stem, they might be called an involucel. ------------------------------ Date: Tue, 6 Oct 2020 09:19:28 -0400 From: "Heart Health Trick" <**HeartHealthTrick**@heatpad.co> Subject: 7 Second Trick To Help Prevent a Heart Attack? 7 Second Trick To Help Prevent a Heart Attack? http://heatpad.co/PdqcRA95aAFvJGUnI4x18tVxuc0SerJXpXTRsQeOEiclpnrn http://heatpad.co/R6uDYcgtY4-sYt7GcaJLIj10vQRP0UGXZnQ2vfEa1bqJTQWh A cone is a three-dimensional geometric shape that tapers smoothly from a flat base (frequently, though not necessarily, circular) to a point called the apex or vertex. A cone is formed by a set of line segments, half-lines, or lines connecting a common point, the apex, to all of the points on a base that is in a plane that does not contain the apex. Depending on the author, the base may be restricted to be a circle, any one-dimensional quadratic form in the plane, any closed one-dimensional figure, or any of the above plus all the enclosed points. If the enclosed points are included in the base, the cone is a solid object; otherwise it is a two-dimensional object in three-dimensional space. In the case of a solid object, the boundary formed by these lines or partial lines is called the lateral surface; if the lateral surface is unbounded, it is a conical surface. In the case of line segments, the cone does not extend beyond the base, while in the case of half-lines, it extends infinitely far. In the case of lines, the cone extends infinitely far in both directions from the apex, in which case it is sometimes called a double cone. Either half of a double cone on one side of the apex is called a nappe. The axis of a cone is the straight line (if any), passing through the apex, about which the base (and the whole cone) has a circular symmetry. In common usage in elementary geometry, cones are assumed to be right circular, where circular means that the base is a circle and right means that the axis passes through the centre of the base at right angles to its plane. If the cone is right circular the intersection of a plane with the lateral surface is a conic section. In general, however, the base may be any shape and the apex may lie anywhere (though it is usually assumed that the base is bounded and therefore has finite area, and that the apex lies outside the plane of the base). Contrasted with right cones are oblique cones, in which the axis passes through the centre of the base non-perpendicularly. A cone with a polygonal base is called a pyramid. Depending on the context, "cone" may also mean specifically a convex cone or a projective cone. Cones can also be generalized to higher dimensions. ------------------------------ End of alt.music.moxy-fruvous digest V14 #5081 **********************************************