From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #5054 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, September 30 2020 Volume 14 : Number 5054 Today's Subjects: ----------------- Congratulations! You can get a $50 Dunkin Donuts gift card! ["Rachel" Subject: Congratulations! You can get a $50 Dunkin Donuts gift card! Congratulations! You can get a $50 Dunkin Donuts gift card! http://sniamer.buzz/gwtIEUisgrIzkulPlqeHrjTpXnNQhP7l8NHyUYRryM3aM7q9 http://sniamer.buzz/CfpWquPXAC8Yz0nbB0rtgg0K_8xiBRURkr2Y377eYd6dtpE A teaching programme of interventive conservation was established in the UK at the Institute of Archaeology by Ione Gedye, which is still teaching interventive conservators today. A principal aim of a cultural conservator is to reduce the rate of deterioration of an object. Both non-interventive and interventive methodologies may be employed in pursuit of this goal. Interventive conservation refers to any direct interaction between the conservator and the material fabric of the object. Interventive actions are carried out for a variety of reasons, including aesthetic choices, stabilization needs for structural integrity, or cultural requirements for intangible continuity. Examples of interventive treatments include the removal of discolored varnish from a painting, the application of wax to a sculpture, and the washing and rebinding of a book. Ethical standards within the field require that the conservator fully justify interventive actions and carry out documentation before, during, and after the treatment. One of the guiding principles of conservation of cultural heritage has traditionally been the idea of reversibility, that all interventions with the object should be fully reversible and that the object should be able to be returned to the state in which it was prior to the conservator's intervention. Although this concept remains a guiding principle of the profession, it has been widely critiqued within the conservation profession and is now considered by many to be "a fuzzy concept." Another important principle of conservation is that all alterations should be well documented and should be clearly distinguishable from the original object. An example of a highly publicized interventive conservation effort would be the conservation work conducted on the Sistine ------------------------------ End of alt.music.moxy-fruvous digest V14 #5054 **********************************************