From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #4838 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Tuesday, August 25 2020 Volume 14 : Number 4838 Today's Subjects: ----------------- Your Voice-Over Problems Solved ["Voice-Over Artists" Subject: Your Voice-Over Problems Solved Your Voice-Over Problems Solved http://karabic.buzz/F_nq14nxszE6y4hBJLwlCKZkDPqUEwf2a58NxCoqWFD9RNX9 http://karabic.buzz/Yv2o5p0-YyHqMMUhfngfw3hyxlfBWv7K-pD47gu7NMHvtyoS rected in the immediate aftermath of the Council of Ephesus of 431, which proclaimed Mary Mother of God. Pope Sixtus III built it to commemorate this decision. Certainly, the atmosphere that generated the council gave rise also the mosaics that adorn the interior of the dedication: "whatever the precise connection was between council and church it is clear that the planners of the decoration belong to a period of concentrated debates on nature and status of the Virgin and incarnate Christ." The magnificent mosaics of the nave and triumphal arch, seen as "milestones in the depiction" of the Virgin, depict scenes of her life and that of Christ, but also scenes from the Old Testament: Moses striking the Red Sea, and Egyptians drowning in the Red Sea. Richard Krautheimer attributes the magnificence of the work also to the abundant revenue accruing to the papacy at the time from land holdings acquired by the Church during the 4th and 5th centuries on the Italian peninsula: "Some of these holdings were locally controlled; the majority as early as the end of the 5th century were administered directly from Rome with great efficiency: a central accounting system was involved in the papal chancery; and a budget was apparently prepared, one part of the income going to the papal administration, another to the needs of the clergy, a third to the maintenance of church buildings, a fourth to charity. These fines enabled the papacy to carry out through the 5th century an ambitious building program, including Santa Maria Maggiore." Miri Rubin believes that the building of the basilica was influenced also by seeing Mary as one who could represent the imperial ideals of classical Rome, bringing together the old Rome and the new Christian Rome: "In Rome, the city of martyrs, if no longer of emperors, Mary was a figure that could credibly carry imperial memories and representations." Gregory the Great may have been inspired by Byzantine devotions to the Theotokos (Mother of God) when after becoming Pope during a plague in 590 that had taken the life of his predecessor, he ordered for seven processions to march through the city of Rome chanting Psalms and Kyrie Eleison, in order to appease the wrath of God. The processions began in different parts of the city, but rather than finally converging on St Peter's, who was always the traditional protector of Rome, he instead ordered the processions to converge on Mary Major instead. When the popes returned to Rome after the period of the Avignon papacy, the buildings of the basilica became a temporary Palace of the Popes[citation needed] due to the deteriorated state of the Lateran Palace. The papal residence was later moved to the Palace of the Vatican in what is now Vatican City. The basilica was restored, redecorated and extended by various popes, including Eugene III (1145b1153), Nicholas IV (1288b92), Clement X (1670b76), and Benedict XIV (1740b58), who in the 1740s commissioned Ferdinando Fuga to build the pres ------------------------------ End of alt.music.moxy-fruvous digest V14 #4838 **********************************************