From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #4770 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Friday, August 14 2020 Volume 14 : Number 4770 Today's Subjects: ----------------- Suffer From Nerve Pain? ["Neuropathy Treatment Group" Subject: Suffer From Nerve Pain? Suffer From Nerve Pain? http://refertier.buzz/7vQRC_GgSTuv4Gk8Vp0Zcg7OHhDLam_0eyxb-cD1j8BhlYc http://refertier.buzz/QpnmC1xuyl2Xs2MPtAtrPf85xZVpng2KjF1sK8ulCxXupm4H Professional kits generally have higher-quality digital sounds These drum modules offer high quality modeled drum sounds b with hundreds of onboard sounds, effects and audio loops and song options/patterns to choose from. Some of these modules allow the user to select tuning, head type, depth/width and material (metal, wood type, etc.). Trigger sensor/reliability and reduction of crosstalk have been vastly improved. Triggering now allows both the head and the rim to produce different sounds, facilitating rim and cross shots as well as shell tapping and many other audio sounds that can be assigned to the head or rim, so that the options for live music increase even more. Cymbals can accommodate more zones: for edge, bow and bell strikes with different sounds, with choking capability and realistic cymbal swells. They have more realistic hi-hats - Acoustic hi-hat cymbals are mounted on in a pair on a stand with a foot pedal enabling the drummer to open and close the hi-hats, which enables drummers to create a wide variety of hi-hat effects, depending on whether the pair of cymbals are fully closed, partially closed, or open. These newer electronic versions are no longer single cymbal pads as in the 1980s, but dual replicated cymbals, that can be mounted on regular stands like their acoustic versions. These cymbals allow for actual opened and closed hand/foot playing. An electronic module detects hi-hat movement/height and position, providing realistic variations of hi-hat sound via degree of placement b open, partially open, and closed hi-hat strikes. Some modules, like the Roland TD-30, also feature foot close and quick close-open sounds, with pressure on the cymbals also being sensed and replicated when tightening or loosening the foot pressure, even on a closed hi-hat. So, the audio sounds tighter when firm pressure is applied on an already closed hi-hat pedal. Compared with 1980s and early 1990s kits, the 2010s modules offer far more outputs. The professional-level modules from the leading manufacturers have multiple outputs to the sound board such that each percussion group (i.e. toms, cymbals, etc...) can be independently mixed (like the multiple miking of an acoustic kit). This means a drummer can add one effect to, say, the cymbals, while adding a different effect to the drums. As well, this enables a drummer to create a monitor mix that is different than the "front of house" mix sounding on the PA system. For example, if a bandleader wished to have a very quiet bass drum, the bass drum volume level in the "front of house" mix would be low. If the drummer needed to be able to hear her bass drum part to get a solid groove, she might turn up her bass drum in her personal monitor speaker, which would not affect the volume from the "front of house" speakers. As these groups have independent volume faders on the module to fine-tune volume settings for each group. ------------------------------ End of alt.music.moxy-fruvous digest V14 #4770 **********************************************