From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #4713 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, August 6 2020 Volume 14 : Number 4713 Today's Subjects: ----------------- Ancient Scottish Invention Powers Home Completely For Free ["Power Genera] ---------------------------------------------------------------------- Date: Thu, 6 Aug 2020 08:57:08 -0400 From: "Power Generator" Subject: Ancient Scottish Invention Powers Home Completely For Free Ancient Scottish Invention Powers Home Completely For Free http://longevitysecret.buzz/EGr6NjtVeCrwkRrLzrTH9RMKCkfAf9HcNjFBMD8NB9MHmcRK http://longevitysecret.buzz/3KZ_JTGngivHaXnS2pH_tY18CHrK1uECI_Mb5GhmTHxYYh9h The "groove" is also associated with funk performers, such as James Brown's drummers Clyde Stubblefield and Jabo Starks, and with soul music. "In the 1950s, when 'funk' and 'funky' were used increasingly as adjectives in the context of soul musicbthe meaning being transformed from the original one of a pungent odor to a re-defined meaning of a strong, distinctive groove." As "he soul dance music of its day, the basic idea of funk was to create as intense a groove as possible." When a drummer plays a groove that "is very solid and with a great feel...", this is referred to informally as being "in the pocket"; when a drummer "maintains this feel for an extended period of time, never wavering, this is often referred to as a deep pocket." Hip hop A concept similar to "groove" or "swing" is also used in other African-American genres such as hip hop. The rhythmic groove that jazz artists call a sense of bswingb is sometimes referred to as having "flow" in the hip hop scene. "Flow is as elemental to hip hop as the concept of swing is to jazz". Just as the jazz concept of "swing" involves performers deliberately playing behind or ahead of the beat, the hip-hop concept of flow is about "funking with one's expectations of time"bthat is, the rhythm and pulse of the music. "Flow is not about what is being said so much as how one is saying it". Jazz In some more traditional styles of jazz, the musicians often use the word "swing" to describe the sense of rhythmic cohesion of a skilled group. However, since the 1950s, musicians from the organ trio and latin jazz subgenres have also used the term "groove". Jazz flute player Herbie Mann talks a lot about "the groove." In the 1950s, Mann "locked into a Brazilian groove in the early '60s, then moved into a funky, soulful groove in the late '60s and early '70s. By the mid-'70s he was making hit disco records, still cooking in a rhythmic groove." He describes his approach to finding the groove as follows: "All you have to do is find the waves that are comfortable to float on top of." Mann argues that the "epitome of a groove record" is "Memphis Underground or Push Push", because the "rhythm section locked all in one perception." Reggae In Jamaican reggae, dancehall, and dub music, the creole term "riddim" is used to describe the rhythm patterns created by the drum pattern or a prominent bassline. In other musical contexts a "riddim" would be called a "groove" or beat. One of the widely copied "riddims", Real Rock, was recorded in 1967 by Sound Dimension. "It was built around a single, emphatic bass note followed by a rapid succession of lighter notes. The pattern repeated over and over hypnotically. The sound was so powerful that it gave birth to an entire style of reggae meant for slow dancing called rub a dub ------------------------------ End of alt.music.moxy-fruvous digest V14 #4713 **********************************************