From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #4664 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, July 30 2020 Volume 14 : Number 4664 Today's Subjects: ----------------- Latinas...Go south,young man... ["SexyLatinWomen Team" Subject: Latinas...Go south,young man... Latinas...Go south,young man... http://surviving.buzz/1xBIKK_NvZiZ7x4v9A93BTAJe46THgqL4dUMvUyxXDqI5g http://surviving.buzz/U6EVOBgq6vh6lFXx_L1JWKiPBJnOo5-efP8nQb6W_cT12g Many of the greatest mural paintings in Europe, like Michelangelo's Sistine Chapel ceiling, are executed in fresco, meaning they are painted on a thin layer of wet plaster, called intonaco; the pigments sink into this layer so that the plaster itself becomes the medium holding them, which accounts for the excellent durability of fresco. Additional work may be added a secco on top of the dry plaster, though this is generally less durable. Plaster (often called stucco in this context) is a far easier material for making reliefs than stone or wood, and was widely used for large interior wall-reliefs in Egypt and the Near East from antiquity into Islamic times (latterly for architectural decoration, as at the Alhambra), Rome, and Europe from at least the Renaissance, as well as probably elsewhere. However, it needs very good conditions to survive long in unmaintained buildings b Roman decorative plasterwork is mainly known from Pompeii and other sites buried by ash from Mount Vesuvius. Plaster may be cast directly into a damp clay mold. In creating this piece molds (molds designed for making multiple copies) or waste molds (for single use) would be made of plaster. This "negative" image, if properly designed, may be used to produce clay productions, which when fired in a kiln become terra cotta building decorations, or these may be used to create cast concrete sculptures. If a plaster positive was desired this would be constructed or cast to form a durable image artwork. As a model for stonecutters this would be sufficient. If intended for producing a bronze casting the plaster positive could be further worked to produce smooth surfaces. An advantage of this plaster image is that it is relatively cheap; should a patron approve of the durable image and be willing to bear further expense, subsequent molds could be made for the creation of a wax image to be used in lost wax casting, a far more expensive process. In lieu of producing a bronze image suitable for outdoor use the plaster image may be painted to resemble a metal image; such sculptures are suitable only for presentation in a weather-protected environment. Plaster expands while hardening then contracts slightly just before hardening completely. This makes plaster excellent for use in molds, and it is often used as an artistic material for casting. Plaster is also commonly spread over an armature (form), made of wire mesh, cloth, or other materials; a process for adding raised details. For these processes, limestone or acrylic based plaster may be employed, known as stucco.[citation needed] Products composed mainly of plaster of Paris and a small amount of Portland cement are used for casting sculptures and other art objects as well as molds. Considerably harder and stronger than straight plaster of Paris, these products are for indoor use only as they rapidly degrade in the rain. ------------------------------ Date: Thu, 30 Jul 2020 04:48:21 -0400 From: "Fidelity Life" Subject: Let our life insurance agents find you an affordable plan today! Let our life insurance agents find you an affordable plan today! http://naturalmedi.co/QUbfc8FVniyc4K858WieQoFP4rWiNASwJdShAZ4bQfztk1rQ http://naturalmedi.co/d8IJNQO27OxZzowl6yrbZcn4nrbU7w5TBDd0QyG7fKVMFf0C Straw or grass was added sometimes with the addition of manure providing fiber for tensile strength as well as protein adhesive. Proteins in the manure act as binders. The hydrogen bonds of proteins must stay dry to remain strong, so the mud plaster must be kept dry. With braced timber framed structures clay plaster was used on interior walls and ceilings as well as exterior walls as the wall cavity and exterior cladding isolated the clay plaster from moisture penetration. Application of clay plaster in brick structures risked water penetration from failed mortar joints on the exterior brick walls. In Economy Village, the rear and middle wythes of brick dwelling walls are laid in a clay and sand mortar with the front wythe bedded in a lime and sand mortar to provide a weather proof seal to protect from water penetration. This allowed a rendering of clay plaster and setting coat of thin lime and fine sand on exterior-walled rooms. Lime setting-coat on clay plaster with straw binder. Applied to hand-split lath over a timber framed wall of a brick family house at Old Economy Village, Pennsylvania Split lath was nailed with square cut lath nails, one into each framing member. With hand split lath the plasterer had the luxury of making lath to fit the cavity being plastered. Lengths of lath two to six foot are not uncommon at Economy Village. Hand split lath is not uniform like sawn lath. The straightness or waviness of the grain affected the thickness or width of each lath, and thus the spacing of the lath. The clay plaster rough coat varied to cover the irregular lath. Window and door trim as well as the mudboard (baseboard) acted as screeds. With the variation of the lath thickness and use of coarse straw and manure, the clay coat of plaster was thick in comparison to later lime-only and gypsum plasters. In Economy Village, the lime top coats are thin veneers often an eighth inch or less attesting to the scarcity of limestone supplies there. Clay plasters with their lack of tensile and compressive strength fell out of favor as industrial mining and technology advances in kiln production led to the exclusive use of lime and then gypsum in plaster applications. However, clay plasters still exist after hundreds of years clinging to split lath on rusty square nails. The wall variations and roughness reveal a hand-made and pleasing textured alternative to machine-made modern substrate finishes. But clay plaster finishes are rare and fleeting. According to Martin Weaver, bMany of North Americabs historic building interiorsb&are all too oftenb&one of the first things to disappear in the frenzy of demolition of interiors which has unfortunately come to be a common companion to bheritage preservationb in the guise of building rehabilitation ------------------------------ Date: Thu, 30 Jul 2020 03:53:27 -0400 From: "**Chris**" <**Chris**@naturalmedi.co> Subject: ? Read your message before it gets deleted ? Read your message before it gets deleted http://naturalmedi.co/AWL3gkJv7avo2NhQDaID1stc8eINRJ1q7pEkurr5yZlm8wnf http://naturalmedi.co/snK7VpePXs_x4FV60MwmnZRgrzroxLlX8h9LyGunj2bo1ifg Clay plaster has been used since antiquity. Settlers in the American colonies used clay plaster on the interiors of their houses: bInterior plastering in the form of clay antedated even the building of houses of frame, and must have been visible in the inside of wattle filling in those earliest frame houses in which b&wainscot had not been indulged. Clay continued in the use long after the adoption of laths and brick filling for the frame." Where lime was not available or easily accessible it was rationed or substituted with other binders. In Martin E. Weaverbs seminal work he says, bMud plaster consists of clay or earth which is mixed with water to give a bplasticb or workable consistency. If the clay mixture is too plastic it will shrink, crack and distort on drying. It will also probably drop off the wall. Sand and fine gravels were added to reduce the concentrations of fine clay particles which were the cause of the excessive shrinkage.b Straw or grass was added sometimes with the addition of manure. In the Earliest European settlersb plasterwork, a mud plaster was used or more usually a mud-lime mixture. McKee writes, of a circa 1675 Massachusetts contract that specified the plasterer, bIs to lath and siele the four rooms of the house betwixt the joists overhead with a coat of lime and haire upon the clay; also to fill the gable ends of the house with ricks and plaister them with clay. 5. To lath and plaster partitions of the house with clay and lime, and to fill, lath, and plaister them with lime and haire besides; and to siele and lath them overhead with lime; also to fill, lath, and plaster the kitchen up to the wall plate on every side. 6. The said Daniel Andrews is to find lime, bricks, clay, stone, haire, together with laborers and workmenb& .b Records of the New Haven colony in 1641 mention clay and hay as well as lime and hair also. In German houses of Pennsylvania the use of clay persisted.b Clay plaster base coat on split oak lath held in place with straw and manure, covered with a lime plaster top coat, Old Economy Village, Pennsylvania (1827) Old Economy Village is one such German settlement. The early Nineteenth-Century utopian village in present-day Ambridge, Pennsylvania, used clay plaster substrate exclusively in the brick and wood frame high architecture of the Feast Hall, Great House and other large and commercial structures as well as in the brick, frame and log dwellings of the society members. The use of clay in plaster and in laying brickwork appears to have been a common practice at that time not just in the construction of Economy village when the settlement was founded in 1824. Specifications for the construction of, bLock keepers houses on the Chesapeake and Ohio Canal, written about 1828, require stone walls to be laid with clay mortar, excepting 3 inches on the outside of the wallsb&which (are) to be good lime mortar and well pointed.b The choice of clay was because of its low cost, but also the availability. At Economy, root cellars dug under the houses yielded clay and sand (stone), or the nearby Ohio river yielded washed sand from the sand bars; and lime outcroppings and oyster shell for the lime kiln. Other required building materials were also sourced locally. The surrounding forests of the new village of Economy provided straight grain, old-growth oak trees for lath. Hand split lath starts with a log of straight grained wood of the required length. The log is spit into quarters and then smaller and smaller bolts with wedges and a sledge. When small enough, a froe and mallet were used to split away narrow strips of lath - unattainable with field trees and their many limbs. Farm animals pastured in the fields cleared of trees provided the hair and manure for ------------------------------ Date: Thu, 30 Jul 2020 05:34:49 -0400 From: "Hypoxia Training" Subject: Is it a good idea to train with a mask? Is it a good idea to train with a mask? http://inksave.guru/WHaXia7_kNrZ7kA99F_W7UHja6XXwlZbZG1uFJLTJNscujYv http://inksave.guru/ID8kbyOqEEid778aDc3tPOIhYvFG1WR4p5WDC71ew3gWozix Like nitrogen, phosphorus is involved with many vital plant processes. Within a plant, it is present mainly as a structural component of the nucleic acids: deoxyribonucleic acid (DNA) and ribonucleic acid (RNA), as well as a constituent of fatty phospholipids, that are important in membrane development and function. It is present in both organic and inorganic forms, both of which are readily translocated within the plant. All energy transfers in the cell are critically dependent on phosphorus. As with all living things, phosphorus is part of the Adenosine triphosphate (ATP), which is of immediate use in all processes that require energy with the cells. Phosphorus can also be used to modify the activity of various enzymes by phosphorylation, and is used for cell signaling. Phosphorus is concentrated at the most actively growing points of a plant and stored within seeds in anticipation of their germination. Phosphorus is most commonly found in the soil in the form of polyprotic phosphoric acid (H3PO4), but is taken up most readily in the form of H2PO? 4. Phosphorus is available to plants in limited quantities in most soils because it is released very slowly from insoluble phosphates and is rapidly fixed once again. Under most environmental conditions it is the element that limits growth because of this constriction and due to its high demand by plants and microorganisms. Plants can increase phosphorus uptake by a mutualism with mycorrhiza. A Phosphorus deficiency in plants is characterized by an intense green coloration or reddening in leaves due to lack of chlorophyll. If the plant is experiencing high phosphorus deficiencies the leaves may become denatured and show signs of death. Occasionally the leaves may appear purple from an accumulation of anthocyanin. Because phosphorus is a mobile nutrient, older leaves will show the first signs of deficiency. On some soils, the phosphorus nutrition of some conifers, including the spruces, depends on the ability of mycorrhizae to take up, and make soil phosphorus available to the tree, hitherto unobtainable to the non-mycorrhizal root. Seedling white spruce, greenhouse-grown in sand testing negative for phosphorus, were very small and purple for many months until spontaneous mycorrhizal inoculation, the effect of which was manifested by a greening of foliage and the development of vigorous shoot growth. Phosphorus deficiency can produce symptoms similar to those of nitrogen deficiency, but as noted by Russel: bPhosphate deficiency differs from nitrogen deficiency in being extremely difficult to diagnose, and crops can be suffering from extreme starvation without there being any obvious signs that lack of phosphate is the causeb. Russell's observation applies to at least some coniferous seedlings, but Benzian found that although response to phosphorus in very acid forest tree nurseries in England was consistently high, no species (including Sitka spruce) showed any visible symptom of deficiency other than a slight lack of lustre. Phosphorus levels have to be exceedingly low before visible symptoms appear in such seedlings. In sand culture at 0 ppm phosphorus, white spruce seedlings were very small and tinted deep purple; at 0.62 ppm, only the smallest seedlings were deep purple; at 6.2 ppm, the seedlings were of good size and color. It is useful to apply a high phosphorus content fertilizer, such as bone meal, to perennials to help with successful root formation ------------------------------ Date: Thu, 30 Jul 2020 03:53:54 -0400 From: "ProFlightSimulator" Subject: Explore The Entire World with 100% Freedom Explore The Entire World with 100% Freedom http://surviving.buzz/qSrXkH91wqoVPyMT1tSwTuW5zTKImaXl_jOVU9sG1SB4MQuE http://surviving.buzz/ts9odmyVcDRDMARcAkSV6XY_MSU6tDgRHNKP1EJQZkNAeTQr Plaster is a building material used for the protective or decorative coating of walls and ceilings and for moulding and casting decorative elements. In English "plaster" usually means a material used for the interiors of buildings, while "render" commonly refers to external applications. Another imprecise term used for the material is stucco, which is also often used for plasterwork that is worked in some way to produce relief decoration, rather than flat surfaces. The most common types of plaster mainly contain either gypsum, lime, or cement, but all work in a similar way. The plaster is manufactured as a dry powder and is mixed with water to form a stiff but workable paste immediately before it is applied to the surface. The reaction with water liberates heat through crystallization and the hydrated plaster then hardens. Plaster can be relatively easily worked with metal tools or even sandpaper, and can be moulded, either on site or to make pre-formed sections in advance, which are put in place with adhesive. Plaster is not a strong material; it is suitable for finishing, rather than load-bearing, and when thickly applied for decoration may require a hidden supporting framework, usually in metal. Forms of plaster have several other uses. In medicine plaster orthopedic casts are still often used for supporting set broken bones. In dentistry plaster is used to make dental impressions. Various types of models and moulds are made with plaster. In art, lime plaster is the traditional matrix for fresco painting; the pigments are applied to a thin wet top layer of plaster and fuse with it so that the painting is actually in coloured plaster. In the ancient world, as well as the sort of ornamental designs in plaster relief that are still used, plaster was also widely used to create large figurative reliefs for walls, though few of these have survived. ------------------------------ Date: Wed, 29 Jul 2020 05:14:53 -0400 From: "Claim karambit Black" Subject: Get This Wicked Sharp Knife For Free Get This Wicked Sharp Knife For Free http://bookofremidies.co/Xu3KxReVqat94wxaVrHJqoDN58TfcTcgzzFQLeLeWdBxdOlZ http://bookofremidies.co/nwD2HJxB4-9Z-Fnt0vMAK1TLUtu0-FBhR8o48MNx50l1zMq0 Because of the limited techniques currently available to detect exoplanets, many of those found to date have been of a size associated, in the Solar System, with giant planets. Because these large planets are inferred to share more in common with Jupiter than with the other giant planets, some have claimed that "jovian planet" is a more accurate term for them. Many of the exoplanets are much closer to their parent stars and hence much hotter than the giant planets in the Solar System, making it possible that some of those planets are a type not observed in the Solar System. Considering the relative abundances of the elements in the universe (approximately 98% hydrogen and helium) it would be surprising to find a predominantly rocky planet more massive than Jupiter. On the other hand, models of planetary-system formation have suggested that giant planets would be inhibited from forming as close to their stars as many of the extrasolar giant planets have been observed to orbit. Atmospheres The bands seen in the atmosphere of Jupiter are due to counter-circulating streams of material called zones and belts, encircling the planet parallel to its equator. The zones are the lighter bands, and are at higher altitudes in the atmosphere. They have an internal updraft and are high-pressure regions. The belts are the darker bands, are lower in the atmosphere, and have an internal downdraft. They are low-pressure regions. These structures are somewhat analogous to the high and low-pressure cells in Earth's atmosphere, but they have a very different structureblatitudinal bands that circle the entire planet, as opposed to small confined cells of pressure. This appears to be a result of the rapid rotation and underlying symmetry of the planet. There are no oceans or landmasses to cause local heating and the rotation speed is much higher than that of Earth. There are smaller structures as well: spots of different sizes and colors. On Jupiter, the most noticeable of these features is the Great Red Spot, which has been present for at least 300 years. These structures are huge storms. Some such spots are thunderheads as well. ------------------------------ End of alt.music.moxy-fruvous digest V14 #4664 **********************************************