From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #4196 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, May 20 2020 Volume 14 : Number 4196 Today's Subjects: ----------------- Hookup with local Ladies in your area ["Adult Dating" ] UV Sanitizer Hand Wand Ultra Violet Light Kill Bacteria and Germ Sterilizer [" Hand Sanitizing Lamp" ] Support for Trump in 2020 by using the Koozie's. ["2020 Red Koozie" <2020] Complete Woodworking Guides ["Woodworking Projects" Subject: Hookup with local Ladies in your area Hookup with local Ladies in your area http://collgroww.bid/gGQTcLcIiKXWjxUPo4p1PojKfxpxFLjo8nIstxA7TbGvwjLc http://collgroww.bid/MhWjBgf0wrzSJBXHKk1S2hLyTaUV1utJACFvbIrd9kGlHF8 celebration for an individual, such as baptism, birthday or wedding. A custom can also mark a community festival or event; examples of this are Carnival in Cologne or Mardi Gras in New Orleans. This category also includes the Smithsonian Folklife Festival celebrated each summer on the Mall in Washington, DC. A fourth category includes customs related to folk beliefs. Walking under a ladder is just one of many symbols considered unlucky. Occupational groups tend to have a rich history of customs related to their life and work, so the traditions of sailors or lumberjacks.[note 5] The area of ecclesiastical folklore, which includes modes of worship not sanctioned by the established church tends to be so large and complex that it is usually treated as a specialized area of folk customs; it requires considerable expertise in standard church ritual in order to adequately interpret folk customs and beliefs that originated in official church practice. Customary folklore is by definition folklore in action; it is always a performance, be it a single gesture or a complex of scripted customs. Participating in the custom, either as performer or audience, signifies acknowledgment of that social group. Some customary behavior is intended to be performed and understood only within the group itself, so the handkerchief code sometimes used in the gay community or the initiation rituals of the Freemasons. Other customs are designed specifically to represent a social group to outsiders, those who do not belong to this group. The St. Patrick's Day Parade in New York and in other communities across the continent is a single example of an ethnic group parading their separateness (differential behavior), and encouraging Americans of all stripes to show alliance to this colorful ethnic group. Practitioners of hoodening, a folk custom found in Kent, southeastern England, in 1909 These festivals and parades, with a target audience of people who do not belong to the social group, intersect with the interests and mission of public folklorists, who are engaged in the documentation, preservation, and presentation of traditional forms of folklife. With a swell in popular interest in folk traditions, these community celebrations are becoming more numerous throughout the western world. While ostensibly parading the diversity of their community, economic groups have discovered that these folk parades and festivals are good for business. All shades of people are out on the streets, eating, drinking and spending. This attracts support not only from the business community, but also from federal and state organizations for these local street parties. Paradoxically, in parading diversity within the community, these events have come to authenticate true community, where business interests ally with the varied (folk) social groups to promote the interests of the community as a whole. ------------------------------ Date: Wed, 20 May 2020 03:49:34 -0400 From: "Sarah" Subject: You Dont Have to Be Alone You Dont Have to Be Alone http://lifeprotect.us/TLsrGYlrpBxRhCdPDxkXhHgEOsnR6Ldz2w5229zMVliGOzAv http://lifeprotect.us/jkYHa_h4XXoAbtX75BxFwKclSoiIq42W5PLlziRcFDbFgv5U media reported that Akshay Kumar, Kareena Kapoor and Priyanka Chopra were cast in lead roles, making it the third film collaboration between Kumar and Chopra after the highly successful Andaaz (2003) and Mujhse Shaadi Karogi (2004). Kumar was cast as Raj, a working man accused of rape at his workplace; Kapoor portrayed his supportive wife, who goes to extremes to defend him. According to the directors, Kumar was cast against type; he generally played action heroes, and they wanted him to underplay his character. AbbasbMustan, known for stylish thrillers and intriguing antagonists, cast Chopra in her first negative role. She plays a woman, married to a business magnate more than twice her age, who seeks revenge by falsely accusing her former lover of raping her. Chopra was initially apprehensive about such a bold character, due to the controversial theme of sexual harassment, but AbbasbMastan and Subhash Ghai convinced her to accept the role. The director duo had previously offered her the lead in their 2002 thriller Humraaz, which she could not accept. Kumar described his character as "realistic" and a "new-age metrosexual" man. The actor revealed that he enjoyed the strengths and weaknesses of his character, adding " is not afraid to show his feelings and does not feel emasculated by his situation." Kumar further stated: "There's a quiet dignity and heroism associated with my character. He doesn't fight for applause. He fights for his convictions." In an interview with Tribune India, Kapoor remarked that Indian women would identify with her character. She said her character "stand by in his moment of distress and helplessness, like every Indian woman would." Chopra described her character Sonia as "charming and focused", commenting that her "philosophy is that she has to achieve her goals at any cost. She knows one thing: that nothing can come in between her desires and herself." Owing to her conservative upbringing, Chopra found it difficult to identify with her "man-eater role". Playing an "extremely negative character" proved a challenge, and she had to mentally prepare herself for an hour before each scene ------------------------------ Date: Wed, 20 May 2020 02:00:06 -0400 From: " Hand Sanitizing Lamp" Subject: UV Sanitizer Hand Wand Ultra Violet Light Kill Bacteria and Germ Sterilizer This email must be viewed in HTML mode. ------------------------------ Date: Wed, 20 May 2020 05:58:43 -0400 From: "Tactical Flashlight" Subject: Last Chance To Grab A Free Tactical Flashlight Last Chance To Grab A Free Tactical Flashlight http://alivehear.us/cHzEQrsUZQEnrPZ51hQ9w7Wd0CSk0go6r5uEN-ggB5KgDw http://alivehear.us/3nuRXxpPdlW8Y0e2Q3sBe1Dqk0Trclbdp02oX_TKSMOurw as one folklorist points out, this is "not idle speculationb& Decades of fieldwork have demonstrated conclusively that these groups do have their own folklore." In this modern understanding, folklore is a function of shared identity within any social group. This folklore can include jokes, sayings and expected behavior in multiple variants, always transmitted in an informal manner. For the most part it will be learned by observation, imitation, repetition or correction by other group members. This informal knowledge is used to confirm and re-inforce the identity of the group. It can be used both internally within the group to express their common identity, for example in an initiation ceremony for new members. Or it can be used externally to differentiate the group from outsiders, like a folkdance demonstration at a community festival. Significant to folklorists here is that there are two opposing but equally valid ways to use this in the study of a group: you can start with an identified group in order to explore its folklore, or you can identify folklore items and use them to identify the social group. Beginning in the 1960s, a further expansion of the concept of folk began to unfold in folkloristics. Individual researchers identified folk groups which had previously been overlooked and ignored. One major example of this is found in an issue of "The Journal of American Folklore", published 1975. This edition is dedicated exclusively to articles on women's folklore, with approaches that were not coming from a man's perspective.[note 2] Other groups that were highlighted as part of this broadened understanding of the folk group were non-traditional families, occupational groups, and families that pursued production of folk items through multiple generations. ------------------------------ Date: Wed, 20 May 2020 13:09:58 +0800 From: Kin Subject: RE:STONE CARVING Dear Distriubtor We are one of the professional stone carving manufacturer in China.We provide stone carving,stone crafts,tombstones,white marble carving,stone carving buddha statues etc.,whihc has good reputation all around the world. 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Some authors define a "principal ray" for each object point. The principal ray starting at a point on the edge of the object may then be called the marginal principal ray. A sagittal ray or transverse ray from an off-axis object point is a ray that propagates in the plane that is perpendicular to the meridional plane and contains the principal ray. Sagittal rays intersect the pupil along a line that is perpendicular to the meridional plane for the ray's object point and passes through the optical axis. If the axis direction is defined to be the z axis, and the meridional plane is the y-z plane, sagittal rays intersect the pupil at yp=0. The principal ray is both sagittal and meridional. All other sagittal rays are skew rays. A paraxial ray is a ray that makes a small angle to the optical axis of the system, and lies close to the axis throughout the system. Such rays can be modeled reasonably well by using the paraxial approximation. When discussing ray tracing this definition is often reversed: a "paraxial ray" is then a ray that is modeled using the paraxial approximation, not necessarily a ray that remains close to the axis. A finite ray or real ray is a ray that is traced without making the paraxial approximation. A parabasal ray is a ray that propagates close to some defined "base ray" rather than the optical axis. This is more appropriate than the paraxial model in systems that lack symmetry about the optical axis. In computer modeling, parabasal rays are "real rays", that is rays that are treated without making the paraxial approximation. Parabasal rays about the optical axis are sometimes used to calculate first- ------------------------------ Date: Sun, 17 May 2020 11:46:39 -0400 From: "Woodworking Projects" Subject: Complete Woodworking Guides Complete Woodworking Guides http://lostinator.guru/2kXtkDogttf9nRWIQeZJzrbUbHT9R-TffXCKPyjB37x-Ig http://lostinator.guru/5aOzmJsmEb9-HpMd2XraJJjRx873l0Gl-gnWuK9M2Mz9pw perseverant. Just as a bamboo is hollow-hearted, he should open his heart to accept anything of benefit and never have arrogance or prejudice. Bamboo is not only a symbol of a gentleman, but also plays an important role in Buddhism, which was introduced into China in the first century. As canons of Buddhism forbids cruelty to animals, flesh and egg were not allowed in the diet. The tender bamboo shoot (s?n ? in Chinese) thus became a nutritious alternative. Preparation methods developed over thousands of years have come to be incorporated into Asian cuisines, especially for monks. A Buddhist monk, Zan Ning, wrote a manual of the bamboo shoot called S?n P? (??) offering descriptions and recipes for many kinds of bamboo shoots. Bamboo shoot has always been a traditional dish on the Chinese dinner table, especially in southern China. In ancient times, those who could afford a big house with a yard would plant bamboo in their garden. In Japan, a bamboo forest sometimes surrounds a Shinto shrine as part of a sacred barrier against evil. Many Buddhist temples also have bamboo groves. A cylindrical bamboo brush holder or holder of poems on scrolls, created by Zhang Xihuang in the 17th century, late Ming or early Qing Dynasty b in the calligraphy of Zhang's style, the poem Returning to My Farm in the Field by the fourth-century poet Tao Yuanming is incised on the holder. Bamboo-style barred window in Lin An Tai Historical House, Taipei Bamboo plays an important part of the culture of Vietnam. Bamboo symbolizes the spirit of Vovinam (a Vietnamese martial arts): c??ng nhu ph?i tri?n (coordination between hard and soft (martial arts)). Bamboo also symbolizes the Vietnamese hometown and Vietnamese soul: the gentlemanlike, straightforwardness, hard working, optimism, unity, and adaptability. A Vietnamese proverb says, "Tre giC , m?ng m?c" (When the bamboo is old, the bamboo sprouts appear), the meaning being Vietnam will never be annihilated; if the previous generation dies, the children take their place. Therefore, the Vietnam nation and Vietnamese value will be maintained and developed ------------------------------ End of alt.music.moxy-fruvous digest V14 #4196 **********************************************