From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #3916 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, April 8 2020 Volume 14 : Number 3916 Today's Subjects: ----------------- Don't Pay Full Price for Printer Ink! ["1ink" <1ink@ultramoskihack.buzz>] No medical exam and up to $1M in coverage â call today! ["Fidelity Life" ] ---------------------------------------------------------------------- Date: Tue, 7 Apr 2020 05:48:39 -0400 From: "1ink" <1ink@ultramoskihack.buzz> Subject: Don't Pay Full Price for Printer Ink! Don't Pay Full Price for Printer Ink! http://ultramoskihack.buzz/8saxa970-R-tZqpv6SeCIhE6Yc0NAThLGX5yNBprukhZ7XY http://ultramoskihack.buzz/0b5HhwHi3M5NC8MDO1bhs_IetV7idEy_PNGcaAjj4FW-UDsM Performers who have studied classical music extensively are said to be "classically trained". This training may come from private lessons from instrument or voice teachers or from completion of a formal program offered by a Conservatory, college or university, such as a Bachelor of Music or Master of Music degree (which includes individual lessons from professors). In classical music, "...extensive formal music education and training, often to postgraduate [Master's degree] level" is required. Performance of classical music repertoire requires a proficiency in sight-reading and ensemble playing, harmonic principles, strong ear training (to correct and adjust pitches by ear), knowledge of performance practice (e.g., Baroque ornamentation), and a familiarity with the style/musical idiom expected for a given composer or musical work (e.g., a Brahms symphony or a Mozart concerto).[citation needed] The key characteristic of European classical music that distinguishes it from popular music and folk music is that the repertoire tends to be written down in musical notation, creating a musical part or score. This score typically determines details of rhythm, pitch, and, where two or more musicians (whether singers or instrumentalists) are involved, how the various parts are coordinated. The written quality of the music has enabled a high level of complexity within them: fugues, for instance, achieve a remarkable marriage of boldly distinctive melodic lines weaving in counterpoint yet creating a coherent harmonic logic. The use of written notation also preserves a record of the works and enables Classical musicians to perform music from many centuries ago. Although Classical music in the 2000s has lost most of its tradition for musical improvisation, from the Baroque era to the Romantic era, there are examples of performers who could improvise in the style of their era. In the Baroque era, organ performers would improvise preludes, keyboard performers playing harpsichord would improvise chords from the figured bass symbols beneath the bass notes of the basso continuo part and both vocal and instrumental performers would improvise ------------------------------ Date: Mon, 6 Apr 2020 06:51:53 -0400 From: "Fidelity Life" Subject: No medical exam and up to $1M in coverage â call today! No medical exam and up to $1M in coverage b call today! http://fidether.guru/5uXczjhczZ78sFOjZdCZlAxt-6p7WHYaz0_wKNQcJYEzOuMs http://fidether.guru/19WrRM9O4OsqsSFUydziqbLiwzhz_lWlrJ4-QgB6IdQ32ps we live in groups (otherwise known as "bands"). Most Ojibwe, except for the Great Plains bands, lived a sedentary lifestyle, engaging in fishing and hunting to supplement the women's cultivation of numerous varieties of maize and squash, and the harvesting of manoomin (wild rice). Their typical dwelling was the wiigiwaam (wigwam), built either as a waginogaan (domed-lodge) or as a nasawa'ogaan (pointed-lodge), made of birch bark, juniper bark and willow saplings. Vintage stereoscopic photo entitled "Chippewa lodges, Beaver Bay, by Childs, B. F." They developed a form of pictorial writing, used in religious rites of the Midewiwin and recorded on birch bark scrolls and possibly on rock. The many complex pictures on the sacred scrolls communicate much historical, geometrical, and mathematical knowledge. The use of petroforms, petroglyphs, and pictographs was common throughout the Ojibwe traditional territories. Petroforms and medicine wheels were a way to teach the important concepts of four directions and astronomical observations about the seasons, and to use as a memorizing tool for certain stories and beliefs. Ceremonies also used the miigis shell (cowry shell), which is found naturally in distant coastal areas. Their use of such shells demonstrates there was a vast trade network across the continent at some time. The use and trade of copper across the continent has also been proof of a large trading network that took place for thousands of years, as far back as the Hopewell tradition. Certain types of rock used for spear and arrow heads were also traded over large distances. Pictographs on Mazinaw Rock, Bon Echo Provincial Park, Ontario During the summer months, the people attend jiingotamog for the spiritual and niimi'idimaa for a social gathering (pow-wows or "pau waus") at various reservations in the Anishinaabe-Aki (Anishinaabe Country). Many people still follow the traditional ways of harvesting wild rice, picking berries, hunting, making medicines, and making maple sugar. Many of the Ojibwe take part in sun dance ceremonies across the continent. The sacred scrolls are kept hidden away until those who are worthy and respect them are given permission to see and interpret them properly. The Ojibwe bury their dead in burial mounds. Many erect a jiibegamig or a "spirit-house" over each mound. A traditional burial mound would typically have a wooden marker, inscribed with the deceased's doodem (clan sign). Because of the distinct features of these burials, Ojibwe graves have been often looted by grave robbers. In the Unit ------------------------------ End of alt.music.moxy-fruvous digest V14 #3916 **********************************************