From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #3905 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Tuesday, April 7 2020 Volume 14 : Number 3905 Today's Subjects: ----------------- Just for you. Survey Invite Inside. ["Survey Recruitment Center" Subject: Just for you. Survey Invite Inside. Just for you. Survey Invite Inside. http://ultramoskihack.buzz/2I_5NtsdDNy9gn2zVvqfkok_F0_17CWqC3Qx01IpnH7GAiKv http://ultramoskihack.buzz/wu63l8vellddvd5PtnICKCHc07iq4RzAhxREfysF4pmAD4t3 Technical quality of the broadcasts steadily improved over the years. FM broadcasts were added in the 1950s, transmitted to stations via telephone lines. Starting with the 1973b74 season, all broadcasts were offered in FM stereo. Satellite technology later allowed uniformly excellent broadcast sound to be sent live worldwide. Sponsorship of the Met broadcasts during the Depression years of the 1930s was sporadic. Early sponsors included the American Tobacco Company, and the Lambert Pharmaceutical Company, but frequently the broadcasts were presented by NBC itself with no commercial sponsor. Sponsorship of the Saturday afternoon broadcasts by The Texas Company (Texaco) began on December 7, 1940 with Mozart's Le nozze di Figaro. Texaco's support continued for 63 years, the longest continuous sponsorship in broadcast history and included the first PBS television broadcasts. After its merger with Chevron, however, the combined company ChevronTexaco ended its sponsorship of the Met's radio network in April 2004. Emergency grants allowed the broadcasts to continue through 2005 when the home building company Toll Brothers became primary sponsor. In the seven decades of its Saturday broadcasts, the Met has been introduced by the voices of only three permanent announcers. Milton Cross served from the inaugural 1931 broadcast until his death in 1975. He was succeeded by Peter Allen, who served for 29 years, through the 2003b04 season. Margaret Juntwait began her tenure as host the following season. From September 2006 through December 2014, Juntwait also served as host for all of the live and recorded broadcasts on the Met's Sirius XM satellite radio channel, Metropolitan Opera Radio. Beginning in January 2015, producer Mary Jo Heath filled in for Juntwait, who was being treated for cancer and died in June 2015. In September 2015 Heath took over as the new permanent host. Opera singer and director Ira Siff has for several years been the commentator along with Juntwait or Heath ------------------------------ Date: Tue, 7 Apr 2020 03:45:33 -0400 From: "Vitiligo Miracle" Subject: Cure Vitiligo Without Drugs or Typical Vitiligo Treatments. Cure Vitiligo Without Drugs or Typical Vitiligo Treatments. http://remeddy.guru/qMzA10y1s0gw_8-pSwqXTM8gpk9M0e09ovYB46ik4tGX-FBZ http://remeddy.guru/QPsokFh1EuJyI2KM6bfd1wWUp9c4GrjFNBLSvAul4VBYJxxu Gelb focused on expanding the Met's audience through a number of fronts. Increasing the number of new productions every season to keep the Met's stagings fresh and noteworthy, Gelb partnered with other opera companies to import productions and engaged directors from theater, circus, and film to produce the Met's own original productions. Theater directors Bartlett Sher, Mary Zimmerman, and Jack O'Brien joined the list of the Met's directors along with Stephen Wadsworth, Willy Decker, Laurent Pelly, Luc Bondy and other opera directors to create new stagings for the company. Robert Lepage, the Canadian director of Cirque du Soleil, was engaged by the Met to direct a revival of Der Ring des Nibelungen using hydraulic stage platforms and projected 3D imagery. To further engage new audiences Gelb initiated live high-definition video transmissions to cinemas worldwide, and regular live satellite radio broadcasts on the Met's own SiriusXM radio channel. New stars that emerged during Gelb's tenure include Piotr Becza?a, Lawrence Brownlee, Joseph Calleja, El?na Garan?a, Jonas Kaufmann, Mariusz Kwiecie?. Debuting conductors included Yannick NC)zet-SC)guin, Andris Nelsons, and Fabio Luisi. Luisi was named Principal Guest Conductor in 2010 and Principal Conductor in 2011, filling a void created by James Levine's two-year absence due to illness. In 2013, following the severance of the dancers' contracts, Gelb announced that the resident ballet company at the Met would cease to exist. In 2014, Gelb and the Met found new controversy with a production of John Adams's opera The Death of Klinghoffer, due to criticism that the work was antisemitic. In response to the controversy Gelb canceled the scheduled worldwide HD video presentation of a performance, but refused demands to cancel the live performances scheduled for October and November 2014. Demonstrators held signs and chanted "Shame on Gelb". On April 14, 2016, the company announced the conclusion of James Levine's tenure as Music Director at the conclusion of the 2015b16 season. Gelb announced that Levine would also become Music Director Emeritus. On June 2, the Met board announced the appointment of Yannick NC)zet-SC)guin, who was then the music director of the Philadelphia Orchestra, as the company's next music director, as of the 2020b2021 season, conducting five productions each season. He took the title of music director-designate, conducting two productions a year, as of the 2017-2018 season. In February 2018, NC)zet-SC)guin succeeded Levine as music director of the Metropolitan Opera ------------------------------ Date: Mon, 6 Apr 2020 12:43:59 -0400 From: "Kill Insects" Subject: I have not had any mosquitoes in my bedroom since I got this. I have not had any mosquitoes in my bedroom since I got this. http://sonisc.guru/KHNJRPtUa8CSZe7xQkSBYgar2rKDWTafUtZUkHOjnBvbAikJ http://sonisc.guru/tiM8VxAqNGZvL6mi49xwX5YHh_foRb9gGo5oEjgQgcxqodiC American screenplays are printed single-sided on three-hole-punched paper using the standard American letter size (8.5 x 11 inch). They are then held together with two brass brads in the top and bottom hole. The middle hole is left empty as it would otherwise make it harder to quickly read the script. In the United Kingdom, double-hole-punched A4 paper is normally used, which is slightly taller and narrower than US letter size. Some UK writers format the scripts for use in the US letter size, especially when their scripts are to be read by American producers, since the pages would otherwise be cropped when printed on US paper. Because each country's standard paper size is difficult to obtain in the other country, British writers often send an electronic copy to American producers, or crop the A4 size to US letter. A British script may be bound by a single brad at the top left hand side of the page, making flicking through the paper easier during script meetings. Screenplays are usually bound with a light card stock cover and back page, often showing the logo of the production company or agency submitting the script, covers are there to protect the script during handling which can reduce the strength of the paper. This is especially important if the script is likely to pass through the hands of several people or through the post. Increasingly, reading copies of screenplays (that is, those distributed by producers and agencies in the hope of attracting finance or talent) are distributed printed on both sides of the paper (often professionally bound) to reduce paper waste. Occasionally they are reduced to half-size to make a small book which is convenient to read or put in a pocket; this is generally for use by the director or production crew during shooting. Although most writing contracts continue to stipulate physical delivery of three or more copies of a finished script, it is common for scripts to be delivered electronically via email. Electronic copies allow easier copyright registration and also documenting "authorship on a given date". Authors can register works with the WGA's Registry, and even television formats using the FRAPA's system ------------------------------ Date: Mon, 6 Apr 2020 07:47:39 -0400 From: "Infrared Thermometer" Subject: Body temperature measurement: aiming towards the forehead Body temperature measurement: aiming towards the forehead http://fidether.guru/ogaF1m7LlHJ8tTTGCCYeH4krrB8lY_X33PhgdIZFp-yI3vEn http://fidether.guru/-OEpUByzMM0jCNlDYlghxhpdEoovUy1wMUgxNyfLxyIPjcuK Article 29 reflects a debate on territorial reform in Germany that is much older than the Basic Law. The Holy Roman Empire was a loose confederation of large and petty principalities under the nominal suzerainty of the emperor. Approximately 300 states existed at the eve of the French Revolution in 1789. Territorial boundaries were essentially redrawn as a result of military conflicts and interventions from the outside: from the Napoleonic Wars to the Congress of Vienna, the number of territories decreased from about 300 to 39; in 1866 Prussia annexed the sovereign states of Hanover, Nassau, Hesse-Kassel, and the Free City of Frankfurt; the last consolidation came about under Allied occupation after 1945. The debate on a new delimitation of the German territory started in 1919 as part of discussions about the new constitution. Hugo Preuss, the father of the Weimar Constitution, drafted a plan to divide the German Reich into 14 roughly equal-sized states. His proposal was turned down due to opposition of the states and concerns of the government. Article 18 of the constitution enabled a new delimitation of the German territory but set high hurdles: "Three fifth of the votes handed in, and at least the majority of the population are necessary to decide on the alteration of territory". In fact, until 1933 there were only four changes in the configuration of the German states: The 7 Thuringian states were merged in 1920, whereby Coburg opted for Bavaria, Pyrmont joined Prussia in 1922, and Waldeck did so in 1929. Any later plans to break up the dominating Prussia into smaller states failed because political circumstances were not favourable to state reforms. After the Nazi Party seized power in January 1933, the LC$nder increasingly lost importance. They became administrative regions of a centralised country. Three changes are of particular note: on January 1, 1934, Mecklenburg-Schwerin was united with the neighbouring Mecklenburg-Strelitz; and, by the Greater Hamburg Act (GroC-Hamburg-Gesetz) of 1937, the area of the city-state was extended, while LC Subject: "Cleanix" - the smallest portable UV light machine in the world. "Cleanix" - the smallest portable UV light machine in the world. http://protected.guru/KNcgiKtqN2ugq_9l1IfLqzqq17gkX5F1LwANHBrtSKf7VQ http://protected.guru/RrcDErXXjZW66dkb9SPznbPE7OrVGz_dPx3Ke52VkW0X5GxC Later, the hungover Blacky is eating breakfast while pregnant Vera complains about his supposed affair with a theatre actress. Suddenly, the roar of the planes is heard, and German bombs begin falling on Belgrade. After the air raid is over, Blacky goes out against the wishes of his wife and inspects the devastated city. Encountering building ruins and escaped wild animals from the zoo, he also runs into disconsolate Ivan carrying a baby chimp named Soni. The Royal Yugoslav Army's resistance is quickly broken, and German troops soon occupy and dismember the entire Kingdom. Blacky starts operating clandestinely as a communist activist along with Marko and others. Blacky occasionally visits his mistress Natalija Zovkov who has been assigned to a special actors' labour brigade that is helping the city's rebuilding effort under German occupational control. An acclaimed, pampered, and celebrated actress in the National Theatre, Natalija has caught the eye of a high-ranking German officer named Franz. Marko has set up weapons storage and hideaway spot in the cellar of his grandfather's house. Following their interception of a large trainload of weapons, Marko and Blacky are identified as dangerous bandits in German radio bulletins. While Blacky is off hiding in the woods as Germans are intensifying door-to-door raids in the city, Marko takes Vera, Ivan and many others into the cellar to hide. Vera is due and gives birth to a baby boy, who she names Jovan before dying. In 1944, and Blacky is in town to celebrate his son's birthday at a local communist hangout. The two best friends head for the theatre in a jovial mood. They see Natalija performing on stage in front of Franz and other German officers, and Blacky shoots Franz in the chest. With Natalija, Blacky manages to reach the river boat anchored just outside Belgrade. Naturally, Marko is along as well, and all are getting ready for a forced wedding despite Natalija's protestations. The party is interrupted by German soldiers surrounding the anchored boat. Suddenly, Franz is seen yelling, demanding Blacky and Marko release Natalija, who runs to Franz. Blacky is captured by Germans and tortured in the city hospital with electric shocks while Franz and Natalija visit her brother Bata at the same hospital. Meanwhile, Marko has found a way to enter the building through an underground sewer passage. Sneaking up on Franz, Marko strangles him to death with a cord in front of Natalija who switches sides once again. Marko then proceeds to free Blacky. They leave with fatigued Blacky hidden in a suitcase, but Blacky is injured by a grenade ------------------------------ Date: Tue, 7 Apr 2020 06:00:23 -0400 From: "Christopher" Subject: How To Build Your Own SHTF Silencer At Home (100% legal) How To Build Your Own SHTF Silencer At Home (100% legal) http://remeddy.guru/apJlQ44bgBnHHCFokRK8iTuS4iHdrlBqXnIPjI6q-PAqgI5V http://remeddy.guru/SMtuXlaNmR6YPqLFU5WKcrwt-PTIwUuF2BvSXw64bklfUOMj Modernism in music is a philosophical and aesthetic stance underlying the period of change and development in musical language that occurred from 1890 to 1930. Two musical movements that were dominant during this time were the impressionist beginning around 1890 and the expressionist that started around 1908. It was a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that lead to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The operative word most associated with it is "innovation". Its leading feature is a "linguistic plurality", which is to say that no single music genre ever assumed a dominant position. The orchestra continued to grow in size during the early years modernist era, peaking in the first two decades of the 20th century. Saxophones that appeared only rarely during the 19th century became more commonly used as supplementary instruments, but never became core members of the orchestra. While appearing only as featured solo instruments in some works, for example Maurice Ravel's orchestration of Modest Mussorgsky's Pictures at an Exhibition and Sergei Rachmaninoff's Symphonic Dances, the saxophone is included in other works such as Sergei Prokofiev's Romeo and Juliet Suites 1 and 2 and many other works as a member of the orchestral ensemble. In some compositions such as Ravel's BolC)ro, two or more saxophones of different sizes are used to create an entire section like the other sections of the orchestra. The euphonium is featured in a few late Romantic and 20th century works, usually playing parts marked "tenor tuba", including Gustav Holst's The Planets, and Richard Strauss's Ein Heldenleben. Prominent composers of the early 20th century include Igor Stravinsky, Claude Debussy, Dmitri Shostakovich, Sergei Rachmaninoff, Sergei Prokofiev, Arnold Schoenberg, Heitor Villa-Lobos, Anton Webern, Alban Berg, CC)cile Chaminade, Paul Hindemith, Aram Khachaturian, George Gershwin, Amy Beach, and BC)la BartC3k, along with the aforementioned Mahler and Strauss as transitional figures who carried over from the 19th century ------------------------------ End of alt.music.moxy-fruvous digest V14 #3905 **********************************************