From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #16465 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Monday, August 4 2025 Volume 14 : Number 16465 Today's Subjects: ----------------- Learn Self-Sufficiency from a Veteran ["Resourcefulness Skills" Subject: Learn Self-Sufficiency from a Veteran Learn Self-Sufficiency from a Veteran http://medicalgarden.click/BU8kii1SwoA8sQ0SamK0BBNBkLpYSWARDglaZcQzs4URPcMQhQ http://medicalgarden.click/0irdxed79qw2TkNCPMgKCVRm_6_gNEEmKIgg1p5TSiKQxGNmcw ture films, as well as the fact that Max and Dave Fleischer were no longer speaking to one another, Fleischer Studios was acquired by Paramount, which renamed the operation Famous Studios. That incarnation of the animation studio continued cartoon production until 1967, but has been historically dismissed as having largely failed to maintain the artistic acclaim the Fleischer brothers achieved under their management. 1941b1950: United States v. Paramount Pictures, Inc. In 1940, Paramount agreed to a government-instituted consent decree: block booking and "pre-selling" (the practice of collecting up-front money for films not yet in production) would end. Immediately, Paramount cut back on production, from 71 films to a more modest 19 annually in the war years. Still, with more new stars like Bob Hope, Alan Ladd, Veronica Lake, Paulette Goddard, and Betty Hutton, and with war-time attendance at astronomical numbers, Paramount and the other integrated studio-theatre combines made more money than ever. At this, the Federal Trade Commission and the Justice Department decided to reopen their case against the five integrated studios. Paramount also had a monopoly over Detroit movie theat ------------------------------ End of alt.music.moxy-fruvous digest V14 #16465 ***********************************************